Serano shares her experiences and observations—both pre- and post-transition—to reveal the ways in which fear, suspicion, and dismissiveness toward femininity shape our societal attitudes toward trans women, as well as gender and sexuality as a whole.Serano's well-honed arguments stem from her ability to bridge the gap between the often-disparate biological and social perspectives on gender. She exposes how deep-rooted the cultural belief is that femininity is frivolous, weak, and passive, and how this “feminine” weakness exists only to attract and appease male desire.In addition to debunking popular misconceptions about transsexuality, Serano makes the case that today's feminists and transgender activist must work to embrace and empower femininity—in all of its wondrous forms.

    Anthony, Simone de Beauvoir, W.E.B. Du Bois, Hélène Cixous, Betty Friedan, Charlotte Perkins Gilman, Emma Goldman, Guerrilla Girls, Ding Ling, Audre Lorde, John Stuart Mill, Christine de Pizan, Adrienne Rich, Margaret Sanger, Huda Shaarawi, Sojourner Truth, Mary Wollstonecraft, and Virginia Woolf.The Essential Feminist Reader is the first anthology to present the full scope of feminist history. Prizewinning historian Estelle B. Freedman brings decades of teaching experience and scholarship to her selections, which span more than five centuries. Moving beyond standard texts by English and American thinkers, this collection features primary source material from around the globe, including short works of fiction and drama, political manifestos, and the work of less well-known writers. Freedman’s cogent Introduction assesses the challenges facing feminism, while her accessible, lively commentary contextualizes each piece. The Essential Feminist Reader is a vital addition to feminist scholarship, and an invaluable resource for anyone interested in the history of women.

    Not merely replacing male pronouns, the translators have rethought what kind of language has built barriers between the text and its readers. Seeking to be faithful to the original languages, they have sought new and non-sexist ways to express the same ancient truths. The Inclusive Bible is a fresh, dynamic translation into modern English, carefully crafted to let the power and poetry of the language shine forth particularly when read aloud giving it an immediacy and intimacy rarely found in traditional translations of the Bible.

    These diverse voices rise up in a collective roar to break open, expose, and examine the insidiousness of brutality, neglect, a punch, or a put-down. Here is Edward Albee on S&M; Maya Angelou on women’s work; Michael Cunningham on self-mutilation; Dave Eggers on a Sudanese abduction; Carol Gilligan on a daughter witnessing her mother being hit; Susan Miller on raising a son as a single mother; and Sharon Olds on a bra.These writings are inspired, funny, angry, heartfelt, tragic, and beautiful. But above all, together they create a true and profound portrait of this issue’s effect on every one of us. With information on how to organize an “Until the Violence Stops” event in your community, A Memory, a Monologue, a Rant, and a Prayer is a call to the world to demand an end to violence against women.“In the current era, it takes some brain racking to think of anyone else doing anything quite like Ensler. She’s a countercultural consciousness-raiser, an empowering figure, a truth-teller.”–Chicago Tribune

    Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.

    Yet there is also an articulate, theoretically informed and activist constituency that identifies as feminist.This book is by and about Indigenous feminists, whose work demonstrates a powerful and original intellectual and political contribution demonstrating that feminism has much to offer Indigenous women in their struggles against oppression and for equality. Indigenous feminism is international in its scope: the contributors here are from Canada, the USA, Sapmi (Samiland), and Aotearoa/New Zealand. The chapters include theoretical contributions, stories of political activism, and deeply personal accounts of developing political consciousness as Aboriginal feminists.

    The popularity of recent works by authors like Sue Monk Kidd and Kathleen Norris have only increased readers’ fascination. Now with a new introduction by the author, Longing for Darkness explores Galland’s spellbinding and deeply personal journey from New Mexico through Nepal, India, Switzerland, France, the former Yugoslavia, and Poland—places where such figures as Tara, the female Buddha of the Tibetan tradition, and the Black Madonna are venerated today.

    Based on extensive research amongst both migrants who sell sex and social helpers, Sex at the Margins provides a radical analysis. Frequently, says Agustín, migrants make rational choices to travel and work in the sex industry. Although they are treated as a marginalised group, they form part of the dynamic global economy.Both powerful and controversial, this book is essential reading for all those who want to understand the increasingly important relationship between sex markets, migration and the desire for social justice.-from the back cover

    Many of them are facing the prospect of years, decades, even lifetimes behind bars. Oddly, there's been little public discussion about the dramatic increase of women in the prison system. What exactly is happening here, and why? The answers are in Women Behind Bars, in which investigative journalist Silja Talvi sheds light on why American girls and women are being locked up at such unprecedented rates. Talvi travels across the country to weave together interviews with inmates, correctional officers, and administrators, providing readers with a glance at the impact incarceration has on our society. With a combination of compassion and critical analysis, Talvi delivers a timely, in-depth analysis of a growing and extremely complicated issue.

