Following in the footsteps of 19th-century urban reformer Jacob Riis, the author, through the power of photography, reveals the destitution and vulgarities of urban decay. Chicago; Newark, New Jersey; New York; Detroit; Los Angeles; and several other cities are the backdrops for his 400 photographs. Vergara focuses on the physical environment, showing the transformation of particular sites over time. His tour of dilapidated neighborhoods and crumbling downtowns is visually startling. Vergara lays bare the direction of a new urbanness that strips the grandeur from its fabric and lays waste to the cityscape, pointing out that while we have wasted cities, many of the ruins are magnificent. An invaluable resource for urban studies and architecture collections.

    Hip-hop culture in general, and rap music in particular, present model sites for such an inquiry, since they enact both postmodern modes of production--the appropriation of tropes, technologies, and material culture--and a potential means of resistance to the commodification of cultural forms under late capitalism. By paying specific attention to the historical and cultural context of hip-hop as a black artform and locating its practice of resistance in terms of a postmodernist reading of consumer culture, this book offers a complex reading of hip-hop as a postmodern practice, with implications both for theories of postmodernism and cultural studies as a whole.