With an array of stunning performances in blockbusters as diverse as Big, The Da Vinci Code, Forrest Gump, Philadelphia, and Saving Private Ryan to his name, he has an outstanding reputation as one of the world's greatest leading men. Yet behind the many roles lies an intensely complex figure. This wonderful portrait of a dedicated family man and professional explores Tom Hanks' fractured childhood, the breakdown of his first marriage, his friendship with Princess Diana, his relationship with Bill Clinton, his moral and political stances, his family life, and the highs and lows of his stellar career.

    Script of Whiplash.A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.

    Len Deighton, author of the classic espionage novel 'The Ipcress File', knew both sides intimately. An acquaintance of Ian Fleming’s (who had praised Deighton’s debut novel in the 'Sunday Times') Deighton was also close to the man who was to become Fleming’s nemesis – Kevin McClory, a veteran of the British film industry. The history of Bond’s development under the arc lights becomes, in Deighton’s expert hands, a saga-like story of inflated egos and poisonous vendettas, exotic locations and claustrophobic courtooms, all involving household names. As an eye witness to the protracted disputes that complicated Bond’s depiction both on screen and on the page, Deighton is in a unique position to tell what he saw. Candid, comical, always steely-eyed, this hefty slice of cinematic memoir reads with all the high-powered pace of a Len Deighton thriller.

    A contemporary Mayan Priest and Shaman reveals the genius of the ancient Mayan calendar and its accompanying horoscope, and examines in depth the ancient 2012 prophecy that many believe will forever change the world as we know it. The Book of Destiny is the most complete and authentic book on the secrets of the ancient Mayan culture and what it means for readers today.

    Aided by a disgraced former journalist and a maverick female filmmaker whose sworn mandate is to destroy the traditional Hollywood hierarchy, he begins a journey of revenge and personal salvation – a journey that will pit him against the owners of one of the most powerful and corrupt film companies in Los Angeles.Colony of Whores is a high-speed thrill-ride through the glamour and greed that define post-millennium Hollywood.

    Hugely prolific in his first decade--Breathless, Contempt, Pierrot le Fou, Alphaville, and Made in USA are just a handful of the seminal works he directed--Godard introduced filmgoers to the generation of stars associated with the trumpeted sexuality of postwar movies and culture: Brigitte Bardot, Jean Seberg, Jean-Paul Belmondo, and Anna Karina.As the sixties wore on, however, Godard's life was transformed. The Hollywood he had idolized began to disgust him, and in the midst of the socialist ferment in France his second wife introduced him to the activist student left. From 1968 to 1972, Europe's greatest director worked in the service of Maoist politics, and continued thereafter to experiment on the far peripheries of the medium he had transformed. His extraordinary later works are little seen or appreciated, yet he remains one of Europe's most influential artists.Drawing on his own working experience with Godard and his coterie, Colin MacCabe, in this first biography of the director, has written a thrilling account of the French cinema's transformation in the hands of Truffaut, Rohmer, Rivette, and Chabrol--critics who toppled the old aesthetics by becoming, legendarily, directors themselves--and Godard's determination to make cinema the greatest of the arts.

    Now, ten years later, they seem to have it all. Jessica is in the limelight, a TV personality whose star is on the rise. Ellie is an optimist, happily engaged in the quest for love. Shereen is a stunning and powerful executive, and Yolanda, the strong-willed leader of the group, has defied her roots to capture her vision of the American dream. But years before, these four women banded together to keep a devastating secret-and now, ten years later, someone will do anything to see the secret brought to light. None of them anticipated the consequences of keeping the secret-and now, someone is trying to shatter all their lives. Intense, powerful, page-turning, and emotional, The Sisters of Theta Phi Kappa will keep you guessing and will make you think about the depths of friendship, the price of loyalty, and the bonds of sisterhood.

    In this cultural examination of American film noir, poet and novelist Nicholas Christopher contrasts the nightmare world of the genre with the sunny unreality of American popular culture, presenting a fresh view of its meaning for our time.

    They had already made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, among others. No Country is just one of many Coen brothers films to center on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit. To

