Working with the humanitarian organization Doctors Without Borders, Salgado documented the enormous suffering and the great dignity of the refugees. This early work became a template for his future photographic projects about other afflicted people around the world. Since then, Salgado has again and again sought to give visual voice to those millions of human beings who, because of military conflict, poverty, famine, overpopulation, pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival. Beautifully produced, with thoughtful supporting narratives by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first U.S. edition brings some of Salgado's earliest and most important work to an American audience for the first time. Twenty years after the photographs were taken, Sahel: The End of the Road is still painfully relevant. Born in Brazil in 1944, Sebastião Salgado studied economics in São Paulo and Paris and worked in Brazil and England. While traveling as an economist to Africa, he began photographing the people he encountered. Working entirely in a black-and-white format, Salgado highlights the larger meaning of what is happening to his subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices. "The planet remains divided," Salgado explains. "The first world in a crisis of excess, the third world in a crisis of need." This disparity between the haves and the have-nots is the subtext of almost all of Salgado's work.

    Napoleon's troops were closing in on Lisbon, so he chose to transplant his entire court and government to Portugal's largest colony, Brazil. About 10,000 aristocrats, ministers, priests and servants clambered aboard a rickety fleet and, after a rough passage, they spilled off their ships bedraggled and lice-ridden – much to the astonishment of their New World subjects.Thus began thirteen years of imperial rule from Rio de Janeiro. But the “tropical Versailles” that grew up against the city's jungle-clad mountains only partly obscured the brutal workings of what was then the largest slaving port in the Americas. And while the court grappled with the dark side of its own empire, Brazil was coming of age.Patrick Wilcken brings this remarkable period to life, blending vivid contemporary testaments with a rich evocation of a time when European royalty went native.

    Drawing on Rio De Janeiro's past, this work shows that even in periods of comparative calm, there has always been a palpable excitement in the air - the feeling of a carnival under fire.

    North American scholars of race relations frequently turn to Brazil for comparisons, since its history has many key similarities to that of the United States. Brazilians have commonly compared themselves with North Americans, and have traditionally argued that race relations in Brazil are far more harmonious because the country encourages race mixture rather than formal or informal segregation.More recently, however, scholars have challenged this national myth, seeking to show that race relations are characterized by exclusion, not inclusion, and that fair-skinned Brazilians continue to be privileged and hold a disproportionate share of wealth and power.In this sociological and demographic study, Edward Telles seeks to understand the reality of race in Brazil and how well it squares with these traditional and revisionist views of race relations. He shows that both schools have it partly right--that there is far more miscegenation in Brazil than in the United States--but that exclusion remains a serious problem. He blends his demographic analysis with ethnographic fieldwork, history, and political theory to try to understand the enigma of Brazilian race relations--how inclusiveness can coexist with exclusiveness.The book also seeks to understand some of the political pathologies of buying too readily into unexamined ideas about race relations. In the end, Telles contends, the traditional myth that Brazil had harmonious race relations compared with the United States encouraged the government to do almost nothing to address its shortcomings.

    Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions.McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.

    Women cook meals on wood stoves. Men go about their business on horseback. Mules carry firewood and such. People will invite a stranger into the house and offer him food. Cheney's book is a unique look at the cradle of Brazilian culture. This isn't the Brazil of beaches, rain forests, and slum-infected cities. It's a place where tradition, architecture, food, music, and values go back hundreds of years. But the quiet, rural life along the Estrada Real is under assault from global culture, a concern Cheney grapples with as he makes what may be the last observations of a dying way of life. The book includes photographs taken along the Estrada Real.

    Finally, he considers how resilient the Portuguese overseas communities were, surviving wars and natural disasters, and fending off attacks by the more heavily armed English and Dutch invaders until well into the 1600s.Including a detailed bibliography and glossary, A History of Portuguese Overseas Expansion 1400-1668 is an invaluable textbook for all those studying this fascinating period of European expansion

    So great is their cordiality that Brazilians will say “yes” to almost any request—even when they actually mean “no”—which can be quite confusing for U.S. visitors who are used to a more direct style of communication. In fact, as Americans spend time in Brazil, they discover a number of cultural differences that can hamper their communication with Brazilians. To overcome these barriers, this book analyzes Brazilian culture and modes of communication and compares them with their American counterparts to help Americans learn to communicate successfully with Brazilians and vice versa. To aid Americans in understanding the Brazilian perspective, Tracy Novinger presents a portrait of Brazil’s history, racial fusion, economy, and contemporary lifestyles. She focuses in on many aspects of Brazilian culture, such as social organization and ranking systems; preconceptions, worldviews, and values; sexual behaviors and eating customs; thought patterns; nonverbal communication such as the use of time, space, gestures, touch, eye contact, rituals, etc.; and differences in Brazilian and American point-making styles when negotiating, persuading, and conversing. For quick reference, she concludes the book with a summary and checklist of the leading Brazilian cultural characteristics, as well as eight recommendations for enhancing intercultural communication.