Feminist, political, and activist writers alike will present their ideas for a paradigm shift from the “No Means No” model—an approach that while necessary for where we were in 1974, needs an overhaul today.Yes Means Yes will bring to the table a dazzling variety of perspectives and experiences focused on the theory that educating all people to value female sexuality and pleasure leads to viewing women differently, and ending rape. Yes Means Yes aims to have radical and far-reaching effects: from teaching men to treat women as collaborators and not conquests, encouraging men and women that women can enjoy sex instead of being shamed for it, and ultimately, that our children can inherit a world where rape is rare and swiftly punished. With commentary on public sex education, pornography, mass media, Yes Means Yes is a powerful and revolutionary anthology.

    Donna Eden is one of those rare healers."--Gloria SteinemEnergy Medicine for Women was awarded the prestigious 2009 Nautilus Gold Award in the Health, Healing & Energy Medicine category.A women’s guide to using energy medicine to promote and maintain optimal physical and mental well-being.For more than three decades, Donna Eden has been teaching people to understand the body as an energy system, to recognize their aches and pains as signals of energy imbalance, and to reclaim their natural healing capabilities. In this long-awaited new book, Eden speaks directly to women, showing them how they can work with energy to tackle the specific health challenges they face.Hormonal health is essential to a woman’s well-being, and in this groundbreaking book Eden reveals that a woman can manage her hormones by managing her energies. In fact, energy medicine is effective in treating a host of health issues. From PMS to menopause, from high blood pressure to depression, it offers solutions to women’s health issues that traditional medicine often fails to provide. In Energy Medicine for Women, Eden shows women how they can work with energy to strengthen their immune, circulatory, lymphatic, and respiratory systems to promote health, vitality, and inner peace. Blending a compassionate voice with a profound grasp of how the female body functions as an energy system, Eden presents what is sure to become a classic book on the subject of women’s health.

    The bodies in this book have been shaped by the full sweep of the feminine experience. They belong to 54 women from all over the country, ages 19 to 95, of all sizes and shapes, ethnicities, and life experiences, who were willing to expose their naked physical forms in This Is Who I Am. They are ordinary women only in the sense that none is a professional model. They are in all other ways extraordinary—courageous, curious, thoughtful, speaking unflinchingly about their bodies, then allowing themselves to be photographed to inspire other women to make peace with their physical selves, "to glorify the real beauty of all women."Certainly, the feminine nude form is not new to artists and photographers. But the portraits in This Is Who I Am, taken by award-winning photographer Rosanne Olson, with a steady, unjudgmental eye, speak loudly to the American obsession of feminine perfection—slim hips and full breasts, high cheekbones and tiny waists, taut skin and eternal youth—and even more loudly to the way real women, with real bodies and real lives, look.By turns tender, personal, and moving, this tribute to contemporary womanhood is the perfect gift for mothers to give to daughters, daughters to cousins, cousins to friends.

    Right," it’s time for a new set of rules that takes a more spiritual approach. These rules are based on the timeless wisdom of Kabbalah and the very nature of the Universe itself. The Spiritual Rules of Engagement describes how Kabbalah views relationships and what makes them work (or not work); and reveals that it is the woman who holds the power to determine the outcome. The book explains the spiritual reasons behind the way in which men and women think and act differently. Although not a book of dating tips, its rules do work. They have to work: They are the Laws of the Universe. You’ll learn the true meaning of the term "soul mate;" and why it is that your soul mate has to find you, not the other way around. Written by a kabbalistic teacher who regularly provides counsel to hundreds of individuals and couples, and who is happily married himself, the book will resonate with people of all backgrounds. These are more than just rules of engagement; they’re rules for creating a happier, more fulfilling life.

    The lively text by fashion specialist Jonathan Walford details how fashion was considered not a frivolity but an aesthetic expression of circumstances in the 1940s. While Fascist states tried to create “national” styles before the war began, by 1940 the pursuit of beauty was promoted on both sides of the conflict as a patriotic duty. From prewar to postwar, we see attitudes emerge from period advertisements, images of real clothes, and firsthand accounts in contemporary publications. The result is a celebration of everything from practical and smart-looking attire for air raids (hooded capes with large pockets and siren suits) to street fashion and the creation of Christian Dior’s “New Look” collection in 1947.

