As he lay dying, his priest, family, and friends offered him a last chance to confess his mendacity, and Marco, it is said, replied "I have not told the half of what I saw and did." Now Gary Jennings has imagined the half that Marco left unsaid as even more elaborate and adventurous than the tall tales thought to be lies. From the palazzi and back streets of medieval Venice to the sumptuous court of Kublai Khan, from the perfumed sexuality of the Levant to the dangers and rigors of travel along the Silk Road, Marco meets all manner of people, survives all manner of danger, and, insatiably curious, becomes an almost compulsive collector of customs, languages and women.In more than two decades of travel, Marco was variously a merchant, a warrior, a lover, a spy, even a tax collector - but always a journeyer, unflagging in his appetite for new experiences, regretting only what he missed. Here - recreated and reimagined with all the splendor, the love of adventure, the zest for the rare and curious that are Jennings's hallmarks - is the epic account, at once magnificent and delightful, of the greatest real-life adventurer in human history.

    Full color.

    Sorabji argues that the thought of these often negelected philosophers about the subject is, in many cases, more complete than that of their more recent counterparts.“Splendid. . . . The canvas is vast, the picture animated, the painter nonpareil. . . . Sorabji’s work will encourage more adventurers to follow him to this fascinating new-found land.”—Jonathan Barnes, Times Literary Supplement“One of the most important works in the history of metaphysics to appear in English for a considerable time. No one concerned with the problems with which it deals either as a historian of ideas or as a philosopher can afford to neglect it.”—Donald MacKinnon, Scottish Journal of Theology “Unusually readable for such scholarly content, the book provides in rich and cogent terms a lively and well-balanced discussion of matters of concern to a wide academic audience.”—Choice

    It thus provides a model against which the military development of other countries can be measured in terms of the composition, control and cost of armies. Above all, it redresses the imbalance whereby only the naval forces of Venice have been studied seriously. It is thus an essential contribution to an understanding of the extension and maintenance of an empire by land and sea, and of the strength in troops and fortifications that preserved Venice as the one truly independent state in sixteenth-century Italy. It also adds significantly to an understanding of the relationship between Venice and the republic's subject territories.

    Peter seeks to reclaim for central Italy an important part of its own history. Noble's thesis is at once original and controversial: that the Republic, an independent political entity, was in existence by the 730s and was not a creation of the Franks in the 750s.Noble examines the political, economic, and religious problems that impelled the central Italians--and a succession of resolute popes--to seek emancipation from the Byzantine Empire. He delineates the social structures and historical traditions that produced a distinctive political society, describes the complete governmental apparatus of the Republic, and provides a comprehensive assessment of the Franco-papal alliance.

    

    

    It retained its independence despite the recovery of Constantinople by the Greeks in 1261. Each of its rulers acquired the Byzantine titles of Despot, from which the term Despotate was coined to describe their territory. They preserved their autonomy partly by seeking support from their foreign neighbours in Italy. The fortunes of Epiros were thus affected by the expansionist plans of the Angevin kings of Naples and the commercial interests of Venice. Until 1318 it was governed by direct descendants of its Byzantine founder. Thereafter it was taken over first by the Italian family of Orsini, then conquered by the Serbians, infiltrated by the Albanians, and appropriated by an Italian adventurer, Carlo Tocco. Like the rest of Byzantium and eastern Europe it was ultimately absorbed into the Ottoman Empire in the fifteenth century. The Despotate of Epiros illuminates part of Byzantine history and of the history of Greece in the Middle Ages.

    Through a comparative analysis of the cathedrals of Chartres, Reims, and Amiens, the author illuminates the technical, theological, artistic, and social factors that formed the High Gothic synthesis. Drawing on a lifetime of scholarship, he successively characterizes the different parts of the Gothic cathedral and describes the human context of the three great buildings.