Signs and Seasons, originally published in 1886, provides an excellent introduction to the extensive work of one of America's great writers. Because the essays were collected and arranged by Burroughs himself, they offer a synoptic view of his complex and many-sided genius. Signs and Seasons covers a wide range of Burroughs's interests, including plants and animals, the wilderness, pastoral landscapes, and the methods and goals of the naturalist.An authoritative new introduction by Jeff Walker makes Burroughs's work relevant to the twenty-first century, not only through Burroughs's excellent natural history writing but also through his beliefs about community, sustainability, and social justice. Additional notes give historical and scientific context for each essay and offer the reader fresh insight into his work. Walker's intimate knowledge of the Hudson River valley, Riverby, and Slabsides, the areas about which Burroughs writes, reveals sympathy for, and understanding of, Burroughs's work. This edition will be indispensable to the devotee of John Burroughs's writing and to a new generation of environmental reader.

    Instead, they focus on settings such as reservations, open-pit mines, and contested borderlands. Drawing on her own teaching experience among Native Americans and on lessons learned from such recent scenes of confrontation as Chiapas and Black Mesa, Joni Adamson explores why what counts as "nature" is often very different for multicultural writers and activist groups than it is for mainstream environmentalists. This powerful book is one of the first to examine the intersections between literature and the environment from the perspective of the oppressions of race, class, gender, and nature, and the first to review American Indian literature from the standpoint of environmental justice and ecocriticism. By examining such texts as Sherman Alexie's short stories and Leslie Marmon Silko's novel Almanac of the Dead, Adamson contends that these works, in addition to being literary, are examples of ecological criticism that expand Euro-American concepts of nature and place. Adamson shows that when we begin exploring the differences that shape diverse cultural and literary representations of nature, we discover the challenge they present to mainstream American culture, environmentalism, and literature. By comparing the work of Native authors such as Simon Ortiz with that of environmental writers such as Edward Abbey, she reveals opportunities for more multicultural conceptions of nature and the environment. More than a work of literary criticism, this is a book about the search to find ways to understand our cultural and historical differences and similarities in order to arrive at a better agreement of what the human role in nature is and should be. It exposes the blind spots in early ecocriticism and shows the possibilities for building common ground— a middle place— where writers, scholars, teachers, and environmentalists might come together to work for social and environmental change.

    Buckley (1840-1929), also known as Mrs. Fisher, was a writer and science educator. She was born in Brighton, England. At 24 she went to work as secretary to Charles Lyell, and worked for him until his death in 1875. Then she began lecturing and writing on science. She married at the age of 44, but continued publishing under her maiden name. Her books include The Fairy-Land of Science (1879), Life and Her Children (1880), Winners in Life's Race (1883), Insect Life (1901), By Pond and River (1901), Birds of the Air (1901), Wild Life in Woods and Fields (1901), Trees and Shrubs (1901) and Plant Life in Field and Garden (1901).