As a brilliant survey of English literature in terms of changing attitudes towards country and city, Williams' highly-acclaimed study reveals the shifting images and associations between these two traditional poles of life throughout the major developmental periods of English culture.

    The result is an analysis of urbanism and social need. This reissue contains a foreword by Ira Katznelson and a new afterword by the author.

    Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.

    New York City as it was 1853-1901, through 196 wonderful photographs: great blizzard, Lincoln's funeral procession, great buildings, much more.

    Combining the influences of Tiepolo, Bibiena, and Rembrandt, these works of architectural fantasy challenge the boundaries of perception, creating a vast system of visual provocation. Innumerable staircases, immense vaults, and other ambiguous structures are compounded with projecting beams, pulleys, rickety catwalks and gangways, dangling ropes and chains, and the occasional shadowy human figure.This full reproduction in book form of The Prisons, made directly from mint copies of original prints, presents both editions of Piranesi's work, with prints on facing pages for convenient comparison. The first edition (circa 1745) ranks among the most rare and valuable print collections in existence and abounds in a multiplicity of perspectives—an innovation that predates Cubism by two centuries. For the second (1761) edition, Piranesi reworked the plates, adding elaborate details that alter some of them almost beyond recognition. It is in the second, more emotionally challenging renditions that his masterful management of light and shadow is most evident. This edition features an informative Introduction by Philip Hofer, in addition to a Preface by John Howe, a conceptual designer on Peter Jackson's Lord of the Rings film trilogy.

    But Miss Cat has her own complaint: the cooking smells from the pigs downstairs. Happily, the wise owl landlord rearranges everybody so they can live in peace. This warm and funny story, slightly revised from the 1972 original, shows the young reader that you can learn to respect and live with others who are different from you.