Grainy images from a security camera showed him trustingly holding the hand of ten-year-old Jon Venables as they walked away. Venables and his friend Robert Thompson murdered James, in a crime that shocked the world.In this haunting book, James' father Ralph describes how his world fell apart in the days that followed. In his darkest hours he drank to numb the pain, and the stress tore his marriage apart. He tells how he learned to cope with his grief, but the sorrow of James' death has never left him. He discusses the long legal battle to see justice for his son, as he tried to prevent his killers being released early, and his continuing fight to see them behind bars where they can't hurt anyone else. Above all, he pays tribute to his son, an adorable, cheeky boy whose bright smile brought joy to his family's lives.

    Challenging the ways in which ideas about the future and time have been deployed in the service of compulsory able-bodiedness and able-mindedness, Kafer rejects the idea of disability as a pre-determined limit. She juxtaposes theories, movements, and identities such as environmental justice, reproductive justice, cyborg theory, transgender politics, and disability that are typically discussed in isolation and envisions new possibilities for crip futures and feminist/queer/crip alliances. This bold book goes against the grain of normalization and promotes a political framework for a more just world.

    Headlines teem with stories of athletes "coming out," politicians changing positions and courts handing down same-sex marriage rulings. Sadly the church has often been afraid to talk about homosexuality. Many Christians feel confused and divided between the call to love and the call for truth. And many who struggle with unwanted same-sex attraction feel alone and alienated by the church. The time is ripe for God's people to think and speak about same-sex attraction in a way that is both biblical and beneficial. We must reject our fears and misunderstandings and see ourselves together in need of the grace of Jesus. Love Into Light is designed to move the church toward that end. Written from the heart of a pastor with a love for people and a sensitivity to our culture, Love Into Light is your next step toward becoming more faithfully and helpfully engaged with people in your families, in your church and in your neighborhood.

    This revolutionary book brings together many teaching stories that were hidden for centuries, unknown until this volume. These stories are extraordinary expressions of freedom and fearlessness, relevant for men and women of any time or place. In these pages we meet nuns, laywomen practicing with their families, famous teachers honored by emperors, and old women selling tea on the side of the road.Each story is accompanied by a reflection by a contemporary woman teacher—personal responses that help bring the old stories alive for readers today—and concluded by a final meditation for the reader, a question from the editors meant to spark further rumination and inquiry. These are the voices of the women ancestors of every contemporary Buddhist.

    It is the purpose of your life.  It is the key to your happiness and to the evolution of the world.”     Loveability is a meditation on love. It addresses the most important thing you will  ever learn. All the happiness, health, and abundance you experience in life comes from your ability to love and be loved. This ability is innate, not acquired.     Robert Holden is the creator of a unique program on love called Loveability, which he teaches worldwide. He has helped thousands of people to transform their experience of love. “Love is the real work of your life,” says Robert. “As you release the blocks to love you flourish even more in your relationships, work, and life.”     In Loveability, Robert weaves a beautiful mix of timeless principles and helpful practices about the nature of true love. With great intimacy and warmth, he shares stories, conversations, meditations, and poetry that have inspired him in his personal inquiry on love. Key themes include:Your destiny is not just to find love; it is to be the most loving person you can be. ♥ ♥ ♥ ♥ Self-love is how you are meant to feel about yourself. It is the key to loving others. ♥ ♥ ♥ ♥ When you think something is missing in a relationship, it is probably you. ♥ ♥ ♥ ♥ Forgiveness helps you to see that love has never hurt you; it is only your misperceptions of love that hurt. ♥ ♥ ♥ ♥ The greatest influence you can have in any situation is to be the presence of love.

