Writing at a time when Athens was undergoing a crisis in its social attitudes, Aristophanes was undergoing a crisis in its social attitudes, Aristophanes was an eloquent opponent of the demagogue and the sophist, and his comedy reveals a deep sympathy and longing for the return of a peaceful and honest way of life.

    Erich Gruen's classic study of the late Republic examines institutions as well as personalities, social tensions as well as politics, the plebs and the army as well as the aristocracy.

    Rich in anecdote and colorful detail, it now returns to print in paperback with a new preface by the author.

    A note on how to interpret the information given in an apparatus criticus is also included.

    Only seven of these survive complete, but we have a wealth of fragments, from which much can be learned about Sophocles' language and dramatic art. This volume presents a collection of all the major fragments, ranging in length from two lines to a very substantial portion of the satyr play The Searchers. Prefatory notes provide frameworks for the fragments of known plays.Many of the Sophoclean fragments were preserved by quotation in other authors; others, some of considerable size, are known to us from papyri discovered during the past century. Among the lost plays of which we have large fragments, The Searchers shows the god Hermes, soon after his birth, playing an amusing trick on his brother Apollo; Inachus portrays Zeus coming to Argos to seduce Io, the daughter of its king; and Niobe tells how Apollo and his sister Artemis punish Niobe for a slight upon their mother by killing her twelve children. Throughout the volume, as in the extant plays, we see Sophocles drawing his subjects from heroic legend.This is the final volume of Lloyd-Jones's new Loeb Classical Library edition of Sophocles. In volumes I and II he gives a faithful and very skilful translation of the seven surviving plays. Volume I contains Oedipus Tyrannus, Ajax, and Electra. Volume II contains Oedipus at Colonus, Antigone, The Women of Trachis, and Philoctetes.

    John Boardman enables the reader to study the many aspects of the vases, and to grasp the essential style of a painter or group of painters, without having to consult a number of expensive, and not always easily accessible, publications. A final section is devoted to the mythological scenes and other decorative features of the vases.

    While for the latter we have Plato and Aristotle, this insightful work explores the everyday moral conceptions to which orators appealed in court and political assemblies, and which were reflected in non-philosophical literature. Oratory and comedy provide the primary testimony, and reference is also made to Sophocles, Euripides, Herodotus, Thucydides, Xenophon, and other sources. The selection of topics, the contrasts and comparisons with modern religious, social and legal principles, and accessibility to the non-specialist ensure the work's appeal to all readers with an interest in ancient Greek culture and social life. "A classic. It provides an invaluable aid to anyone seeking to understand Plato and Aristotle in their historical context. Dover uses a variety of literary sources to set out, with clarity and deep sensitivity, popular views on moral, political, and religious matters in fourth-century Greece." --Michael Morgan, Indiana University