The author briefly recounts the making of The Wizard of Oz and discusses its plot, music, and themes.

    Drawn from the award-winning Freedom: A Documentary History of Emancipation.

    Photographs of litigants, exhibits from the cases, and descriptions of events that led to suits animate the text.This new edition is extensively revised to bring developments in constitutional law up to date, including major dissenting and concurring opinions, decision making, and discussions of future trends.

    Presents some of the masterpieces of children's literature, including Mother Goose verses, fairy tales, works by London, Ruskin, Carroll, Twain, Stevenson, Baum, Grahame, Montgomery, Dickens, and more.

    In this fascinating book, Lynn Spigel chronicles the enormous impact of television in the formative years of the new medium: how, over the course of a single decade, television became an intimate part of everyday life. What did Americans expect from it? What effects did the new daily ritual of watching television have on children? Was television welcomed as an unprecedented "window on the world," or as a "one-eyed monster" that would disrupt households and corrupt children? Drawing on an ambitious array of unconventional sources, from sitcom scripts to articles and advertisements in women's magazines, Spigel offers the fullest available account of the popular response to television in the postwar years. She chronicles the role of television as a focus for evolving debates on issues ranging from the ideal of the perfect family and changes in women's role within the household to new uses of domestic space. The arrival of television did more than turn the living room into a private theater: it offered a national stage on which to play out and resolve conflicts about the way Americans should live. Spigel chronicles this lively and contentious debate as it took place in the popular media. Of particular interest is her treatment of the way in which the phenomenon of television itself was constantly deliberated—from how programs should be watched to where the set was placed to whether Mom, Dad, or kids should control the dial. Make Room for TV combines a powerful analysis of the growth of electronic culture with a nuanced social history of family life in postwar America, offering a provocative glimpse of the way television became the mirror of so many of America's hopes and fears and dreams.

    Framer Framed brings together for the first time the scripts and detailed visuals of three of Trinh Minh-ha's provocative films: Reassemblage, Naked Spaces--Living isRound, and Surname Viet Given Name Nam.

    Now updated and revised, the second edition has added six new portraits of individuals set in the contemporary period. It features twenty-four brief biographies drawn from throughout the Middle East--from Morocco to Afghanistan--in which the reader is provided with vantage points from which to understand modern Middle Eastern history "from the bottom up." Spanning the past 160-plus years and reflecting important transformations, these stories challenge elite-centered accounts of what has occurred in the Middle East and illuminate the previously hidden corners of a largely unrecorded world.

    With each event came lurid stories pitting either a loose or virginal woman against an unwilling or monstrous man. Such extreme coverage, argues Helen Benedict, perpetuates myths that are harmful to victims of these crimes (and sometimes to the accused). In Virgin or Vamp Benedict examines the press's treatment of four notorious sex crimes from the past decade--the Rideout marital rape trial in Oregon, the Big Dan's pool table gang rape in Massachusetts, the Preppy Murder in New York City, and the Central Park jogger case--and shows how victims are labelled either as virgins or vamps, a practice she condemns as misleading and harmful. Benedict also looks at other factors that perpetuate the misunderstanding of rape. For instance, she shows how the New York press presented the Central Park jogger rape case as motivated by racism because of its unwillingness to consider rape an issue of gender. She also addresses our inherent language bias, the press's tendency to use sexually suggestive language to describe crime victims, and its preference for crimes against whites. In conclusion, Benedict offers a number of solutions that will help reporters cover these increasingly common crimes without further harming the victims, the defendants, or public understanding.

    A Level 2 Workbook and DVD about Sign Language.