    Whereas her older son, Chase, is a Lego-loving, sports-playing boy's boy, her younger son, C.J., would much rather twirl around in a pink sparkly tutu, with a Disney Princess in each hand while singing Lady Gaga's "Paparazzi."   C.J. is gender variant or gender nonconforming, whichever you prefer. Whatever the term, Lori has a boy who likes girl stuff—really likes girl stuff. He floats on the gender-variation spectrum from super-macho-masculine on the left all the way to super-girly-feminine on the right. He's not all pink and not all blue. He's a muddled mess or a rainbow creation. Lori and her family choose to see the rainbow.   Written in Lori's uniquely witty and warm voice and launched by her incredibly popular blog of the same name, Raising My Rainbow is the unforgettable story of her wonderful family as they navigate the often challenging but never dull privilege of raising a slightly effeminate, possibly gay, totally fabulous son.Now with Extra Libris material, including a reader’s guide and bonus content

    In 2006, Routledge's The Transgender Studies Reader brought together the first definitive collection of the field. Since its publication, the field has seen an explosion of new work that has expanded the boundaries of inquiry in many directions. The Transgender Studies Reader 2 gathers these disparate strands of scholarship, and collects them into a format that makes sense for teaching and research.Complementing the first volume, rather than competing with it, The Transgender Studies Reader 2 consists of fifty articles, with a general introduction by the editors, explanatory head notes for each essay, and bibliographical suggestions for further research. Unlike the first volume, which was historically based, tracing the lineage of the field, this volume focuses on recent work and emerging trends. To keep pace with this rapidly changing area, the second reader has a companion website, with images, links to blogs, video, and other material to help supplement the book.For more information, visit the companion website at www.routledge.com/cw/stryker

    Fairly presenting both sides in this polarized debate — "traditional" and "revisionist" — Brownson conscientiously analyzes all of the pertinent biblical texts and helpfully identifies "stuck points" in the ongoing debate. In the process, he explores key concepts that inform our understanding of the biblical texts, including patriarchy, complementarity, purity and impurity, honor and shame. Central to his argument is the need to uncover the moral logic behind the text. Written in order to serve and inform the ongoing debate in many denominations over the questions of homosexuality, Brownson's in-depth study will prove a useful resource for Christians who want to form a considered opinion on this important issue.

    elections confirms that it remains a word in flux. Redefining Rape tells the story of the forces that have shaped the meaning of sexual violence in the United States, through the experiences of accusers, assailants, and advocates for change. In this ambitious new history, Estelle Freedman demonstrates that our definition of rape has depended heavily on dynamics of political power and social privilege.The long-dominant view of rape in America envisioned a brutal attack on a chaste white woman by a male stranger, usually an African American. From the early nineteenth century, advocates for women's rights and racial justice challenged this narrow definition and the sexual and political power of white men that it sustained. Between the 1870s and the 1930s, at the height of racial segregation and lynching, and amid the campaign for woman suffrage, women's rights supporters and African American activists tried to expand understandings of rape in order to gain legal protection from coercive sexual relations, assaults by white men on black women, street harassment, and the sexual abuse of children. By redefining rape, they sought to redraw the very boundaries of citizenship.Freedman narrates the victories, defeats, and limitations of these and other reform efforts. The modern civil rights and feminist movements, she points out, continue to grapple with both the insights and the dilemmas of these first campaigns to redefine rape in American law and culture.

    prisons—even though it consistently drives healthy prisoners insane, makes the mentally ill sicker, and, according to the testimony of prisoners, threatens to reduce life to a living death. In this profoundly important and original book, Lisa Guenther examines the death-in-life experience of solitary confinement in America from the early nineteenth century to today’s supermax prisons. Documenting how solitary confinement undermines prisoners’ sense of identity and their ability to understand the world, Guenther demonstrates the real effects of forcibly isolating a person for weeks, months, or years.Drawing on the testimony of prisoners and the work of philosophers and social activists from Edmund Husserl and Maurice Merleau-Ponty to Frantz Fanon and Angela Davis, the author defines solitary confinement as a kind of social death. It argues that isolation exposes the relational structure of being by showing what happens when that structure is abused—when prisoners are deprived of the concrete relations with others on which our existence as sense-making creatures depends. Solitary confinement is beyond a form of racial or political violence; it is an assault on being.A searing and unforgettable indictment, Solitary Confinement reveals what the devastation wrought by the torture of solitary confinement tells us about what it means to be human—and why humanity is so often destroyed when we separate prisoners from all other people.

