As Malcolm Cowley says in his introduction, the first edition of Leaves of Grass 'might be called the buried masterpiece of American writing', for it exhibits 'Whitman at his best, Whitman at his freshest in vision and boldest in language, Whitman transformed by a new experience.' Mr Cowley has taken the first edition from its narrow circulation among scholars, faithfully edited it, added his own introduction and Whitman's original introduction (which never appeared in any other edition during Whitman's life), and returned it to the common readership to whom the great poet really speaks.

    This beautiful companion volume to The River Bank features the second half of Kenneth Grahame's treasured children's classic.

    Presents clear, detailed descriptions of vaginal and breast self examination, the complete anatomy of the clitoris, common infections, lab tests, fertility detection, donor insemination, birth control, menstrual extraction, abortion care, surgical procedures and home remedies. Beautiful illustrations by Suzann Gage.

    Stephen Greenblatt examines the structure of selfhood as evidenced in major literary figures of the English Renaissance—More, Tyndale, Wyatt, Spenser, Marlowe, and Shakespeare—and finds that in the early modern period new questions surrounding the nature of identity heavily influenced the literature of the era. Now a classic text in literary studies, Renaissance Self-Fashioning continues to be of interest to students of the Renaissance, English literature, and the new historicist tradition, and this new edition includes a preface by the author on the book's creation and influence. "No one who has read [Greenblatt's] accounts of More, Tyndale, Wyatt, and others can fail to be moved, as well as enlightened, by an interpretive mode which is as humane and sympathetic as it is analytical. These portraits are poignantly, subtly, and minutely rendered in a beautifully lucid prose alive in every sentence to the ambivalences and complexities of its subjects."—Harry Berger Jr., University of California, Santa Cruz

    The poems are lyrical and well crafted; images recur and build upon one another as the book progresses. Personal but never confessional, she hold emotion in check."--Library Journal

    In her seminal study, first published in 1981, Marjorie Perloff argues that the map of Modernist poetry needs to be redrawn to include a central tradition which cannot properly be situated within the Romantic-Symbolist tradition dominating the early twentieth century.

    A Facsimile Edition

    Copyright 1981 Turtle Island Foundation

    . . ‘a magnificient book. I cannot think of any venture in Irish publishing of recent years so high in its ideals and achievement, so deep in its scholarship and enthusiasm, so broad in its range and appeal.’ (Paul Muldoon, The Irish Times) . . . ‘a large and worthwhile undertaking, diligently and often triumphantly carried out . . . invaluable to every student of Irish literature; and, with its inclusion of so much unfamiliar material, instructive and absorbing to everyone else.’ (Patricia Craig, The New York Review of Books).The primary purpose of An Duanaire is to demonstrate the nature and quality of the Irish poetic tradition during the troubled centuries from the collapse of the Gaelic order to the emergence of English as the dominant vernacular of the Irish people. Thomas Kinsella’s English translations, all new, aim at a close fidelity to the content of the originals, while suggesting something of the poetic quality, and the basic rhythms, of the original Irish poems.Daoine a bhfuil Nua-Ghaeilge éigin acu is mó a bhainfidh leas as an saothar seo. Is é atá sna haistriúcháin ná téacsanna a léifí bonn ar bhonn leis na buntéacsanna, agus a bheadh ina gcabhair dóibh siúd ar mhaith leo tuiscint níos cruinne a fháil ar an dánta Gaeilge . . . ‘Mar ghníomh creidimh I bhfilíocht Ghaeilge na tréimhse sin ina bhfuil ár scoilteacha cultúir lonnaithe, agus i leanúnachas traidisiún na filíochta Gaeilge, is cloch mhíle an-tábhachtach An Duanaire.’ (Liam Ó Muirthile, Innti 6).‘An Duanaire is a re-education in our poetry, a recuperative event. The range is great, in time and substance . . . Seán Ó Tuama and Thomas Kinsella have given a book of great worth and importance, one that could mark an epoch . . . a whole thing that is, as the best judges have always believed poetry should be, dulce et utile.’ (Seamus Heaney, The Sunday Tribune).

    Smith delivers the best introduction to the spirituality of Howard Thurman that led to his prophetic voice.

    Full of practical aids: checklists, diagrams, examples, forms and step-by-step directions, this book has been used and admired by students and theater professionals alike. It eschews excessive discussion of philosophy and, instead, gets right to the essential materials and processes of putting on a production. In addition to sharing his own expertise, the author has gathered practical advice from working stage managers of Broadway, off-Broadway, touring companies, regional, community, and 99-seat Equity waiver theaters.

    It has now been rewritten, drawing on a wide range of new research, and updated to take account of the period following the end of the cold war, taking the story to contemporary arguments about missile defense.

    Hagiographical texts and reports of the processes of canonisation - a mode of investigation into saints' lives and their miracles implemented by the popes from the end of the twelfth century - are here used for the first time as major source materials. The book illuminates the main features of the medieval religious mind, and highlights the popes' attempts to gain firmer control over the wide variety of expressions of faith towards the saints in order to promote a higher pattern of devotion and moral behaviour among Christians.

    Consistent recognition of these hidden significances in Dubliners and A Portrait of the Artist as a Young Man would require an encyclopedic knowledge of life in nineteenth- and twentieth-century Dublin such as few readers possess. Now this substantially revised and expanded edition of Don Gifford's Notes to Joyce: "Dubliners" and "A Portrait of the Artist as a Young Man" puts the requisite knowledge at the disposal of scholars, students, and general readers. An ample introductory essay supplies the historical, biographical, and geographical background for Dubliners and Portrait. The annotations that follow gloss place names, define slang terms, recount relevant gossip, give capsule histories of institutions and political and cultural movements and figures, supply bits of local and Irish legend and lore, explain religious nomenclature and practices, and illuminate cryptic allusions to literature, theology, philosophy, science and the arts. Professor Gifford's labors in gathering these data into a single volume have resulted in an invaluable source-book for all students of Joyce's art.

    Butler relates the French and American Revolution, the Napoleonic Wars, the expansion of agriculture, trade, and industry, and growing economic and social pressures to the cultural forces which shaped their work. She reveals the common factors which engaged the separate efforts of so many individual creative minds, and the fierce personal and artistic politics of an age in the midst of profound change. Demonstrating that the literature produced during this dynamic, restless time is not as homogenous as is generally assumed, Butler illuminates the ways in which these various experimental works reflected radically new sensibilities and aspirations.