1 of 2 After all, I need not give up the thought of doing that, too, in time; because even now, talking with whoever is worthy, I can give a reason for my faith in one and another excellence, the fresh strange music, the affluent language, the exquisite pathos and true new brave thought; but in this addressing myself to you your own self, and for the first time, my feeling rises altogether. I do, as I say, love these books with all my heart - and I love you too. Do you know I was once not very far from seeing - really seeing you? Mr. Kenyon said to me one morning 'Would you like to see Miss Barrett?' then he went to announce me, - then he returned .. you were too unwell, and now it is years ago, and I feel as at some untoward passage in my travels, as if I had been close, so close, to some world's-wonder in chapel or crypt, only a screen to push and I might have entered, but there was some slight, so it now seems, slight and just sufficient bar to admission, and the half-opened door shut, and I went home my thousands of miles, and the sight was never to be? I thank you, dear Mr. Browning, from the bottom of my heart. You meant to give me pleasure by your letter - and even if the object had not been answered, I ought still to thank you. But it is thoroughly answered. Such a letter from such a hand!

    A man of extremes, Leonard Woolf was ferocious and tender, violent and self-restrained, opinionated and nonjudgmental, always an outsider of sorts within the exceptionally intimate, fractious, and sometimes vicious society of brilliant but troubled friends and lovers. He has been portrayed either as Virginia's saintly caretaker or as her oppressor, the substantial range and influence of his own achievements overshadowed by Virginia's fame and the tragedy of her suicide. But Leonard was a pivotal figure of his age, whose fierce intelligence touched the key literary and political events that shaped the early decades of the twentieth century and would resonate into the post-World War II era. Glendinning beautifully evokes Woolf 's coming-of-age in turn-of-the-century London. The scholarship boy from a prosperous Jewish family would cut his own path through the world of the British public school, contending with the lingering anti-Semitism of Imperial Age Britain. Immediately upon entering Trinity College, Cambridge, Woolf became one of an intimate group of vivid personalities who would form the core of the Bloomsbury circle: the flamboyant Lytton Strachey; Toby Stephen, "the Goth," through whom Leonard would meet Stephen's sister Virginia; and Clive Bell. Glendinning brings to life their long nights of intense discussion of literature and the vicissitudes of sex, and charts Leonard's course as he becomes the lifelong friend of John Maynard Keynes and E. M. Forster. She unearths the crucial influence of Woolf 's seven years as a headstrong administrator in colonial Ceylon, where he lost confidence in the imperial mission, deciding to abandon Ceylon in order to marry the psychologically troubled Virginia Stephen. Glendinning limns the true nature of Leonard's devotion to Virginia, revealing through vivid depiction of their unconventional marriage how Leonard supported Virginia through her breakdowns and in her writing. In co-founding with Virginia the Hogarth Press, he provided a secure publisher for Virginia's own boldly experimental works. As the éminence grise of the early Labour Party, working behind the scenes,Woolf became a leading critic of imperialism, and his passionate advocacy of collective security to prevent war underpinned the charter of the League of Nations. After Virginia's death, he continued to forge his own iconoclastic way, engaging in a long and happy relationship with a married woman. Victoria Glendinning's Leonard Woolf is a major achievement -- a shrewdly perceptive and lively portrait of a complex man of extremes and contradictions in whom passion fought with reason and whose far-reaching influence is long overdue for the full appreciation Glendinning offers in this important book.

    A major reference grammar from the world's leading grammar publisher. It offers clear explanations of spoken and written English based on real everyday usage. The clear two-part structure makes the book particularly user-friendly. The accompanying CD-ROM makes the Cambridge Grammar of English even more accessible with: The whole book in handy, searchable format. Audio recordings of all the examples from the book. Links to the Cambridge Advanced Learner's Dictionary online for instant definitions of new vocabulary.

    Over 100 complete and unabridged poems are accompanied by a concise text that provides insight, observations, and a historical context for each poet and their work.

    Over 750 pages of poetry spanning from 4,000 BC up to the present day and including a broad cross-section of global poetry. Footnotes for each poem specify each poem's form, define unusual or archaic words, and include notes about interpretation. Multiple indexes, including an index by subject, simplify finding exactly the right poem for any situation. The poems were specifically selected to appeal to readers new to poetry, but even experienced poetry readers will find new and enjoyable poems. The poems from the book are also available on audio CD.

    Like Kazuo Ishiguro's The Remains of the Day, So Many Ways to Begin is rich in the intimate details that shape a life, the subtle strain that defines human relationships, and the personal history that forms identity. David Carter, the novel's protagonist, takes a keen interest in history as a boy. Encouraged by his doting Aunt Julia, he begins collecting the things that tell his story: a birth certificate, school report cards, annotated cinema and train tickets. After finishing school, he finds the perfect job for his lifetime obsession as curator at a local history museum. His professional and romantic lives take shape as his beloved aunt and mentor's unravel. Lost in a fog of senility, Julia lets slip a secret about David's family. Over the course of the next decades, as David and his wife Eleanor live out their lives - struggling through early marriage, professional disappointments, the birth of their daughter, Eleanor's depression, and an affair that ends badly, David attempts to physically piece together his past, finding meaning and connection where he least expects it.