    Intersex, too, is gorgeously written."—Women's Review of Books"It's utterly impossible to not be spellbound by performer-activist Thea Hillman, in person or in print ... A must-read."—Curve“There’s nothing else in print like this amazing and courageous book.”—Patrick Califia, author of Sex Changes: The Politics of Transgenderism“An important and wonderfully disarming book. Poetic, political, and deeply personal.”—Beth Lisick, author of Helping Me Help MyselfIntersex (For Lack of a Better Word) chronicles one person’s search for self in a world obsessed with normal. What is “intersex”? According to the Intersex Society of North America, the word describes someone born with sex chromosomes, genitalia, or an internal reproductive system that are neither clearly male nor clearly female. In first-person prose as intimate as a diary, Thea Hillman redefines memoir in a series of compelling stories that take a no-holds-barred look at sex, gender, family, and community. Whether she’s pondering quirky family tendencies (“Drag”), reflecting on “queerness” (“Another”), or recounting scintillating adventures in San Francisco’s sex clubs, Hillman’s brave and fierce vision for cultural and societal change shines through.According to a special report by the Traditional Values Coalition entitled “Homosexual Urban Myth,” award-winning writer Thea Hillman is a radical who conducts erotic readings to promote the “homosexual revolution.” Thea offers presentations about sex and gender and performs her work at colleges and festivals around the country. She lives in Oakland, California.

    The stifled male, disconnected and out of touch, fills the void with apathy or anger and the toll is staggering: short unhealthy lives, ruined relationships and damaged children. This destructive behavior repeats itself in the next generation as the sins of the father continue the cycle.In Becoming a Kind Father, Calvin Sandborn aims to break that cycle. His intensely personal story is heart-searing and inspirational. Brought up to fear his father's alcohol-fuelled fury and hateful put-downs, the author buried his feelings and fine-tuned his own rage. His father's early death and the collapse of the author's marriage provided catalysts for change.Interspersing clever literary references with painful childhood memories, intense self-examination and astute observations, Sandborn provides well-researched psychological findings and self-help tips, including how to:identify and share feelingstreat yourself as a kind father wouldform trusting male friendshipsbreak the anger habit, andforgive the world, and yourself.This guide offers helpful insight for the millions of men who want to become kinder human beings. A "must-read" for every woman who loves an angry or emotionally distant man.

    Colonialism did not impose precolonial, european gender arrangements on the colonized. It imposed a new gender system that created very different arrangements for colonized males and females than for white bourgeois colonizers. Thus, it introduced many genders and gender itself as a colonial concept and mode of organization of relations of production, property relations, of cosmologies and ways of knowing. But we cannot understand this gender system without understanding what anibal Quijano calls “the coloni- ality of power” (2000a, 2000b, 2001–2002). The reason to historicize gender formation is that without this history, we keep on centering our analysis on the patriarchy; that is, on a binary, hierarchical, oppressive gender formation that rests on male supremacy without any clear understanding of the mechanisms by which heterosexuality, capitalism, and racial classification are impossible to understand apart from each other. The heterosexualist patriarchy has been an ahistorical framework of analysis. To understand the relation of the birth of the colonial/modern gender system to the birth of global colonial capitalism—with the centrality of the coloniality of power to that system of global power—is to understand our present organization of life anew." — Maria Lugones

    Yet in both the developing world and in postindustrial cities of the West, sexual commerce has continued to flourish, diversifying along technological, spatial, and social lines. In this deeply engaging and theoretically provocative study, Elizabeth Bernstein examines the social features that undergird the expansion and diversification of commercialized sex, demonstrating the ways that postindustrial economic and cultural formations have spawned rapid and unforeseen changes in the forms, meanings, and spatial organization of sexual labor.Drawing upon dynamic and innovative research with sex workers, their clients, and state actors, Bernstein argues that in cities such as San Francisco, Stockholm, and Amstersdam, the nature of what is purchased in commercial sexual encounters is also new. Rather than the expedient exchange of cash for sexual relations, what sex workers are increasingly paid to offer their clients is an erotic experience premised upon the performance of authentic interpersonal connection. As such, contemporary sex markets are emblematic of a cultural moment in which the boundaries between intimacy and commerce—and between public life and private—have been radically redrawn. Not simply a compelling exploration of the changing landscape of sex-work, Temporarily Yours ultimately lays bare the intimate intersections of political economy, desire, and culture.

