The nearly 300 American relief workers were the first outsiders to break through Russia’s isolation, and to witness and record the strange new phenomenon of Russia’s Bolshevism. This epic tale is related here as a sprawling American adventure story, largely derived from the diaries, memoirs, and letters of the American participants, who were a colorful mix of former doughboys, cowboys, and college boys hungry for adventure in the wake of the Great War. The story is told in an anecdotal, even novelistic, style that is accessible to a broad readership. More than a fascinating historical narrative, the book serves as a political and social history of the aftermath of the Russian Revolution, and as a study of the roots of the fateful U.S.-Soviet rivalry that would dominate the second half of the twentieth century. The book’s opening section of chapters recounts the chronological story of the American mission to Bolshevik Russia, dubbed by those who served as the “Big Show in Bololand.” It is followed by sections which examine the personal triumphs and tragedies of the relief workers and of their beneficiaries; the political confrontations between these emissaries of American capitalism and the Bolshevik commissars, who struggled to gain control over the relief effort; and the unique American-Russian cultural encounter occasioned by the presence of the relief workers, who came into daily contact with all classes of society—from impoverished former aristocrats to the poorest peasants.

    Using previously untapped sources from Comintern and French intelligence archives, Sophie Quinn-Judge examines Ho's life in the light of two interconnecting themes--the origins and institutional development of the Indochinese Communist Party, and the impact on early Vietnamese communism of political developments in China and the Soviet Union.

    These provocative ideas gave rise to cultural and political innovations that were exported and adopted worldwide. Wherever there was discontent with modern existence or traditional societies were undergoing transformation, anti-Western sentiments arose. Many people perceived the Russian soul as the antithesis of the capitalist, imperialist West and turned to Russian ideas for inspiration and even salvation.Steven Marks shows that in this turbulent atmosphere of the past century and a half, Russia's lines of influence were many and reached far. Russia gave the world new ways of writing novels. It launched cutting-edge trends in ballet, theater, and art that revolutionized contemporary cultural life. The Russian anarchist movement benignly shaped the rise of vegetarianism and environmentalism while also giving birth to the violent methods of modern terrorist organizations. Tolstoy's visions of nonviolent resistance inspired Gandhi and the U.S. Civil Rights movement at the same time that Russian anti-Semitic conspiracy theories intoxicated right-wing extremists the world over. And dictators from Mussolini and Hitler to Mao and Saddam Hussein learned from the experiments of the Soviet regime.Moving gracefully from Moscow and St. Petersburg to Beijing and Berlin, London and Luanda, Mexico and Mississippi, Marks takes us on an intellectual tour of the Russian exports that shaped the twentieth century. The result is a richly textured and stunningly original account of the extent to which Russia--as an idea and a producer of ideas--has contributed to the making of the modern world. Placing Russia in its global context, the book betters our understanding of the anti-Western strivings that have been such a prominent feature of recent history.