In Northern Italy in 1983, seventeen-year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.

    Published or forthcoming in forty territories, it has sold more than one million copies worldwide. Now Stuart returns with Young Mungo, his extraordinary second novel. Both a page-turner and literary tour de force, it is a vivid portrayal of working-class life and a deeply moving and highly suspenseful story of the dangerous first love of two young men.Growing up in a housing estate in Glasgow, Mungo and James are born under different stars--Mungo a Protestant and James a Catholic--and they should be sworn enemies if they're to be seen as men at all. Yet against all odds, they become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they fall in love, they dream of finding somewhere they belong, while Mungo works hard to hide his true self from all those around him, especially from his big brother Hamish, a local gang leader with a brutal reputation to uphold. And when several months later Mungo's mother sends him on a fishing trip to a loch in Western Scotland with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to try to get back to a place of safety, a place where he and James might still have a future.Imbuing the everyday world of its characters with rich lyricism and giving full voice to people rarely acknowledged in the literary world, Young Mungo is a gripping and revealing story about the bounds of masculinity, the divisions of sectarianism, the violence faced by many queer people, and the dangers of loving someone too much.

    The tides are angry. Reality has shifted. Selkies are coming up from the ocean, boys are missing, magic is going haywire, and memories are being pulled from people’s minds.Thomas Madigan is living in a nightmare.Isla just wants to go back to the sea.Kit Macrae thinks he’s drowning.Tanis Hughes needs to feed.And Owen Darrow doesn’t seem to exist.WEAK HEART is an LGBT+ horror fantasy featuring blood, sea salt, magic, and banter.

    It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home.Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp.Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of salt slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.

    His kingdom is near.Sixteen-year-old trans boy Benji is on the run from the cult that raised him—the fundamentalist sect that unleashed Armageddon and decimated the world’s population. Desperately, he searches for a place where the cult can’t get their hands on him, or more importantly, on the bioweapon they infected him with. But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC’s leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji’s darkest secret: the cult’s bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all. Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick’s terms…until he discovers the ALC’s mysterious leader has a hidden agenda, and more than a few secrets of his own. A furious, queer debut novel about embracing the monster within and unleashing its power against your oppressors. Perfect for fans of Gideon the Ninth and Annihilation.

    But when his classmate Cirrus stumbles upon his cloud-storage with its impressive collection of Chan-il's photos, things escalate pretty quickly. At first, Skylar is confident his secret is safe with Cirrus, but then he finds himself continuously in compromising situations, making him question Cirrus' true motives.

    

    Orla O’Reilly, the youngest in a long line of hedge witches, is compelled to return home after the death of her grandmother, Mamo. In the wake of her Mamo’s passing, seas are impossible to fish, crops have soured, even Jo Manalo’s attic is taken over by a poltergeist! And to make matter worse it appears that the cause is Mamo, or her mislaid bones that is. Can Orla shoulder the responsibility of quieting her Mamo’s spirit, saving her hometown, and will she have to step up as the new witch of Haresden like Mamo always wanted? Collects Mamo #1-5.

    A decade later, this project exploded into a sweeping portrait of the intricacies of gender expression with interviewees from all over the country. Questions such as “How do you Identify” produced fiercely honest stories of dealing with adolescence, taking hormones, changing pronouns—and how these experiences can differ, often drastically, depending on culture, race, and religion. Amidst beautifully rendered scenes emerges Ewing’s own story of growing up in rural Kentucky, grappling with their identity as a teenager, and ultimately finding themself through art—and by creating something this very fine. Tender and wise, inclusive and inviting, Fine is an indispensable account for anyone eager to define gender in their own terms.

    They each tell their own side of the story in their respective diaries.

    Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break.The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T.S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

    He's the only one besides me who visits it late at night, so we got talking. Sasha from the Gym is a 64-page queer adult comic for ages 18+.

    Wood. Perfect for fans of Shadow And Bone & The Wheel of Time.Far beyond the wonders of Aralva, past where the river splits and the chasms cry, Elorin lays in peace - home to the saviour.In the dark to a brewing evil, Alleria Valrona works as a librarian.But her whole life has been a lie.Alleria is not like the rest.She is a prophecy.She has the power. The power to end it all.She is sought by a mystical guardian with a life-altering plea: find Aralva and save us all.Alleria and her friends must travel across Malmar to discover the secrets of their land, but above all – stay alive.Family is the key to survival.But can she trust those who keep secrets from her?And what is willing to sacrifice to fulfil her prophecy?

    He challenges anyone present to strike a blow against him with his fearsome great axe - but on the condition that, in one year's time, he may deliver the same blow in return. Gawain and the Green Knight is a comic adaptation of the Arthurian folktale of the same name. It will be posted in four parts, with the goal of publishing a hardcover print edition of the complete story in early 2017.