    Greg Thomas interrogates a system that represents race, gender, sexuality, and class in certain systematic and oppressive ways. By connecting sex and eroticism to geopolitics both politically and epistemologically, he examines the logic, operations, and politics of sexuality in the West. The book focuses on the centrality of race, class, and empire to Western realities of "gender and sexuality" and to problematic Western attempts to theorize gender and sexuality (or embodiment). Addressing a wide range of intellectual disciplines, it holds out the hope for an analysis freed from the domination of white, Western terms of reference.

    These rituals typically involve the visualization of a deity, offerings, and the chanting of his or her mantra. Common variations include visualizing the deity in the act of sexual union with aconsort, visualizing oneself as the deity, and transgressive acts such as token consumption of meat or alcohol. Most notoriously, non-standard or ritualized sex is sometimes practiced. This accounts for Tantra's negative reputation in some quarters and its reception in the West primarily as acollection of sexual practices. Although some today extol Tantra's liberating qualities, the role of women remains controversial. Traditionally there are two views of women and Tantra. Either the feminine is a metaphor and actual women are altogether absent, or Tantra involves the transgressive use of women's bodies to serve maleinterests. Loriliai Biernacki presents an alternative view, in which women are revered, worshipped, and considered worthy of spiritual attainment. Her primary sources are a collection of eight relatively modern Tantric texts written in Sanskrit from the 15th through the 18th century. Her analysisof these texts reveals a view of women that is generally positive and empowering. She focuses on four topics: 1) the Kali Practice, in which women appear not only as objects of reverence but as practitioners and gurus; 2) the Tantric sex rite, especially in the case that, contrary to other Tantrictexts, the preference is for wives as ritual consorts; 3) feminine language and the gendered implications of mantra; and 4) images of male violence towards women in tantric myths. Biernacki, by choosing to analyse eight particular Sanskrit texts, argues that within the tradition of Tantra thereexists a representation of women in which the female is an authoritative, powerful, equal participant in the Tantric ritual practice.

    Childhood sexual abuse is running rampant, yet it's the best kept secret in our nation today. Its victims grow into adulthood with their little child's heart trapped in the pain and torment of their past. Nicole Braddock Bromley shares her own story and the steps to moving from silence to healing. Hush exposes the harsh realities of childhood abuse, explains the pain it causes, examines the false beliefs it creates, and empowers survivors to begin a personal journey toward healing by breaking the silence.With words of understanding and comfort, Nicole tells the real-life stories of those whose voices would otherwise never be heard. She is straightforward enough to pierce the hearts of those in a survivor's circle of influence, yet careful to tread lightly on what could be tender words.

    Some resonate with dragons while others believe they were elves in another life and still others resonate with wolves, great cats and other earthly animals. Whether Otherkin yourself, or simply curious, this book is the first to offer you an in depth look into this unique community.

    Championed by the art world for her fearless embrace of challenging subject matter, Walker has created a body of work that looks unflinchingly at racial inequality in the United States. Known for her bold images using the traditional silhouette, Walker upends the genteel, Victorian origins of the medium by graphically portraying scenes from the antebellum South to explore the politics of slavery, race, and gender. Inspired by the tragedy that beset the Gulf Coast after Hurricane Katrina, Walker has created a volume exploring the interconnectedness of the subject of the sea, race, and poverty by juxtaposing examples of her work and historical works from the 19th century. This unique and important book capitalizes on Walker’s deftness at graphic and visceral storytelling, affording the reader a deeply intimate experience of the difficult themes the artist explores.

    Yet, following the 1979 revolution, indigenous Iranian feminists became more vocal in their resistance to this characterization.In Rethinking Global Sisterhood, Nima Naghibi makes powerful connections among feminism, imperialism, and the discourses of global sisterhood. Naghibi investigates topics including the state-sponsored Women’s Organization of Iran and the involvement of feminists such as Betty Friedan and Gloria Steinem in the Iranian feminism movement before and during the 1979 revolution. With a potent analysis of cinema, she examines the veiled woman in the films of Tahmineh Milani, Ziba Mir-Hosseini and Kim Longinotto, and Mahnaz Afzali.At a time when Western relations with the Muslim world are in crisis, Rethinking Global Sisterhood provides much-needed insights and explores the limitations and possibilities of cross-cultural feminist social and political interventions.Nima Naghibi is assistant professor of English at Ryerson University in Toronto.