    Offers descriptions, facts, and anecdotes about the well-known female figures of Greek and Roman mythology, as well as many other tradition.

    If I Die in Juárez traces the lives of three young women—Evita, a street child; Petra, a maquiladora worker; and Mayela, a Tarahumara Indian girl—who together uncover Juárez’s forbidden secret: the abduction and murder of young women. Bound together by blood, honor, an ancient chant, and a mysterious photo, the girls bring the murderous streets of Juárez to life. Based on the author’s interviews with relatives of murdered women, If I Die in Juárez is brilliantly crafted to give readers the experience of walking in the shoes of women who daily risk being abducted and murdered in the “capital city of murdered women,” joining thousands of others who for more than a decade have disappeared from Juárez, las desaparecidas, brutally murdered by assassins who have gone unpunished. The agony of one of the darkest tales in human history brings to light a strange hope, illusive yet constant, resisting lies, betrayal, and the desert’s silent sentence of death. Read an in-depth review of If I Die in Juárez here or click here for a study guide. If I Die in Juárez was also reviewed on KNAU's Southwest Book Review program. Listen here!

    Due to fear-fueled news reports and public perceptions about the changing composition of the nation’s racial and ethnic makeup—the so-called Latinization of America—the reproduction of Mexican immigrant women has become a central theme in contemporary U. S. politics since the early 1990s.In this exploration, Elena R. Gutiérrez considers these public stereotypes of Mexican American and Mexican immigrant women as “hyper-fertile baby machines” who “breed like rabbits.” She draws on social constructionist perspectives to examine the historical and sociopolitical evolution of these racial ideologies, and the related beliefs that Mexican-origin families are unduly large and that Mexican American and Mexican immigrant women do not use birth control. Using the coercive sterilization of Mexican-origin women in Los Angeles as a case study, Gutiérrez opens a dialogue on the racial politics of reproduction, and how they have developed for women of Mexican origin in the United States. She illustrates how the ways we talk and think about reproduction are part of a system of racial domination that shapes social policy and affects individual women’s lives.

    Times are tough and, to support her sister, Daisy has to work hard as a dancer in a nightclub, getting home late and hardly seeing Mary-Jane. One night a fire starts and Mary-Jane is alone in the house. The night's events lead to the sisters being split up and Daisy May begins to fear that she will never see Mary-Jane again...

    But there has been little public space for dialogue about the complex relationship between feminism, women, and war. The editors of Feminism and War have brought together a diverse set of leading theorists and activists who examine the questions raised by ongoing American military initiatives, such as:- What are the implications of an imperial nation/state laying claim to women's liberation? - What is the relation between this claim and resulting American foreign policy and military action? - Did American intervention and invasion in fact result in liberation for women in Afghanistan and Iraq? - What multiple concepts are embedded in the phrase 'women’s liberation'? - How are these connected to the specifics of religion, culture, history, economics, and nation within current conflicts? - What is the relation between the lives of Afghan and Iraqi women before and after invasion, and that of women living in the US? - How do women who define themselves as feminists resist or acquiesce to this nation/state claim in current theory and organizing?Feminism and War reveals and critically analyzes the complicated ways in which America uses gender, race, class, nationalism, imperialism to justify, legitimate, and continue war. Each chapter builds on the next to develop an anti-racist, feminist politics that places imperialist power, and forms of resistance to it, central to its comprehensive analysis.

    Parkin, who from 2002 to 2007 led more than five million Relief Society sisters in 165 nations across the earth, Faith, Hope, and Charity tells the stories of the Relief Society presidents of the LDS Church. These are stories of courage, faith, service, and compassion--stories that provide a greater understanding of the Lord's work and of those who lead out in performing it. Through the persecutions of the Church in Nauvoo, the problems of establishing new homes and communities in the west, the crises associated with plural marriage, the poverty of the depression of the 1930s, two world wars, and confusion over the changing status of women in recent years, these elect ladies have each applied their particular talents and insights to unite the sisters of a worldwide church.--P. [4] of cover.

