His readers are legion - and this is the bestselling book that started it all, converting thousands of people who love to laugh into avid Plass readers.The Sacred Diary of Adrian Plass (aged 37 3/4) is merriment and facetiousness at its best - a journal of the wacky Christian life of Plass's fictional alter-ego, who chronicles in his 'sacred' diary the daily goings-on in the lives of ordinary-but-somewhat-eccentric people he knows and meets. Reading it will doeth good like a medicine!

    

    Presents a story of life in the Jamaican countryside before the days of electricity.

    Time passes and opinions change. “Why should we go on supporting a book which we detest?” Rose Curtland asks. “The brotherhood of Western intellectuals versus the book of history,” Jenkin Riderhood suggests. The theft of a wife further embroils the situation. Moral indignation must be separated from political disagreement. Tamar Hernshaw has a different trouble and a terrible secret. Can one die of shame? In another quarter a suicide pact seems the solution. Duncan Cambus thinks that since it is a tragedy, someone must die. Someone dies. Rose, who has gone on loving without hope, at least deserves a reward.

    A poet in Urdu and Persian, he was endowed with exquisite imagination, sparkling wit, and a charming presence. Ghalib was a brilliant conversationalist, skilled in the art of human relations. In the last twenty years of his life, the political conditions of northern India caused the death or dispersion of many of his best friends. He satisfied his gregarious urges by writing exquisite letters in Urdu, in a delightfully conversational style. By these means Ghalib kept in touch with his scattered friends. These letters were so novel in style that the first collection was published only a month after the poet's death.In this book, Daud Rahbar provides thoroughly annotated English versions of 170 Urdu letters. These letters exemplify the possibility of elevating human relations to an art form, and Rahbar's translation reproduces the delicate flavor of the original Urdu prose.

    This lavishly illustrated volume explores the richness, diversity, and continuity of that tradition. Under the general editorship of Pat Rogers, some of Britain's foremost literary scholars trace the history of English literature from its first stirrings in Anglo-Saxon poetry to the present day. The contributors aim to convey to the reader the pleasure and exhilaration of literature, rather than to provide a bare outline of schools and periods of writing. At the heart of the volume towers the figure of Shakespeare, who has a special chapter devoted entirely to himself. The volume also offer detailed treatments of other major writers such as Chaucer, Milton, Donne, Wordsworth, Dickens, Eliot, and Auden, and up-to-date discussions of living authors such as Muriel Spark and Seamus Heaney. More than a mere chronology, this versatile work provides a basic core of information and invaluable supplementary material, including suggestions for further reading, maps, a chronological table of dates, and a detailed index with birth and death dates of individuals listed. It also moves beyond these facts and events to characterize the broad sweep of ideas and the main concerns of British writers over the past thirteen centuries. The illustrations chosen--thirty-five in color and over two hundred in black and white--bring to life the content and concerns of the text. They range in subject from manuscripts and book illustrations to works of art and architecture, portraits, social scenes, landscapes, and caricatures, illuminating not only the literature but also the ideas, preoccupations, and outlooks that fostered it. Rather than simply decorating the text, the illustrations complement and enlarge it. All experts in their chosen areas, the contributors bring to this volume a deep understanding and great enthusiasm and zest for their subject. Collectively, they have woven together the complex strands of English literature into a highly readable narrative.

    Ludwig Wittgenstein has run away from Cambridge and English insularity. His traveling companion, Nikolai Bakhtin (brother of the Marxist aesthetician), has been through the gamut of revolutionary sects and is now devoting himself to gluttony. Into their retreat stumble James Connolly, now on the run from the British government, and Leopold Bloom, fleeing Ulysses and his broken marriage. Being men of ideas, they begin to talk. And then, being men of principles, they begin to argue ...

    This selection of Wright's work, from the publication of his first full-length book "The Homecoming Singer" in 1971 up to the present, represents the range and power of his mythopoetic imagination and his concern for the fate of culture. *Lightning Print On Demand Title

    A biography of the poet, dramatist, critic, and translator who dominated Engl literature for forty years and earned the positions of Poet Laureate and Historiographer Royal at the English court of the seventeenth century.

    - Brings together the best criticism on the most widely read poets, novelists, and playwrights- Presents complex critical portraits of the most influential writers in the English-speaking world--from the English medievalists to contemporary writers- Introductory essay by Harold Bloom

    Written in the Mayan language but in European script, they are generally considered to be transcriptions and recompilations from memory of material originally contained in the hieroglyphic books, all of which were apparently destroyed by the Spaniards. . . . As they stand now, they are a curious and fascinating combination of prophecy, history, chronology, ritual and mythology."Here is an English translation that captures the unparalleled beauty of one of the great pre-Columbian masterpieces. This stirring, prophetic poetry haunts our own times."The Destruction of the Jaguar is Mayan surrealism, dark with jungle shadows and bright with macaw plumage. It is the savage song of a world turned to dust, and in Sawyer-Laucannos voice, it echoes loud and long for the first time in centuries."--Mark Dery, Chicago TribuneChristopher Sawyer-Lauçanno lives in Montague, Massachusetts, with his wife, the poet Patricia Pruitt, and their little white dog, Salty. In 2007 he was guest writer at the first Mussoorie Writers' Festival in India. His books include E.E. Cummings: A Biography (Methuen Publishing, 2005) and The Continual Pilgrimage: American Writers in Paris, 1944-1960 (City Lights, 2001).

    The book reveals the organic nature of Mathew's thirty-year oeuvre by bringing together hard-to-find poems with other more familiar works, such as the two remarkable long sequences, 'Trial Impressions' and 'Armenian Papers, ' a poem of survival, love, and war in an imaginary landscape.