The narrator of this story, a precocious nine-year old child, is sent to visit an aunt. This aunt, ignored by a husband whose only interest seems to lie in entertaining slim-waisted young boys, suffers from a relentless bodily itch, an itch, her niece discovers, no doctor can cure and only her maidservant can relieve. Frank and often wickedly comic, Chughtai's stories were the imaginative core of her life's work, drawn from memories of the sprawling Muslim household of her childhood. With her mastery of the spoken language, economy of form, and her fine eye for the details of the intricate and hidden world of women's experience, Chughtai captured the evolving conflicts of Muslim India. Her exploration of the myriad and subtle tyrannies of middle-class gentility, and, equally, of those unexpected moments of sexual liberation and spirit, is unrivalled in contemporary Urdu literature.

    The beauty and peril of technology and the passion and penalties of conviction merge in narratives that are by turns dark, satiric, and introspective. Among these bold storylines: a seemingly humanized monster from John Carpenter’s The Thing reveals the true villains in an Antarctic showdown; an artificial intelligence shields a biologically enhanced prodigy from her overwhelmed parents; a deep-sea diver discovers her true nature lies not within the confines of her mission but in the depths of her psyche; a court psychologist analyzes a psychotic graduate student who has learned to reprogram reality itself; and a father tries to hold his broken family together in the wake of an ongoing assault by sentient rainstorms. Gorgeously saturnine and exceptionally powerful, these collected fictions are both intensely thought-provoking and impossible to forget.Contents"The Things""The Island" "The Second Coming of Jasmine Fitzgerald""A Word for Heathens""Home""The Eyes of God" "Flesh Made Word""Nimbus""Mayfly" (with Derryl Murphy) "Ambassador""Hillcrest vs. Velikovsky""Repeating the Past""A Niche""Outtro: En Route to Dystopia with the Angry Optimist"

    many of the characters in these stories are waiting for something to change their lives, many of them can't quite reach ultimate happiness, some of them are sick, some are abandoned, and most have trouble communicating. The unexpected can, and usual does, happen.Etgar Keret's stories are very short - and every word counts. They are quick, brief and precise, and they move us without hesitation. They are hilarious and off-the-wall, yet also dark, sometimes violent, and often intensely poignant. They are, in short, brilliant.

    Simple, Simple to his fans, made weekly appearances beginning in 1943 in Langston Hughes' column in the Chicago Defender. Simple may have shared his readers feelings of loss and dispossession, but he also cheered them on with his wonderful wit and passion for life.