    Are you tired of worrying about things you can't control? Do you feel distracted or overwhelmed by the daily demands of living? Do you wonder if it's even possible to make space in your busy life to become the person you really want to be? In her down-to-earth style, popular author and speaker Merrilee Boyack presents eight pairs of contrasting characterisitics, inviting women to consider their own tendencies: Faithful or fearful? Focused or distracted? Peaceful or worried? She then discusses how we can move from where we are to where we want to be without feeling guilty or discouraged.

    Poor women are pressured to undergo sterilization. Women addicted to illicit drugs risk arrest for carrying their pregnancies to term. Courts, child welfare, and law enforcement agencies fail to recognize the efforts of battered and incarcerated women to care for their children. Pregnant inmates are subject to inhumane practices such as shackling during labor and poor prenatal care. And decades after Roe, the criminalization of certain procedures and regulation of abortion providers still obstruct women's access to safe and private abortions.In this important work, Jeanne Flavin looks beyond abortion to document how the law and the criminal justice system police women's rights to conceive, to be pregnant, and to raise their children. Through vivid and disturbing case studies, Flavin shows how the state seeks to establish what a "good woman" and "fit mother" should look like and whose reproduction is valued. With a stirring conclusion that calls for broad-based measures that strengthen women's economic position, choice-making, autonomy, sexual freedom, and health care, Our Bodies, Our Crimes is a battle cry for all women in their fight to be fully recognized as human beings. At its heart, this book is about the right of a woman to be a healthy and valued member of society independent of how or whether she reproduces.

    In Slow Love: A Polynesian Pillow Book, you will discover a more pacific, unifying approach to passion. James N. Powell's writings on Polynesian lovemaking have been warmly embraced in Japan, where they sparked the "Polynesian sex" vogue. Inspired by Powell's writings, Hiroyuki Itsuki, Japan's uber author and Buddhist thinker, penned two volumes on South Seas sensuality. Also, Kunio Kitamura, Head of Japan's Family Planning Association, enthusiastically promotes Powell's thoughts on Polynesian-style passion as a way for couples to deepen sexual sensitivity and fulfillment. He writes: "Polynesian sex...involves taking a long time...and...allows energy in the form of weak electromagnetic waves-similar to the concept of ki-to flow, building up to create large waves that encompass the entire body and bring enormous pleasure and happiness.""For several years, James N. Powell has been changing the way the Japanese make love, as part of a government effort to boost Japan's declining population. His secret? Slow Sex. Here, he suggests that just as you see more of nature when you are quiet, you'll discover more of your own sexual/emotional depths when you become more still." ~ Spirituality & Health Magazine May/June 2009

    Growing up in a West Virginia coal mining community, she drew on the mountain music and repertoire of her family and neighbors when establishing her own vibrant and powerful vocal style that is a trademark in old-time, bluegrass, and traditional country circles. Working Girl Blues presents forty original songs that Hazel Dickens wrote about coal mining, labor issues, personal relationships, and her life and family in Appalachia. Conveying sensitivity, determination, and feistiness, Dickens comments on each song, explaining how she came to write them and what they meant and continue to mean to her. Bill C. Malone's introduction traces Dickens's life, musical career, and development as a songwriter, In addition, Working Girl Blues features forty-one illustrations and a detailed discography of Dickens's commercial recordings.

    Through Wai-nani’s eyes, experience the Hawaiian society as it existed when Captain James Cook arrived at Kealakekua Bay in 1779; ride the billowing seas with Eku, the wild dolphin she befriends; learn why she loved the savage, conflicted ruler, Makaha; walk with her as she defies ancient laws and harsh taboos of the Island people; share the love she received from all who knew her and learn how she rose to become the most powerful woman in old Hawai’i.

