Theory and practice in the design of data graphics, 250 illustrations of the best (and a few of the worst) statistical graphics, with detailed analysis of how to display data for precise, effective, quick analysis. Design of the high-resolution displays, small multiples. Editing and improving graphics. The data-ink ratio. Time-series, relational graphics, data maps, multivariate designs. Detection of graphical deception: design variation vs. data variation. Sources of deception. Aesthetics and data graphical displays. This is the second edition of The Visual Display of Quantitative Information. Recently published, this new edition provides excellent color reproductions of the many graphics of William Playfair, adds color to other images, and includes all the changes and corrections accumulated during 17 printings of the first edition.

    Under the new authorial leadership of Alston Purvis, this authoritative book offers more than 450 new images, along with expansive coverage of such topics as Italian, Russian, and Dutch design. It reveals a saga of creative innovators, breakthrough technologies, and important design innovations.

    His name is Sam Maloof, and this book is his life and work told in his own words.Sam Maloof started making furniture immediately after World War II, when there was very little demand for hand-made objects. His perseverance through 'years of difficulty is a testament to the depth of his love for wood and for working with it. Since childhood, Sam has also been in love with technique and has constantly developed his precise sense of form and design. These three loves-of wood, of making things, and of designbrought him to the world of furniture and eventually to an honored place among America's leading artistcraftsmen.As with true great art, everything Sam Maloof makes seems simple. His furniture has a clear rhythm and flow, a bright vitality that eludes analysis. All his furniture is functional: chairs are comfortable; tables, while sculptural, are still tables to be used; desks are custom-designed to meet the needs of each user. Though Maloof furniture designs are all intensely his own, they remain unassuming and natural. His work has the calm, sure quality that comes from technical mastery combined with a creative joy in finding ways to let wood speak. A first encounter with a piece of Maloof furniture is like meeting a friend from the past-the warmth of relationship is immediate and delightful. This warmth never pales.The qualities of his work are mirrored in the artist. Sam is open, direct, and gracious. He projects a feeling of affable dignity and goodwill, and he works with the ease and clarity seen in his furniture. Work for him is not drudgery. It is a renewal, an affirmation.He and his wife, Alfreda, live in a meandering house that nestles in a lemon orchard at the foot of the San Gabriel Mountains, near San Bernardino, California. Sam has been building and expanding the house for thirty years. It unfolds as a series of surprises, from Sam's workshop at one end to the new guestroom at the other. Every room contains the ceramics, woodwork, textiles, baskets, Pictures, and other beautiful things that nourish the Maloofs and give them pleasure.Sam Maloof's technical mastery of woodworking is coupled with mature, strongly personal artistic expression. He has set a standard for his craft in North America and the world. Future generations of craftsmen will see him as one of the major artistic lights of this century.

    . . these draped decorative elements ― be they banners, ribbons, or scrolls ― run the gamut from the most extravagant confections of swirling delight to staid and conservative commercial illustrations. Perched patriotic eagles, medieval ladies-in-waiting and knights in armor, sailing ships, dollar signs, calligraphic doves in flight ― nearly every conceivable motif is represented. They come in a variety of sizes with open or narrow spaces suitable for graphic messages and are ready to be adapted to the purposes of any artist, designer, or advertiser.Artist Carol Belanger Grafton has selected all 503 of these beautifully drawn banners, ribbons, and scrolls from authentic nineteenth-century sources: Cassell's Magazine, Century Magazine, Illustrated London News, and other popular periodicals as well as various catalogues, copybooks, and book plates. Sumptuous Victorian designs reflect the glorious styles of the past: Egyptian, Gothic, Renaissance, Baroque—and prefigure the styles of the future — Art Nouveau and Art Deco. Each and every design is handsome, affordable, and royalty free.

    - Materials, ornaments, decorations- Biographies of individuals in design and associated fields- Information on major professional associations for interior designers- Alternate spellings for foreign and other exotic words- Definitions of current terms as well as of historical and obsolete expressions

    In 1920 the world was still stunned by war. Over the decade it emerged euphorically into a Brave New World of changing social attitudes and an ever-accelerating whirl of dance and fun that only ended with the Wall Street Crash. This is a thematic survey of who and what was new - in society, the theatre, the cinema, the arts, and literature. The text and illustrations are culled from the cream of contemporary American, British and French Vogues. Here is the whole glittering cast of the Twenties.. the Royal Weddings of Princess Mary and the Duke and Duchess of York.. the smart world on the Lido and the Riviera and at Palm Beach...Cecil Beaton's sketches of society beauties and where they went. Here are contributions by Vogue's prestigious writers, including the Bloomsbury Group, Aldous Huxley, Evelyn Waugh, the Sitwells, Nancy Mitford and Nancy Cunard. Vogue's pages mirrored the latest in everything: cars, planes, cocktails, and manners; the craze for tanning, sports and dieting. And, of course, Jazz. The Twenties in Vogue captures the mood and spirit of the age.