    Trumpets should be blown, garlands made ... loquacious, playful, wildly comic ... poignant. His greatness is as certain as that of the poets he invokes' Daily Telegraph 'Whatever the densities of Hill's expression, or the powerful impacted forces in his syntax and rhythms, this poetry achieves a strength, memorability and precision beyond the abilities of any other poet writing in English' Peter McDonald, TLS

    Through extensive archival and historical research, analyzing previously unknown letters and diaries alongside literary writings by figures such as Owen and Brittain, Santanu Das recovers the sensuous world of the First World War trenches and hospitals. This original and evocative study alters our understanding of the period as well as of the body at war, and illuminates the perilous intimacy between sense experience, emotion and language as we try to make meaning in times of crisis.

    The casebook provides a series of essays that are lucidly and passionately written, and carefully researched and argued while still being accessible to the generalreading public. The anthology is structured in three sections. The first provides three overall interpretations of the novel that are excellent examples of the most common approach to Jane Eyre: a reading that explores the psychological development of the novel's eponymous heroine. The secondsection will introduce more novel approaches: a feminist reading of the novel, a depiction of the psyche in Jane Eyre, a depiction of Jane in light of mid-Victorian discussions of Evangelicism, an analysis of Jane in relation to contemporary debates about the governess, and an examination of thenovel in relation to colonialist discourse. The last section of the anthology includes essays that provide accounts of the familial context out of which Jane Eyre arose, its critical reception, and its literary afterlife.

    Indeed, it is not until Yeats that we encounter another poet in whom emotional susceptibility, intellectual force, psychological acuteness, political awareness, artistic self-knowledge and bardic representativeness are so truly and responsibly combined.He is an indispensable figure in the evolution of modern, a finder and keeper of the self as subject, a theorist and apologist whose preface to Lyrical Ballads 1802 remains definitive.

    Rich theatricality and broad humor which characterizes Crouch's work

    Perched on high, the prince can see all the misery of the poor, and begs the swallow to help.

    Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations throughout, and an unparalleled number of illustrations and contextual materials, offering additional perspectives both on individual texts and on larger social and cultural developments. Innovative, authoritative, and comprehensive, The Broadview Anthology of British Literature embodies a consistently fresh approach to the study of literature and literary history. The full Broadview Anthology of British Literature comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible online by using the passcode obtained with the purchase of one or more of the bound volumes. The six individual bound volumes are also available in any combination at special package prices. Highlights of Volume 1: The Medieval Period include: Roy Liuzza's acclaimed translation of Beowulf, along with new translations by Liuzza of many other works of Old English poetry and prose; a powerful new verse translation of Judith by Stephen Glosecki; new translations of some of the Lais of Marie de France by Claire Waters; and newly edited texts of eight of The Canterbury Tales, supplemented by a wide variety of contextual materials.

    In this landmark of English Criticism, Dryden examines five important issues : the relative merits of ancient and modern poets, the French versus the English school of drama, the Elizabethan dramatists versus those of Dryden's own time, conformation to the dramatic rules laid down by the ancients and the question of substituting rhyme for blank verse. Considering the fact that Dryden had no settled body of English criticism to bank upon, his theorising on the form of drama is a distinguished achievement and many of the issues raised by him can by no means be treated as finally decided. Dryden's special advantages were "a strong, clear, common-sense judgement and a very remarkable faculty of arguing the point". Add to this his intimate knowledge of both ancient and modern playwrights, including the French masters, and his personal initial experiments in writing plays. Thomas Arnold's explanatory Notes make this volume all the more valuable to the scholars and students of Dryden as a critic. William T. Arnold in his revision of the third edition, made the Notes fuller and more helpful by, among other things, adding quotations from Corneille.

    A selection of 165 letters from the owner of Strawberry Hill

    This circle of artists, writers and intellectuals, who met for discussion in London in the early twentieth century, challenged Victorian conventions and presented new models of behaviour. They recorded one another continually in both words and images, and Frances Spalding explores these portraits against a background of biographies, including Virginia and Leonard Woolf, Vanessa and Clive Bell, Duncan Grant and Dora Carrington.

    Encourages readers to approach Shakespeare's works aggressively, interactively, and questioningly Focuses on six popular Shakespeare plays - A Midsummer Night's Dream, Romeo and Juliet, Henry IV Part I, Hamlet, King Lear and The Tempest Recommends the best editions, recordings and DVDs / videos of these plays Discusses the production of the plays on stage and screen Introduces readers to different genres in Shakespeare - romantic comedy, English history, tragedy and romance Avoids jargon and abstract literary theory

    The book sheds light on Woolf's varied and intricate use of literary allusions; examines ways in which Woolf revisited and revised plots and tropes from earlier fiction; and looks at how she used parody as a means both of critical comment and homage.Key Features* The first book-length study of intertextuality in Virginia Woolf's novels;* Offers a challenging and provocative new perspective on Woolf's art as a novelist;* Develops detailed close readings offering fresh insights into individual works;* Presents complex ideas in a lucid and accessible fashion.

    He was famed for his travels and explorations in Asia, Africa and America, as well as for his extraordinary knowledge of languages (purportedly he spoke 29 European, Asian and African languages) and cultures. His best known achievements include: a well-documented journey to Mecca in disguise at a time when Europeans were forbidden access on pain of death; an unexpurgated translation of One Thousand and One Nights (commonly called The Arabian Nights); the publication of the Kama Sutra in English; a translation of The Perfumed Garden (the Arab Kama Sutra); and his journey with John Hanning Speke as the first Europeans to visit the Great Lakes of Africa in search of the source of the Nile. The Land of Midian (Revisited), published in two volumes in 1879, describes Burton's second expedition to the region of 1877-78, his earlier expedition having been the subject of The Gold Mines of Midian (1878).