Two decades into the 21st Century, the U.S. is less united than at any time in our history since the Civil War. We are more diverse in our beliefs and culture than ever before. But red and blue states, secular and religious groups, liberal and conservative idealists, and Republican and Democratic representatives all have one thing in common: each believes their distinct cultures and liberties are being threatened by an escalating violent opposition. This polarized tribalism, espoused by the loudest, angriest fringe extremists on both the left and the right, dismisses dialogue as appeasement; if left unchecked, it could very well lead to secession.An engaging mix of cutting edge research and fair-minded analysis, Divided We Fall is an unblinking look at the true dimensions and dangers of this widening ideological gap, and what could happen if we don't take steps toward bridging it. French reveals chilling, plausible scenarios of how the United States could fracture into regions that will not only weaken the country but destabilize the world.But our future is not written in stone. By implementing James Madison’s vision of pluralism—that all people have the right to form communities representing their personal values—we can prevent oppressive factions from seizing absolute power and instead maintain everyone’s beliefs and identities across all fifty states.Reestablishing national unity will require the bravery to commit ourselves to embracing qualities of kindness, decency, and grace towards those we disagree with ideologically. French calls on all of us to demonstrate true tolerance so we can heal the American divide. If we want to remain united, we must learn to stand together again.

    When Westerners, immersed in individualism, read the Bible, it's easy to misinterpret important elements--or miss them altogether. In any culture, the most important things usually go without being said. So to read Scripture well we benefit when we uncover the unspoken social structures and values of its world. We need to recalibrate our vision. Combining the expertise of a biblical scholar and a missionary practitioner, Misreading Scripture with Individualist Eyes is an essential guidebook to the cultural background of the Bible and how it should inform our reading. E. Randolph Richards and Richard James explore deep social structures of the ancient Mediterranean--kinship, patronage, and brokerage--along with their key social tools--honor, shame, and boundaries--that the biblical authors lived in and lie below the surface of each text. From Abraham, Sarah, and Hagar to Peter's instructions to elders, the authors strip away individualist assumptions and bring the world of the biblical writers to life. Expanding on the popular Misreading Scripture with Western Eyes, this book makes clear how understanding collectivism will help us better understand the Bible, which in turn will help us live more faithfully in an increasingly globalized world.

    Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance.   Framing their book club around collective secrets, the group bears witness to how Morrison’s works and words can propel us forward while we sit with uncomfortable questions about race, gender, and identity. How do we make space for black vulnerability in the face of white supremacy and internalized self-loathing? How do historical novels speak to us now about the delicate seams that hold black minds and bodies together?   This slim and brilliant confessional offers a radical vision for book clubs as sites of self-discovery and communal healing. The Toni Morrison Book Club insists that we find ourselves in fiction and think of Morrison as a spiritual guide to our most difficult thoughts and ideas about American literature and life.

    Every Pākehā becomes a Pākehā in their own way, finding her or his own meaning for that Maori word. This is the story of what it means to me. I have written this book for Pākehā - and other New Zealanders - curious about their sense of identity and about the ambivalences we Pākehā often experience in our relationships with Maori. A timely and perceptive memoir from award-winning author and academic Alison Jones. As questions of identity come to the fore once more in New Zealand, this frank and humane account of a life spent traversing Pākehā and Maori worlds offers important insights into our shared life on these islands.

    Lifting the veil on the mythologized Parisian woman—white, lithe, ever fashionable—Lindsey Tramuta demystifies this oversimplified archetype and recasts the women of Paris as they truly are, in all their complexity. Featuring 50 activists, creators, educators, visionaries, and disruptors—like Leïla Slimani, Lauren Bastide, and Mayor Anne Hidalgo—the book reveals Paris as a blossoming cultural center of feminine power. Both the featured women and Tramuta herself offer up favorite destinations and women-owned businesses, including beloved shops, artistic venues, bistros, and more. The New Parisienne showcases “Parisianness” in all its multiplicity, highlighting those who are bucking tradition, making names for themselves, and transforming the city.

    Featuring twenty-five years worth of sketches, artwork, Japanese video game box art, and more. With exclusive notes from creators and artists who have brought Kirby to life throughout the years.

    In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country's postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution.Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman.Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France's need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.