    She also considers how their near-invisibility except as victims has underpinned the construction of the ideal citizen-subject in late colonial India. Through critical engagements with significant feminist and postcolonial scholarship, Sarkar maps out when and where Muslim women enter into the written history of colonial Bengal. She argues that the nation-centeredness of history as a discipline and the intellectual politics of liberal feminism have together contributed to the production of Muslim women as the oppressed, mute, and invisible “other” of the normative modern Indian subject.Drawing on extensive archival research and oral histories of Muslim women who lived in Calcutta and Dhaka in the first half of the twentieth century, Sarkar traces Muslim women as they surface and disappear in colonial, Hindu nationalist, and liberal Muslim writings, as well as in the memories of Muslim women themselves. The oral accounts provide both a rich source of information about the social fabric of urban Bengal during the final years of colonial rule and a glimpse of the kind of negotiations with stereotypes that even relatively privileged, middle-class Muslim women are still frequently obliged to make in India today. Sarkar concludes with some reflections on the complex links between past constructions of Muslim women, current representations, and the violence against them in contemporary India.

    For too long, Euro-American discourse styles, emphasizing elite male privilege and conceptual linearity, have drowned out democratic and woman-centered Native approaches. Even when myopic western linearity is understood to be at work, analysis of Native American history, society, and culture has still been consistently placed in male custody. The recovery of women’s traditions is the overarching theme in this collection of essays that helps reframe Native issues as properly gendered.  Paula Gunn Allen looks at Indian lifeways through the many stitches of Indian clothes and the many steps of their powwow fancy dances. Lee Maracle calls for reconstitution of traditional social structures, based on Native American ways of knowing. Kay Givens McGowan identifies the exact sites where female power was weakened through the imposition of European culture, so that we might more effectively strengthen precisely those sites. Finally, Barbara Alice Mann examines how communication between Natives who have federal recognition and those who do not, as well as between Natives east and west of the Mississippi, became dysfunctional, and outlines how to reestablish good relations for the benefit of all.

    The results? Soulless landscapes where plants play subordinate roles.With passion and eloquence, Scott Ogden and Lauren Springer Ogden argue that only when plants are given the respect they deserve does a garden become emotionally resonant. Plant-Driven Design shows designers how to work more confidently with plants, and gives gardeners more confidence to design. The Ogdens boldly challenge design orthodoxy and current trends by examining how to marry plantsmanship and design without sacrificing one to the other.Supported by extensive lists of plants adapted to specific purposes and sites, Plant-Driven Design explores how plants interact with place. In addition, the authors' experience gardening and designing in a wide variety of climates gives their perspective a unique depth. In ideas, scope, and detail, this book both embraces and transcends regionality. By reclaiming gardens as a home to plants, this groundbreaking work will restore life-affirming vitality to garden design and profoundly affect how we understand and experience gardens.

    A few of the female stars of this era-Emily Dickinson, Margaret Fuller, and Susan B. Anthony, for instance-are still appreciated, but there are a number of intellectual women whose crucial roles in the philosophical, social, and scientific debates that roiled the era have not been fully examined.Among them is the astronomer Maria Mitchell. She was raised in isolated but cosmopolitan Nantucket, a place brimming with enthusiasm for intellectual culture and hosting the luminaries of the day, from Ralph Waldo Emerson to Sojourner Truth. Like many island girls, she was encouraged to study the stars. Given the relative dearth of women scientists today, most of us assume that science has always been a masculine domain. But as Renée Bergland reminds us, science and humanities were not seen as separate spheres in the nineteenth century; indeed, before the Civil War, women flourished in science and mathematics, disciplines that were considered less politically threatening and less profitable than the humanities. Mitchell apprenticed with her father, an amateur astronomer; taught herself the higher math of the day; and for years regularly "swept" the clear Nantucket night sky with the telescope in her rooftop observatory.In 1847, thanks to these diligent sweeps, Mitchell discovered a comet and was catapulted to international fame. Within a few years she was one of America's first professional astronomers; as "computer of Venus"-a sort of human calculator-for the U.S. Navy's Nautical Almanac, she calculated the planet's changing position. After an intellectual tour of Europe that included a winter in Rome with Sophia and Nathaniel Hawthorne, Mitchell was invited to join the founding faculty at Vassar College, where she spent her later years mentoring the next generation of women astronomers. Tragically, opportunities for her students dried up over the next few decades as the increasingly male scientific establishment began to close ranks.Mitchell protested this cultural shift in vain. "The woman who has peculiar gifts has a definite line marked out for her," she wrote, "and the call from God to do his work in the field of scientific investigation may be as imperative as that which calls the missionary into the moral field or the mother into the family . . . The question whether women have the capacity for original investigation in science is simply idle until equal opportunity is given them." In this compulsively readable biography, Renée Bergland chronicles the ideological, academic, and economic changes that led to the original sexing of science-now so familiar that most of us have never known it any other way.