    Advocating a politics of the present and drawing from women of color and queer of color theory, this book contends that coalition enables a vital understanding of how queerness and immigration, citizenship and belonging, and inclusion and exclusion are linked. Queer Migration Politics offers activists, queer scholars, feminists, and immigration scholars productive tools for theorizing political efficacy.

    It is a couple hundred pages of gender exploration, social justice how-tos, practical resources, and fun graphics & comics.It offers clear, easily-digested, and practical explanations of one of the most commonly misunderstood things about people. Sam dissects gender using a comprehensive, non-binary toolkit, with a focus on making this subject accessible and enjoyable. All this to help you understand something that is so commonly misunderstood, but something we all think we get: gender.The book helps individuals better understand gender themselves (their gender and others'), and is a great resource for folks who are doing gender education work with others.Because gender is something we all deserve to understand.

    Traditionally, the body has been seen as, at best, a rhetorical distraction; at worst, those whose bodies do not conform to a narrow range of norms are disqualified from speaking. Yet, Dolmage argues that communication has always been obsessed with the meaning of the body and that bodily difference is always highly rhetorical. Following from this rewriting of rhetorical history, he outlines the development of a new theory, affirming the ideas that all communication is embodied, that the body plays a central role in all expression, and that greater attention to a range of bodies is therefore essential to a better understanding of rhetorical histories, theories, and possibilities.

    But, since at least the nineteenth century, we have seen the murderer as different from the ordinary citizen—a special individual, like an artist or a genius, who exists apart from the moral majority, a sovereign self who obeys only the destructive urge, sometimes even commanding cult followings. In contemporary culture, we continue to believe that there is something different and exceptional about killers, but is the murderer such a distinctive type? Are they degenerate beasts or supermen as they have been depicted on the page and the screen? Or are murderers something else entirely?In The Subject of Murder, Lisa Downing explores the ways in which the figure of the murderer has been made to signify a specific kind of social subject in Western modernity. Drawing on the work of Foucault in her studies of the lives and crimes of killers in Europe and the United States, Downing interrogates the meanings of media and texts produced about and by murderers. Upending the usual treatment of murderers as isolated figures or exceptional individuals, Downing argues that they are ordinary people, reflections of our society at the intersections of gender, agency, desire, and violence.

    Coviello listens, carefully, brilliantly, for the flickerings, the liquid meanderings, all too easily explained as “sexual”--or never even perceived at all. Here is a critic as joyful as Whitman, with his dark core fully afire.” —Kathryn Bond Stockton, Distinguished Professor of English at University of Utah In nineteenth-century America--before the scandalous trial of Oscar Wilde, before the public emergence of categories like homo- and heterosexuality--what were the parameters of sex? Did people characterize their sexuality as a set of bodily practices, a form of identification, or a mode of relation? Was it even something an individual could be said to possess? What could be counted as sexuality?Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America provides a rich new conceptual language to describe the movements of sex in the period before it solidified into the sexuality we know, or think we know. Taking up authors whose places in the American history of sexuality range from the canonical to the improbable--from Whitman, Melville, Thoreau, and James to Dickinson, Sarah Orne Jewett, Harriet Jacobs, Frederick Douglass, and Mormon founder Joseph Smith--Peter Coviello delineates the varied forms sex could take in the lead-up to its captivation by the codings of “modern” sexuality.While telling the story of nineteenth-century American sexuality, he considers what might have been lost in the ascension of these new taxonomies of sex: all the extravagant, untimely ways of imagining the domain of sex that, under the modern regime of sexuality, have sunken into muteness or illegibility. Taking queer theorizations of temporality in challenging new directions, Tomorrow’s Parties assembles an archive of broken-off, uncreated futures--futures that would not come to be. Through them, Coviello fundamentally reorients our readings of erotic being and erotic possibility in the literature of nineteenth-century America.Peter Coviello is Professor of English at Bowdoin College. He is the author of Intimacy in America: Dreams of Affiliation in Antebellum Literature and the editor of Walt Whitman’s Memoranda During the War.In the America and the Long 19th Century series, NYU Press.

    A woman is a bomb”: An essay on writing, madness, rage, and being female, from a relentlessly provocative and brilliant thinker.

