Following the tragedy, their father, John, set out to teach his boys everything about the paranormal evil that lives in the dark corners and on the back roads of America . . . and how to kill it.Fans of the blockbuster television phenomenon can rejoice! A one-of-a-kind compilation of all of Sam and Dean's demon-busting knowledge, The Supernatural Book of Monsters, Spirits, Demons, and Ghouls contains illustrations and detailed descriptions that catalogue the more than two dozen otherworldly enemies that most people believe exist only in folklore, superstition, and nightmares: vampires, ghosts, revenants, reapers, and even bloody clowns. You'll find within these pages Sam and Dean's notes, observations, and memories interwoven with sections of John Winchester's invaluable journal, making this book the perfect companion to every thrilling episode — and an essential weapon in the secret war against the hidden creatures of the darkness!

    But this is in fact the staging ground for real live sacrifice to a demonic presence.

    Sunnydale has not gone smoothly. She feels awkward, insecure, and jealous that Willow's all over the college life. So when she is visited by a prophecy of impending danger, the timing couldn't be worse. There's plenty of evil afoot as it is: a unified troop of vampires has descended upon Sunnydale, and tension between Buffy and Willow gets in the way of demon hunting. Before long, a single moment of bad judgment catapults Buffy into an alternate future dimension where vampires reign supreme. Imprisoned in the body of her 24-year-old-self -- and confronting friends and foes the likes of which she'd never imagined -- the Slayer must uncover her past misstep and correct it, or risk facing a terrifying monster that she herself has created....

    . .As Elric and his student Galen watch with taut anticipation, dragons, angels, and shooting stars rain from the sky, heralding the arrival of the techno-mages on the planet Soom. It's the first time Elric-a member of the ruling Circle-has hosted such a gathering, and if all goes well, Galen and the other apprentices will emerge triumphant from the grueling initiation rites, ready to embrace their roles as full mages among the most powerful beings in the known universe.But rumors fly of approaching danger and Galen and his young lover, Isabelle, are chosen to investigate the dark tidings. An ancient race has awakened after a thousand years, thirsty for war, slaughter, and annihilation. Will the techno-mages be the deciding factor in the war ahead? Or the first casualties?

    Full-color photos throughout.

    Its humour attracts over 150,000 readers a month - an audience that is constantly growing. This book is that website - multiplied by eight and presented in a handy, portable paper-and-inkward edition. Based on the website, "TV Go Home" is a spoof listings magazine that does for the Radio Times what The Onion did for newspapers. Savage, satirical, surreal, and frequently incredibly stupid, this book should make you laugh out loud.

    This second edition is hugely revised and expanded to cover the sixth and seventh seasons of Buffy and the third and fourth seasons of Angel. It contains chapters on the relationship between Buffy and the lovelorn vampire Spike and on the thematic structure of Angel, as well as interviews on the writing of Buffy with scriptwriters Jane Espenson and Steven DeKnight. Individual chapters have been updated and the useful episode guide is expanded to cover all seven seasons of Buffy and the four seasons of Angel, as is Roz Kaveney's general introduction to the scenes and structures of each season.

    He entered college just as World War II began and dreamed of being a naval aviator. It seemed as if every night his fraternity was having a party to send off a brother to the service. Young Arness got his interview with a naval flight program officer, but his hopes vanished as he was informed that his six foot seven inch height disqualified him automatically. He wrote his draft board asking that they call him up as soon as possible and so he ended up as a private in the famed Third Infantry Division where he earned a Bronze Star and the Purple Heart. Because of his stature, he was chosen to be first off the landing craft (to test the depth of the water) when his division landed at Anzio, Italy. He was subsequently wounded by enemy machine gun fire and spent eighteen months recovering in overseas and stateside hospitals. Later his height would help him strike a commanding figure in the role of U.S. Marshal Matt Dillon of Dodge City. After Arness had toiled in Hollywood for a decade, John Wayne recommended him to CBS executives for the Gunsmoke part (after Wayne turned it down). As the principal performer of Gunsmoke for twenty years (1955-1975), the actor and the character took on mythic proportions--a born leader, honest and strong. Rare is the actor who has been cast in a role that so deeply fits his true self. James Arness gives a full account of his early years, his family, his military career, his film work in Hollywood which included appearances in the cult-favorite science fiction movies Them! and The Thing. He had a long run on Gunsmoke, a role in the highly popular television miniseries How The West Was Won, and his post-theatrical period is also covered. This is the long anticipated, never-before-told account of one of the icons of twentieth-century television. There are many personal revelations of interacting with some of the Gunsmoke family ensemble, such as Miss Kitty, Doc and Festus. His own work as a producer is covered. Throughout are rare, previously unpublished photographs from the author's personal collection. Appendices include comments by show biz colleagues and fellow Gunsmoke alumni, and a sampling of letters received from his legions of fans. As befits the man, this large-size book is a beautifully printed work in accord with the highest library standards--a luxurious and extra-strong cloth binding, acid-free paper, carefully designed photographic and textual layouts and sophisticated typography. Actor and fellow Gunsmoke performer Burt Reynolds has written a foreword to the book.

