Third World feminism" into the narrative in a way that thoroughly alters our perspective on contemporary culture and subjectivity.What Sandoval has identified is a language, a rhetoric of resistance to postmodern cultural conditions. U.S liberation movements of the post-World War II era generated specific modes of oppositional consciousness. Out of these emerged a new activity of consciousness and language Sandoval calls the "methodology of the oppressed". This methodology -- born of the strains of the cultural and identity struggles that currently mark global exchange -- holds out the possibility of a new historical moment, a new citizen-subject, and a new form of alliance consciousness and politics.Utilizing semiotics and U.S. Third World feminist criticism, Sandoval demonstrates how this methodology mobilizes love as a category of critical analysis. Rendering this approach in all its specifics, Methodology of the Oppressed gives rise to an alternative mode of criticism opening new perspectives on a theoretical, literary, aesthetic, social movement, or psychic expression.

    Tipping the Scales of Justice presents actual cases and the stories behind the legal arguments, showing for the first time the varied and surprising ways that fat has become a courtroom topic.An attorney who focuses on weight-related cases, Sondra Solovay details court attitudes toward weight in relation to employment and discrimination law, child/family law, disability law, civil rights, minorities, public policy, diets and exercise, and much more, while intermingling a personal narrative on major cases and their outcomes. This fascinating book will be essential for law courses and libraries, as well as a one-of-a-kind perspective for anyone concerned about weight as a legal issue.

    It is no accident, she maintains, that scholars in the U.S. and Europe have rediscovered the historical Jesus at a time when feminist scholarship, critical theory, interreligious dialogue, postcolonial criticism, and liberation theologies have pointed to the interconnections between knowledge and power at work in positivistic scientific circles. It is also no accident that such an explosion of Jesus books has taken place at a time when the media have discovered the "angry white male syndrome" that fuels neo-fascist movements in Europe and the U.S.The answer to this commodification of "Jesus" is not a rejection of critical scholarship and Jesus research but a call for their investigation in terms of ideology critique and ethics. By claiming to produce knowledge about the "real" Jesus, Schüssler Fiorenza points out, mainstream as well as feminist scholars refuse to stand accountable for their reconstructive cultural models and theological interests. Hence, she calls for an ethics of interpretation that can explore such a scholarly politics of meaning, rather than the ideological discourses on "Jesus and Women" that are fraught with both anti-Judaism and anti-feminism.

    Feminists, troubled by the way in which such representations show women controlled by powerful natural forces and confined to domestic space, have sought to distance themselves from nature. In Undomesticated Ground, Stacy Alaimo issues a bold call to reclaim nature as feminist space. Her analysis of a remarkable range of feminist writings--as well as of popular journalism, visual arts, television, and film--powerfully demonstrates that nature has been and continues to be an essential concept for feminist theory and practice.Alaimo urges feminist theorists to rethink the concept of nature by probing the vastly different meanings that it carries. She discusses its significance for Americans engaged in social and political struggles from, for example, the Indian Wars of the early nineteenth century, to the birth control movement in the 1920s, to contemporary battles against racism and heterosexism. Reading works by Catherine Sedgwick, Mary Austin, Emma Goldman, Nella Larson, Donna Haraway, Toni Morrison, and others, Alaimo finds that some of these writers strategically invoke nature for feminist purposes while others cast nature as a postmodern agent of resistance in the service of both environmentalism and the women's movement.By examining the importance of nature within literary and political texts, this book greatly expands the parameters of the nature writing genre and establishes nature as a crucial site for the cultural work of feminism.