Drawing on a rich trove of diaries, legal records, and other unpublished documents, George Chauncey constructs a fascinating portrait of a vibrant, cohesive gay world that is not supposed to have existed. Called "monumental" (Washington Post), "unassailable" (Boston Globe), "brilliant" (The Nation), and "a first-rate book of history" (The New York Times), Gay New Yorkforever changed how we think about the history of gay life in New York City, and beyond.

    . . here's one book that truly deserves a place in a time capsule."--Armistead MaupinThis is as close to the truth as I can get, writes David Feinberg in what he calls his personal Portrait of the Artist as a Young Diseased Jew Fag Pariah. Queer and Loathing is a collection of autobiographical essays, gonzo journalism, and demented Feinbergian lists about AIDS activism and living, writing, and dying with AIDS.

    Beginning with an examination of the determined assault on gay issues by the religious right, the authors show how this sectarian movement to legislate private religious morality into law undermines the purpose of American constitutional government: the protection of the individual's right to determine how best to live his or her life. The book starts from the premise that gay and lesbians are, first and foremost, American citizens, and then looks to what rights belong to every individual American citizen, arguing from the Declaration of Independence and the Constitution. Addressing their argument to the great majority of their fellow Americans, Dawidoff and Nava emphasize that what is at stake is not the fate of the gay community, but the future of constitutional principle and the rights of free individuals in American society.

    He lives in New York City.

    In Part One, Dorothy Arzner's film career--her work as a film editor to her directorial debut, to her departure from Hollywood in 1943--is documented, with particular attention to Arzner's roles as "star-maker" and "woman's director." In Part Two, Mayne analyzes a number of Arzner's films and discusses how feminist preoccupations shape them, from the women's communities central to Dance, Girl, Dance and The Wild Party to critiques of the heterosexual couple in Christopher Strong and Craig's Wife. Part Three treats Arzner's lesbianism and the role that desire between women played in her career, her life, and her films.

    Stonewall happened because homosexuals of all races revolted against an act of official oppression. It was indeed a beginning, but it was also the culmination of a long struggle against the tyranny of socially regulated and defined speech about homosexuality. In this insightful and engaging analysis, Byrne R. S. Fone maps out one very significant road to Stonewall - the literary course of male homoerotic desire and the homophobia that has made so much of what homosexuals have written so passionate and moving. Most of the texts Fone analyzes presume that sexuality is the central aspect of identity. Whereas gay literature since 1969 has been a vocal and supporting partner to the activism that has characterized the movement for lesbian and gay rights, before 1969 there were few political initiatives and only a handful of organized groups: the text was dominant.

    Sinfield renews his call for an 'Englit' that incorporates ongoing study of the cultures of ethnicity, gender and sexuality.Challenging the assumptions that have shaped the study of English literature, Sinfield engages provocatively with topics such as the gendering of literary culture, the sexual politics of psychoanalysis during the Cold War and the history of cultural materialism. He discusses such key figures as William Shakespeare, Christopher Marlowe, Walt Whitman, Arthur Miller, Holly Hughes, Audre Lorde and Jeanette Winterson.This influential investigation of the principles and practice that may form dissident reading, forms compelling argument for intellectual allegiances beyond the academy.

    The contributors look at both the meaning and the uses of camp performance, and ask: is camp a style, or a witty but nonetheless powerful cultural critique? The essays investigate camp from its early formations in the seventeenth and eighteenth century to its present manifestations in queer theatre and literature. They also take a fascinating look at the complex relationship between queer discourse and decidedly un-queer pop culture appropriations on film and on the stage. The Politics and Poetics of Camp is an incisive, uncontainable and entertaining collection of essays by some of the foremost critics working in queer theory, from a number of disciplinary perspectives. This book makes a well-timed intervention into an emerging debate.

    Also included is the Lesbian Avengers Handbook.

    Arranging entries chronologically and drawing on sources from the Satyricon to Gay News, from Michelangelo&squo;s sonnets to a speech in the House of Lords, from sexually explicit graffiti found in Pompeii to a Playboy interview with David Bowie, Patrick Higgins uses novels, biographies, autobiographies, histories, and ephemera to present gay history as never before.