    With contributions from the people who planned, produced, and performed in the sitcom, and material drawn from the BBC archives, acclaimed author Graham McCann has written the definitive story of a very British comedy. This is the story of a classic British sitcom and its enduring appeal.

    As if to spite the pollsters and talking heads, the frank and brilliant former governor, Jed Bartlet, captures the White House to become President of the United States. Surrounding himself with the best and the brightest, the president chooses his staff from the team responsible for putting him in the White House. Leo McGarry, the president's oldest friend -- and the man who convinces Bartlet to run -- is named chief of staff. One of the most powerful men in his party, Leo presides over the West Wing of the White House with a firm hand and a fatherly tone. With uncanny prescience, Leo puts his faith in Toby Ziegler, the only original staff member to make it through the campaign. Despite six previous failures, Toby's work along with a new team of friends and strangers, helps get Bartlet nominated and elected. Now, as the communications director for the White House, Toby holds an important role in crafting the president's word.Using the power instilled in him as an old family friend, Leo McGarry brings Josh Lyman to the campaign with a simple request to come hear Jed Bartlet speak. In a VFW hall in Nashua, New Hampshire, the skeptical Josh does come and is amazed to finally find a candidate to believe in. Convinced that the man should be president, Lyman gets his friend Sam Seaborn to quit his job at a major law firm where he is about to become a partner and join Bartlet's campaign. Gladly serving at the pleasure of President Bartlet, Sam is now the White House deputy communications director and his friend Josh is the deputy chief of staff. Two men from different backgrounds from opposite ends of thecountry are united not just by friendship but by their devotion to the president."Is Jed Bartlet a good man?" is all that C.J. Cregg wants to know before she agrees to work for him. Toby Ziegler's assurance is all she needs to hear. In an age where the news cycle can last mere seconds, C.J. is the press secretary to the most demanding pool of reporters in the world, the White House Press Corps.With a staff of more than 1,100 people, the West Wing overflows with offices and personnel. Although the upper echelon provides the very public face of the White House, a support staff of hundreds regularly carries out the duties of the executive branch of the government. Filling these desks are numerous aides and assistants, like Donna Moss, who started working for Josh Lyman during the nomination campaign and is now "deputy-deputy chief of staff." Among her many responsibilities is to make sure that her boss is on time for meetings and fully prepared -- which sometimes means making sure that he is dressed.While the White House is very much a public institution, there is one man in particular whose job requires him to be either an imposing figure or totally invisible, often at the same time. Charlie Young, personal aide to the president, truly determines who has access. Among the many tasks laid out before this brilliant young man, he is first and foremost the keeper of the schedule.These people, and a staff of hundreds more, lead America from the most privileged office in the world, from insideTHE WEST WINGStep inside the Bartlet Administration in this richly detailed, perfectly imagined official companion to television's most sophisticated dramatic series, "TheWest Wing. Created by Aaron Sorkin, "The West Wing won nine Emmy(R) Awards, the Humanitas Prize, the Peabody Award, and three Television Critics Association Awards in its first season alone -- and is acclaimed for its superb writing, marvelous portrayals by a stellar cast, and an intelligent, authentic depiction of White House life. Now, the show that has set television's new standard brings you this insider's guide -- which not only presents fascinating details into how groundbreaking television is made, but captures the colorful world of "The West Wing and the nation's capital under the Bartlet Administration.The prestigious Peabody Award cited "The West Wing as "a magnificent episodic series that depicts the tension and back-room drama of presidential politics with an unusual mixture of maturity and humanity." Now, experience the excitement and authenticity of "The West Wing as never before, with this unique, in-depth tribute.

    And just as they marked the development of the special effects technology that sparked a wave of blockbuster films, the Eighties also saw the advent of the cutting edge computer techniques used by graphic artists in the promotional posters for these unforgettable films. It was the decade when filmmakers finally had the technology to transfer their visions to the screen, challenging graphic artists and illustrators to catch up, and many of its most enduring images are represented in this volume: the glow behind the lenses of Arnold Schwarzenegger's gargoyle-framed sunglasses that characterized the monolithic menace of The Terminator; the sarcastically simple crossed-out cartoon ghost that enticed audiences into the theaters to see Ghostbusters; the silhouette of the mysterious, domino-clad stranger that haunts the unbalanced mind of Mozart in Amadeus; the wisp of cigarette smoke that bisects the image of Sean Young's stoic face on the poster for Blade Runner; and many more. The poster art presented in this volume represents the work of a new generation of graphic artists and designers, equipped for the first time with a brand new technology, in collaboration with visionary filmmakers—from Spielberg to Kurosawa, from Cameron to Ramis, from Foreman to Attenborough—who continually managed to keep our eyes riveted to the screen. Edited by Tony Nourmand and Graham Marsh.