    In this wide-ranging and thoroughly readable book, Deborah Cameron, Rupert Murdoch Professor of Language and Communication at Oxford University and author of a number of leading texts in the field of language and gender studies, draws on over 30 years of scientific research to explain what we really know and to demonstrate how this is often very different from the accounts we are familiar with from recent popular writing. Ambitious in scope and exceptionally accessible, The Myth of Mars and Venus tells it like it is: widely accepted attitudes from the past and from other cultures are at heart related to assumptions about language and the place of men and women in society; and there is as much similarity and variation within each gender as between men and women, often associated with social roles and relationships. The author goes on to consider the influence of Darwinian theories of natural selection and the notion that girls and boys are socialized during childhood into different ways of using language, before addressing problems of miscommunication surrounding, for example, sex and consent to sex, and women's relative lack of success in work and politics. Arguing that what linguistic differences there are between men and women are driven by the need to construct and project personal meaning and identity, Cameron concludes that we have an urgent need to think about gender in more complex ways than the prevailing myths and stereotypes allow.

    But is the widely held assumption that women have always been excluded from such roles historically accurate?In the early centuries of Christianity, ordination was the process and the ceremony by which one moved to any new ministry (ordo) in the community. By this definition, women were in fact ordained into several ministries. A radical change in the definition of ordination during the eleventh and twelfth centuries not only removed women from the ordained ministry, but also attempted to eradicate any memory of women's ordination in the past. The debate that accompanied this change has left its mark in the literature of the time. However, the triumph of a new definition of ordination as the bestowal of power, particularly the power to confect the Eucharist, so thoroughly dominated western thought and practice by the thirteenth century that the earlier concept of ordination was almost completely erased. The ordination of women, either in the present or in the past, became unthinkable.References to the ordination of women exist in papal, episcopal and theological documents of the time, and the rites for these ordinations have survived. Yet, many scholars still hold that women, particularly in the western church, were never really ordained. A survey of the literature reveals that most scholars use a definition of ordination that would have been unknown in the early middle ages. Thus, the modern determination that women were never ordained, Macy argues, is a premise based on false terms.Not a work of advocacy, this important book applies indispensable historical background for the ongoing debate about women's ordination.

    In the essays, which feature original, lively and accessible prose, anti-sexist men make sense of their gendered experiences in today's culture.The authors tackle the issues of feminism, growing up male, recognizing masculine privilege, taking action to change the imbalance of power and privilege and the constraints that men experience in confronting sexism. They describe their successes and challenges in bucking patriarchal systems in a culture that can be unsupportive of - or downright hostile to - a pro-feminist perspective.In these chapters, a diverse group of men reflect on growing up, share moments in their day-to-day lives, and pose serious questions about being a pro-feminist male living, working, thinking, and learning in a sexist society.

    Featuring perspectives from across the philosophical spectrum, this text displays the range, depth and diversity of feminist writings on fundamental issues, from the early second wave to the present.

    H. Auden. By offering new and provocative readings of her entire oeuvre, Jo Gill provides a long overdue critical appreciation of Anne Sexton and presents a radical rethinking of the confessional mode of poetry and a recuperation of Sexton's place in it. Gill makes substantial use of Sexton's archive of unpublished diaries, drafts, correspondence, lectures, interviews, stage readings, and book annotations, as well as a little-known television documentary on Sexton. She also uses techniques that have not been previously applied to Sexton's poetry to increase our understanding of the poet's life and work. Employing new--principally poststructuralist--literary theories and critical practices, Gill offers new readings of Sexton's complex and ambitious poems. She discusses the diversity and richness of Sexton's writing across her career, shows the relevance of the often-ignored later poems, and places Sexton's work in its specific historical, political, and ideological contexts.

