A Winner of the 2016 Alex AwardsNightmarish villains with superhuman enhancements. An all-seeing social network that tracks your every move. Mysterious, smooth-talking power players who lurk behind the scenes. A young woman from the trailer park. And her very smelly cat. Together, they will decide the future of mankind.Get ready for a world in which anyone can have the powers of a god or the fame of a pop star, in which human achievement soars to new heights while its depravity plunges to the blackest depths. A world in which at least one cat smells like a seafood shop's dumpster on a hot summer day. This is the world in which Zoey Ashe finds herself, navigating a futuristic city in which one can find elements of the fantastic, nightmarish and ridiculous on any street corner. Her only trusted advisor is the aforementioned cat, but even in the future, cats cannot give advice. At least not any that you'd want to follow.Will Zoey figure it all out in time? Or maybe the better question is, will you? After all, the future is coming sooner than you think.

    We witness scenes of passionate, even violent intensity that give rise to meditations on eros and literature, the solitariness of travel, and the poetics of place.These individual pieces, most of which first appeared in The London Review of Books and won an international cult following, are by turns "poignant, surreal, down home and lyrical, a mixture of qualities that inheres in his language with uncommon delicacy and effect" (Leonard Michaels). Together they make up an intellectual and emotional autobiography on the run. The book's final section, about Kleinzahler's adored, doomed older brother, is unforgettable, and since its appearance last year in the LRB, has already entered the literature as one of the most moving contemporary memoirs.

    it is the facade that many of us peruse our lives carrying, often neglecting our pain, our mental health, and most importantly, the way we are more prone to hurting others when we lack this self-awareness. (w)holehearted seeks to encompass as many stories as possible, touching on several topics, namely, spirituality, feminism, colorism, domestic violence, intersectionality, mental health and more. it aims to depict that anyone with the darkest past and pitfalls can still save themselves from drowning in the difficulties that not only plague our world, but also plague our hearts.

    It holds a life story without a life, a lie spread across low-rent apartment complexes, dreamscapes, and information networks, tangled in chronology, landing in a heap of the future impossible. Available forms—like garments and literature—are made of the materials of history, of the hours of women’s and children’s lives, but they are mostly inadequate to the dimension, motion, and irregularity of what they contain. It’s a book about seeking to find the forms in which to think the thoughts necessary to survival, then about seeking to find the forms necessary to survive survival and survival’s requisite thoughts.“Here Anne Boyer accounts for a form of life—form of life of a woman in this century living in Kansas City apartment complexes or duplexes with names like The Kingman or Colonial Gardens, form of life of a low-rent, cake-baking intellectual parenting a Socratic daughter, form of life of a person whose body refuses to become information or pornography, which are the same. These are the confessions of Anne Boyer, a political thinker who takes notes and invents movements, social and prosodic. Ta gueule, Rousseau.” —Lisa RobertsonAnne Boyer Artist Statement:I read a lot, old works and new ones, but there were so many books that I couldn’t find. These were the books that should have contained an answer to the problem—how do we survive our survival? If a work of literature approached an answer, the answer was bent, asemic, obscured, distorted into sentimental accounts, melodrama, or pornography by literary convention established to make knowing what we needed to impossible..Sometimes the answer was deformed by the failure of survival itself—there were texts severed by their author’s severed lives, by madness, by social isolation, by early death or a long life passed always wanting it. Literature, like garments, had so often been against so many of us, enforcing and sustaining the hostilities of a world with the unequal distribution of resources and the corresponding unequal distribution of suffering..The libraries I needed were full of works written by ghosts of the dead so common their graves lacked stones, the literature of those humans whose names were never their own, whose names were mostly said aloud so that someone might make a command of them, whose names were never used as the mark of their own property—what was it they had known? How did the great human majority—women and girls, those without property, the poor and the workers and enslaved people—resist? In what forms, what languages, what codes were their poems? What possibilities inhabited their thinking, their philosophies, their politics? What names would they be called if they could choose their own? During much of the time Garments Against Women was being written, I wanted to stop writing. I wanted to stop wanting and needing to write. This was so that my daughter and I could better survive; this was also because of my disappointment with literature..But Garments Against Women exists because I failed. I failed to find the literature I needed, so I had to try to write it down. I failed, also, at refusal, failed at failing, failed at self-negating, failed at being ruined despite all that would ruin us, failed at keeping survival bare, failed at obeying history’s prohibitions, failed at being intimidated by the centuries of hostile traditions. What I failed at was not writing despite all the conditions that had been relentlessly calibrated to keep not writing sustained..Some of us write because there are problems to be solved. My life is different than it was when I wrote Garments Against Women, but there’s still a problem: the world as we know it remains the world.

    Returning from study abroad, Cornelius Christian enters customs with his luggage and his dead wife. His first encounter in New York is with a funeral director, with whom he reluctantly takes employment to pay for the burial expenses. In the course of his duties he meets the beautiful Fanny Sourpuss over her millionaire husband's dead body. However, his over-enthusiastic handling of his first corpse lands him in court. Cornelius Christian wanders through the great sad cathedral that is New York, examining the human condition in all its comic pathos and lonely absurdity. Whether lingering in the Automat drinking from half empty coffee cups and stealing baked beans from the plates of customers who go looking for ketchup, or finding love on a street corner only to end up fighting his way out of a hooker's fists, Cornelius Christian, heroic anti-hero, sings of life's goodness in the wake of disaster.