    These are sassy, brilliant, magnetic, cunning and tough-as-nails women who defied the social mores of their eras. These anti-heroines battled against the odds and often against the status quo, succeeding in turning the power structure, if only for a short time, directly on its head. Some were cruel, some were visionary and some were blinded by ambition or love. (Murdoch Books)

    The writings include The Creation and The Crystal Tablet, The Mythos of the Divine Maid, The Catechism of the Children of the Goddess, The Rite of Sacrifice, and The Teachings of the Daughter. The editor, Philip P. Jackson PhD, has collected these works over a lifetime spent in researching comparative religion, mythology and the mysteries.

    Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse’s contributions to Japanese and world cinema, Russell’s in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were “women’s films.” They had female protagonists, and they depicted women’s passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as “feminist,” his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse’s cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse’s movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

    Yet in publications, conferences, judging panels and other public realms, women designers tend to be outnumbered by their male counterparts whose appearances, work and achievements are constantly in the spotlight - luckily, it's a reversing trend. While Women of Design does not attempt to relieve the imbalance, it does bring full attention to the wonderful work, careers, and contributions of women designers, writers, teachers and entrepreneurs around the world.The women in this book have been divided into three groups, representative of the time in which their influence was most heartily felt: Groundbreakers, Pathfinders and Trailblazers. These three generations have helped shape the modern landscape of design. Included are interviews with April Greiman, Deborah Sussman, Louise Fili, Ann Willoughby, Ellen Lupton, Jennifer Sterling, Debbie Millman, Paula Scher, Jessica Helfand, Margo Chase, Luba Lukova, Petrula Vrontikis, Sharon Werner, Paola Antonelli and Marian Bantjes.Explore the work, ideals and ventures - all at the helm of these women - that have helped define the last 50 years of the graphic design profession, as represented by the women who helped establish design's relevance, importance and impact and the ones that carry their tradition into new territory. By asking the handful of female design stars to identify other talented women, then asking those women to suggest more still, Women of Design creates a web of influence and excellence that proves these women are worthy of attention.

    A look at the history of women's struggle to win the right to vote in the United States and Great Britain.

    In-depth interviews, enhanced by research with outside professionals, are combined with 326 black-and-white photographs of the jailed and jailers, in order to create a bridge between those who are imprisoned and the general population who can make the necessary changes if called to action.

    This selection of Chinese folk literature provides a rare window into the everyday life of rural daughters, wives, and mothers, as they transmit valuable lessons about surviving in a patriarchal society that is often harsh and unforgiving. Featuring strong female protagonists, the ballads deal with moral issues, dangers women face outside the family home, and the difficulties of childbirth.The women's script, which represents units of sound in the local Chinese dialect, was discovered by scholars in the late twentieth century, creating a stir in China and abroad. This volume offers a full translation of all the longer ballads in women's script, providing an exceptional opportunity to observe which specific narratives appealed to rural women in traditional China. The translations are preceded by a brief introduction to women's script and its scholarship, and a discussion of each of the twelve selections.

    Their combined lives reflect a kabbalistic path of spiritual evolution that is as pertinent to our lives today as it was for the biblical communities in which they lived.From her studies of the Torah and classical gematria, Zohara Hieronimus shows that each prophetess is linked to a Sefirah on the kabbalistic Tree of Life: from creation (Sarah) through learning correct moral action (Devorah) to the promise of redemption and ultimately resurrection (Esther). Using the stories of their lives and teachings, Hieronimus reveals the relationship of each prophetess to the seven days of the week, the seven sacred species of Israel, the human body, and Jewish holidays and rituals.This book presents the kabbalistic teachings of these holy women and what they reveal about the initiatory path of individual development and redemption. The seven prophetesses show that every person has a part to play in the repair of the world, and Hieronimus gives a practical set of maps and spiritual guidelines for that journey.

