No longer available online - now in Tales of the Otherworld It's the story of how Clay and Elena met and the start of their relationship.

    Now, thousands of miles from home, under the lush canopy of the rainforest, she’s found sanctuary. But in this world teeming with unusual creatures walks the most exotic of them all. His name is Rio. A native of the forest imbued with a fierce prowess, he is something to be desired. Possessed of secrets of his own, he is something to be feared. As Rachel’s past looms as oppressively as the heat of the forest and Rio unleashes the secret animal instincts that course through his blood, Rachel fears that her isolated haven has become an inescapable hell...

    Her gravestone in Konawa, OK bears the epitaph Murdered By Human Wolves. This is her story. Acclaimed werewolf saga author Steven E. Wedel touches again the universe he portrayed in his first novel Shara. Murdered by Human wolves is that rare mix of fact and fiction that brings out an incredible story. Teamed up with the fictional account in this exclusive volume is Steven's essay On the Trail of Werewolves: An Interview with Mary Franklin, Paranormal Researcher which details the findings of her researches in the Konawa cemetery where Katherine Cross is buried.

    After narrowly escaping a brutal attack, her dreams of being a famous dancer died. The once vibrant young girl, who dreamt of Broadway, has been reduced to serving drinks in a small bar. Rayme had all but given up on finding happiness until a chance meeting with two mysterious strangers turns her world upside down. Now she has the leader of the local werewolf pack and the head of the local vampires hot on her heels. They want her and what she brings to the table—mostly, they want her in their beds. Rayme must choose who will stand by her side in this fight for her very soul. Rating: This story contains mature situations, graphic violence, strong language, explicit sex, and a women's love for multiple men. It is not intended for the faint of heart.

    Book by ALAN BAKER