    The author doesn't, in the end, have any answers as to who she really is or was, although maybe she figures out what she could become.Traveling from Sydney in the 1980s to New York today, Reverse Cowgirl is a comedy of errors, chronicling the author's failed attempts at being gay and at being straight across the shifting political and media landscapes of the late twentieth century. Finding that the established narratives of being transgender don't seem to apply to her, Wark borrows from the genres of autofiction, fictocriticism, and new narrative to create a writing practice that can discover the form of a life outside existing accounts of trans experience: an auto-ethnography of the opacity of the self.

    These women are pioneers, finding their own way in otherwise white-dominated arenas.As the first Latinx to direct national domestic policy issues, Cecilia Muñoz knows the difficulties of getting ahead without exemplars to follow. In More than Ready, she offers readers lessons from the challenges she faced and the victories she achieved in the White House, with wise advice likeKeep your elbows sharp: Hold your ground when others seek to devalue your contribution.Defend kindness: Elevate empathy in the workplace and beyond.Leverage failure: Turn losses into gains by embracing the benefits of the experience.Full of invaluable insights about working through fear, overcoming injustices, and facing down detractors, More than Ready provides the tactical tools women of color need to reach unprecedented levels of power and success -- without compromising who they are.

    With the help of Elmo and his mommy, this all new story from world-renowned education brand Sesame Workshop will help children calm school anxiety and understand new and different routines they may experience during the pandemic, such as Wearing a kids face mask Anxiety about leaving home Washing hands frequently Social distancing Not being able to give hugs or high-fives to friends Staggered schedules Why some friends may not be at school Temperature checks New classroom seating arrangementsHeroes Wear Masks is a sweet and educational mask book for kids that reminds readers it's super to help everyone stay healthy and safe! It's the perfect pandemic book with tools to discuss important topics as kids go back to school, preschool, daycare, or out in any public setting where they'd need a face mask to avoid the spread of the coronavirus.Plus, this Sesame Street book includes bonus tips for grown-ups in the back with language parents, caregivers, and educators can use with young children to talk about staying healthy during the COVID-19 pandemic and beyond!

    Martin Luther King Jr.'s meaningful life are presented in a masterfully succinct text, with just a few sentences per page. The fresh, stylized illustrations are sure to captivate young readers and adults alike. With a read-aloud biographical summary in the back, this age-appropriate introduction honors and shares the life and work of one of the most influential civil rights activists of our time.

    Today, three afflictions keep us from pursuing that noble ideal. The first and most obvious affliction is identity politics, which seeks to transform America by turning politics into a religious venue of sacrificial offering. For now, the sacrificial scapegoat is the white, heterosexual, man. After he is humiliated and purged, who will be the object of cathartic rage? White women? Black men? Identity politics is the anti-egalitarian spiritual eugenics of our age. It demands that pure and innocent groups ascend, and the stained transgressor groups be purged.The second affliction is that citizens oscillate back and forth, in bipolar fashion, at one moment feeling invincible on their social media platforms and, the next, feeling impotent to face the everyday problems of life without the guidance of experts and global managers. Third, Americans are afflicted by a disease that cannot quite be named, characterized by an addictive hope that they can find cheap shortcuts that bypass the difficult labors of everyday life. Instead of real friendship, we seek social media “friends.”Instead of meals at home, we order “fast food.” Instead of real shopping, we “shop” online. Instead of counting on our families and neighbors to address our problems, we look to the state to take care of us. In its many forms, this disease promises release from our labors, yet impoverishes us all. American Awakening chronicles all of these problems, yet gives us hope for the future.

    Deibert exposes the disturbing influence and impact of the internet on politics, the economy, the environment, and humanity.Digital technologies have given rise to a new machine-based civilization that is increasingly linked to a growing number of social and political maladies. Accountability is weak and insecurity is endemic, creating disturbing opportunities for exploitation. Drawing from the cutting-edge research of the Citizen Lab, the world-renowned digital security research group which he founded and directs, Ronald J. Deibert exposes the impacts of this communications ecosystem on civil society. He tracks a mostly unregulated surveillance industry, innovations in technologies of remote control, superpower policing practices, dark PR firms, and highly profitable hack-for-hire services feeding off rivers of poorly secured personal data. Deibert also unearths how dependence on social media and its expanding universe of consumer electronics creates immense pressure on the natural environment. In order to combat authoritarian practices, environmental degradation, and rampant electronic consumerism, he urges restraints on tech platforms and governments to reclaim the internet for civil society.

