J. Cronin. The story is set in 1879, in the fictional town of Levenford, on the Firth of Clyde. The plot revolves around many characters and has many subplots, all of which relate to the life of the hatter, James Brodie, whose narcissism and cruelty gradually destroy his family and life.

    It begins with six children--three boys and three girls--playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

    Different people draw different words from me."Innovative and deeply poetic, The Waves is often regarded as Virginia Woolf's masterpiece. It begins with six children-three boys and three girls-playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

    Instead of describing their outward expressions of grief, Virginia Woolf draws her characters from the inside, revealing them through their thoughts and interior soliloquies. As their understanding of nature’s trials grows, the chorus of narrative voices blends together in miraculous harmony, remarking not only on the inevitable death of individuals but on the eternal connection of everyone. The novel that most epitomizes Virginia Woolf’s theories of fiction in the working form, The Waves is an amazing book very much ahead of its time. It is a poetic dreamscape, visual, experimental, and thrilling.

    Instead of describing their outward expressions of grief, Virginia Woolf draws her characters from the inside, revealing them through their thoughts and interior soliloquies. As their understanding of nature’s trials grows, the chorus of narrative voices blends together in miraculous harmony, remarking not only on the inevitable death of individuals but on the eternal connection of everyone. The novel that most epitomizes Virginia Woolf’s theories of fiction in the working form, The Waves is an amazing book very much ahead of its time. It is a poetic dreamscape, visual, experimental, and thrilling.

    For centuries, the Cherrell sons have left their home of Condaford Grange to serve the state as soldiers, clergymen and administrators, but the 1930s bring uncertainty in a world of rapidly altering morals and unemployment. Galsworthy’s portrayal of the effect of political change on individuals show him as a great social novelist as well as the author of one of the most gripping family sagas ever written.

    The family’s only regret is leaving their garden where, we can imagine, because it is September the dahlias are at their fiery best: as they flash past in the train they get a glimpse of their back garden, where ‘a shaft of sunlight fell through the side passage and lit up the clump of white asters by the apple tree.’ This was what the First World War soldiers longed for; this, he imagined, was what he was fighting for and would return to (as in fact Sherriff did).He had had the idea for his novel at Bognor Regis: watching the crowds go by, and wondering what their lives were like at home, he ‘began to feel the itch to take one of those families at random and build up an imaginary story of their annual holiday by the sea...I wanted to write about simple, uncomplicated people doing normal things.’

    Seventy years later, released by widowhood, and to the dismay of her pompous children, she abandons the family home for a tiny house in Hampstead. Here she recollects the dreams of youth, and revels in her newfound freedom with her odd assortment of companions: Genoux, her French maid; Mr. Bucktrout, her house agent; and a coffin maker who pictures people dead in order to reveal their true characters. And then there's Mr. FitzGeorge, an eccentric millionaire who met and loved her in India when she was young and very lovely. It is here in this world of her own that she finds a passion that comes only with the freedom to choose, and it is this, her greatest gift, that she passes on to the only one who can understand its value. First published in 1931, Vita Sackville-West's masterpiece is the fictional companion to her great friend Virginia Woolf's A Room of One's Own.

    Alison Uttley has drawn on her own youth to produce memories so vivid and nostalgic that you can almost smell the honeysuckle and hear the owls calling at dusk.She writes about the small intense joys and sorrows of life on a small farm: the fun of haymaking, the sadness of favourite animals being slaughtered, and the close sweetness of Christmas celebrations in the farmhouse kitchen.

    Orwell recounts a hanging at a Burmese prison.

    He saw at once that Mr. Wynter was beyond mortal aid.Gregory Wynter is shot dead through the window of his dressing room. There is no apparent motive for the crime, and it seems impossible for the murderer to have escaped before the police arrive. The dead man's brother, Austin, enlists the help of Christopher and Vivienne Perrins, a brother-and-sister team of private investigators.In this classic puzzler, the Perrins piece together the complex relationships within the Wynter household and beyond. What they discover leads surprisingly to romance, not to mention the unravelling of an "impossible" murder which also involves a box of poisoned chocolates . . .Murder at Monk's Barn was originally published in 1931. This new edition features an introduction by crime fiction historian Tony Medawar.

    Set over two thousand years ago on the clam and fertile shores of the Black Sea, Naomi Mitchison's The Corn King and the Spring Queen tells of ancient civilisations where tenderness, beauty and love vie with brutality and dark magic. Erif Der, a young witch, is compelled by her father to marry his powerful rival, Tarrik the Corn King, so becoming the Spring Queen. Forced by her father, she uses her magic spells to try and break Tarrik's power. But one night Tarrik rescues Sphaeros, an Hellenic philosopher, from a shipwreck. Sphaeros in turn rescues Tarrik from near death and so breaks the enchantment that has bound him. And so begins for Tarrik a Quest - a fabulous voyage of discovery which will bring him new knowledge and which will reunite him with his beautiful Spring Queen.

    

    Describing his first year in farming he finds himself and his community caught up in larger affairs as the signs of the Depression begin to affect the countryside. However, there is still time for play, with field hockey and hunting in winter, dancing and village fetes in summer, not to mention the firm friends he found amongst his neighbors.

    

    Stood in front of it. And very slowly she saw her soul emerge out of the flesh. Smiling; more so. A truer edition of herself. A light, intensely delicate thing." First published in 1931, this beautiful, atmospheric novel, like Antonia White's Frost in May quartet, charts the emotional and intellectual growth of a young girl. Louise, intense and solitary, lives in a dreamland of her own until the arrival of her gifted cousin Timothy. He brings to her companionship, music, and 'the long booked-for stimulation of the mind'. But Tim and Louie are parted when she is sent to convent school, a closed world of prayer and order, and of lasting, passionate friendships. Then comes the shattering advent of the First World War. On leaving school Louis determines to train for business, to 'start life as a stern realist', but finds instead that she will need emotional courage if she is to be the woman her soul demands.