The third edition of this dictionary reflects changes in the language in the last ten years with an A-Z section of more than sixteen thousand new words.

    This spectacular collection of essays and other writings does justice to those efforts, offering unique appraisals of Aphra Behn, Mary Wollstonecraft, the Duchess of Newcastle, Dorothy Richardson, Charlotte Bronte, and Katherine Mansfield, amongst many others. Gathered too, and using previously unpublished (sometimes even unsigned) journal extracts, are what will now become timeless commentaries on 'Women and Fiction', 'Professions for Women' and 'The Intellectual Status of Women'. More than half a century after the publication of A Room Of One's Own, distinguished scholar Michele Barrett cohesively brings together work which, throughout the years, has been scattered throughout many texts and many volumes. . . affording these very valuable writings the collective distinction they deserve at last.

    61, the children, excited by the opportunity to work with an instructor able to inspire their talent and energy, would clap and shout with pleasure. In this vivid account, Koch describes his inventive methods for teaching these children how to create poems and gives numerous examples of their work. Wishes, Lies, and Dreams is a valuable text for all those who care about freeing the creative imagination and educating the young.

    

    Weaver believed that "rhetoric at its truest seeks to perfect men by showing them better versions of themselves." Language is Sermonic offers eight of Weaver's best essays on the nature of traditional rhetoric and its role in shaping society. Arguing throughout the book against society's reverence for relativism--and the consequential disregard for real values--this philosophical idealist uses his southern background and classical education as a backdrop for his scrutiny of our misuse of language.Weaver argues that rhetoric in its highest form involves making and persuasively presenting choice among goods. He condemns such supposedly value-free stances as cultural relativism, semantic positivism, scientism, and radical egalitarianism. Eschewing such peripheral aspect s of rhetoric as memorization and delivery, aspects too often now presented as the whole, Weaver deals instead with the substance of rhetoric. Ideas and the words used to express them--these are Weaver's subjects.Anyone concerned about language--its use and abuse in contemporary society--will find Language is Sermonic provocative and rewarding. The editors' critical interpretation of all of Weaver's writing, as well as Ralph Eubanks' brief appreciation of Weaver, make this a book no student of language and ideas should be without.Richard M. Weaver was one of the most stimulating and controversial rhetorical theorists of our time. He taught for many years at the University of Chicago and was the author of several books, including Visions of Order, Ideas Have Consequences, The Ethics of Rhetoric, and Life Without Prejudice and Other Essays.

    This book offers a breakdown of the elements of plays and playwriting in concise and straightforward terms: “Though academic, th[is] book is by no means dogmatic or theoretical. Quite the contrary. Its spirit is broadly scientific and its method is inductive.” --New York Times