    Hartwell 43 • Nine Lives • (1969) • novelette by Ursula K. Le Guin 61 • Light of Other Days • [Slow Glass] • (1966) • shortstory by Bob Shaw 68 • Rappaccini's Daughter • (1844) • novelette by Nathaniel Hawthorne 86 • The Star • (1955) • shortstory by Arthur C. Clarke 91 • Proof • (1942) • shortstory by Hal Clement 103 • "It's Great to Be Back!" • [Future History] • (1947) • shortstory by Robert A. Heinlein 116 • Procreation • (1983) • shortstory by Gene Wolfe 122 • Mimsy Were the Borogoves • (1943) • novelette by Henry Kuttner and C. L. Moore [as by Lewis Padgett ] 144 • Davey Jones' Ambassador • (1935) • novelette by Raymond Z. Gallun 166 • The Life and Times of Multivac • (1975) • shortstory by Isaac Asimov 174 • The Singing Diamond • (1979) • shortstory by Robert L. Forward 180 • Down & Out on Ellfive Prime • (1979) • novelette by Dean Ing 196 • Send Me a Kiss by Wire • (1985) • shortstory by Hilbert Schenck 208 • The Xi Effect • (1950) • shortstory by R. S. Richardson [as by Philip Latham ] 222 • A Descent into the Maelstrom • (1841) • shortstory by Edgar Allan Poe (aka A Descent into the Maelström) 233 • Exposures • (1981) • shortstory by Gregory Benford 243 • The Planners • (1968) • shortstory by Kate Wilhelm 254 • Beep • (1954) • novelette by James Blish 278 • Drode's Equations • (1981) • novelette by Richard Grant 288 • The Weather Man • (1962) • novella by Theodore L. Thomas 313 • Transit of Earth • (1971) • shortstory by Arthur C. Clarke 323 • Prima Belladonna • [Vermilion Sands] • (1956) • shortstory by J. G. Ballard 333 • To Bring in the Steel • (1978) • novelette by Donald Kingsbury 360 • Gomez • (1954) • novelette by C. M. Kornbluth 377 • Waterclap • (1970) • novelette by Isaac Asimov 398 • Weyr Search • [Dragonriders of Pern] • (1967) • novella by Anne McCaffrey 434 • Message Found in a Copy of Flatland • (1983) • shortstory by Rudy Rucker 442 • The Cold Equations • (1954) • novelette by Tom Godwin 459 • The Land Ironclads • (1903) • novelette by H. G. Wells 474 • The Hole Man • (1974) • shortstory by Larry Niven 484 • Atomic Power • (1934) • shortstory by John W. Campbell, Jr. [as by Don A. Stuart ] 494 • Stop Evolution in Its Tracks! • (1988) • shortstory by John Sladek 499 • The Hungry Guinea Pig • (1930) • shortstory by Miles J. Breuer, M.D. 514 • The Very Slow Time Machine • (1978) • novelette by Ian Watson 528 • The Beautiful and the Sublime • (1986) • novelette by Bruce Sterling 547 • "The Author of the Acacia Seeds" and Other Extracts from the Journal of the Association of Therolinguistics • (1974) • shortstory by Ursula K. Le Guin (aka The Author of the Acacia Seeds and Other Extracts from the Journal of the Association of Therolinguistics) 553 • Heat of Fusion • (1984) • shortstory by John M. Ford 564 • Dolphin's Way • (1964) • shortstory by Gordon R. Dickson 576 • All the Hues of Hell • (1987) • shortstory by Gene Wolfe 585 • Occam's Scalpel • (1971) • novelette by Theodore Sturgeon 600 • giANTS • (1979) • shortstory by Edward Bryant 612 • Time Fuze • (1954) • shortstory by Randall Garrett 616 • Desertion • [City] • (1944) • shortstory by Clifford D. Simak 627 • Kyrie • (1968) • shortstory by Poul Anderson 635 • The Person from Porlock • (1947) • shortstory by Raymond F. Jones 651 • Day Million • (1966) • shortstory by Frederik Pohl 656 • The Cage of Sand • (1962) • novelette by J. G. Ballard 672 • The Psychologist Who Wouldn't Do Awful Things to Rats • (1976) • novelette by James Tiptree, Jr. 689 • In the Year 2889 • (1889) • shortstory by Jules Verne (aka La Journée d'un journaliste américain en 2890 1891 ) 700 • Surface Tension • [Pantropy] • (1952) • novelette by James Blish 724 • No, No, Not Rogov! • [The Instrumentality of Mankind] • (1959) • shortstory by Cordwainer Smith 737 • In a Petri Dish Upstairs • (1978) • novelette by George Turner 758 • With the Night Mail • (1905) • novelette by Rudyard Kipling 788 • The Longest Science-Fiction Story Ever Told • (1966) • shortstory by Arthur C. Clarke 790 • The Pi Man • (1959) • shortstory by Alfred Bester 803 • Relativistic Effects • (1982) • novelette by Gregory Benford 818 • Making Light • (1981) • shortstory by James P. Hogan 826 • The Last Question • (1956) • shortstory by Isaac Asimov 835 • The Indefatigable Frog • (1953) • shortstory by Philip K. Dick 843 • Chromatic Aberration • (1984) • novelette by John M. Ford 864 • The Snowball Effect • (1952) • shortstory by Katherine MacLean 873 • The Morphology of the Kirkham Wreck • (1978) • novelette by Hilbert Schenck 892 • Tangents • (1986) • shortstory by Greg Bear 904 • Johnny Mnemonic • (1981) • shortstory by William Gibson 917 • What Continues, What Fails . . . • (1991) • novelette by David Brin 937 • Mammy Morgan Played the Organ, Her Daddy Beat the Drum • (1990) • novella by Michael F. Flynn 967 • Bookworm, Run! • (1966) • novelette by Vernor Vinge 989 • Appendix: Another Path Through the Book (The Ascent of Wonder: The Evolution of Hard SF) • (1994) • essay by Kathryn Cramer

    A collection of nine short stories featuring an angel, unicorn, vampire, werewolf, and other unusual creatures.

