The family patriarch, "the Commodore," built up a fortune that made him the world's richest man by 1877. Yet, less than fifty years after the Commodore's death, one of his direct descendants died penniless, and no Vanderbilt was counted among the world's richest people. "Fortune's Children" tells the dramatic story of all the amazingly colorful spenders who dissipated such a vast inheritance.

    Then Jane McCrae comes into their lives like a hurricane. When Cary falls in love with her, the boy's twosome becomes a tightly knit group of three, and they make plans for their summer after high school graduation. When Cary must remain in Killdeer, Adam and Jane head off to the Outer Banks alone, where they fall under the spell of the Lost Colony Hotel and its mysterious and charming proprietors. In a summer full of bright promise and heartache, Adam's feelings for Jane force him to make a difficult choice. . .

    Caught in an emotional trap of his own devising, and with his ex-lover lying in a hospital dying of AIDS, the writer is forced to confront his own mortality in this brilliant novel of erotic obsession in the gay subculture of New York's East Village.

    Anne Tyler wrote:“Reads like a novel…You may find yourself sitting very quietly, mulling over the marvels of this truly wonderful book.” - The Baltimore SunWhen her single mother dies, her bachelor Uncles Len and Gabe step in- a wildly divergent pair- Uncle Len is a self-styled cross between Sam Spade and Abe Lincoln, who travels on “secret missions”, carrying only a manila envelope- while Uncle Gabe composes and belts out Jewish Gospel songs and proposes to every woman he meets… Len makes popcorn for breakfast and Gabe warps the wooden floor with bleach. Their lives taken on a similar odd angle- and then they are joined by the grandmother, Etka from Minsk who carries her own memoir “Philosophy for Women” and begins most sentences with “Plato and I believe…” To top it off, they get a cocker spaniel puppy who “isn’t a dog but a democrat.”Excerpted in The New Yorker, presented at Selected Shorts, read by Linda Lavin, the book, published first by Alfred Knopf and then by Plume and Riverhead Books (Penguin Putnam), the book soon became a bestseller in the U.S. and was featured in The New York Times magazine, which ran several excerpts, including the popular Uncle Food, Bachelor Uncles, and a Hers column on being raised by men. Her column devoted to her single mother appeared in The New York Observer. Laura may have been raised by two eccentric men who knew nothing about running a household but they knew how to love. Her family story is interwoven with her adventures with her little girl friends as they played forbidden games in the “Babylonian Bronx. Jessica Mitford: “Absolutely delightful…a terrific treat!”Muriel Spark: “A great pleasure…very interesting, moving and amusing.”Chaim Potok: “Wise, sobering and witty.”“Compassion and wit are a rare literary combination but Sleeping Arrangements is illuminated by both” - Los Angeles Times“Cunningham transforms her “Bronx of the emotions” into the ‘Babylonian Bronx’, a world simmering with sex and death and intrigue…Sharp- witted and funny but never mean …"- Julie Salamon The Wall Street Journal.“Comic, touching, delightful…the kind of book you buy multiple copies of to send to your mother and best friends…"- People

    Here, Nichols has culled the best of what he wrote and organized it by sections of the country.

    Follows Crow from his origins as a small-time real estate dealer to his transformation into a corporate symbol. Discusses the bold methods that Crow used to build the most influential real estate company in America. Includes an examination of how Crow's risky strategy of making all principals partners in his firm and offering equity interest to deal managers paid off with spectacular profits. A lively account of Crow's mission to break all the rules and become the greatest builder of our age.

    Dividing the city into ten neighborhoods and devoting a chapter and about a dozen voices to each, Kisseloff offers a brief introduction, then lets the eyewitnesses speak for themselves. We hear a survivor's account of the harrowing Triangle Shirtwaist fire as well as tales of the sweatshops, the settlement houses, and the immigrants from around the world who poured into the Lower East Side at the turn of the century. There are vignettes of John Reed, Louise Bryant, Eugene O'Neill, and Edna St. Vincent Millay. We read of the bloody beginnings of the seamen's union and, down the street from the docks, visit with Thomas Wolfe and Edgar Lee Masters in the Hotel Chelsea. In Harlem, the Savoy and the Cotton Club were in their heyday, as were Fats Waller, Billie Holiday, and Adam Clayton Powell.Kisseloff offers a brief historical introduction to each of the ten neighborhoods and provides rare photographs of the people and places. From the pushcarts of the Lower East Side to the farms on Manhattan's northern expanse, from the Schirmers and the Steinways on the West Side to the Astors, the Vanderbilts, and the rest of the social register across the park, these eyewitnesses to another age engage us in a unique conversation between an all-but-bygone time and our own.

    This work is both a biography and an architectural history of a city within a city spiced with lively anecdotes.

    From Walter to John to Anjelica, there are three generations of Oscar winners in the remarkable Huston family.

    A Book on the Landscape and Vegetation of the Hudson River School area

    But despite the work of such dedicated cultists as Edmund Wilson, John Dos Passos, and Ernest Hemingway, Dawn Powell never became the popular writer that she ought to have been. Today she is, at the least, a bright counterpoint to our lost-and-found literary ladies."-- Gore Vidal, from his Introduction.

    Vaudeville was a meeting place, an inclusive form of theatre that flourished especially in New York, where it fostered cultural exchange among the city's ethnic groups. In The Voice of the City, Mr. Snyder reconstructs the famous acts, describes the different theatres, and shows how entrepreneurs created a near monopoly over bookings, theatres, and performers. He also gives us vaudeville's decline, its audiences usurped by musical comedy, radio, and the movies. "A fascinating and highly readable social history....By exploring the place of vaudeville in the neighborhoods and in the city central theatre district, Robert Snyder brilliantly illuminates the way city culture was made and worked in the lives of people at the turn of the century."-Thomas Bender. "The most authoritative book on American vaudeville...also a remarkably good read, filled with colorful details and incisive commentary on American popular culture in the decades surrounding the turn of the twentieth century."-David Nasaw.

    

    The stories in this selection are taken from the three collections More than Somewhat (1937), Furthermore (1938), and Take It Easy (1939).

    50 black-and-white photos.