At The Seattle Mirror, he is competing for the single full-time job being offered through the paper's intense intern program. But unlike the program's other young reporters, who attended big name schools and worked at other big metro dailies, Wade put himself through community college, and lacked the same experience. Wade struggles with his haunting past as he pursues the story of Karen Harding, a college student whose car was found abandoned on a lonely stretch of highway in the Pacific Northwest. How could this beloved young woman with the altruistic nature simply vanish? Wade battles mounting odds and cut-throat competition to unearth the truth behind Karen Harding's disturbing case. Her disappearance is a story he cannot give up, never realizing the toll it could exact from him. The Dying Hour is a bone-chilling, mesmerizing page-turner that introduces readers to an all-too-human young hero who journeys into the darkest regions of the human heart to confront a nightmare. The International Thriller Writers (ITW), selected The Dying Hour as a finalist for a Thriller Award for Best Paperback Original, 2006. Rick Mofina is a former journalist who has interviewed murderers on death row, flown over L.A. with the LAPD and patrolled with the Royal Canadian Mounted Police near the Arctic. He's also reported from the Caribbean, Africa and Kuwait's border with Iraq. His books have been published in nearly 30 countries, including an illegal translation produced in Iran. His work has been praised by James Patterson, Dean Koontz, Michael Connelly, Lee Child, Tess Gerritsen, Jeffery Deaver, Sandra Brown, James Rollins, Brad Thor, Nick Stone, David Morrell, Allison Brennan, Heather Graham, Linwood Barclay, Peter Robinson, Håkan Nesser and Kay Hooper. The Crime Writers of Canada, The International Thriller Writers and The Private Eye Writers of America have listed his titles among the best in crime fiction. As a two-time winner of Canada's Arthur Ellis Award, a three-time Thriller Award finalist and a two-time Shamus Award finalist, the Library Journal calls him, “One of the best thriller writers in the business."

    As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so. The latest trainee detective to work with him is the son of a member of his former team, and together they begin to unravel the truth about what happened to Wayne Fletcher. As the investigation proceeds, it becomes clear that others are involved - some seem determined to prevent it, some seem to be taking too much interest. In the end Smith operates alone, having stepped too far outside standard procedures to ask for support. He knows that his own life might be at risk but he has not calculated on the life of his young assistant also being put in danger. He might still get his man but at what cost?

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    So when his boss asks him to help millionaire Dave Teller locate a prized missing stallion, he accepts. But he gets more action than he bargained for when he draws the affection of his boss' beautiful teenage daughter, advances from Teller's socialite wife, and the deadly attention of the horse thieves, who would be happy to put Hawkins out to pasture...permanently.

    She needs to quit her job, leave her horrendous boss and New York City, and walk away from the fast life. Making good on her childhood promise to herself, she decides to walk away from it all, and to relive a beloved childhood vacation in the quaint English seaside town of Wilfordshire.Wilfordshire is exactly as Lacey remembers it, with its ageless architecture, cobblestone streets, and with nature at its doorstep. Lacey doesn’t want to go back home—and spontaneously, she decides to stay, and to give her childhood dream a try: she will open her own antique shop.Lacey finally feels that her life is taking a step in the right direction—until her new star customer turns up dead.As the newcomer in town, all eyes are on Lacey, and it’s up to her to clear her own name.With a business to run, a next-door neighbor turned nemesis, a flirty baker across the street, and a crime to solve – is this new life all that Lacey thought it would be?

    After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

    But the next morning the body of a murdered teenage girl is discovered nearby, and suspicion falls on Magnus. Inspector Jimmy Perez enters an investigative maze that leads deeper into the past of the Shetland Islands than anyone wants to go.

    Not since Nora walked out of school one day and never went back. There was a dark, dark houseUntil, out of the blue, an invitation to Clare’s hen do arrives. Is this a chance for Nora to finally put her past behind her?And in the dark, dark house there was a dark, dark roomBut something goes wrong. Very wrong.And in the dark, dark room.... Some things can’t stay secret for ever.