    In fact, African American women experience intimate partner violence at a rate 35% higher than white women and about two and a half times more than women of other races and ethnicities. This common portrayal can hinder black women seeking help and support simply because those on the outside don't think help is needed. Yet, as Hillary Potter argues in Battle Cries: Black Women and Intimate Partner Abuse, this stereotype often helps these African American women to resist and to verbally and physically retaliate against their abusers. Thanks to this generalization, Potter observes, black women are less inclined to label themselves as "victims" and more inclined to fight back.Battle Cries is an eye-opening examination of African American women's experiences with intimate partner abuse, the methods used to contend with abusive mates, and the immediate and enduring consequences resulting from the maltreatment. Based on intensive interviews with 40 African American women abused by their male partners, Potter's analysis takes into account variations in their experiences based on socioeconomic class, education level, and age, and discusses the common abuses and perceptions they share. Combining her remarkable findings with black feminist thought and critical race theory, Potter offers a unique and significant window through which we can better understand this understudied though rampant social problem.

    An astute politician and diligent humanist, she was a champion of gender equality and the evangelical reform movement, which recognized that the clergy was more concerned with maintaining the church’s power than ministering to the faithful. As the years passed and the glitter of life at court waned, however, Marguerite came to realize her true vocation: writing.            Selected Writings brings together a representative sampling of Marguerite’s varied writings, most of it never before translated into English, enabling Anglophone readers to enjoy the full breadth of her work for the first time. From verse letters and fables to mythological-pastoral tales, from spiritual songs to a selection of novellas from the Heptameron, the wide range of works included here will reveal Marguerite de Navarre to be one of the most important writers—male or female—of sixteenth-century France.

    In this intensely thoughtful memoir, Spencer Mitchell probes the motivations that impelled her, a single, Jewish woman, to document the turmoil roiling the Arab world in the 1980s and 1990s, as well as how her experiences as a photojournalist "compelled [me] to set aside [my] cameras and reexamine the way images are created, scenes are framed, and how 'real life' is packaged for specific news stories."In Danger Pay, Spencer Mitchell takes us on a harrowing journey to PLO military training camps for Palestinian children and to refugee camps in the Gaza Strip before, during, and after the first intifada. Through her eyes, we experience the media frenzy surrounding the 1985 hijackings of TWA Flight #847 and the Italian cruise liner Achille Lauro. We meet Middle Eastern leaders, in particular Yasser Arafat and King Hussein of Jordan, with whom Spencer Mitchell developed close working relationships. And we witness Spencer Mitchell's growing conviction that the Western media's portrayal of conflicts in the Middle East actually helps to fuel those conflicts--a conviction that eventually, as she says, "shattered my career."Although the events that Spencer Mitchell records took place a generation ago, their repercussions reverberate in the conflicts going on in the Middle East today. Likewise, her concern about "the triumph of image over reality" takes on greater urgency as our knowledge of the world becomes ever more filtered by virtual media.

    This historical survey examines an intriguing and unbounded scope of work, including experimental film, projections, and installations. Creative projects by established artists who became interested in time-based media several decades ago, such as Camille Billops, Barbara McCullough, Howardena Pindell, and Adrian Piper, are presented alongside such midcareer artists as Berni Searle, Lorna Simpson, Kara Walker, and Carrie Mae Weems, who continually garner international acclaim. Works by emerging artists, including Elizabeth Axtman, Debra Edgerton, Lauren Kelley, Jessica Ann Peavy, Pamela Sunstrum, and Lauren Woods, are also featured. While exploring personal experiences and dissecting popular visual culture, the artists in Cinema Remixed and Reloaded provide relevant views on several important topics--memory, loss, alienation, racial politics, gender inequities, empowerment, and the pursuit of power.

    She is portrayed in the Gospels as a neurotic woman, possibly with a past, yet she is the first to encounter the risen Christ and he charges her with the responsibility of proclaiming the resurrection. She is therefore Christianity's first evangelist - a difficult concept for churches with exclusively male hierarchies who prefer to think of her as just a reformed prostitute. The belief that Mary Magdalen was married to Jesus and that the Church has tried to suppress this truth was not invented in recent years but is almost as old as Christianity itself. This gives a grand tour through 2000 years history, art and tradition with surprises and discoveries all the way.