     L. H. Stallings offers distinct close readings of understudied African American women’s texts through a critical engagement with folklore and queer theory. To date, most studies on the trickster figure have rarely reflected the boldness and daring of the figure itself. Emblematic of change and transgression, the trickster has inappropriately become the methodological tool for conservative cultural studies analysis. Mutha’ is Half a Word strives to break that convention. This book provides a much-needed analysis of trickster tradition in regard to gender, sexuality, and Black female sexual desire. It is the only study to focus specifically on trickster figures and African American female culture. In addition, it contributes to conversations regarding the cultural representation of Black female desire in ways that are not strategically invested in heteronormative binaries of male/female and heterosexual/homosexual. The study is distinctly different because it explores folklore, vernacular, and trickster strategies of queerness alongside theories of queer studies to create new readings of desire in literary texts, hip-hop and neo-soul music, and comedic performances by Black females.

    Including a series of essays, reflections, and interviews marking the trajectory of the author's work as a feminist methodologist, Getting Lost will be an important text for courses in sociology of science, philosophy of science, ethnography, feminist methodology, women and gender studies, and qualitative research in education and related social science fields.

    Reviewing the sources available, it discusses the historical contexts which have nurtured patriarchal societies. Finally it applies these ideas to Indian history and sociology and examines how caste has interacted synergistically with patriarchy in India. A useful text for students as well as for the general reader.‘Today, the term 'patriarchy' is used somewhat differently. It is not only a descriptive term that explains how specific societies construct male authority and power, but also an analytical category. The transformation of patriarchy from a descriptive to an analytical category happened in a specific global historical context, the 1970s, that gave birth to a rousing feminist intellectual culture.’ This book forms a part of Theorizing Feminism Series edited by Maithreyi Krishnaraj.

    The essays in this important collection address these forces, recognising that music is an effect of a continuous process of negotiation, dispute and agreement between the individual actors who make up a music world. The emphasis is always on discourse, on the way in which people talk and write about music, and the part this plays in the social construction of musical meaning and value. The collection includes nineteen essays, some of which have had a major impact on the field, along with an autobiographical introduction.

    She was a young anarchist punk rock mother who didn't feel that the mamas in her community had enough support, so she began delivering articles on radical parenting to her compaeras in an age before the Internet made such a thing easy. Now, for the first time, 16 years of her zine and parenting writing life come together. This zine-book uses individual issues as chapters, focuses on personal writing, and retains the character of a zine that changed over the yearsgrowing from her daughters birth to teenagehood and beyond. Personal and political; ideas and actions; the intimacy of a zine meets the arching reach of a book.

    The poems describe not just seasonal changes and the vagaries of love - which form the thematic core of traditional Japanese poetry - but also the devastations of war, childbirth, conflicts between child-rearing and work, experiences as refugees, experiences as non-Japanese residents in Japan, and more.Sections of poetry open with headnotes, and the editor has provided explanations of terms and references for those unfamiliar with the Japanese language. Other useful tools include a glossary of poetic terms, a chronology, and a bibliography that points the reader toward other works by and about these poets. There is no comparable collection available in English.Students and anyone who appreciates poetry and Japanese culture will treasure this magnificent anthology. Editor and translator Hiroaki Sato is a past winner of the PEN America translator prize and the Japan-United States Friendship Commission's 1999 literary translation award.

    Sanjam Ahluwalia draws attention to the history of Indian birth control by including western activists such as Margaret Sanger and Marie Stopes alongside important Indian campaigners. In revealing the elitist politics of middle-class feminists, Indian nationalists, Western activists, colonial authorities, and the medical establishment, Ahluwalia finds that they all sought to rationalize procreation and regulate women while invoking competing notions of freedom, femininity, and family. _x000B__x000B_Ahluwalia's remarkable interviews with practicing midwives in rural northern India fills a gaping void in the documentary history of birth control and shows that the movement has had little appeal to nonelite groups in India. She argues that elitist birth control efforts failed to account for Indian women's values and needs and have worked to restrict reproductive rights rather than liberate subaltern Indian women since colonial times. _x000B__x000B_

    It tells the fascinating story of the National Welfare Rights Organization, the largest membership organization of low-income people in U.S. history. Setting that story in the context of its turbulent times, the 1960s and early 1970s, historian Felicia Kornbluh shows how closely tied that story was to changes in mainstream politics, both nationally and locally in New York City.The Battle for Welfare Rights offers new insight into women's activism, poverty policy, civil rights, urban politics, law, consumerism, social work, and the rise of modern conservatism. It tells, for the first time, the complete story of a movement that profoundly affected the meaning of citizenship and the social contract in the United States.