    She explores her encounters with colonial, imperialist, and racist tropes; the ways that practices of reading and writing are shaped by those narrative structures; and the challenges of writing a narrative of Black life that attends to its own expression and its own consciousness.

    But what happens when the harbingers of “inside knowledge” go too far?Author Tea Krulos tells the story of one man, Richard McCaslin, who’s fractured thinking made him the ideal consumer of even the most arcane of conspiracy theories. Acting on the daily rants of Alex Jones and his ilk, McCaslin takes matters into his own hands to stop the unseen powers behind the world’s disasters who congregate at conspiracy world’s Mecca- The Bohemian Grove. It all goes wrong with terrible consequences for the man who styled himself-The Phantom Patriot.McCaslin is not alone, as conspiracy-driven political action has bubbled its way up from the margins of society to the White House. It’s no longer a lone deranged kook convinced of getting secret messages from a cereal box, now its slick videos and well-funded outrage campaigns ready to peddle the latest innuendos and lies in hopes of harnessing the chaos for political gain. What is the long term effect on people who believe these barely believable stories? Who benefits, and who pays the price?Krulos investigates and explains the power of conspiracy and the resulting shared madness on the American psyche.

    The fresh, stylized illustrations are sure to captivate young readers and adults alike. With a read-aloud biographical summary in the back, this age-appropriate introduction honors and shares the life and work of one of the most influential supreme court justices of our time.

    The City of Eternal Spring. Mecca for digital nomads.Recently single and burnt out from Melbourne’s corporate scene, Tony Fletcher heads to Medellín in search of a reset.After moving into a frat house in the city’s nightlife hub, Tony becomes fascinated by the burgeoning gringo subculture that’s fueled by sex, drugs and currency arbitrage. Adrift and dead broke, Tony launches a dubious business on the dark web and gets thrust into the world of international drug trafficking.Under the cloak of a sham crypto coin, Tony and his associates begin living out their wildest fantasies. Yet there’s trouble in paradise — the natural order has been disturbed. No one climbs to the top without stepping on some toes.Every day is a blessing. Every friend could be a foe. Every dream can become a nightmare."A tell-all gringo adventure that makes you want to delete Facebook, drink mojitos, and hope your small crypto fortune someday turns to platinum gold." – FROTHTOWN

    From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.

    Tech giants are hurling us toward a shiny, happy “self-driving” future, selling utopia but equally keen to advertise to a captive audience strapped into another expensive device. Are we destined, then, to become passengers, not drivers? Why We Drive reveals that much more may be at stake than we might think.Ten years ago, in the New York Times-bestselling Shop Class as Soulcraft, philosopher-mechanic Matthew B. Crawford—a University of Chicago PhD who owned his own motorcycle shop—made a revolutionary case for manual labor, one that ran headlong against the pretentions of white-collar office work. Now, using driving as a window through which to view the broader changes wrought by technology on all aspects of contemporary life, Crawford investigates the driver’s seat as one of the few remaining domains of skill, exploration, play—and freedom. Blending philosophy and hands-on storytelling, Crawford grounds the narrative in his own experience in the garage and behind the wheel, recounting his decade-long restoration of a vintage Volkswagen as well as his journeys to thriving automotive subcultures across the country. Crawford leads us on an irreverent but deeply considered inquiry into the power of faceless bureaucracies, the importance of questioning mindless rules, and the battle for democratic self-determination against the surveillance capitalists. A meditation on the competence of ordinary people, Why We Drive explores the genius of our everyday practices on the road, the rewards of “folk engineering,” and the existential value of occasionally being scared shitless.Witty and ingenious throughout, Why We Drive is a rebellious and daring celebration of the irrepressible human spirit.

    Paraphrasing the wisdom of the great thinker Seneca, he asked the world to question the dogma of consumption that has driven us into environmental and economic crisis. Often referred to as the worlds "poorest" president, in part because of his practice of donating 90% of his $12,000 monthly salary to charity, Jos� Mujica lived his words and proved that one need not have money to be rich. In The World's Poorest President Speaks Out, Jos� Mujica's famous speech comes to life as he asks us to remember our neighbors, our children, and the Earth.

