Her poems are haunted by demons, ghosts, and even the living who wander exotic landscapes that appear at once threatening and seductive. In these poems, her sly speaker renames a pink hibiscus on display at Lowe's, "Lucifer's Panties"; another character chants, "I'd fall devil / over heels over edge over oleander"; and one woman writes a letter to the underworld:Dear black bayou, once, by a riverI bit a man's neck. His scent: the rawteak air husked inside stomachs of sixRussian nesting dolls--the ones in the attic I pulledapart and open. The ones Ipulled apart and open like Styrofoam cups.

    For Flora, former starving urchin, the brutal life of a pirate is about survival: don’t trust, don’t stick out, and don’t feel. But on this voyage, as the pirates prepare to sell their unsuspecting passengers into slavery, Flora is drawn to the Lady Evelyn Hasegawa, who is en route to a dreaded arranged marriage with her own casket in tow. Flora doesn’t expect to be taken under Evelyn’s wing, and Evelyn doesn’t expect to find such a deep bond with the pirate Florian. Soon the unlikely pair set in motion a wild escape that will free a captured mermaid (coveted for her blood, which causes men to have visions and lose memories) and involve the mysterious Pirate Supreme, an opportunistic witch, and the all-encompassing Sea itself.

    She is not the kind of person who goes to Vegas and gets drunkenly married to a woman whose name she doesn’t know…until she does exactly that.This one moment of departure from her stern ex-military father’s plans for her life has Grace wondering why she doesn’t feel more fulfilled from completing her degree. Staggering under the weight of her father’s expectations, a struggling job market and feelings of burnout, Grace flees her home in Portland for a summer in New York with the wife she barely knows.When reality comes crashing in, Grace must face what she’s been running from all along—the fears that make us human, the family scars that need to heal and the longing for connection, especially when navigating the messiness of adulthood.

    Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens. From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.StoriesRoja - Anna-Marie McLemoreThe Sweet Trade - Natalie C. ParkerAnd They Don`t Kiss at the End - Nilah MagruderBurnt Umber - Mackenzi LeeThe Dresser & the Chambermaid - Robin TalleyNew Year - Malinda LoMolly`s Lips - Dahlia AdlerThe Coven - Kate ScelsaEvery Shade of Red - Elliot WakeWillows - Scott TraceyThe Girl with the Blue Lantern - Tess SharpeThe Secret Life of a Teenage Boy - Alex SanchezWalking After Midnight - Kody KeplingerThe End of the World as We Know It - Sara FarizanThree Witches - Tessa GrattonThe Inferno & the Butterfly - Shaun David HutchinsonHealing Rosa - Tehlor Kay Mejia

    The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t

    Sappho, Michelangelo, Shakespeare, Emily Dickinson, Oscar Wilde, and many others are woven into this rich, visceral piece. Originally written fourteen years ago, The Mirror of Love sprang from Moore's activist heart as a reaction to Britain's controversial anti-gay law, Clause 28. In the past, Mirror has been translated into both a comic book and a stage production, but Top Shelf presents it as it was meant to be, a hardcover book illustrated with over forty full-color photographs from acclaimed artist JosE Villarrubia. Included in the 128-page special edition is an essay about the poem and its previous incarnations, an index of characters and places, a selection of classic poems quoted in the text, and a bibliography.

    Bertrice Martin—a widow, some seventy-three years young—has kept her youthful-ish appearance with the most powerful of home remedies: daily doses of spite, regular baths in man-tears, and refusing to give so much as a single damn about her Terrible Nephew. Then proper, correct Miss Violetta Beauchamps, a sprightly young thing of nine and sixty, crashes into her life. The Terrible Nephew is living in her rooming house, and Violetta wants him gone. Mrs. Martin isn’t about to start giving damns, not even for someone as intriguing as Miss Violetta. But she hatches another plan—to make her nephew sorry, to make Miss Violetta smile, and to have the finest adventure of all time. If she makes Terrible Men angry and wins the hand of a lovely lady in the process? Those are just added bonuses. Author’s Note: Sometimes I write villains who are subtle and nuanced. This is not one of those times. The Terrible Nephew is terrible, and terrible things happen to him. Sometime villains really are bad and wrong, and sometimes, we want them to suffer a lot of consequences.

