Recognising genuis, the judge decides to spare him and gives him instead a small, blank book, encouraging him to confine his thoughts to it alone. Thus begins the seamless blend of fact and fiction that is Samarkand. Vividly re-creating the history of the manuscript of the Rubaiyaat of Omar Khayyam, Amin Maalouf spans continents and centuries with breathtaking vision: the dusky exoticism of 11th-century Persia, with its poetesses and assassins; the same country's struggles nine hundred years later, seen through the eyes of an American academic obsessed with finding the original manuscript; and the fated maiden voyage of the Titanic, whose tragedy led to the Rubaiyaat's final resting place - all are brought to life with keen assurance by this gifted and award-winning writer.

    "Domina" and "Vital Signs" are written by the same author.

    In a turbo-charged romp through the Hollywood of everyone's wildest dreams, Boy Wonder follows the career of Shark Trager—rebel filmmaker and megasuccessful producer—from his birth in 1950 at a drive-in movie theater and his meteoric rise to the pinnacle of Hollywood power, to his equally spectacular descent into obscurity.

    But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    Andromeda has broken her femur while trying to 'eat muesli and roller skate at the same time'. Deserted by her separated parents, she lies in a hospital bed feeling very lonely. Anne Plass mobilises the whole church into writing letters. Among the old friends who put pen to paper are Gerald Plass, the enigmatic Leonard Thynn, Charles Cook (from Deep Joy Bible School), Adrian himself and even the dreaded Mrs Flushpool. Andromeda not only replies to these letters, but writes to the famous - among them Cliff Richard - with stern, if badly spelled, advice. Then, with the urging of Father John, Andromeda decides that her family problems will only be solved if she goes right to the top. She writes to God ...

    Satsuki makes plenty of friends at her new school, but Mei, who is too young, has to stay behind. One afternoon, she follows a funny-looking creature to the trunk of an ancient camphor tree and enters the whimsical world of Totoro, a magical forest creature. Will Dad and Satsuki believe her story?

    So splendid are its phrases that many have taken them to be the unmediated word of god. Since its texts were gathered together the book has been venerated & enshrined, execrated & burned. But whether we are believers or not the Bible still remains our heritage. It's provided the West with a sense of the sacred & a sense of historical destiny. Testament describes the making of the Bible, the creation of both the Old & New Testaments, charting its survival thru the centuries of its life. This is a unique book: no other single volume tells the story of the Bible's journey from the ancient East to the heart of the modern West. Romer uses his experience of the worlds of art history & archeology to advantage as he unravels the story of the making & the use & misuse of the West's most influential book. With a sure touch he sets the historical scene & brings to life the Bible's creators.List of Illustrations & MapsForewordGenesis Chronicles & KingsThe making of the Old TestamentJesus & the New Testament Deo Gratia: by the grace of God Darkness & Illuminations Paradise lostSelect BibliographyAcknowledgmentsIndex of Bible ReferencesGeneral Index

    Solzhenitsyn tells this story in the form of a meticulously researched historical novel, supplemented by newspaper headlines of the day, fragments of street action, cinematic screenplay, and historical overview. The first two nodes—August 1914 and November 1916—focus on Russia’s crises and recovery, on revolutionary terrorism and its suppression, on the missed opportunity of Pyotr Stolypin’s reforms, and how the surge of patriotism in August 1914 soured as Russia bled in World War I.March 1917—the third node—tells the story of the Russian Revolution itself, during which not only does the Imperial government melt in the face of the mob, but the leaders of the opposition prove utterly incapable of controlling the course of events. The action of book 1 (of four) of March 1917 is set during March 8–12. The absorbing narrative tells the stories of more than fifty characters during the days when the Russian Empire begins to crumble. Bread riots in the capital, Petrograd, go unchecked at first, and the police are beaten and killed by mobs. Efforts to put down the violence using the army trigger a mutiny in the numerous reserve regiments housed in the city, who kill their officers and rampage. The anti-Tsarist bourgeois opposition, horrified by the violence, scrambles to declare that it is provisionally taking power, while socialists immediately create a Soviet alternative to undermine it. Meanwhile, Emperor Nikolai II is away at military headquarters and his wife Aleksandra is isolated outside Petrograd, caring for their sick children. Suddenly, the viability of the Russian state itself is called into question.The Red Wheel has been compared to Tolstoy’s War and Peace, for each work aims to narrate the story of an era in a way that elevates its universal significance. In much the same way as Homer’s Iliad became the representative account of the Greek world and therefore the basis for Greek civilization, these historical epics perform a parallel role for our modern world.

    He’s an advertising copywriter on his way up. To his shock and confusion, he suddenly finds himself in the midst of the affair of his life – an incongruous passion for a lusty, hard-drinking forty-two-year-old White Palace waitress.She’s from the wrong side of town. She’s undereducated. She doesn’t begin to compare to Janey, Max’s lost wife. But Max can’t escape his obsession for the salty, sultry, sensuous Nora. Though the affair begins with their raw carnal attraction, Max discovers, to his horror, that he may be falling in love with this woman from Dogtown.In his first novel, Glenn Savan presents a steamy love dilemma with wit and compassion. In Max and Nora, he creates two unforgettable characters who rival any oddball duo in contemporary literature.

    The Falcon of Siam: An action-adventure thriller that weaves historical fiction, epic storytelling and high drama into an unforgettable journey where a young Greek stowaway on a British East India Company ship finds his destiny in opulent 17th-century Thailand.

    This volume brings us the last complete novel, portions of three others, four short stories, and an autobiographical essay.

    Using her diaries and many previously unpublished letters, the author tells of her childhood in Geneva, her adventures in the North African desert and her identification with the Arabs. The film rights of this book have been sold.From Publishers Weekly:This captivating biography describes a turn-of-the-century Russian adventurer who was drawn by her romance with Islam to travel throughout north Africa, writing about the lives of the colonial French and local Arabs . Her colorful career ended abruptly in death at the age of 27 in a torrential flash flood that struck a remote hillside garrison in Algeria. Born in 1877 in Geneva, Eberhardt bore the maiden name of her mother, who had left Russia and her elderly husband, a general, five years earlier to go to Switzerland with her children's tutor, an anarchist. Never sure of her identity, Eberhardt embraced a series of disguises as a teenager and afterward, taking a series of male noms de plume and dressing as a man, which eased her way into the tents and Moslem monasteries of the desert. What was not in question was her sexuality, which was decidedly hetero: Eberhardt's fondness for "nights of love" culminated in marriage to an Arab officer in the French colonial cavalry. In this well-researched book, Kobak, a British writer who translated Eberhardt's only published novel, Vagabond , skillfully weaves brief excerpts from her subject's work into her riveting story.

    It was not the noble gods such as Jove, Apollo and Diana, who were crucial to the lives of the common people in the empire, but gods of an altogether more earthly, earth level, whose rituals and observances may now seem bizarre. As well as being of wide general interest, this book will appeal to students of the Roman Empire and of the history of religion.

    + 244 pp. with 176 illus. (most in color), 4to.