    Tessa Storey uses a range of archival sources, including criminal records, letters, courtroom testimonies, images and popular and elite literature, to reveal issues of especial concern to contemporaries. In particular, she explores how and why women became prostitutes, the relationships between prostitutes and clients, and the wealth which potentially could be accumulated. Notarial documents provide a unique perspective on the economics and material culture of prostitution, showing what could be earned and how prostitutes dressed and furnished their homes. The book challenges traditional assumptions about the success of post-Tridentine reforms on Roman prostitution, revealing that despite energetic attempts at social disciplining by the Counter-Reformation Popes, prostitution continued to flourish, and to provide a lucrative living for many women.

    Authors such as E. Lynn Harris and Patricia Highsmith write bestselling novels. Rupert Everett follows in the footsteps of Rock Hudson and others who starred in multimillion dollar films. George Michael and k.d.lang have been the creative forces behind dozens of hit songs, and the TV programs of Ellen DeGeneres, Rosie O'Donnell, and the cast of Queer Eye for the Straight Guy are enjoyed in gay and straight households alike. The Encyclopedia of Gay and Lesbian Popular Culture identifies the people, films, TV shows, literature, and sports figures that have made significant contributions to both gay and lesbian popular culture, and American popular culture.

    The popular texts boys like are often ignored by educators and scholars, or are simply dismissed as garbage that boys should be discouraged from enjoying. However, examining and making visible the ways masculinity functions in these texts is vital to understanding the broad array of works that make up children's culture and form dominant versions of masculinity. Such popular texts as Harry Potter, Captain Underpants, and Japanese manga and anime often perform rituals of subject formation in overtly grotesque ways that repulse adult readers and attract boys. They often use depictions of the abject - threats to bodily borders - to blur the distinctions between what is outside the body and what is inside, between what is "I" and what is "not I." Because of their reliance on depictions of the abject, those popular texts that most vigorously perform exaggerated versions of masculinity also create opportunities to make dominant masculinity visible as a social construct.

    In Publishing Women, Diana Robin finally brings to life this story of women’s cultural and intellectual leadership in early modern Italy, illuminating the factors behind—and the significance of—their sudden dominance.Focusing on the collective publication process, Robin portrays communities in Naples, Venice, Rome, Siena, and Florence, where women engaged in activities that ranged from establishing literary salons to promoting religious reform. Her innovative cultural history considers the significant roles these women played in tandem with men, rather than separated from them. In doing so, it collapses the borders between women’s history, Renaissance and Reformation studies, and book history to evoke a historical moment that catapulted women’s writings and women-sponsored books into the public sphere for the first time anywhere in Europe.

    . . Wallace-Sanders reveals . . . disturbing innuendos of mammy still relevant today, in particular the elevation in value of raising others' children at the expense of one's own." ---Choice"In this insightful analysis of representations of mammy, Wallace-Sanders skillfully illustrates how this core icon of Black womanhood has figured prominently in upholding hierarchies of race, gender, and class in the United States. Far from being a timeless, natural, benign image of domesticity, the idealized mammy figure was repeatedly reworked to accommodate varying configurations of racial rule. No one reading this book will be able to see Gone with the Wind in the same way ever again."---Patricia Hill Collins, University of Maryland"Kimberly Wallace-Sanders' interdisciplinary approach is first-rate. This expansive and engaging book should appeal to students and scholars in American studies, African American studies, and women's studies." ---Thadious Davis, The University of Pennsylvania Her cheerful smile and bright eyes gaze out from the covers of old cookbooks, song sheets, syrup bottles, salt and pepper shakers, and cookie jars, and she has long been a prominent figure in fiction, film, television, and folk art. She is Mammy, a figure whose provocative hold on the American psyche has persisted since before the Civil War.But who is Mammy, and where did she come from? Her large, dark body and her round smiling face tower over our imaginations to such an extent that more accurate representations of African American women wither in her shadow. Mammy's stereotypical attributes---a sonorous and soothing voice, raucous laugh, infinite patience, self-deprecating wit, and implicit acceptance of her own inferiority and her devotion to white children---all point to a long-lasting and troubled confluence of racism, sexism, and southern nostalgia.This groundbreaking book traces the mammy figure and what it has symbolized at various historical moments that are linked to phases in America's racial consciousness. The author shows how representations of Mammy have loomed over the American literary and cultural imagination, an influence so pervasive that only a comprehensive and integrated approach of this kind can do it justice.The book's many illustrations trace representations of the mammy figure from the nineteenth century to the present, as she has been depicted in advertising, book illustrations, kitchen figurines, and dolls. The author also surveys the rich and previously unmined history of the responses of African American artists to the black mammy stereotype, including contemporary reframings by artists Betye Saar, Michael Ray Charles, and Joyce Scott.Kimberly Wallace-Sanders is Associate Professor of the Graduate Institute of Liberal Arts and Women's Studies at Emory University. She is editor of Skin Deep, Spirit Strong: The Black Female Body in American Culture.