    The role of gender in the rhetoric and practice of medieval kingship is still largely unexplored by medieval historians. Discourses of masculinity informed much of the contemporary comment on fifteenth century kings, for a variety of purposes: to praise and eulogise but also to explain shortcomings and provide justification for deposition.Katherine J. Lewis examines discourses of masculinity in relation to contemporary understandings of the nature and acquisition of manhood in the period and considers the extent to which judgements of a king s performance were informed by his ability to embody the right balance of manly qualities. This book s primary concern is with how these two kings were presented, represented and perceived by those around them, but it also asks how far Henry V and Henry VI can be said to have understood the importance of personifying a particular brand of masculinity in their performance of kingship and of meeting the expectations of their subjects in this respect. It explores the extent to which their established reputations as inherently manly and unmanly kings were the product of their handling of political circumstances, but owed something to factors beyond their immediate control as well. Consideration is also given to Margaret of Anjou s manipulation of ideologies of kingship and manhood in response to her husband s incapacity, and the ramifications of this for perceptions of the relational gender identities which she and Henry VI embodied together. "Kingship and Masculinity in Late Medieval England" is an essential resource for students of gender and medieval history."

    We need to know the ugly why and the beautiful why. The poetic Queer why is often neglected. I believe this anthology will go someway to uncover and decorate our eclectic and diverse wheres and whys. In these increasingly complex times we need to understand why more." -Gerry Potter"When we talk about literature, there are tweets and there are three-volume novels. And, selected poems and collected poems and a poem. There are so many different packages for the same energy to travel through. I think post-identity is sort of a zen concept. You know like, "Wake up!" (Smacks hands with a sharp clap). What's the identity of that moment? What's the gender of that moment? There are spots where there is no identity whatsoever. But by the nature of who I am or who any of us are we will need to be in groups that resemble us. It's so crucial to have those identity groups where you gather and are reinforced by your conversations. And don't live there. Something I'm really interested in is how queer identity is like an immigrant group. We need to find each other at various points to say, "God-Iceland!" But we don't live in Iceland. I think "post" is a desire to have a little space, but I don't think it's a place where you get to stay." -Eileen Myles

    The essays collected in this volume speak to interpretative challenges common to all fields of women's and gender history - that is, how best to uncover the experiences of ordinary people from archives formed mainly by and about elite males, and how to combine social histories of lived experiences with cultural histories of gendered discourses and identities. The collection focuses on Western Europe in the Middle Ages but offers some consideration of medieval Islam and Byzantium.The Handbook is structured into seven sections: Christian, Jewish, and Muslim thought; law in theory and practice; domestic life and material culture; labour, land, and economy; bodies and sexualities; gender and holiness; and the interplay of continuity and change throughout the medieval period. It contains material from some of the foremost scholars in this field, and it not only serves as the major reference text in medieval and gender studies, but also provides an agenda for future new research.

    Economic shock therapy—an immediate liberalization of trade and privatization of publicly owned assets—quickly led to impoverishment, especially in rural parts of the country, where Tragic Spirits takes place. Following the travels of the nomadic Buryats, Manduhai Buyandelger tells a story not only of economic devastation but also a remarkable Buryat response to it—the revival of shamanic practices after decades of socialist suppression. Attributing their current misfortunes to returning ancestral spirits who are vengeful over being abandoned under socialism, the Buryats are now at once trying to appease their ancestors and recover the history of their people through shamanic practice. Thoroughly documenting this process, Buyandelger situates it as part of a global phenomenon, comparing the rise of shamanism in liberalized Mongolia to its similar rise in Africa and Indonesia. In doing so, she offers a sophisticated analysis of the way economics, politics, gender, and other factors influence the spirit world and the crucial workings of cultural memory.

    Ending it will require the help of people from all parts of society and a complete cultural shift. In the meantime, harassment happens - so what can we do about it? While there is no "best" way to deal with harassers, each story offers creative, entertaining, and empowering techniques and strategies for readers to consider trying out when they feel safe. The 50 stories were submitted to or featured on the Stop Street Harassment blog. They are about women and men of all ages and backgrounds in 16 countries, from Afghanistan to Tasmania. At the end, readers can write down three things they can realistically see themselves saying or doing when they experience or witness street harassment and feel safe enough to take action.