    It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    Fernandez de Lizardi, and the only one that remained unpublished until 1832, five years after the death of its author. At first glance, the novel does not seem -at least morally- to doubt: bad characters die, "catrinismo" is sensationally defeated and the truth left standing is monopolized by the clergy, military, and nobility. Perhaps dazzled by the canonization process that Fernandez de Lizardi underwent at the hands of liberal historiography towards the end of the 19th century, critics tend to read "Don Catrin de la Fachenda" as the representative of a colonial order that an emergent Mexican nation must destroy in order to advance, free from those elements that halt progress, toward the promising period of liberal modernization. However, one can also trace in the protagonist the signs of the anxiety Lizardi experienced due to the development of a revolution that sooner rather than later would impose what he perceives as a materialist and bourgeois social code. This is probably why all political expectations in the novel rely on those redeemer-characters that form part of a colonial apparatus that Lizardi seems committed to modernize at all costs: clergymen that quote Rousseau, military officials who declare their loyalty to the king and the law, creole-aristocrats that do not speak of a nobility based on blood but of a nobility of virtues, and lettered men who fervently trust in the power of religion, education and work. Displaying what could be classified as a monarchical-constitutional reformism, Lizardi expects such privileged agents to carry out, without violence, the political and social changes needed in New Spain at the beginning of the 19th Century. Far from being in line with a view of Lizardi as revolutionary and liberal, the results of the clash of discourses that occurs within "Don Catrin de la Fachenda" seems to confirm the author's nostalgia for a colonial order in which eternal truth, honor and authority prevail as bastions of the church, the army and the nobility. In the current edition, Maria Eugenia Mudrovcic undertakes the analysis of Lizardi's last novel as well as provides notes that facilitate an in depth understanding of a text that though entertaining, is complex and contradictory."

    Moved by the guilt of never having worked with his hands, Neruda opens with the despairing confession, “Why did I not make a broom? / Why was I given hands at all?” The themes of hands and work grow in significance as Neruda celebrates the carpenters, longshoremen, blacksmiths, and bakers—those laborers he admires most—and shares his exuberant adoration for the earth and the people upon it.Yes, I am guiltyof what I did not do,of what I did not sow, did not cut, did not measure,of never having rallied myself to populate lands,of having sustained myself in the desertsand of my voice speaking with the sand.Pablo Neruda (1904–1973) was a Chilean poet and diplomat who received the Nobel Prize in Literature in 1971. Recognized during his life as “a people’s poet,” he is considered one of the greatest artists of the twentieth century.William O’Daly is the best-selling translator of six of Pablo Neruda’s books, including The Book of Questions and The Sea and the Bells. His work as a translator has been featured on The Today Show.

    A legend says that the Incas had retreated deep into the jungle, where they built another magnificent city in an inaccessible quarter of the cloud-forest. And for more than four centuries explorers and adventurers, archaeologists and warrior-priests, have searched for the gold and riches of the Incas, and this lost city of Paititi, known by the local Machiguenga tribe as 'The House of the Tiger King'. decade, he could stand it no more. He put together an expedition and set out into Peru's Madre de Dios jungle, the densest cloud forest on Earth. He teams up with a Pancho, a Machiguenga warrior who asserts that in his youth he came upon a massive series of stone ruins deep in the jungle. Pancho's ambition was to leave the jungle and visit a 'live' bustling city so the two men make a pact: if Pancho takes Shah to Paititi, then he will take Pancho to the Peruvian capital. Here is the tale of Shah's remarkable adventure to find the greatest lost city of the Americas, and the treasure of the Incas. Along the way he considers others who have spent decades in pursuit of lost cities, and asks why anyone would find it necessary to mount such a quest at all.

    He and a friend cofounded a bilingual magazine, "El Puente, " and it proved more successful than they ever expected. Then Volz met Doris Jimenez, an incomparable beauty from a small Nicaraguan beach town, and they began a passionate and meaningful relationship. Though the relationship ended amicably less than a year later and Volz moved his business to the capital city of Managua, a close bond between the two endured.Nothing prepared him for the phone call he received on November 21, 2006, when he learned that Doris had been found dead---murdered---in her seaside clothing boutique. He rushed from Managua to be with her friends and family, and before he knew it, he found himself accused of her murder, arrested, and imprisoned.Decried in the press and vilified by his onetime friends, Volz suffered horrific conditions, illness, deadly inmates, an angry lynch mob, sadistic guards, and the merciless treatment of government officials. It was only through his dogged persistence, the tireless support of his friends and family, and the assistance of a former intelligence operative that Eric was released, in December 2007, after more than a year in prison.A story that made national and international headlines, this is the first and only book to tell Eric's absorbing, moving account in his own words."Visit the companion Exhibit Hall at the Gringo Nightmare website for additional photos, audio clips, video, case files, and more."

    Under extreme pressure on a catastrophic location shoot, Universal's 27 year-old prodigy crafted a thriller so effective that for many years Jaws was the highest-grossing film of all time. It was also instrumental in establishing the concepts of the event movie and the summer blockbuster. Jaws exerts an extraordinary power over audiences. Apparently simplistic and manipulative, it is a film that has divided critics into two broad camps: those who dismiss it as infantile and sensational - and those who see the shark as freighted with complex political and psychosexual meaning. Antonia Quirke, in an impressionistic response, argues that both interpretations obscure the film's success simply as a work of art. In Jaws Spielberg's ability to blend genres combined with his precocious technical skill to create a genuine masterpiece, which is underrated by many, including its director. Indeed, Quirke claims, this may be Spielberg's finest work.