    Asian & Asian American Studies. "The Fish & The Dove considers the history of occupation, the legacy of the Korean War, and the ways in which official and institutional language of war obfuscates lived experience. In it, I bear witness to what girlhood, womanhood, and motherhood might mean in the context of family, nation, and history. The legendary Assyrian warrior goddess Semiramis haunts this book, and by giving her voice, I attempt to foreground women's experience in narratives that so often tokenize, dehumanize, and exclude them. The text is informed by and appropriates institutional language, including reports of the South Korean Truth and Reconciliation Commission on governmental atrocities committed during the Korean War."—Mary-Kim Arnold

    This unprecedented collection is compiled by Mami Wata, a Cape Town surf company that fiercely believes in the power of African surf. Mami Wata brings together its co-founder Selema Masekela and some of Africa's finest photographers, thinkers, writers, and surfers to explore the unique culture of eighteen coastal countries, from Morocco to Somalia, Mozambique, South Africa, and beyond. Packed with over fifty essays, AFROSURF features surfer and skater profiles, thought pieces, poems, photos, illustrations, ephemera, recipes, and a mini comic, all wrapped in an astounding design that captures the diversity and character of Africa.A creative force of good in their continent, Mami Wata sources and manufactures all their wares in Africa and works with communities to strengthen local economies through surf tourism. With this mission in mind, Mami Wata is donating 100% of their proceeds to support two African surf therapy organizations, Waves for Change and Surfers Not Street Children.

    LGBTQIA Studies. Art. In this first volume of REMEMBER THE INTERNET, a series that tells a complete history of the Internet, one book at a time, journalist Ana Valens introduces us to the erotic gifs, hashtag fetish fan art, and sex worker resource blogs that combined to transform Tumblr into the vanguard of a user-generated sexual revolution. As she tells the story of her own online sexual and political awakening, Valens investigates how Tumblr's technical architecture made it a convenient laboratory for social justice and sexual freedom, one that would ultimately clash with the government's crackdown on sexuality online.

    In this book, which he was completing at the time of his death, Muñoz examines the work of playwrights Ricardo Bracho and Nilo Cruz, artists Nao Bustamante, Isaac Julien, and Tania Bruguera, and singer José Feliciano, among others, arguing for a sense of brownness that is not fixed within the racial and national contours of Latinidad. This sense of brown is not about the individualized brown subject; rather, it demonstrates that for brown peoples, being exists within what Muñoz calls the brown commons—a lifeworld, queer ecology, and form of collectivity. In analyzing minoritarian affect, ethnicity as a structure of feeling, and brown feelings as they emerge in, through, and beside art and performance, Muñoz illustrates how the sense of brown serves as the basis for other ways of knowing and being in the world.

    Nurgaiv's story and fresh, sincere voice are not only inspiring but truly magnificent: with the support of her father, she captured and trained her own golden eagle and won the Ölgii eagle festival. She was the only girl to compete in the festival.Filled with stunning photographs, The Eagle Huntress is a striking tale of determination -- of a girl who defied expectations and achieved what others declared impossible. Aisholpan Nurgaiv's story is both unique and universally relatable: a memoir of survival, empowerment, and the positive impact of one person's triumph.

    These objects offer intimate and tangible views into the lives of Jewish American women from a range of statuses, beliefs, and lifestyles—both rich and poor, Sephardi and Ashkenazi, slaves and slaveowners. Each chapter creates a biography of a single woman through an object, offering a new methodology that looks past texts alone to material culture in order to further understand early Jewish American women’s lives and restore their agency as creators of Jewish identity. While much of the available history was written by men, the objects that Leibman studies were made for and by Jewish women. Speaking to American Jewish life, women’s studies, and American history, The Art of the Jewish Family sheds new light on the lives and values of these women, while also revealing the social and religious structures that led to Jewish women being erased from historical archives.

    Will property and ownership become as fluid as film is today: summoned on demand, dismissed with a swipe? What will this mean for how we buy, rent, share and dispose of stuff? About what our stuff says about us? And how will this impact on us, on manufacturing and supply, and on the planet?

    Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices—inventive cover versions, falsetto vocals, ad-libs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies were later reanimated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition.

