. . chilling” (Sports Illustrated), “blistering” (Baltimore Sun), “shocking . . . appalling” (Tacoma News Tribune), “astounding” (ESPN), “jaw-dropping” (Orlando Sentinel). Now, in Scoreboard, Baby, Armstrong and Perry go behind the scenes of the Huskies’ Cinderella story to reveal a timeless morality tale about the price of obsession, the creep of fanaticism, and the ways in which a community can lose even when its team wins. The authors unearth the true story from firsthand interviews and thousands of pages of documents: the forensic report on a bloody fingerprint; the notes of a detective investigating allegations of rape; confidential memoranda of prosecutors; and the criminal records of the dozen-plus players arrested that year with scant mention in the newspapers and minimal consequences in the courts. The statement of a judge, sentencing one player to thirty days in jail, says it all: “to be served after football season.”

    No teachers, no school, no homework, no parents breathing down their necks! The boys are elated until they accidentally start a fire that quickly gets out of control in the dry underbrush. No one is prepared; no one can quite believe what is happening. As the adults in a nearby town bumble their way into helping to fight the fire, a group of children is inadvertently trapped by flames and separated from outside help. Pippa and Peter and Gramps and others must make their own way through the conflagration. Separately and together, they all find out what inner resources they have. There are no heroes or villains, just people caught and humbled by an awesome and catastrophic force.

    . . It takes a skillful journalist to weave data and anecdotes together so effectively." —Carolyn Kellogg, Los Angeles TimesAn award-winning journalist investigates Amazon’s impact on the wealth and poverty of towns and cities across the United States.In 1937, the famed writer and activist Upton Sinclair published a novel bearing the subtitle A Story of Ford-America. He blasted the callousness of a company worth “a billion dollars” that underpaid its workers while forcing them to engage in repetitive and sometimes dangerous assembly line labor. Eighty-three years later, the market capitalization of Amazon.com has exceeded one trillion dollars, while the value of the Ford Motor Company hovers around thirty billion. We have, it seems, entered the age of one-click America—and as the coronavirus makes Americans more dependent on online shopping, its sway will only intensify.Alec MacGillis’s Fulfillment is not another inside account or exposé of our most conspicuously dominant company. Rather, it is a literary investigation of the America that falls within that company’s growing shadow. As MacGillis shows, Amazon’s sprawling network of delivery hubs, data centers, and corporate campuses epitomizes a land where winner and loser cities and regions are drifting steadily apart, the civic fabric is unraveling, and work has become increasingly rudimentary and isolated.Ranging across the country, MacGillis tells the stories of those who’ve thrived and struggled to thrive in this rapidly changing environment. In Seattle, high-paid workers in new office towers displace a historic black neighborhood. In suburban Virginia, homeowners try to protect their neighborhood from the environmental impact of a new data center. Meanwhile, in El Paso, small office supply firms seek to weather Amazon’s takeover of government procurement, and in Baltimore a warehouse supplants a fabled steel plant. Fulfillment also shows how Amazon has become a force in Washington, D.C., ushering readers through a revolving door for lobbyists and government contractors and into CEO Jeff Bezos’s lavish Kalorama mansion.With empathy and breadth, MacGillis demonstrates the hidden human costs of the other inequality—not the growing gap between rich and poor, but the gap between the country’s winning and losing regions. The result is an intimate account of contemporary capitalism: its drive to innovate, its dark, pitiless magic, its remaking of America with every click.

    Having to survive in confined spaces has bred a unique culture where deference and non-confrontation make co-existence possible. **** Osaji's opportunities are limited by the need to care for her aging grandmother. But all that is about to change as circumstances push her toward a journey like no other.

    But Aleister has left a little gift behind -- will Jackson ever be the same?

    Cassie's death was no accident, and Isabel will find the killer, no matter what she has to do. And no matter who stands in her way. The one thing former pararescue soldier Logan Price wants is to avoid the kind of trouble Isabel brings. Yet he can't deny his attraction to her. In this desolate, treacherous land, Isabel needs all the protection she can get--and all the love that Logan can give.

    Now that notion is being challenged, as white people wrestle with what it means to be part of a fast-changing, truly multicultural nation. Facing chronic economic insecurity, a popular culture that reflects the nation's diverse cultural reality, a future in which they will no longer constitute the majority of the population, and with a black president in the White House, whites are growing anxious.This anxiety has helped to create the Tea Party movement, with its call to "take our country back." By means of a racialized nostalgia for a mythological past, the Right is enlisting fearful whites into its campaign for reactionary social and economic policies.In urgent response, Tim Wise has penned his most pointed and provocative work to date. Employing the form of direct personal address, he points a finger at whites' race-based self-delusion, explaining how such an agenda will only do harm to the nation's people, including most whites. In no uncertain terms, he argues that the hope for survival of American democracy lies in the embrace of our multicultural past, present and future.