    The Children's Table brings together scholars from architecture, philosophy, law, and literary and cultural criticism to provide an overview of the innovative work being done in childhood studies—a transcript of what is being said at the children's table. Together, these scholars argue for rethinking the academic seating arrangement in a way that acknowledges the centrality of childhood to the work of the humanities.The figure we now recognize as a child was created in tandem with forms of modernity that the Enlightenment generated and that the humanities are now working to rethink. Thus the growth of childhood studies allows for new approaches to some of the most important and provocative issues in humanities scholarship: the viability of the social contract, the definition of agency, the performance of identity, and the construction of gender, sexuality, and race. Because defining childhood is a means of defining and distributing power and obligation, studying childhood requires a radically altered approach to what constitutes knowledge about the human subject.The diverse essays in The Children's Table share a unifying premise: to include the child in any field of study realigns the shape of that field, changing the terms of inquiry and forcing a different set of questions. Taken as a whole, the essays argue that, at this key moment in the state of the humanities, rethinking the child is both necessary and revolutionary.Contributors: Annette Ruth Appell, Sophie Bell, Robin Bernstein, Sarah Chinn, Lesley Ginsberg, Lucia Hodgson, Susan Honeyman, Roy Kozlovsky, James Marten, Karen Sánchez-Eppler, Carol Singley, Lynne Vallone, John Wall.

    Incredibly gifted as a technician, Carrington was also possessed of a wild imagination, which she realized with great precision in her canvases. Her leading role as a Surrealist in Paris immediately prior to the war, and her life in Mexico City alongside fellow Surrealist expats Remedios Varo, Kati Horna and Edward James, have been the subject of increased interest and scholarly research. This is the first overview of her work to be published since her death in 2011 at the age of 94. Beautifully produced, with a faux-leather binding, a die-cut cover with foil stamping and 138 color plates (including two gatefolds), this volume looks at the many influences on Carrington's many lives. It explores the Celtic imagery that enchanted her as a child, and the Mexican myths, imagery and stories that informed the second half of her career. Metamorphosis and transformation is an ongoing theme in Carrington's hybrid world, populated with disconcerting hybrid creatures, elongated women and people metamorphosing into birds. This theme also emerges on a more intimate level in her self-portraits and portraits of friends and family. Writing was of equal importance as painting for Carrington, and this volume is supplemented with excerpts from unpublished manuscripts.Leonora Carrington (1917-2011) was born in Lancashire, England. In 1936, she saw Max Ernst's work at the International Surrealist Exhibition in London, and met the artist at a party the following year. They became a couple almost immediately; when the outbreak of the Second World War separated them, Carrington was devastated, and fled to Spain, then Lisbon, where she married Renato Leduc, a Mexican diplomat, and escaped to Mexico, where she eventually established herself as one of the country's most beloved artists.

    Although torture porn films such as Saw, Hostel and The Human Centipede were highly successful and have become cultural touchstones, the term 'torture porn' remains synonymous with misogyny, obscenity and moral depravity. Arguing primarily in defense of these popular torture-themed horror films, this is the first book to offer a detailed critical examination of the 'torture porn' phenomenon, outlining the subgenre's lineage, scrutinizing responses to the sub-genre, and offering narrative analyses of the sub-genre's central box-office hits as well as the multitude of independent direct-to-DVD films that have followed in their footsteps. In doing so, this book seeks to unpick the relationships between 'porn', 'horror', 'immorality', and 'extremity'.

    Through thematically arranged essays by leading experts, Voice Male illustrates how a growing movement of men is redefining masculinity. In this collection, Rob Okun directs a chorus of pro-feminist voices, introducing readers to men examining contemporary manhood from a variety of perspectives: from overcoming violence, fatherhood, and navigating life as a man of color, a gay man, or a boy on the journey to manhood. It also provides a critical forum for both male survivors and GBTQ men to speak out. This inspired book is evidence of a new direction for men, brightly illuminating what’s around the bend on the path to gender justice.