    The essayists collected in Storytelling in Queer Appalachia are academics, social workers, riot grrrl activists, teachers, students, practitioners, scholars of divinity, and boundary crossers, all imagining how to make legible the unspeakable other of Appalachian queerness.   Focusing especially on disciplinary approaches from rhetoric and composition, the volume explores sexual identities in rural places, community and individual meaning-making among the Appalachian diaspora, the storytelling infrastructure of queer Appalachia, and the role of the metronormative in discourses of difference. Storytelling in Queer Appalachia affirms queer people, fights for queer visibility over queer erasure, seeks intersectional understanding, and imagines radically embodied queer selves through social media.

    Her landlord heard the assault taking place and called 911, but the police arrived too late to apprehend Laura's attacker. When they left, investigators took items with them--a pair of sweatpants, the bedclothes--and a rape exam was performed at the hospital. However, this evidence was never processed.Decades later, Laura returns to these objects, viewing them not as clues that will lead to the identification of her assailant but rather as a means of engaging traumatic legacies writ large.The Objects That Remain is equal parts personal memoir and fascinating examination of the ways in which the material remains of violent crimes inform our experience of, and thinking about, trauma and loss. Considering artifacts in the United States Holocaust Memorial Museum and evidence in police storage facilities across the country, Laura's story moves between intimate trauma, the story of an unsolved rape, and genocide. Throughout, she asks what it might mean to do justice to these violent pasts outside the juridical system or through historical empiricism, which are the dominant ways in which we think about evidence from violent crimes and other highly traumatic events.Over the course of her investigation, the author reveals how these objects that remain and the stories that surround them enable forms of intimacy. In this way, she models for us a different kind of reckoning, where justice is an animating process of telling and holding.

    Foreword by Eelco van der Lingen (Director Mondriaan Fund). Translation foreword by Mari Shields. Final editing by Mirjam Beerman and Carmen Muskee. Printed by Zwaan Printmedia.We are living in a time of polarization. Cultural and educational institutions are confronted with the responsibility to provide tools and spaces for critical reflection, for engagement, and, more fundamentally, for meeting and recognizing each other in our differences. In this decolonial essay Rolando Vázquez introduces his critique which offers an option for thinking and doing beyond the dominant paradigms. It provides a critical analysis of modernity understood broadly as the western project of civilization, while it seeks to overcome the dominion of western epistemology and aesthetics and their embedded eurocentrism and anthropocentrism.Importantly for decolonial thought we are all located in relation to the colonial difference that structures our modern/colonial order. It is only from an awareness of our positioned realities that we can enter in relation with each-other, that we can listen to each-other and learn each-other.

    America has finally recognized China’s bid for world dominance—but we’re still losing ground. Domination of the next generation of mobile broadband is just the tip of the spear. Like the Borg in Star Trek , China will assimilate you into a virtual empire controlled by Chinese technology. China is taking control of the Fourth Industrial Revolution—the economy of artificial intelligence and quantum computing—just as America dominated the Third Industrial Revolution driven by the computer. Long in planning, China’s scheme erupted into public awareness when it emerged as the world leader in 5G internet. America is on track to become poor, dependent, and vulnerable—unless we revive the American genius for innovation. Trade wars and tech boycotts have failed to slow China’s plans. David P. Goldman watched China unfold its imperial plan from the inside, as an investment banker in China and strategic consultant, and as a principal of a great Asian news organization, the Asia Times. This is an eyewitness, firsthand account of the biggest turning point in world affairs since the Second World War, with a clear explanation of what it means for America and for you—and what America can do to remain the world’s leading superpower.

    He thought the people of New York needed liberating, illuminating, and radiating art. So he bought a stick of white chalk and started drawing…

    . . anything. But there is much more to the phenomenon of dude food than what's on the plate. Emily J. H. Contois's provocative book begins with the dude himself--a man who retains a degree of masculine privilege but doesn't meet traditional standards of economic and social success or manly self-control. In the Great Recession's aftermath, dude masculinity collided with food producers and marketers desperate to find new customers. The result was a wave of new diet sodas and yogurts marketed with dude-friendly stereotypes, a transformation of food media, and weight loss programs just for guys. In a work brimming with fresh insights about contemporary American food media and culture, Contois shows how the gendered world of food production and consumption has influenced the way we eat and how food itself is central to the contest over our identities.