    She’s been trying to put the crime out of her mind; what could she have done, really? It’s a dangerous road to be on in the middle of a storm. Her husband would be furious if he knew she’d broken her promise not to take that shortcut home. And she probably would only have been hurt herself if she’d stopped.But since then, she’s been forgetting every little thing: where she left the car, if she took her pills, the alarm code, why she ordered a pram when she doesn’t have a baby.The only thing she can’t forget is that woman, the woman she might have saved, and the terrible nagging guilt.Or the silent calls she’s receiving, or the feeling that someone’s watching her…

    An intoxicating cocktail of loyalty and secrets, lies and betrayal, reminiscent of Rosamund Lupton’s Sister and Kimberly McCreight’s Reconstructing Amelia.A decade ago, Ella Brooke’s older sister, Miranda, vanished without a trace. With every passing year, Ella has come to resemble more closely the sister she lost—the same dark hair, the same piercing blue eyes—and now she’s the same age Miranda was when she disappeared.Ella has never let go of her sister. She can still feel Miranda’s presence, still hear her voice. She still talks to her. What holds Ella together is her love for her sister’s ten-year-old son and her work as a self-defense expert helping victims.Ella is certain that Miranda was taken, and that one man is key to her disappearance: Jason Thorne. The tabloids report that a new link has been found connecting Miranda to this sadistic serial killer locked away in a psychiatric hospital. Ignoring warnings from the police and the disapproval of her parents, she seeks Thorne out. Ella will do whatever it takes to uncover the truth—no matter how dangerous…

    Once a top criminal defense attorney, she fell from grace when she managed to get a brilliant Harvard professor off—only to watch him kill again. She lost her husband and her daughter, and her life fell apart around her.Trying to redeem herself, Avery has turned to the other side of the law. Working her way up the ranks, she has reached Homicide Detective, to the scorn of her fellow officers, who still remember what she did, and who will always hate her.Yet even they cannot deny Avery’s brilliant mind, and when a disturbing serial killer strikes fear into the heart of Boston, killing girls from elite colleges, it is Avery that they turn to. It is Avery’s chance to prove herself, to finally find the redemption she craves. And yet, as she is soon to find out, Avery has come up against a killer as brilliant and daring as she.In this game of psychological cat and mouse, women are dying with mysterious clues, and the stakes could not be higher. A frantic race against time leads Avery through a series of shocking and unexpected twists—culminating in climax that even Avery could not imagine. A dark psychological thriller with heart-pounding suspense, CAUSE TO KILL marks the debut of a riveting new series—and a beloved new character—that will leave you turning pages late into the night.

    A young woman is found naked and strangled in an alley in well-to-do St John’s Wood.The African. The neighbours would love to pin it on the enigmatic black stranger who has just moved in.The Pariah. Detective Sergeant Cathal Breen is convinced there’s more to the case than anyone wants to admit; no-one’s listening.The Outsider. In walks WPC Helen Tozer – awkward chatterbox, farmgirl, and the first woman to enter the murder unit – and gives Breen a breakthrough.A Song from Dead Lips is a crime thriller that shows the glorified sixties close-up, as it really was – comfortably sexist, racially prejudiced, class-bound and crawling with corruption.

    What she never expected was to find herself at the heart of a 200-year-old mystery that still has the power to put lives on the line. And with each new lead she pursues, death follows hard on her heels….

    Twenty years. Now the killer is back for more…DCI Matilda Darke has returned to work after a nine month absence. A shadow of her former self, she is tasked with re-opening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their eleven-year-old son, Jonathan, who was too deeply traumatized to speak a word.Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more…A darkly compelling debut crime novel. The start of a brilliant series, perfect for fans of Stuart MacBride, Val McDermid, and James Oswald.

    When body parts are found on the banks of the River Thames in Deptford, DI Angelica Henley is tasked with finding the killer. Eerie echoes of previous crimes lead Henley to question Peter Olivier, aka The Jigsaw Killer, who is currently serving a life sentence for a series of horrific murders. When a severed head is delivered to Henley's home, she realises that the copycat is taking a personal interest in her and that the victims have not been chosen at random. To catch the killer, Henley must confront her own demons - - and when Olivier escapes from prison, she finds herself up against not one serial killer, but two.