    

    He shoots his first film, surreptitiously capturing his neighbors having sex on their back porch and discovering that through representations of sexual activity he can comment on what he finds both painful and confusing. In the films that follow, the narrator imagines in positions of dominance those who are disadvantaged in their everyday lives, now sexually belittling those who have once held them down. Nettie, an idealistic poet and the one person with whom the narrator genuinely connects, sees in pornography the opportunity to do something artistic, liberating, and socially relevant. She pushes him to make even more subversive films but, ultimately, despite his radical intentions, the narrator falls into a world of greed, delusion, and hypocrisy, the same world he once rebelled against. Investigating the ways in which lives are remembered and reconstructed, Turner works backwards and forwards in time with unerring attention to subtle shifts in voice and experience. But this is not a wistful recounting, for the retelling of the protagonist’s story is at the behest of an authoritative, unforgiving tribunal of interrogators.

    Tracy Whitney is young, beautiful and intelligent - and about to marry into wealth and glamour. Until, suddenly, she is betrayed, framed by a ruthless Mafia gang, abandoned by the man she loves. Only her ingenuity saves her and helps her fight back.

    Lyrics of Leonard Cohen

     Do you want to see the glamorous side of Italy but think it’s out of your budget? Does preparing for international travel leave you feeling anxious? Do you worry about falling into a tourist trap? Italian travel guide and blogger Corinna Cooke has years of experience creating glamorous private vacations throughout every corner of the country. And now she’s here to share her insider tips so you can make the most of your Italian adventure. Glam Italia! How to Travel Italy is your all-in-one guide for crafting your personalized dream vacation. You’ll create an itinerary that’s custom-fit to your interests: from world-renowned art to mouthwatering cuisine, from breathtaking landscapes to trendsetting fashion. With this guide you’ll learn how to find hidden gems and get insider’s advice for touring Italy’s most famous attractions. Whether you plan to travel in style or on a shoestring budget, you’ll discover hidden gems and little-known advice for touring Italy’s most famous attractions. With Cooke’s hassle-free guide, you’ll finally learn to sit back and savor your authentic Italian experience like a local. In Glam Italia! How To Travel Italy, you'll discover: - Step-by-step methods for planning your entire trip, regardless of time or budget - Lists of the best cuisines, and wines by region to satisfy any appetite - Optimum lengths of time to visit each attraction so you can get the best bang for your buck - Simple tips for booking flights that will save hundreds of dollars from your bottom line - Precautions you can take to stay safe and healthy while traveling and much, much more! Glam Italia! How To Travel Italy is your glamorous go-to travel guide for experiencing this charming Mediterranean destination. If you like practical tips, insider advice from a local expert, and stress-free planning, then you’ll love Corinna Cooke’s handbook for your dream vacation. Buy Glam Italia! How To Travel Italy, and pack your bags for a very fabulous, once-in-a-lifetime adventure!

    To celebrate the 20th anniversary of the Reduced Shakespeare Company's classic farce, two of its original writer/performers (Daniel Singer and Jess Winfield) have thoroughly revised the show to bring it up to date for 21st-century audiences, incorporating some of the funniest material from the numerous amateur and professional productions that have been performed around the world. The cultural touchstone that is The Complete Works of William Shakespeare (abridged) was born when three inspired, charismatic comics, having honed their pass-the-hat act at Renaissance fairs, premiered their preposterous masterwork at the Edinburgh Festival Fringe in 1987. It quickly became a worldwide phenomenon, earning the title of London's second-longest-running comedy after a decade at the Criterion Theatre. The Complete Works of William Shakespeare (abridged) is one of the world's most frequently produced plays, and has been translated into several dozen languages. Featured are all 37 of Shakespeare's plays, meant to be performed in 97 minutes, by three actors. Fast paced, witty, and physical, it's full of laughter for Shakespeare lovers and haters alike.

    When his father's business partner Thomas Regan suggests that Francis take a holiday in Central America, ostensibly to search for the treasure of the Morgans' legendary ancestor, Francis thinks it's a splendid idea. But he never suspects what adventures await across the border...Meanwhile, back in New York, a cunning enemy is positioning himself to destroy the Morgan fortune. Francis must get back in time to thwart the takeover and save his family's business.

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    It is inspirational. It is practical. And it has the potential to revolutionize your life.” Mark Batterson—Lead Pastor, National Community ChurchA movement is rumbling through the body of Christ—a revolutionary army of people giving hope to a hurting world through practical, personal acts of service.In Servolution, Dino Rizzo shares the story of his relentless pursuit of ways to bless the lost, poor, and hurting people of his community in Jesus’ name. You’ll be amazed and inspired by the incredible ways God has used Healing Place Church to meet the needs of thousands of people. Each chapter includes practical suggestions and resources for use in any church. Be encouraged by the testimony of how God’s Spirit can use a simple passion to serve to revolutionize your approach to ministry. Wherever you are and whatever your gifts, you can play a vital role in this revolution through serving.

    Most of his friends are dead or disappeared. Corrupt CIA Director Marcus Cain is poised to ascend to the highest levels of power, and the shadowy group known as the Circle is causing chaos across the globe.