    Black Women, Black Love reveals how four centuries of laws, policies, and customs have created that crisis.Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners.Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries.

    

    Public enemy. Crucial macronutrient. Health risk. Punchline. Moneymaker. Epidemic. Sexual fetish. Moral failing. Necessary bodily organ. Conveyor of flavor. Freak-show spectacle. Never mind the stereotype, fat is never sedentary: its definitions, identities, and meanings are manifold and in constant motion. Demonized in medicine and public policy, adored by chefs and nutritional faddists (and let's face it, most of us who eat), simultaneously desired and abhorred when it comes to sex, and continually courted by a multi-billion-dollar fitness and weight-loss industry, for so many people “fat” is ironically nothing more than an insult or a state of despair. In Hanne Blank's Fat we find fat as state, as possession, as metaphor, as symptom, as object of desire, intellectual and carnal. Here, “feeling fat” and literal fat merge, blurring the boundaries and infusing one another with richer, fattier meanings. Object Lessons is published in partnership with an essay series in The Atlantic.

    Today, Google reigns over a technological and economic order that features empowered private companies and rapidly changing technological conditions, and how to protect the public interest in this environment is one of the most pressing policy questions of our time. In Google Rules, Joanne E. Gray provides pragmatic strategies for taking up this challenge. Google Rules is a book that will appeal to anyone interested in understanding Google's accumulation of power, the recent history of digital copyright, or the future of our digital lives under the influence of an extremely powerful and motivated technology company.

    In this groundbreaking book, Amanda J. Lucia shows how these festivals operate as religious institutions for “spiritual, but not religious” (SBNR) communities. Whereas previous research into SBNR practices and New Age religion has not addressed the predominantly white makeup of these communities, White Utopias examines the complicated, often contradictory relationships with race at these events, presenting an engrossing ethnography of SBNR practices. Lucia contends that participants create temporary utopias through their shared commitments to spiritual growth and human connection. But they also participate in religious exoticism by adopting Indigenous and Indic spiritualities, a practice that ultimately renders them exclusive, white utopias. Focusing on yoga’s role in disseminating SBNR values, Lucia offers new ways of comprehending transformational festivals as significant cultural phenomena.

    As the Cold War turned hot in the Pacific, antifascist critique disclosed a continuity between U.S. police actions in Asia and a rising police state at home. Writers including James Baldwin, Ralph Ellison, and W.E.B. Du Bois discerned in U.S. domestic strategies to quell racial protests and urban riots the same logic of racial counterintelligence structuring America's devastating hot wars in Asia.Christine Hong examines the centrality of U.S. militarism to the Cold War cultural imagination. She assembles a transpacific archive--including war writings, Japanese accounts of the U.S. atomic bombing of Hiroshima, black radical human rights petitions, Korean War-era G.I. photographs, Filipino novels on guerrilla resistance, and Marshallese critiques of U.S. human radiation experiments--and places these materials alongside U.S. government documents to theorize these works as homologous responses to unchecked U.S. war and police power. In so doing, Hong shows how the so-called Pax Americana laid the grounds for solidarity--for imagining collective futures of total liberation.

    A North Vietnamese soldier forms a bond with an abandoned puppy. Cousins find their lives upended by the revelation that their fathers fought on opposite sides of the war. Two lonely veterans in Hanoi meet years after the war has ended through a newspaper dating service. A psychic assists the search for the body of a long-vanished soldier. The father of a girl suffering from dioxin poisoning struggles with corrupt local officials.The twenty short stories collected in Other Moons range from the intensely personal to narratives that deal with larger questions of remembrance, trauma, and healing. By a diverse set of authors, including many veterans, they span styles from social realism to tales of the fantastic. Yet whether describing the effects of Agent Orange exposure or telling ghost stories, all speak to the unresolved legacy of a conflict that still haunts Vietnam. Among the most widely anthologized and popular pieces of short fiction about the war in Vietnam, these works appear here for the first time in English. Other Moons offers Anglophone audiences an unparalleled opportunity to experience how the Vietnamese think and write about the conflict that consumed their country from 1954 to 1975--a perspective still largely missing from American narratives.