    It argues that Black lesbian texts celebrate both the strategies of resistance used by queer Black subjects and the spaces for grieving the loss of queer Black subjects that dominant histories of the African diasporas often forget.Matt Richardson has gathered an understudied archive of texts by LaShonda Barnett, S. Diane Adamz-Bogus, Dionne Brand, Sharon Bridgforth, Laurinda D. Brown, Jewelle Gomez, Jackie Kay, and Cherry Muhanji in order to relocate the queerness of Black diasporic vernacular traditions, including drag or gender performance, blues, jazz, and West African spiritual and religious practices. Richardson argues that the vernacular includes queer epistemologies, or methods for accessing and exploring the realities of Black queer experience that other alternative archives and spaces of commemoration do not explore. The Queer Limit of Black Memory brings together several theorists whose work is vital within Black studies-—Fred Moten, Saidiya Hartman, Hortense Spillers, Frantz Fanon, and Orlando Patterson-—in service of queer readings of Black subjectivity.

    For decades, women who studied or worked in engineering were popularly perceived as oddities, outcasts, unfeminine (or inappropriately feminine in a male world). In Girls Coming to Tech!, Amy Bix tells the story of how women gained entrance to the traditionally male field of engineering in American higher education.As Bix explains, a few women breached the gender-reinforced boundaries of engineering education before World War II. During World War II, government, employers, and colleges actively recruited women to train as engineering aides, channeling them directly into defense work. These wartime training programs set the stage for more engineering schools to open their doors to women. Bix offers three detailed case studies of postwar engineering coeducation. Georgia Tech admitted women in 1952 to avoid a court case, over objections by traditionalists. In 1968, Caltech male students argued that nerds needed a civilizing female presence. At MIT, which had admitted women since the 1870s but treated them as a minor afterthought, feminist-era activists pushed the school to welcome more women and take their talent seriously.In the 1950s, women made up less than one percent of students in American engineering programs; in 2010 and 2011, women earned 18.4% of bachelor's degrees, 22.6% of master's degrees, and 21.8% of doctorates in engineering. Bix's account shows why these gains were hard won.

    Da Vinci’s Vitruvian Man. Pigalle’s controversial portrayal of the philosopher Voltaire. From its earliest days, art history has been rife with representations of nude men. But while there are many studies of art celebrating the female form, the male nude has suffered from relative neglect. This book seeks to correct that imbalance with a collection of paintings, sculptures, and photographs that challenge conceptions of the body and masculinity, many of which continue to have considerable cultural resonance today. Nude Men takes readers on a fascinating tour of the male nude in art history, turning the focus on works from the Enlightenment to the present. Beginning with a look at art completed in the life-drawing classes once popular across European academies, the book moves on to representations of masculinity throughout the French Revolution, including works by Johann Heinrich Füssli and Antonio Canova; provocative Sturm und Drang paintings by Edvard Munch and his contemporaries; and late impressionist works. The unsettling self-portraits of Austrian artists Egon Schiele and Richard Gerstl exemplify an extreme candor that characterized the early twentieth century. Other twentieth-century artists whose work is included in this book are Jean Cocteau, David Hockney, Andy Warhol, Nan Goldin, and Louise Bourgeois. With nearly three hundred full-color illustrations, the book also includes insightful essays examining topics like male identity, depictions of desire in modern art, and the use of nude men in advertising.

    Never before has she had a student as unruly and insubordinate as this one. Andrew Bryant is the terror of seventh grade, a student known for driving teachers to the edge of retirement, and he is in her class.How can Janice--and the rest of her students--make it through the school year with such a disruptive force in the classroom? Her only hope is to try to break through the orphan's defenses, to pierce a wall that no other teacher has ever scratched.When she discovers Andrew's secret, two lives will be changed forever.

    It offers explorations of both the theoretical issues at play, the latest developments in feminist discourse, literary studies and sociology, as well as empirical data concerning the situation of women in Arab countries, such as Iraq and Palestine. Arab Feminisms therefore offers valuable theoretical analysis as well as indispensable first-hand accounts of feminism in the Arab world for those researching gender relations in the Middle East and beyond.