    In this first major study of the church, Anthea Butler examines the religious and social lives of the women in the COGIC Women's Department from its founding in 1911 through the mid-1960s. She finds that the sanctification, or spiritual purity, that these women sought earned them social power both in the church and in the black community.Offering rich, lively accounts of the activities of the Women's Department founders and other members, Butler shows that the COGIC women of the early decades were able to challenge gender roles and to transcend the limited responsibilities that otherwise would have been assigned to them both by churchmen and by white-dominated society. The Great Depression, World War II, and the civil rights movement brought increased social and political involvement, and the Women's Department worked to make the sanctified world of the church interact with the broader American society. More than just a community of church mothers, says Butler, COGIC women utilized their spiritual authority, power, and agency to further their contestation and negotiation of gender roles in the church and beyond.

    This book examines the nature of these identities. Georgia Warnke argues that identities, in general, are interpretations and, as such, have more in common with textual understanding than we commonly acknowledge. A racial, sexed or gendered understanding of who we and others are is neither exhaustive of the 'meanings' we can be said to have nor uniquely correct. We are neither always, or only, black or white, men or women or males or females. Rather, all identities have a restricted scope and can lead to injustices and contradictions when they are employed beyond that scope. In concluding her argument, Warnke considers the legal and policy implications that follow for affirmative action, childbearing leave, the position of gays in the military and marriage between same-sex partners.

    By focusing on a group of men - the 'greatest generation' - more commonly idolized in the Western historical imagination, the study makes an important and original contribution to our understanding of sexual violence in armed conflict. Taken by Force speaks as often as possible through the protagonists themselves and examines the differing social contexts prevailing in each country where the crimes were committed. Attention is also given to the racial dimension of this issue: the disproportionate number of black GIs prosecuted and the relative harshness of their sentences when convicted.

    Drawing on Foucault and Wittgenstein, she argues that the predominant picture of the self--apicture that presupposes an inner core of the self that is expressed, accurately or not, by the outer body--obscures the connection between contemporary discourses and practices of self-transformation and the forces of normalization. In other words, pictures of the self can hold us captive whenthey are being read from the outer self--the body--rather than the inner self, and we can express our inner self by working on our outer body to conform. Articulating this idea with a mix of the theoretical and the practical, she looks at case studies involving transgender people, weight-lossdieting, and cosmetic surgery. Her concluding chapters look at the difficult issue of how to distinguish non-normalizing practices of the self from normalizing ones, and makes suggestions about how feminists might conceive of subjects as embodied and enmeshed in power relations yet also capable ofself-transformation.The subject of normalization and its relationship to sex/gender is a major one in feminist theory; Heyes' book is unique in her masterful use of Foucault; its clarity, and its sophisticated mix of the theoretical and the anecdotal. It will appeal to feminist philosophers and theorists.

    All Bound Up Together explores the roles black women played in their communities' social movements and the consequences of elevating women into positions of visibility and leadership. Martha Jones reveals how, through the nineteenth century, the woman question was at the core of movements against slavery and for civil rights.Unlike white women activists, who often created their own institutions separate from men, black women, Jones explains, often organized within already existing institutions--churches, political organizations, mutual aid societies, and schools. Covering three generations of black women activists, Jones demonstrates that their approach was not unanimous or monolithic but changed over time and took a variety of forms, from a woman's right to control her body to her right to vote. Through a far-ranging look at politics, church, and social life, Jones demonstrates how women have helped shape the course of black public culture.

