Captain Sean O'Sullivan distinguishes himself as a courageous soldier in the closing days of World War II, but what comes next tests his deepest reserves of strength and conviction. Sent to oversee the rebuilding of Berlin, O'Sullivan is exposed to the horrific truths of the Holocaust, a shattered and defeated society, and the new threat of Soviet power as the Iron Curtain begins to shadow the city. When Soviet forces blockade Berlin and the airlift begins, O'Sullivan is faced with profound moral dilemmas in an increasingly complicated world. Armageddon is one of the great fictional portrayals of Europe in the earliest days of the Cold War."Magnificent. The great drama of the Berlin airlift . . ." -The Columbus Dispatch"A vast panorama of people and places . . . dramatic moment after dramatic moment in a throbbing tempo." -New York Herald TribuneLeon Uris (1924-2003) was an author of fiction, nonfiction, and screenplays whose works include numerous best-selling novels. His epic Exodus (1958) has been translated into over fifty languages. Uris's work is notable for its focus on dramatic moments in contemporary history, including World War II and its aftermath, the birth of modern Israel, and the Cold War. Through the massive success of his novels and his skill as a storyteller, Uris has had enormous influence on popular understanding of twentieth-century history.

    Wheeler-Bennett tells the story of how the German Army, having survived the disaster of 1918, proceeded to dominate the political life of the German Republic, exercising a virtually paramount degree of power and influence by its very withdrawal from the active arena of politics: and of how, when later it was mistaken enough to play politics instead of controlling them, it began a descent which only ended in abject defeat - militarily, politically and spiritually. The author reveals the extent of the responsibility of the Army for bringing the Nazi regime to power, for tolerating the infamies of that regime once it had attained power, and for not taking the measures - at a time when only the Army could have taken them - to remove it from power. In this second edition a new foreword by Professor Richard Overy sets Wheeler-Bennett's classic text in a modern context.

    He examines in detail Hindenburg's role during the fateful days when Hitler was forcing his way to the top, scheming to overthrow the republic of which President Hindenburg eventually appointed him chancellor.

    They show the rapid change he underwent after his reaction to the first excitement of The Great War; how his dismay at the cruelty and confusion of war helped to render the poet in him speechless for many years; how he nevertheless characteristically held to his own fundamental views throughout war and revolution and in spite of everything retained his belief in the capacity of humanity to create for itself a better future.

    Among the selections are a Gregorian hymn, an English lute piece, operatic arias, instrumental and vocal motets, a French ballad, as well as works by Vivaldi, Telemann, Pergolesi, Scarlatti, Buxtehude, and other masters. Commentary evaluates style, form and historical setting, and complete compositions or sections of compositions are supplied when possible.