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    Through Vincent Fedorchak's hilarious deadpan narration of a wild existence wrought with adolescent braggadocio, we are taken on a rough journey through a deteriorating Bronx jungle-wonderland where property value was plummeting and kids ruled the streets. Whether executing a bizarre graffiti mission in another borough with all the insanity of a special ops soldier, fearlessly tracking down Satan-worshippers camped out in the old castles in Van Cortlandt Park, or being the first white boy inducted into the infamous Ebony Dukes street gang, Fedorchak never flinches. Filled with hundreds of never-before-published photos of graffiti art and Bronx cityscapes, as well as first-hand accounts of the exploits of legendary graffiti artists such as DONDI, BLADE, COMET, NOC 167, BOOTS 119, and others, Fuzz One is a guided tour of a heretofore uncharted Bronx underworld. This epic tale of youth gone awry fully captures an important era of cultural upheaval in New York City's history. It is set apart from other memoirs via the inclusion of more than 300 images, nearly all in color, that give the volume strong historical, anthropological and cultural appeal.

    Bansky, the well known British stencil artist, after a visit to Melbourne, in 2003 said: "The walls of Melbourne are very noisy...like the noise of a hundred drunk people talking among themselves. "He went on to say," It looks like the city belongs to anyone that wants it. It feels like there's more opportunity. "Through intimate interviews, dynamic layouts and a riot of examples the street artists are shown in the context of world street art culture. Important questions such as why they paint are closely examined. Melbourne's walls are both canvases and meeting place for ideas, making it the hot-bed for the best in stencil graffiti art.