    In Trees in Trouble, Daniel Mathews tells the urgent story of this loss, accompanying burn crews and forest ecologists as they study the myriad risk factors and refine techniques for improving forest health and saving this important, limited resource.Mathews transports the reader from the exquisitely aromatic haze of ponderosa and Jeffrey pine groves to the fantastic gnarls and whorls of five-thousand-year-old bristlecone pines, from genetic test nurseries where white pine seedlings are deliberately infected with their mortal enemy to the desertlike expanses at the heart of the hottest megafire sites and neighborhoods leveled by fire tornadoes or ember blizzards.Highly personal and scrupulously researched, Trees in Trouble explores not only the devastating ripple effects of climate change, but introduces us to the people devoting their lives to saving our forests. Mathews also offers hope: a new approach to managing western pine forests is underway. But in order for our forests to adapt, this approach needs a wider understanding and bipartisan political support. Trees in Trouble explores how we might succeed in sustaining our forests through the challenging transition to a new environment.

    Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, and images of decay in early modern allegory. Stewart looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing his art. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.

    In this colorful new series by Lil' Libros, each book celebrates the sights, sounds, and people of a different city both in English and Spanish.Through charming illustrations, you and your child will travel to San Salvador, the capital of El Salvador, and hike up to nature's giant, the Boquer�n volcano. Discover with your children what makes each city fantastic and special.With simple text by Patty Rodriguez and Ariana Stein, and colorful illustrations by Lil' Libros' very own Ana Godinez, each book will have your little ones celebrating the world, fostering empathy, and seeing that there are a million ways to live on this planet!Patty Rodriguez is the co-founder of Lil' Libros, a publisher of bilingual children's books and co-author of more than 15 books celebrating the Latino-American experience in this country. Her work has been featured in the New York Times, Washington Post, Time, and Rolling Stone magazine. She's received numerous awards for her commitment in elevating Latino-American voices, including LA Times' Cultural Influencer Award. You can also listen to Patty every morning in Los Angeles on the On Air with Ryan Seacrest nationally syndicated radio show. She lives in Los Angeles, California, with her two boys, Alexander and Oliver. Visit her on Instagram @pattyrodriguez.Ariana Stein is the co-founder of Lil' Libros, a Los Angeles-based publisher that celebrates bilingualism and Latin American culture. Since 2014, she has co-authored a variety of first concept children's books. Recognizing the bilingual gap and diversity void in children's literature, she became passionate for bilingual education and multicultural books. In 2016, she left her corporate job to focus on Lil' Libros. She has been featured in the Los Angeles Times, Forbes, CNN, KTLA, and more. When she's not working, you can find her frequenting her local favorite seafood and taco spots, reading, running, and having in-home jiu-jitsu competitions with her son, Ethan, and husband, Nick. You can find her on Instagram @ariana_stein.

    And we know which pictures we like. But what makes a "good picture"? And how could anyone think those old styles were actually good? Soft-focus yearbook photos from the '80s are now hopelessly--and happily--outdated, as are the low-angle portraits fashionable in the 1940s or the blank stares of the 1840s. From portraits to products, landscapes to food pics, Good Pictures proves that the history of photography is a history of changing styles.In a series of short, engaging essays, Kim Beil uncovers the origins of fifty photographic trends and investigates their original appeal, their decline, and sometimes their reuse by later generations of photographers. Drawing on a wealth of visual material, from vintage how-to manuals to magazine articles for working photographers, this full-color book illustrates the evolution of trends with hundreds of pictures made by amateurs, artists, and commercial photographers alike. Whether for selfies or sepia tones, the rules for good pictures are always shifting, reflecting new ways of thinking about ourselves and our place in the visual world.

    It is used as a cudgel to defend the party against more radical demands that could win over working-class voters and non-voters. For Republicans, it provides a foil for disingenuous appeals to the “white working class.” Donald Trump’s 2016 victory made full use of such rhetoric.Yet, as David Roediger makes clear in a pointed and persuasive polemic, this obsession with the middle-class is relatively new in US politics. It began with the attempt to win back so-called “Reagan Democrats” by Bill Clinton and his legendary pollster Stanley Greenberg. It was accompanied by a pandering to racism and a shying away from meaningful wealth redistribution that continues to this day.Drawing on rich traditions of radical social thought, Roediger disavows the thinly sourced idea that the United States was, for much of its history, a “middle-class” nation and the still more indefensible position that it is one now. The increasing immiseration of large swathes of middle-income America, only accelerated by the current pandemic, nails a fallacy that is a major obstacle to progressive change.“No contemporary intellectual has better illuminated the interwoven social histories and conceptual dimensions of race and class domination.” —Nikhil Singh

    Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.