    According to the fellas, he used to pull all kinds of shoot-ups and shenanigans...but damned if he can't remember a thing from before last year, when he got hit over the head with a lead pipe. Sadistic mobster Bud Seitz — known to friends and enemies alike as "The Kind One" — seems to have big plans for him, but truthfully, Danny can't stomach the dirty work. His aim is off, the other wiseguys laugh at him, and he'd gladly trade in the drunken parties and the endless broads for a day at the movies with his colorful and mysterious neighbor Dulwich and eleven-year-old Sophie, whose deadbeat mother delivers an endless stream of emotional and physical abuse. But when Bud's beautiful girlfriend Darla begs Danny to help her escape the Kind One's dark, brutal world, Danny must confront a dangerous test of loyalty that could irrevocably change his future — and his past — forever.

    Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend:'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

    This is the story of what happened next. . . . Alpert was taken by a carful of gun-toting thugs looking to use his ATM card, but when they learned his bank balance the plan changed. They took him, blindfolded with his own scarf, to a Brooklyn apartment, with the idea of going to a bank the next day and withdrawing most of his money. But the later it got, the more the plan changed again . . . and again . . . as his captors alternately held guns to his head, threatened his family, engaged him in discussions of "gangsta" philosophy, sought his legal advice, and, once they learned it was his birthday, offered him sexual favors from their prostitute girlfriends as a "birthday present." All the while, Alpert, still blindfolded, talked with them, played on their attitudes and fears, tried to figure out where their mood swings would take them next, and memorized every detail he could in the event that he ever managed to get out of there alive. In the meantime, his friends and law enforcement colleagues, worried that they hadn't heard from him, launched a major police and FBI investigation. It, too, would take many twists and turns before it was done-and some of them would be very strange indeed. Filled with immediacy, drama, and extraordinary characters, told not only from Alpert's memory and notes but from police reports, interviews with NYPD detectives, FBI agents, and witnesses, videotaped confessions, and court records, "The Birthday Party" reads like a thriller-but every word is true.

    But when Jonah crosses the line and murders one of his own, Chase goes solo, stealing cars and pulling scores across the country….And then he meets Lila, a strong-willed deputy sheriff with a beguiling smile who shows him what love can be. Chase is on the straight and narrow for the first time in his life—until tragedy hits, and he must reenter the dark world of grifters and crooks. Now Chase is out for revenge—and he’ll have to turn to the one man he hates most in the world. Only Jonah can teach Chase how to become a stone-cold killer. But even as the two men work together, Chase knows that their unresolved past will eventually lead them to a showdown of their own.

    High-level friends at police headquarters were dangling clues from a recent murder case in front of him, stringing him along. Reluctantly investigating the slaying, Taylor was led to the offices of Minnesota gubernatorial candidate and media darling Carol Catherine Monroe. She needed Taylor's help to diffuse a scandal that could rattle the skeletons in her closet. But the murder of an innocent campaign worker hit Taylor where it hurt and taught him a simple truth: Some sins can never be forgotten - or forgiven...

    Today, such language no longer sounds like hyperbole but poses, instead, a very real threat to our freedom and our way of life. In "American Fascists," Chris Hedges, veteran journalist and author of the National Book Award finalist "War Is a Force That Gives Us Meaning," challenges the Christian Right's religious legitimacy and argues that at its core it is a mass movement fueled by unbridled nationalism and a hatred for the open society. Hedges, who grew up in rural parishes in upstate New York where his father was a Presbyterian pastor, attacks the movement as someone steeped in the Bible and Christian tradition. He points to the hundreds of senators and members of Congress who have earned between 80 and 100 percent approval ratings from the three most influential Christian Right advocacy groups as one of many signs that the movement is burrowing deep inside the American government to subvert it. The movement's call to dismantle the wall between church and state and the intolerance it preaches against all who do not conform to its warped vision of a Christian America are pumped into tens of millions of American homes through Christian television and radio stations, as well as reinforced through the curriculum in Christian schools. The movement's yearning for apocalyptic violence and its assault on dispassionate, intellectual inquiry are laying the foundation for a new, frightening America."American Fascists," which includes interviews and coverage of events such as pro-life rallies and weeklong classes on conversion techniques, examines the movement's origins, its driving motivations and its dark ideological underpinnings. Hedges argues that the movement currently resembles the young fascist movements in Italy and Germany in the 1920s and '30s, movements that often masked the full extent of their drive for totalitarianism and were willing to make concessions until they achieved unrivaled power. The Christian Right, like these early fascist movements, does not openly call for dictatorship, nor does it use physical violence to suppress opposition. In short, the movement is not yet revolutionary. But the ideological architecture of a Christian fascism is being cemented in place. The movement has roused its followers to a fever pitch of despair and fury. All it will take, Hedges writes, is one more national crisis on the order of September 11 for the Christian Right to make a concerted drive to destroy American democracy. The movement awaits a crisis. At that moment they will reveal themselves for what they truly are -- the American heirs to fascism. Hedges issues a potent, impassioned warning. We face an imminent threat. His book reminds us of the dangers liberal, democratic societies face when they tolerate the intolerant.

    Also here is Scott's manifesto, "Dogme 2011 for Weird Fiction."

    This contains: Hyperpilosity; Language for Time Travelers; The Command; The Merman; Employment; The Gnarly Man; Reward of Virtue; Nothing in the Rules; The Hardwood Pile; The Reluctant Shaman; The Inspector's Teeth; The Ameba; The Guided Man; Judgment Day; A Gun for Dinosaur; The Emperor's Fan; Two Yards of Dragon; and The Little Green Men.