    The poet wonders at his own existence and struggles between actual living and the desire to die."Cyril Wong continues to explore the nuances of relationships, in language that is lyrical, beautifully crafted, and erotically charged. There are several fine love poems that reach out to embrace a common humanity. Wong swims into the undercurrents of family tensions, hidden desires, and the meaning of a self... as well as questioning our understanding of both life and death."- Rebecca Edwards, author of Scar Country and Holiday Coast Medusa"Reading Cyril Wong is always to encounter risk, the painful suturing of art and life, trials of faith and baptisms of fire. I have only the deepest respect for someone who has razed the walls between the private and the public, and in doing so, carved more space for all of us."- Alfian Sa'at, author of One Fierce Hour and A History of Amnesia

    Meanwhile, village sweetheart Rosie Perkins has no time for affairs of the heart — she's just struggling to keep her cafe and life afloat. When Olivia heads to Cornwall to escape her royal duties for a few weeks, the two meet and sparks fly. But can a cafe owner and a princess truly end up with their own happily ever after when all the odds are stacked against them? Best-selling lesbian romance authors Clare Lydon & Harper Bliss have teamed up to bring this modern-day fairy tale to life. Grab your copy of the love story everyone's talking about!

    But her bone-deep aversion to math + a soul-deep desire to please her mother = her failing math grade + exploding food vlog ‘this masala life’.Enter her mother’s research intern and resident math genius Farah Ahmed. Tara makes a deal with Farah - help her pass the math course and she’ll welcome Farah into the local Bollywood Drama & Dance Society.Grumpy girl gets life lessons…After losing her mom to a heart attack, dumping her small-minded boyfriend (she’sbisexual, not confused) and reluctantly moving to the US to be near her dad - all in the span of eighteen months, twenty-three-year-old Farah has hit the full quota on LIFE. Two things keep her going - her internship with a brilliant statistics professor and the possibility of meeting her dancing idol through the Bollywood Drama & Dance Society. That is, if her new hot-mess housemate will let her.Soon Tara and Farah are bonding over chicken biryani, dancing to Bollywood Beats at midnight and kissing... against all the odds. And maybe beginning to realize that while life’s even more complicated than math, love is the one variable that changes everything!Will they realize that together they have the recipe for a Happily Ever After?

    With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America--and the painful, joyous path to adulthood as a young, queer Black woman.Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

    This is their story--ultimately a love story--darkly funny, mournful, testy. It is about a reader who at times presides over the page like a god, and at others follows the leash of the author's voice through the dark streets of the book like a dog, and it is about a writer of determined slipperiness.  As we read, we think that each of us is The Reader, the one who knows the Real Story. But the more we think we understand, the more the story moves away from us—all is not what it seems. This eagerly awaited third volume by the poet whose work The New York Times described as "at once charmed and frightening" is a book of high-spirited subversiveness, a work of argument, seduction, and a relentless devotion to language. Then, Suddenly— bristles with the sound of the author's voice--insistent, vital, hilarious, and iconoclastic--tearing away at the confinement of the page and at the distance between the page and the reader. Emanuel's images are dazzling. She creates a performance that is fearsome and funny in its portrayal of the argument between the work of the text and the world of the body. The Gettsyburg Review has called her a writer of "exquisite craftsmanship" who can "strike from language . . . images chiseled clean as bas-relief." Then, Suddenly— is a book of spectacle and verve, part elegy, part vaudeville.

    and it’s not that she likes girls. She has a rare and special gift: she can see how old other people will be when they pass away. Nothing she does changes this number, and that becomes especially clear when her mother dies in a car crash. With only one other person in the world who knows about and shares her gift, Harper is determined to keep her distance from everyone. Then she falls for Chloe… whose number is 16.That means that Chloe doesn’t have twelve months to live. She doesn’t even have six.She is going to be dead by the end of the summer, unless Harper can find a way to stop it.

    By doing so, Dawn delves deeper into the themes of trauma, memory, and unblushing sexuality that define her work.Amber Dawn is the author of the Lambda Award-winning novel Sub Rosa and the memoir How Poetry Saved My Life (winner of the Vancouver Book Award). Her other awards include the Writers' Trust of Canada Dayne Ogilvie Prize.

    Yet those meager remains showed such power and genius that they captured the imagination of readers through the ages. But within the last century, dozens of new pieces of her poetry have been found written on crumbling papyrus or carved on broken pottery buried in the sands of Egypt. As recently as 2014, yet another discovery of a missing poem created a media stir around the world.The poems of Sappho reveal a remarkable woman who lived on the Greek island of Lesbos during the vibrant age of the birth of western science, art, and philosophy. Sappho was the daughter of an aristocratic family, a wife, a devoted mother, a lover of women, and one of the greatest writers of her own or any age. Nonetheless, although most people have heard of Sappho, the story of her lost poems and the lives of the ancient women they celebrate has never been told for a general audience.Searching for Sappho is the exciting tale of the rediscovery of Sappho’s poetry and of the woman and world they reveal.