    In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.

    Plague romances and mommy memoirs. Nudie-cutie movies, Nazi zombies, and dinosaur erotica. Baby burlesks, Minecraft fiction, grindcore, premature ejaculation poetry...microgenres come in all varieties and turn up in every form of media under the sun, tailor-made for enthusiasts of all walks of life.Coming into use in the last decade or so, the term "microgenre" classifies increasingly niche-marketed worlds in popular music, fiction, television, and the Internet. Netflix has recently highlighted our fascination with the ultra-niche genre with hilariously specific classifications -- “independent supernatural dramedy featuring a strong female lead” – that can sometimes hit a little too close to home. Each contribution in this collection introduces readers to a different microgenre, drawn from a range of historical periods and from a variety of media. The Microgenre presents a previously untreated point of cultural curiosity, revealing the profound truth that humanity's desire to classify is often only matched by the unsustainability of the obscure and hyper-specific. It also affirms, in colorful detail, what most people suspect but have trouble fathoming in an increasingly homogenized and commercial West: that imaginative projects are just that, imaginative, diverse, and sometimes completely and hilariously inexplicable.

    . . but there is so much about her work that is prescient, terrifying in its acuity, raucous and daring and very much of this moment.”—Rebecca TraisterFifteen years after her death, Andrea Dworkin remains one of the most important and challenging figures in second-wave feminism. Although frequently relegated to its more radical fringes, Dworkin was without doubt a formidable and influential writer, a philosopher, and an activist—a brilliant figure who inspired and infuriated in equal measure. Her many detractors were eager to reduce her to the caricature of the angry, man-hating feminist who believed that all sex was rape, and as a result, her work has long been misunderstood. It is in recent years, especially with the #MeToo movement, that there has been a resurgence of interest in her ideas.This biography is the perfect complement to the widely reviewed anthology of her writing, Last Days at Hot Slit, published in 2019, providing much-needed context to her work. Given exclusive access to never-before-published photographs and archives, including her letters to many of the major figures of second-wave feminism, award-winning biographer Martin Duberman traces Dworkin’s life, from her abusive first marriage through her central role in the sex and pornography wars of the following decades. This is a vital, complex, and long overdue reassessment of the life and work of one of the towering figures of second-wave feminism.

    Several high-profile cases of missing and murdered white photogenic/telegenic children helped generate a national panic over child safety. Publicized through an emergent twenty-four-hour news cycle, these cases supplied evidence of what some commentators dubbed "a national epidemic" of child abductions committed by strangers. The bereaved parents of missing and/or slain children--people like John Walsh, father of six-year-old murder victim Adam Walsh and the parents of Etan Patz--turned their grief into a mass movement and helped to propel a moral panic. The Walshes and other parents warned Americans of a supposedly widespread and worsening child kidnapping threat. They couched this threat within a wider narrative of national and familial decline and urged the public and private sectors to address the stranger danger "epidemic." Such child safety crusaders erroneously claimed that as many as fifty thousand American children fell victim to stranger kidnappings annually. (The actual figure is somewhere between one hundred and three hundred.) Though heart-wrenching, stranger abductions of children occur far less frequently than those perpetrated by family members and acquaintances.Yet these exaggerated statistics regarding stranger kidnapping--and the emotionally resonant images and narratives deployed behind them--convinced policymakers, media figures, and everyday Americans alike that stranger danger represented a grave and growing problem. A strong bipartisan consensus congealed around matters of child protection and led to the creation of new legal and cultural instruments designed to keep children safe--and, crucially, to punish those who ostensibly wished them harm. Ranging from the commonplace child fingerprinting drives of the early 1980s to the AMBER Alerts that periodically set off Americans' smart phones to the nation's sprawling system of sex offender registration, these instruments have widened the reach of the carceral net and intensified surveillance practices focused on children.

    

    But her path to success was not a straight one. Discover how Copeland used perseverance and talent to achieve her dream.

    American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen.