Davis, Gina Dent, Erica Meiners, and Beth E. Richie.As a politic and a practice, abolition increasingly shapes our political moment—halting the construction of new jails and propelling movements to divest from policing. Yet erased from this landscape are the central histories of feminist organizing—usually queer, anti-capitalist, grassroots, and women of color—that continue to cultivate abolition. Also erased is a recognition of the stark reality: abolition is our best response to endemic forms of state and interpersonal gender and sexual violence.Amplifying the analysis and the theories of change generated from vibrant community based organizing, Abolition. Feminism. Now. surfaces necessary historical genealogies, key internationalist learnings, and everyday practices to grow our collective and flourishing present and futures.

    

    It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations.Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a "category" (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it's been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members--Lee Soulja, Benjamin Ninja, Twiggy Pucci Gar�on, and more--whose lives, work, and activism drive home that very category.At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX's Pose, Tucker's compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.

    A teenager explores their identity in a moment of quiet. A petition writer reflects on his life as a dog lies nursing her puppies. A tormented girl tries to find love through a horrific act. A headmaster makes his way to work, treading the fine line between life and death."A precious collection of work, the first and maybe the last of its kind. My Pen Is the Wing of a Bird is a huge accomplishment" MONIQUE ROFFEY, author of The Mermaid of Black ConchMy Pen Is the Wing of a Bird is a landmark collection: the first anthology of short fiction by Afghan women. Eighteen writers tell stories that are both unique and universal - stories of family, work, childhood, friendship, war, gender identity and cultural traditions."This book reminds us that everyone has a story. Stories matter; so too the storytellers. Afghan women writers, informed and inspired by their own personal experiences, are best placed to bring us these powerful insights into the lives of Afghans and, most of all, the lives of women. Women's lives, in their own words - they matter." Lyse Doucet in her IntroductionThis collection introduces extraordinary voices from the country's two main linguistic groups (Pashto and Dari) with original, vital and unexpected stories to tell, developed over two years through UNTOLD's Write Afghanistan project. My Pen Is the Wing of a Bird comes at a pivotal moment in Afghanistan's history, when these voices must be heard.With an Introduction by BBC Chief International Correspondent Lyse Doucet and an Afterword by Lucy HannahABOUT UNTOLDUNTOLD is a writer development programme for marginalised writers in areas of conflict and post-conflict. Afghanistan has millions of Pashto and Dari speakers with little or no local support for creative writing, literary translation, or literary editing. Support for writers has been hampered by cultural norms, free expression issues, chronic instability, and internal displacement. UNTOLD has been working one-to-one with women on their short stories, with English-speaking literary editors and translators working with the writers to realise the potential of their stories for publication both locally and globally in translation.

    Alongside the author's personal experiences are first-hand stories from notable LGBTQ+ figures, providing a inclusive account of what it means to grow up queer. With chapters on questioning, coming out, friends and family, love, sex, shame, pride and allyship, this is insightful, thoughtful and reassuring book is essential reading for any questioning teen and their allies looking to support them.

    When they took to social media to share how they felt, they were overwhelmed by how many others felt the same.I look too masculine to be non-binaryI look too feminine to be a lesbianAm I too fat for drag?Inviting you to challenge accepted beauty standards and the concept of 'the perfect body', Essie takes everything they have learned on their journey to self-acceptance and body satisfaction to help guide you towards loving your queer body. From gender, sexuality and reclaiming your body, through to food, politics, social media and fatphobia, this radical book starts a conversation about body image and mental health that queer people are so often left out of.Fiercely and unapologetically written, and with honest advice and powerful stories from a diverse range of queer people throughout, this is an inspiring and necessary book that will show you that you are enough.

    not yet published

    So why, even when consent has been ascertained, are so many of our sexual experiences filled with frustration, and disappointment, even shame? The truth is that the rules that make up today’s consent-only sexual code may actually be the cause of our sexual malaise—not the solution. In Rethinking Sex, reporter Christine Emba shows how consent is a good ethical floor but a terrible ceiling. She spells out the cultural, historical, and psychological forces that have warped our idea of sex, what is permitted, and what is considered “safe.” In visiting critical points in recent years—from #MeToo and the Aziz Ansari scandal, to the phenomenal response to “Cat Person”—she reveals how a consent-only view of sex has hijacked our ability to form authentic and long-lasting connections, exposing us further to chronic isolation and resentment. Reaching back to the wisdom of thinkers like Thomas Aquinas and Andrea Dworkin, and drawing from sociological studies, interviews with college students, and poignant examples from her own life, Emba calls for a more humane philosophy, one that starts with consent but accounts for the very real emotional, mental, social, and political implications of sex—even, she argues, if it means saying no to certain sexual practices or challenging societal expectations altogether. More than a bold reassessment of modern norms, Rethinking Sex invites us to imagine what it means to will the good of others, and in turn, attain greater affirmation, fulfillment, and satisfaction for ourselves.