However, characters do reoccur, off center stage as it were, and their stories do follow a sequence."

    Wonderfully informative, this comprehensive work includes 3,000 entries and 50 illustrations covering:-EVERY PLAY, including scene-by-scene synopses, critical commentary, sources, textual commentary, and theatrical history-EVERY CHARACTER, from Aaron to Young Talbot, including those without speaking parts-THE POEMS, including the sonnets and long works in verse-ACTORS, PRODUCERS, AND DIRECTORS, including William Kempe, Charles Laughton, Sarah Bernhardt, Sir Laurence Olivier, and others who have brought the plays and characters to life over the centuries-PLACES, real and imaginary, important to Shakespeare's life and works-THEATRICAL AND LITERARY TERMS that relate to the plays and poetry-CONTEMPORARIES OF SHAKESPEARE, including family members, friends and colleagues, patrons, and historical figures-AUTHORS, SCHOLARS, AND PUBLISHERS of Shakespeare's works, critical studies, and histories - and much more, all in easily accessible encyclopedic format

    An increasingly decrepit God and a merely ill-tempered Satan are reconciled and attempt a mission to Earth, where their misadventures point up the comedy and tragedy of modern life.

    What's more, the face appeared to have been shaved after death. The police assumed that the victim was a prominent financier, but Lord Peter Wimsey, who dabbled in mystery detection as a hobby, knew better. In this, his first murder case, Lord Peter untangles the ghastly mystery of the corpse in the bath. "Murder Must Advertise"--When advertising executive Victor Dean dies from a fall down the stairs at Pym's Publicity, Lord Peter Wimsey is asked to investigate. It seems that, before he died, Dean had begun a letter to Mr. Pym suggesting some very unethical dealings at the posh London ad agency. Wimsey goes undercover and discovers that Dean was part of the fast crowd at Pym's, a group taken to partying and doing drugs. Wimsey and his brother-in-law, Chief-Inspector Parker, rush to discover who is running London's cocaine trade and how Pym's fits into the picture--all before Wimsey's cover is blown. "Gaudy Night"--When Harriet Vane attends her Oxford reunion, known as the "Gaudy," the prim academic setting is haunted by a rash of bizarre pranks: scrawled obsentities, burnt effigies and poison-pen letters -- including one that says, "Ask your boyfriend with the title if he likes arsenic in his soup."Some of the notes threaten murder; all are perfectly ghastly; yet in spite of their scurrilous nature, all are perfectly worded. And Harriet finds herself ensnared in a nightmare of romance and terror, with only the tiniest shreds of clues to challenge her powers of detection, and those of her paramour, Lord Peter Wimsey.

    Translated by Helen Lane.

    I am going to give you the straight skinny, because you are the biggest shitbird on the planet. Your job is to stand around and stop the bullet that might hit someone of importance. In Viet Nam nice guys do not finish at all and monsters live forever. We are teenaged Quasimodos for the bells of hell and we are as happy as pigs in shit because killing is our business and business is good. The only virtue of the stupid is that they don't live long. The Lord giveth and the M-79 taketh away. If you're lucky, you'll only get killed. There it is. Welcome to the world of zero slack.""We hump through a defoliated rain forest that is too dead even to smell dead. Ancient trees stand stark and black and stripped of leaves. The black trees are hung with limp windblown flowers that are parachutes from illumination shells. Later we see trees that are as white as bone, sun-bleached skeletons of the great hardwoods, white trees with black leaves. The trunks and branches of the trees are warped by unnatural cancerous growths that look like human faces and human hands and human fingers growing out of decaying wood. In the poisonous fields of the defoliated rain forest we see monsters, freaks, and mutants. We see a water rat with two heads and as big as a dog, birds with extra feet coming out of their backs, Siamese-twin bullfrogs joined at the stomach. The bullfrogs scurry for cover with clumsy and desperately frantic movements horrible to see, finally sinking into oozing slime inhabited by shadows that are alive and best never seen by human eyes. "There are a lot of stories about the Phantom Blooper. Below Phu Bai the Phantom Blooper is a black Marine Lieutenant who inspects defensive positions at bridge security compounds. The next night, they get hit. North of Hue City the Phantom Blooper is a salt and pepper team of snuffy grunts who guide the Marine patrols into L-shaped ambushes set by the Viet Cong. Force Recon claims a probable kill for shooting the Phantom Blooper in the Ashau Valley. The Phantom Blooper was a round-eye, tall and white, with blond hair, wearing black pajamas and a red headband, and armed with a folding-stock AK-47 assault rifle. Recon swears that—and this is no shit—the round-eyed Victor Charlie was the honcho, the leader, of the gook patrol. The Phantom Blooper has many names. The White Cong. Super-Charlie. The American VC. Moon Cusser. The Round-Eyed Victor Charlie. White Charlie. Americong. Yankee Avenger. But whatever name we use, we all know in our hearts the true identity of the Phantom Blooper. He is the dark spirit of our collective bad consciences made real and dangerous. “Go home,” the Phantom Blooper says, every night. And we want to go home, we really do, but we don’t know how. “Go home,” the Phantom Blooper says, without mercy, over and over, again and again, punctuating his sentences with explosions. "If there is a novel that illustrates the extremes to which the American soldier in Vietnam was driven, then Gustav Hasford has written it... (The Phantom Blooper) is a major contribution to our continuing examination of the Vietnam War." --John S. Nelson, professor of English at Saint Mary of the PlainsCollege"Taken individually, each is a brilliant & singular portrayal of the war. Taken together, we have a kind of Vietnam epic... If you can find The Phantom Blooper and The Short-Timers, read them both together." --Brian Siano, The Kubrick Site: Regarding 'Full Metal Jacket' This book was actually completed before Full Metal Jacket was released in 1987, but for some reason not published by Bantam until 1990, at which time Gus put out a press release, wildy attacking his editor. An excerpt of the novel was printed in the January 1990 issue of Playboy. It is a more powerful, more personal story than The Short-Timers, in its description of life among the Viet Cong and how that affects Private Joker. If The Short-Timers details the making of an American solider, this book shows the unmaking. In Hasford's original draft, Joker's conversion was so complete that he became an active VC, going out and killing his fellow Marines. As the inside cover says, "Here is another major novel of the Viet Nam experience from one of its most startlingly able chroniclers... Joker's personal odyssey exposes a searingly honest, tragic, and brutal truth about the war that damned a generation and the betrayal that scarred us all." This was supposed to be the second volume of Gus's Viet Nam trilogy, but the final novel was never finished. The Phantom Blooper is currently out of print, but you can download the entire text right here!