    In a world where flowers have become frightening, Ben has come to accept that most people will want to keep their distance from his dandelions. However, when an enthusiastic photographer arrives out of the blue and asks Ben to be a part of his project, Ben begins to discover what being a “flowerpot” really means.

    A high school boy must master the art of romance to join his new school's most illustrious (and secret) club to ensure his classmates see him as his true gender, and soon finds himself falling for the club's prickly president.

    The outbreak creates a new class of people who are both feared and ostracized, and most of whom optimize their extra hours to earn more money. Jamie Vega, a New York journalist at C+P Media, is one of the Sleepless. When his irascible boss dies in an apparent suicidal overdose, Jamie doesn’t buy this too-convenient explanation—especially given its suspicious timing in the middle of a corporate takeover—and begins to investigate. Things go awry quickly when Jamie discovers that he was the last person who saw Simon alive. Retracing his steps, he realizes he doesn’t remember that night. Not only do the police suspect him, Jamie can’t account for the lost time, and the memory loss may have something to do with the fact that he did not come by hyperinsomnia naturally: through a risky and illegal process, Jamie had biohacked himself to become Sleepless. As Jamie delves deeper into Simon’s final days, he is forced to confront past traumas, and the consequences of his decision to biohack himself. Along the way he uncovers a terrifying truth about what it means to be Sleepless that will imperil him—and all of humanity.

    Kim uses the concept of curative violence to question the representation of cure as a universal good and to understand how nonmedical and medical cures come with violent effects that are not only symbolic but also physical. Writing disability theory in a transnational context, Kim tracks the shifts from the 1930s to the present in the ways that disabled bodies and narratives of cure have been represented in Korean folktales, novels, visual culture, media accounts, policies, and activism. Whether analyzing eugenics, the management of Hansen's disease, discourses on disabled people's sexuality, violence against disabled women, or rethinking the use of disabled people as a metaphor for life under Japanese colonial rule or under the U.S. military occupation, Kim shows how the possibility of life with disability that is free from violence depends on the creation of a space and time where cure is seen as a negotiation rather than a necessity.

    and the people who help get us back on the right path.Perfect for fans of Red, White, and Royal Blue by Casey McQuiston and What If It's Us by Adam Silvera and Becky Albertalli.Just days before spring break, Neil Kearney is set to fly across the country with his childhood friend (and current friend-with-benefits) Josh, to attend his brother's wedding—until Josh tells Neil that he's in love with him and Neil doesn't return the sentiment.With Josh still attending the wedding, Neil needs to find a new date to bring along. And, almost against his will, roommate Wyatt is drafted.At first, Wyatt (correctly) thinks Neil is acting like a jerk. But when they get to LA, Wyatt sees a little more of where it's coming from. Slowly, Neil and Wyatt begin to understand one another… and maybe, just maybe, fall in love for the first time…

    It includes fact sheets, ideas for organizing, and sample tools created by other organizations.

    A brief, romantic, and explicit TJ & Amal side story.

    The Book of Queer Saints features 13 short stories and a lineup that includes renowned authors Eric LaRocca, Hailey Piper, and Joe Koch. Joining them are the innovative visions of Briar Ripley Page, Nikki R. Leigh, Joshua R. Pangborn, Eric Raglin, Belle Tolls, Perry Ruhland, James Bennett, LC von Hessen, K.S. Walker, and George Daniel Lea. A fresh blend of transformative body horror, crimson-coated romance, and monstrous eroticism, this anthology is sure to satisfy your every depraved itch. Foreword by Sam Richard of Weirdpunk Books.

    This is their story, learning about who they are, and their friends and family around them.this is a webtoon

    

    But when it stood in New York City’s Greenwich Village, from 1929 to 1974, it was a nexus for the tens of thousands of women, transgender men, and gender-nonconforming people who inhabited its crowded cells. Some of these inmates—Angela Davis, Andrea Dworkin, Afeni Shakur—were famous, but the vast majority were incarcerated for the crimes of being poor and improperly feminine. Today, approximately 40 percent of the people in women’s prisons identify as queer; in earlier decades, that percentage was almost certainly higher.Historian Hugh Ryan explores the roots of this crisis of queer and trans incarceration, connecting misogyny, racism, state-sanctioned sexual violence, colonialism, sex work, and the failures of prison reform. And he reconstructs the little-known lives of hundreds of incarcerated New Yorkers, making a uniquely queer case for prison abolition in the process. From the lesbian communities forged through the House of D to the turbulent prison riots that presaged Stonewall, this is the story of one building and so much more—the people it caged, the neighborhood it changed, and the resistance it inspired.