From the book by S.E. Hinton.Cast: 10m., 8w. (extras as desired.) Some variations possible. S.E. Hinton, who wrote this modern classic when she was 16 years old, comments: "The Outsiders, like most things I write, is written from a boy's point of view. That's why I'm listed as S.E. Hinton rather than Susan. (I figured most boys would look at the book and think 'What can a chick know about stuff like that!') None of the events are taken from life, but the rest—how kids think and live and feel—is for real. The characters—Dallas, who wasn't tough enough; Sodapop, the happy-go-lucky dropout; Bob, the rich kid whose arrogance cost him his life; Ponyboy, the sensitive, green-eyed Greaser who didn't want to be a hood—they're all real to me. Many of my friends are Greasers, but I'm not. I have friends who are rich, too, but nobody will ever call me a Soc—I've seen what money and too much idle time and parental approval can do to people. Cool people mean nothing to me—they're living behind masks and I'm always wondering "Is there a real person underneath?" This entirely practical stage adaptation deals with real people, seen through the eyes of young Ponyboy, a Greaser on the wrong side of life, caught up in territorial battles between the have-it-made rich kids—the Socs—and his tough, underprivileged "greaser" family and friends. In the midst of urban warfare, somehow Ponyboy can't forget a short poem that speaks of their fragile young lives:Nature's first green is gold, Her hardest hue to hold.Her early leaf's a flower; But only so an hour.Then leaf subsides to leaf. So Eden sank to grief,so dawn goes down to day. Nothing gold can stay."Robert Frost wrote it," Ponyboy tells Johnny. "I always remembered it because I never quite got what he meant by it." Cherry, a beautiful Soc, comes to share a special sensitivity with Ponyboy as she discovers that he remembers poems and needs to watch sunsets. At the same time, Cherry's attracted to the older, tougher Dallas, and in a sense she's caught in the violent space between the Greasers and the Socs. While the Socs appear to have everything, the only thing a Greaser has is his friends. As these young people try to find themselves and each other, as the sadness of sophistication begins to reach them and their battles and relationships reach a resolution, Ponyboy's dying friend, Johnny, sends him a last message … I've been thinking about the poem that guy wrote. He meant you're gold when you're a kid, like green. When you're a kid everything's new, dawn. It's just when you get used to everything that it's day. Like the way you dig sunsets, Pony. That's gold. Keep it that way. It's a good way to be. This is a play about young people who are not yet hopeless about latent decency in the midst of struggle. Area staging. Approximate Running Time: 2 hours.

    Stories of love and of squalor, they include masterpieces such as 'The Swimmer' and 'Goodbye, My Brother' and date from the time of his honourable discharge from the Army at the end of the Second World War.

    Sera, a prostitute, and Ben, an alcoholic, stumble together and discover in each other a respite from their unforgiving lives. A testimony to the raw talent of its young author, Leaving Las Vegas is a compelling story of unconditional love between two disenfranchised and lost souls—an overlooked American classic.

    Brimming with unforgettable characters and set in exotic locales, his fiction transports readers to a world that is at once fanciful, haunting, and real. Leaf Storm, Gabriel Garcí­a Márquez's first novella, introduces the mythical village of Macondo, a desolate town beset by torrents of rain, where a man must fulfill a promise made years earlier. No One Writes to the Colonel is a novella of life in a decaying tropical town in Colombia with an unforgettable central character. Chronicle of a Death Foretold is a dark and profound story of three people joined together in a fatal act of violence.Gabriel Garcí­a Márquez was born in Colombia in 1927. His many books include the novels One Hundred Years of Solitude and Love in the Time of Cholera. He was awarded the Nobel Prize for Literature in 1982.

    Now, in old age, living out in the country, Moran is still fighting - with his family, his friends, even himself - in a poignant struggle to come to terms with the past.

    But James Fogle--who based this extraordinary novel on his own experiences, and who spent thirty-five years of his life in prison--has turned their lives into something darkly comic.Set in Portland, Oregon, in the early 1970s, Drugstore Cowboy is a resonating evocation of life at the bottom, and yet, by portraying his characters without judgment or glamor, Fogle has illuminated them. His debut novel is a singular work of contemporary fiction.

    But Baba Pesa is up against his drunken son, Juda, who has taken to lecturing his fellow villagers on the greater values in life.

    This collection was widely hailed as a work of genius, in which the voices of ordinary Americans, black and white, male and female, were given their own rhythms and forms of expression. Yonnondio, Olsen's only novel, was begun during the depression and completed in 1974. It tells the story of the Hollbrooks, an itinerant working-class family in middle-America during the thirties. Brutalised by poverty, they struggle to find a space to breathe, to dream and to create a bettter life for their children. Told in compelling, haunting prose, it is a profound and timeless story of the human will to survive.