    Mangua's novel is a fictional, autobiographical account of the son of a prostitute. The male narrator describes his life as the orphan of a prostitute in the slums of Nairobi, a young man frequenting bars and brothels, a student, corrupt civil servant and seasonal convict. His is a humorous and cynical account revealing much about the unsavoury aspects of a world experiencing rapid social change. Charles Mangua is a prolific writer of popular literature, and author of three other novels, Son of Woman in Mombasa (the sequel to Son of Woman), A Tail in the Mouth, and Kanina and I.

    Just like the rest of us, he doesn't always have as much time or energy as he'd like to put together a satisfying meal. So, he came up with Jacques Pépin Quick & Simple, 250 recipes for surprisingly achievable, impressive fare. Covering homemade staples and every course, with tips for kitchen tools and equipment, pantry staples, and techniques to simplify and improve every dish you make, this foundational, classic collection is essential for every busy home cook who refuses to eat poorly. Dine on the Braised Short Ribs in Red Wine Sauce that Jacques is proud to serve, prepared in under an hour. Or, for healthier fare, Suprêmes of Chicken with Paprika comes together in under thirty minutes. Originally published as The Short-Cut Cook, this revised edition is a testament to Jacques' timeless food and advice, and now includes beautiful photographs.

    In "Spirits of the Railway," a young man appeases the ghosts of dead railroad workers who were never properly buried. In "Forbidden Fruit," a father's prejudice keeps his daughter from marrying her beloved. Dramatic illustrations accompany the stories. "The brief, pithy tales strikingly reflect traditional Chinese beliefs and customs in New World circumstances. . . . A book not to miss."-- Booklist Starred Review

    Shortlisted for the Whitbread Poetry Award in 1989, it is one of Bloodaxe's bestselling titles.

    She was precious fire, a woman whose courage and daring equalled his own, and he drew her irrevocably into an emotional maelstrom.

    The child's mother, though, isn't about to take it lying down and, along with a tracker, begins a cross-country chase to get her child back.

    The titular essay is a meditation on Pieter Bruegel the Elder’s 1563 painting, The Tower of Babel, which Benet calls "the first painting in European art history to feature a building as a protagonist." An engineer by trade, Benet brings his knowledge of building construction to bear on Bruegel’s creation, examining the archways, pillars, windows, and the painter’s meticulously depicted chaos at the heart of the edifice’s centuries-long execution. An unusual analysis of architectural hubris and the linguistic myth that gave rise to it, Benet’s essay builds its own linguistic telescoping structure that could be described as an architextual discourse on the madness of the unending project.Also included is “On the Necessity of Treason” (a theme of particular interest to Benet, whose father was shot by Republican forces during the Spanish Civil War, and whose brother was forced to escape to France, exiled for his Republican sympathies). Benet considers the essentially dual nature of the spy and the curious World War II cases of Julius Norke and William Joyce (Lord Haw-Haw) to conclude, in a spark of lucid reflection, that within the order of the State, the traitor is not only necessary, but welcome.A civil engineer by profession, Juan Benet (1927–1993) began writing to pass the long nights of solitude he spent on construction sites in León and Asturias. His self-published first novel, You Will Never Amount to Anything, in 1961. In 1967, he won the Biblioteca Breve Prize for his novel A Meditation.

    While using Heidegger's Being and Time as its permanent point of reference and dispute, this collection also confronts other important philosophers, such as Kant, Nietzsche, and Derrida. The projects of these pivotal thinkers of finitude are relentlessly pushed to their extreme, with respect both to their unexpected horizons and to their as yet unexplored analytical potential. A Finite Thinking shows that, paradoxically, where the thought of finitude comes into its own it frees itself, not only to reaffirm a certain transformed and transformative presence, but also for a non-religious reconsideration and reaffirmation of certain theologemes, as well as of the body, heart, and love. This book shows the literary dimension of philosophical discourse, providing important enabling ideas for scholars of literature, cultural theory, and philosophy.

    Allen Barnett has written an extraordinary accomplished collection of short fiction, stories about the risk of desire, the pain of early pregnancy, the sullen yearning of unrequited love, the devastation of AIDS and its remedies.