    Frankia. When thirteen-year-old Joan, having past the age of schooling for girls, is banned from studying theology, she is devastated. Determined to be a scholar and unable to submit to the expectations of her sex, Joan transforms into a boy, aided by her best friend Michael and a flamboyant entertainer, Amadeus Reichenbach. Together the trio embarks on a journey from Eastern Frankia to Athens where Joan and Michael intend to train as priests. But the road ahead is beset with unexpected challenges, including Joan’s burgeoning sexuality, and whether they will reach their final destination becomes less and less certain.http://www.amazon.com/Legend-Pope-Joa...#

    IT INCLUDES: WSK OF THE 17th CENTURY WOMEN MURDERERS OF THE 18th CENTURY WSK OF THE 19th CENTURY WSK OF THE 20th CENTURY Our society can barely account for evil in males, let alone imagine it in females. The female nests, creates, and nurtures doesn't she or is it that we just want to believe in the intrinsic non-threatening nature of women? Yet, history is full of instrumentally violent women: women who have fought wars and battles throughout the world, with no less ferociousness than men, women such as Dynamis of Bosphorous, who starved her husband to death and took control of his kingdom, or Artemisia, the queen of Halicarnassus in the 5th century, who conducted a brilliant but brutal military campaign against the Greeks. Mary Tudor, Queen Mary 1 of England, in 1553 became known as "Bloody Mary," for her extreme cruelty and willingness to execute people. In modern times, women such as Madame Mao of China (1914-1991) the wife of Mao Tse-tung, who it is believed was the driving force behind the Chinese Cultural Revolution, of which she was the Deputy Director. During this 10-year period, intellectuals were imprisoned and many Eastern and Western sources have estimated the death toll from 1966-1969 alone to be around 500,000. Leaders such as Golda Meir, Margaret Thatcher, and the United States Secretary of State Hilary Clinton are all equally as ruthless as their male counterparts. A grave misconception is that female serial killers are rare creatures, that they are not very common, a myth perpetuated by both the press and popular media. Women Serial Killers are not a phenomenon unique to the late twentieth century, nor are they exclusive to America. The case histories of the killers mentioned in these books clearly demonstrate that women serial killers have been active in many countries and for many centuries.

    The diverse stories in the book range from serious to funny to outrageous and are written in an unflinchingly personal style that is also earthy, sexy, and sometimes politically incorrect.

    It is the only place the Struggle leads. And even it was a lie.I am too old to be a child. Still too young to be a soldier. But I am trapped as both.My name is Ayax, though some call me the Water Sign - and this is the story of how I died so that the world might live.In a future torn apart by catastrophic climate change, biological warfare, and geopolitical upheaval, corporations have taken over the role of nation states. Protected by the re-purposed United Nations and their dreaded Peacekeepers, these corporations and their mercenary armies wage endless wars across all that remains of civilization. And hidden in this chaos, someone or something is stealing children and programming them to fight. The warriors that emerge at age fourteen are vicious and unlike any the world has ever seen.Exploited by his teachers, and pursued by others who would use him for their own ends, Ayax must navigate our dystopian future filled with treachery, unlikely allies and forbidden AI technology. Is he the Water Sign as the Kafkari believe he is, or merely another experimental weapon?

    He makes his living at petty thievery, surviving pocket watch-to-pocket watch until he discovers a talent for gambling.Lucy is a bright girl trapped in a dreary life with her widowed mother. When she meets Jack on the street, her days are happier than they have ever been. But her heart is broken when mother takes her far from New York, perhaps never to see Jack again. Her new home in a rowdy Arizona mining town is as dismal as ever, but she finds a glimmer of hope in dreams of a career on stage.Now, to find their way to the life they promised each other, Jack and Lucy will have to dodge dangers and take risks they never dreamed of as childhood sweethearts.

    Deconstructing the penetrated male body and the genderisation of its representation, The Penetrated Male offers new understandings of passivity, suggesting that the modern masculine subject is predicated on a penetrability it must always disavow. Arguing that representation is the embodiment of erotic thought, it is an important contribution to queer theory and our understandings of gendered bodies.

    Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer's experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the 'archive effect' as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history.The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of P�ter Forg�cs, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.