    

    It also is the radio series of 1949-1957 and the television series of 1951-1959, which became television's best-known, longest-running, and most-acclaimed police drama. Because he was so devoted to the show, Hayde's narrative also looks at Jack Webb, but this is not strictly a biography of the show's actor, director, and producer, except to the extent that the one defined the other.Here the narrative follows the ebb and flow of the Dragnet show from radio to television, detailing every awkward moment and production feature that refined the drama throughout the 1950s. From the beginning Webb had an idea of what the show should be, but it was an evolving idea, a refinement that My Name's Friday chronicles as the show matured from radio to television. Webb emphasized realism, basing scripts on cases from the Los Angeles Police Department and enlisting law enforcement professionals to advise on the show.Hayde goes beyond "just the facts" to offer readers a comprehensive look at the show that defined an entire genre. Harry Morgan, an actor who worked with Webb off and on for almost twenty years, offers a foreword and a tribute to the man audiences knew best as Joe Friday. Also included are program guides of the radio and television episodes, a collection of Friday's most well-known speeches, and a glossary of police terms used in the series.

    You just let the rest of us live in it.' Capeside - where the sun always shines and there's always some hot gossip. And where Dawson, Joey, Pacey and Jen - and their friends, families, lives and loves - have long been captivating viewers and building audiences around the globe. As well as a full, up-to-date and complete overview of all four seasons, this newest Virgin Programme guide contains an episode-by-episode look with categories such as The Ballad of Dawson and Joey (and Pacey), School Sucks!, All Things Freud and Kiss and Tell. This unofficial and essential guide also looks at the characters and the spin-offs - and fills in the world around the show. Whether you're a seasoned fan, or a converted newcomer, Troubled Waters is your completely indispensable guide to the world of Dawson Leery and his friends.

    Not only is David Lynch a master of modern film-making but David Hughes is well-qualified to write this 'complete' book. The book covers all Lynch's films including Mulholland Drive, TV and other projects, as well as the unrealised ventures such as Revenge of the Jedi (later directed by Richard Marquand as Return of the Jedi). It also includes a foreword by Barry Gifford - the novelist behind Wild at Heart and co-writer with Lynch of the screenplay for Lost Highway - and excerpts from a new interview David Hughes carried out with David Lynch himself. The Complete Lynch is the only comprehensive study of this great director.

    Lee first met Lucy as a child, but their close and enduring relationship began almost twenty-five years later. Now, Tannen gives us an intimate portrait of the "lost" Lucy years: from what life was like in her Beverly Hills and Palm Springs hideaways to how she traveled, what she ate, and how she entertained. I Loved Lucy reveals for the first time the private face of a beloved star whose public persona is the most famous in television history.

    Ms. Keane has promised everyone ice cream if they behave. But - uh-oh - the infamous Mojo Jojo is at the zoo too! He¹s trying to steal a rare white tiger. Can they use their smarts to stop Mojo and still get their sweet treat?

    Whiskers, those television celebrities who hammed it up between cartoons and contests during local kids' shows?In Hi There, Boys and Girls! America's Local Children's TV Programs, Tim Hollis tracks down the story of every known local children's TV show from markets across the United States.There have been many books about children's television on the networks, and such shows as Captain Kangaroo, Howdy Doody, and Sesame Street are legends in broadcasting.However, the local branch of children's programming has received much less attention. For every performer on the scale of a Captain Kangaroo or a Buffalo Bob, there were five or six local personalities who were just as beloved by their viewers--and sometimes even more so--since these local stars could be counted on for appearances at stores, children's hospitals, and shopping centers, where kids could meet them face-to-face.Anyone over the age of thirty who grew up with a TV set will remember at least one or two of these productions. Whether it was hosted by a cowboy character, a clown such as the one on the many-franchised Bozo shows, a policeman, a sea captain who showed Popeye cartoons, or one of the gentle and lovely ladies who presided over Romper Room, these hometown stars were some of the Baby Boomers' first friends. Although children loved them, these hard-working performers garnered less respect from the rest of the TV industry.Hi There, Boys and Girls! includes a capsule history of this programming from the earliest days of radio to the early 1970s, when a combination of social changes and broadcast regulations sent most of the hosts into retirement.Walt Disney once observed that while there is very little adult in a child, there is a lot of child in every adult. This book will bring back a flood of long-submerged memories for anyone who was a child during this golden era.