    Their skepticism derives in part from a history of explosive encounters with black men who blamed feminism for stigmatizing black men and undermining racial solidarity and in part from a perception that black male feminists are opportunists capitalizing on the current popularity of black women's writing and criticism. In Breaking the Silence, David Ikard goes boldly to the crux of this debate through a series of provocative readings of key African American texts that demonstrate the possibility and value of a viable black male feminist perspective.Seeking to advance the primary objectives of black feminism, Ikard provides literary models from Chester Himes's If He Hollers Let Him Go, James Baldwin's Go Tell It on the Mountain, Toni Morrison's Paradise, Toni Cade Bambara's The Salt Eaters, and Walter Mosley's Always Outnumbered, Always Outgunned and Walkin' the Dog that consciously wrestle with the concept of victim status for black men and women. He looks at how complicity across gender lines, far from rooting out patriarchy in the black community, has allowed it to thrive. This complicity, Ikard explains, is a process by which victimized groups invest in victim status to the point that they unintentionally concede power to their victimizers and engage in patterns of behavior that are perceived as revolutionary but actually reinforce the status quo.While black feminism has fostered important and necessary discussions regarding the problems of patriarchy within the black community, little attention has been paid to the intersecting dynamics of complicity. By laying bare the nexus between victim status and complicity in oppression, Breaking the Silence charts a new direction for conceptualizing black women's complex humanity and provides the foundations for more expansive feminist approaches to resolving intraracial gender conflicts.

    In particular, her research into the notions of self and self-other relationships, issues of gender and women and motherhood has provided a new paradigm in the way these issues are now addressed.

    The revolutionary movements covered in this book occurred in: Algeria, Kenya, Guinea-Bissau, Mozambique, Angola, Zimbabwe, and South Africa. The book describes and analyzes the nature and impact of women s participation in these revolutionary movements. How did these revolutionary movements define women s liberation? What is the linkage between feminist theories of liberation and national liberation? Did the national liberation movements betray women? And what has been the fate of the original commitments (and impulses) toward women s liberation and gender equality? At its center, this is a pioneering broad interpretive work. Drawing on the theoretical formulations and advances in economics and economic theory, political science, sociology, anthropology, education, history (of several countries), and feminist studies, this book is a significant contribution to the study of African women s history and struggle in recent African history. For the first time, African women s struggles for liberation in these movements are studied, and analyzed under one roof . By considering seven movements in one book, Maloba provides opportunities for both direct and indirect comparison. Also considered is the destructive impact of globalization on African women. The case studies of Senegal, Mozambique, and Zimbabwe show not only how each country has been affected, but the specific effects on women and their families; how household economy and gender relations are continually adjusting to the challenges posed by globalization. This timely and valuable book is written without jargon. It demonstrates that some social questions, like the status of women in society, are best understood if they are studied in an interdisciplinary manner, and not limited to one discipline. Maloba also makes it clear that the status of wo

    She was much publicised during her lifetime, and widely considered by her contemporaries to be highly skilled in the art of constructing tightly controlled and beautifully modulated sonnets in the Petrarchan vein. In addition to her literary contacts, Colonna was also deeply involved with reformist groups in Italy before the Council of Trent, an involvement which was to have a profound effect on her poetic production.In this study, Abigail Brundin examines the manner in which Colonna's poetry came to fulfil, in a groundbreaking and unprecedented way, a specifically reformist spiritual imperative, acting as a tool for disseminating an evangelical message to a wide audience reading vernacular literature, and providing a model of spiritual verse which was to be adopted by later poets across the peninsula. She shows how Colonna's poetry, an essentially aristocratic evangelical movement, sought to harness the power of print culture to extend its appeal to a much broader audience. In so doing this book manages to provide the vital link between the two central facets of Vittoria Colonna's production: her spiritual evangelism, and her careful construction of a gendered identity within the literary culture of her age.The first full length study of Vittoria Colonna in English for a century, this book will be essential reading for scholars interested in issues of gender, literature, religious reform or the dynamics of cultural transmission in sixteenth century Italy. It also provides an excellent background and contextualisation to anyone wishing to read Colonna's writings or to know more about her role as a mediator between the worlds of courtly Petrachism and religious reform.

    Drawing on a wide range of studies from around the world, the book examines how masculinities and femininities are developed and understood by children and young people in families, in schools, and through interaction with their peers. One of the key concepts underlying this book is that our identities are constructed and performed in particular ways which help us to understand who we are and how we fit in with the world. This means that these identities are constantly changing according to where we are, what we are doing, and whom we are with. Who we are, and what we think about ourselves, only makes sense in relation to what is going on around us.The author provides a clear explanation of the underpinning idea that children's understandings of gender are developed and constructed in local communities of masculinity and femininity practice. She brings together research on children and their construction and understanding of gender across the 0-18 age range and includes explicit suggestions for strategies and interventions.This book is essential reading for students and academics in childhood, education and gender studies and for those with an interest in gender development and the construction of masculinities and femininities.