The family relationships between those who “sat for the photographer” are clearly visible in these images—sisters, friends, families, young couples—who appear and reappear to fill in a chronicle spanning from 1879 to 1942. Also included are candid shots of Ho-Chunk on the streets of Black River Falls, outside family dwellings, and at powwows. As author and Ho-Chunk tribal member Amy Lonetree writes, “A significant number of the images were taken just a few short years after the darkest, most devastating period for the Ho-Chunk. Invasion, diseases, warfare, forced assimilation, loss of land, and repeated forced removals from our beloved homelands left the Ho-Chunk people in a fight for their culture and their lives.”The book includes three introductory essays (a biographical essay by Matthew Daniel Mason, a critical essay by Amy Lonetree, and a reflection by Tom Jones) and 300-plus duotone photographs and captions in gallery style. Unique to the project are the identifications in the captions, which were researched over many years with the help of tribal members and genealogists, and include both English and Ho-Chunk names.

    These stories and events shaped the Colorado territory and are a rich glimpse into the early history of the state.

    Until the middle of the nineteenth century, indigenous peoples controlled the vast majority of the continent while European colonies of the Atlantic World were largely confined to the eastern seaboard. To be sure, Native North America experienced far-reaching and radical change following contact with the peoples, things, and ideas that flowed inland following the creation of European colonies on North American soil. Most of the continent's indigenous peoples, however, were not conquered, assimilated, or even socially incorporated into the settlements and political regimes of this Atlantic New World. Instead, Native peoples forged a New World of their own. This history, the evolution of a distinctly Native New World, is a foundational story that remains largely untold in histories of early America.Through imaginative use of both Native language and European documents, historian Michael Witgen recreates the world of the indigenous peoples who ruled the western interior of North America. The Anishinaabe and Dakota peoples of the Great Lakes and Northern Great Plains dominated the politics and political economy of these interconnected regions, which were pivotal to the fur trade and the emergent world economy. Moving between cycles of alliance and competition, and between peace and violence, the Anishinaabeg and Dakota carved out a place for Native peoples in modern North America, ensuring not only that they would survive as independent and distinct Native peoples but also that they would be a part of the new community of nations who made the New World.

    As they took on the arduous work of laying and anchoring tracks, they turned to traditional religion to anchor their lives.Jay Youngdahl, an attorney who has represented Navajo workers in claims with their railroad employers since 1992 and who more recently earned a master's in divinity from Harvard, has used oral history and archival research to write a cultural history of Navajos' work on the railroad and the roles their religious traditions play in their lives of hard labor away from home.

    When he comes across a giant who wants to take him home and cook him for dinner, the young man's quick thinking saves him from being devoured by the giant and his family, and in the process releases the first fog into the world. Written by Cape Dorest elder Qaunaq Mikkigak and Marilyn Baillie Picture Book Award-nominated author Joanne Schwartz, this action-packed picture book brings a centuries-old traditional tale to life for modern readers.

    Native burial grounds and Native ghosts have long played a role in both regional and local folklore and in the national literature of the United States and Canada, as settlers struggled to create a new identity for themselves that melded their European heritage with their new, North American frontier surroundings. In this interdisciplinary volume, Colleen E. Boyd and Coll Thrush bring together scholars from a variety of fields to discuss this North American fascination with “the phantom Native American.”   Phantom Past, Indigenous Presence explores the importance of ancestral spirits and historic places in Indigenous and settler communities as they relate to territory and history—in particular cultural, political, social, historical, and environmental contexts. From examinations of how individuals reacted to historical cases of “hauntings,” to how Native phantoms have functioned in the literature of North Americans, to interdisciplinary studies of how such beliefs and narratives allowed European settlers and Indigenous people to make sense of the legacies of colonialism and conquest, these essays show how the past and the present are intertwined through these stories.

    Spanning developments from the 15th to the 19th century, this ambitious book looks at the many ways and contexts in which indigenous peoples were represented in art of the early modern period—by colonial artists, European artists, and themselves. More than two hundred works of art, including paintings, sculptures, illustrated books, maps, codices, manuscripts, and other materials such as textiles, keros, and feather works, are reproduced in full-color illustrations, demonstrating the rich variety of these artistic approaches. A collection of essays by an international team of distinguished scholars in the field uncovers the different meanings and purposes behind these depictions of native populations of the Americas. These experts explore the role of the visual arts in negotiating a sense of place in late pre-Columbian and colonial Latin America. They address a range of important topics, such as the construct of the Indian as a good Christian; how Amerindians drew on their pre-Columbian past to stake out a place within the Spanish body politic; their participation in festive rites; and their role as artists. Lavishly illustrated, this ambitious book provides a compelling and original framework by which to understand the intersection of vision and power in the Spanish colonial world.

    The collection of essays and documents in MAJOR PROBLEMS IN NORTH AMERICAN BORDERLANDS surveys the North American past from the point of view of its borderlands. The essays and documents discuss people and events readers may find familiar, such as the founding of early European colonies, U.S. independence, the War of 1812, the U.S.-Mexican War, and Prohibition, but less widely-known events and actors--expanding native peoples, the Bourbon reforms of the Spanish Empire, fleeing slaves and servants, border surveyors, the Mexican Revolution, and key U.S. immigration legislation--also take center stage. In one sense this volume is clearly a work of U.S. history, but it is also Canadian and Mexican and native history with an overriding theme that we must take into account the meetings of different peoples and nations if we are to understand our past and present. This text presents a carefully selected group of readings organized to allow readers to evaluate primary sources, test the interpretations of distinguished historians, and draw their own conclusions. Each chapter includes introductions, source notes, and suggested readings.