How Stoker became the creator of the mysterious, seductive count from a castle (and coffin) in Transylvania was a story in and of itself. Over the past century, Dracula has never been out of print and has become its own cultural phenomena, starting with Bela Lugosi’s famed rendition in 1931, to Mel Brooks, Francis Ford Coppola, Christopher Lee, Buffy, Anne Rice’s Vampire Chronicles and the hugely popular Twilight series. This generously illustrated documentary collection explores in full the scope of the Dracula phenomenon, from the folkloric origins of the vampire legend to its unending legacy as a vital influence on the literary and performing arts, not to mention the Romanian tourist industry. Nor does it overlook Bram Stoker himself, and includes his working notes and exceptional primary documents.

    Replete with the brutality, primordial waste, and savage blankness familiar to readers of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it. In the title story an obsessive consciousness folds back on itself, creating a vertiginous mélange of Poe and Borges, both horrific and metaphysical. Here, as in "Moran's Mexico," and "Greenhouse," the solitary nature of reading and writing leads characters beyond human limits, making the act of putting words to paper a monstrous violation opening onto madness. In "White Square" the representation of humans by dimly colored shapes confirms our feeling that something lies behind these words, while seeming to mock us with the futility of seeking it. Evenson's enigmatic names-Thurm, Bein, Hatcher, Burlun-placeable landscapes, and barren rooms all combine to create a semblance of conceptual abstraction, as though the material universe had come to exist inside someone's head.Small wonder that Evenson's work has attracted so much attention among philosophers, literary critics, and other speculative intelligences, for it continuously projects a tantalizing absence, as though there were some key or code that, if only we knew it, would illuminate everything. However, the blade of discernment wavers, and we are left to our own groping interpretations.

    Their somber poetry and rich moods of menace and melancholy have conjured some of the most haunting images in American literature: the accusing echo of the tell-tale heart, the beloved but doomed Annabel Lee, the gloom-shrouded House of Usher, the maddening tortures of the pit and pendulum, the eerie and enigmatic Raven.Dramatic and irreversible, Poe's work invites us to match our darkest imaginings to his vision of the world colored by grief and madness and haunted by specters of guilt and death. This illustrated edition captures Poe's best-known works in all their shadowy splendor through the incomparable art of Mark Summers. His striking full-page color illustrations and ghostly black-and-white pencil sketches reveal the skull beneath the skin of Poe's obsessed and mournful characters and subtly express their heart of emotional darkness that gives them life and purpose.The book also features and introduction by best-selling fantasist and graphic novelist Neil Gaiman, who discusses his personal relationship with Poe's writing and its enduring impact. "Poe", he writes, "for all his short life and unfulfilled potential, remains as much read today, his finest stories as successful, as readable, as contemporary as anyone can desire." This new edition of Poe's unforgettable writing is a colorful and imaginative tribute to this most contemporary of classic writers.

    Ruby Gloom is already a best-selling apparel and accessory design of "Mighty Fine's, for 'tweens and teens, especially goth girls. Now she introduces herself with seventeen slightly offbeat lessons for life, as seen from the shadowy Victorian mansion where she hangs out with her cat, Doom, the seven skeletons in her closet, and the occasional ghost (They're so dramatic!). Absence makes the heart grow fonder

    It makes an explicit connection between the veils, masks and disguises of Gothic convention, and historically-specific fashion discourses, from the revealing chemise-dress popularized by Queen Marie Antoinette to the subcultural style of contemporary Goths. In so doing it sheds new light on the cultural construction of Gothic bodies. Taking an original interdisciplinary approach, Catherine Spooner offers readings of literary, cinematic and popular cultural texts in the context of fashion from the 1790s to the 1990s. Progressing chronologically from the novels of Radcliffe and Lewis through the "sensation" fiction of the Victorian period and the Gothic fiction of the fin-de-siècle, Fashioning Gothic Bodies culminates with twentieth-century film and the supposed resurgence of the Gothic in pre-Millennial culture.