    Here are eleven of her finest stories, surprising tales in which the impossible becomes real, the real becomes impossible, and strangeness lurks at every turn.The end of the world comes not with a bang but a series of whimpers over many years in "The Last of the Winnebagos."The terror of pain and dying gives birth to a startling truth about the nature of the stars, a principle known as the "Schwarzschild Radius."In "Spice Pogrom," an outrageous colony in outer space becomes the setting for a screwball comedy of bizarre complications, mistaken identities, far-too-friendly aliens--and even true love.The last of the Winnebagos --Even the queen --Schwarzschild radius --Ado --Spice pogrom --Winter's tale --Chance --In the late Cretaceous --Time out --Jack --At the Rialto

    Tales of vampires and lurking spirits, of inexplicable evil cloaked in the guise of childish innocence, of ordinary people driven to unthinkable extremes by the perversities of fate -- they're all here, told with King's inimitable blend of dark humor and heart-clenching suspense.It Grows on You (Stephen King) The Fifth Quarter (Gary Sinise) You Know They Got A Hell of a Band (Grace Slick)The Night Flier (Frank Muller)Popsy (Joe Mantegna) Sorry, Right Number (cast) The 10 O’Clock People (Joe Morton)Notes (Stephen King) The Beggar and the Diamond (Domenic Cuskern)

    Like the title story, many of these texts are autobiographical. Others resurrect protagonists belonging to Kiš’s fellow Central European novelists, allowing readers to identify, perhaps, depending on the level of obfuscation, fantasy,and historical accuracy, figures dreamed up by Ödön von Horváth and Endre Ady (“The Stateless”), by the Yugoslavian Nobel laureate Ivo Andrić (“Debt”), and by Piotr Rawicz.Against a background of oppressive regimes and political exile, readers will find that the never-ending debate between death and writing continues unabated in these stories—death as allegory or as a voluntary symbolic act, and writing as the one impregnable defense, writing as the only possible means of survival.

    A collection of eighteen mystery stories.

    Lawyers drop in by parachute, gun shops stay open all night, and bulletproof underwear is the rage. Hip, smart, outrageous, The Crime Studio was praised by The Guardian as "a distressingly brilliant debut."

    Andrew Vachss might have scissored his characters from today's headlines: a stalker prowling around an anonymous high-rise; a serial killer whose transgressions reflect a childhood of hideous abuse; an inner-city gunman who is willing to take out a blockful of victims in order to win a moment of acceptance.Tautly written and endowed with murderous ironic spin, Born Bad plunges us into the hell that lies just outside our bedroom windows.

    A book of voices from an almost forgotten female heritage, it features eighteen writers who speak powerfully of the events that shaped their lives; the daily fabric of life in Europe, the struggle from which new lives in North America, Palestine and then Israel were forged, the terror and challenge of survival during the Holocaust and its aftermath.

    But whenever Noy Holland went to read aloud from her work, there was an audience who heard her begin, "At night, we kept watch for turtles," and who, as if transfixed by an enchantress, would not leave their seats until - seventy-nine pages later! - they had heard Holland say, crooning in the manner of one who must give herself to song to keep herself from weeping, "We sat for the men with our hands in our laps with all that was ours in the parlor." To these ravished audiences, and to those to whom they hurried to send word of the amazement they had had the great good luck to be present for, it was "Orbit" - the name of one of the children whose mother's fantastic dying is central to the story's dreamy, rapturous motion - that came to identify for these persons an event unique, and inexpressibly strange, in their experience of literature. For literature, very literature, the heart's inmost speech in all its unexampled difference, is the thing this new young writer has been making, and, along with it, well before the publication of her first book, a name for herself as a force - indeed, as a divergenceto be given every close notice. Nine adventures in the magic of narration, including the audience-retitled "Orbit," The Spectacle of the Body enacts a debut of the first importance and an invitation to feelings not felt in the absence of art.

    This year's guest editor, Tobias Wolff, has assembled a lively collection that is certain to secure the series' place on bestseller lists across the nation. Includes stories by Thom Jones, Carol Anshaw, Chris Offutt and many more.

    In original essays and photographs, here is a moving portrayal of a relationship like no other.These women speak of the wisdom and experience they share with their sisters. They are writers, athletes, students, painters, socialites, and teachers. They tell how they share challenges in the same careers, compete in different professions, and battle together against illness.

    There are seventeen of them in this Reader, and the best of them, in the words of Richard Ellmann "stir those facial muscles which, we are told, are the same for both laughing and weeping." Except for the masterpiece, "Guests of the Nation," the stories included here have been out of print for twenty years, and one story had been previously unpublished.But this is a Reader and it celebrates the creative diversity of one of this century's finest writers. Here one can also sample O'Connor's skillful translations of Irish poetry, including "The Lament for Art O'Leary." There are a number of self-portraits, including "Meet Frank O'Connor" and "Writing a Story-One Man's Way."The final section includes a number of O'Connor's finest essays, from pieces on Yeats, Joyce, and Mozart, to ones on English and Irish pubs and one simply titled, "Ireland": "No one who does not love the sense of the past should ever come near us; nobody who does, whatever our faults may be, should give us the hard word."

    Stern's characters are plagued by history, lust, solitude and the extravagance of their imaginations.