My Family and Other Animals was intended to embrace the natural history of the island but ended up as a delightful account of Durrell’s family’s experiences, from the many eccentric hangers-on to the ceaseless procession of puppies, toads, scorpions, geckoes, ladybugs, glowworms, octopuses, bats, and butterflies into their home.

    This rememberance of Singer's pious father, his rational yet adoring mother, and the never-ending parade of humanity that marched through their home is a portrait of a magnificent writer's childhood self and of the world, now gone, that formed him.

    The four-masted barque Moshulu ended up as a dockside restaurant in Philadelphia; the young apprentice went on to become one of the greatest travel writers of this century. The Last Grain Race is Eric Newby's spell-binding account of his time spent on the Moshulu's last voyage in the Australian grain trade.As always, Eric Newby's sharp eye for detail captures the hardships, danger, squabbles, companionship and sheer joy of shipboard life - bedbugs, ferocious storms, eccentric Finnish crew and all. By pure chance, Eric witnessed the passing of the era of sail, and his tale is all the more significant for being the last of its kind.

    He went to Sandhurst in 1933 at the age of eighteen and was commissioned into the 4th Gurkha Rifles in time to take part in some of the last campaigns on the turbulent north-west frontier of India. John Masters joined a Gurhka regiment on receiving his commission, and his depiction of garrison life and campaigning on the North-West Frontier has never been surpassed. BUGLES AND A TIGER is a matchless evocation of the British Army in India on the eve of the Second World War. Still very much the army depicted by Kipling, it stands on the threshold of a war that will transform the world. This book is the first of three volumes of autobiography that touched a chord in the post-war world.

    Updated with an insightful introduction and a revised discography, both written by celebrated music writer David Ritz.Lady Sings the Blues is the fiercely honest, no-holds-barred autobiography of Billie Holiday, the legendary jazz, swing, and standards singing sensation. Taking the reader on a fast-moving journey from Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.

    Despite doubts concerning some of the details of the fighting, and its initial appearance under communist auspices, as a literary work, Notes of a Sniper is comparable to E.B. Sledge's With the Old Breed, and as a memoir of courage reminiscent of Xenophon's Anabasis. Zaitsev's account of the carnage in the hellish war between Hitler's shock troops and Stalin's desterate defenders is right out of Dante's Inferno, and should be read by every student of World War II- and anyone else interested in the human condition.

    Spend a delightful evening enthralled by the true and captivating experiences of this city lady who at age 80 spent one full year on her mountain mining claim and faced the challenges of a vastly different life.

    By means of words, signs, drawings. Mescaline, the subject explored." In Miserable Miracle, the great French poet and artist Henri Michaux, a confirmed teetotaler, tells of his life-transforming first encounters with a powerful hallucinogenic drug. At once lacerating and weirdly funny, challenging and Chaplinesque, his book is a breathtaking vision of interior space and a piece of stunning writing wrested from the grip of the unspeakable.Includes forty pages of black-and-white drawings.

    Taking the reader on a fast-moving journey from Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.

    The rest was merely a matter of seconds. The bomber fell like a stone out of the sky and exploded on the ground. The nightmare came to an end."In this enthralling memoir, the author recounts his experiences of the war years and traces the story of the ace fighter pilots from the German development of radar to the Battle of Britain.Johnen flew his first operational mission in July 1941, having completed his blind-flying training. In his first couple of years he brought down two enemy planes. The tally went up rapidly once the air war was escalated in spring 1943, when Air Marshal Arthur Harris of the RAF Bomber Command began the campaign dubbed the Battle of the Ruhr.During this phase of the war Johnens successes were achieved against a 710-strong force of bombers. Johnens further successes during Harriss subsequent Berlin offensive led to his promotion as Staffelkapitan (squadron leader) of Nachtjagdgeschwader and a move to Mainz. During a sortie from there, his Bf 110 was hit by return fire and he was forced to land in Switzerland. He and his crew were interned by the authorities. The Germans were deeply worried about leaving a sophisticatedly equipped night fighter and its important air crew in the hands of a foreign government, even if it was a neutral one. After negotiations involving Gring, the prisoners were released.Johnens unit moved to Hungary and by October 1944 his score was standing at 33 aerial kills. His final one came in March the following year, once Johnen had moved back to Germany.

    

    Accepted as a RAF navigator in 1940, he was posted to 103 Squadron at Elsham Wolds in the winter of 1942. There he crewed up with a pilot from Western Australia and a British crew to fly a Lancaster bomber. In No Moon Tonight he gives a profound insight into the inner lives of the men of Bomber Command and their hopes and fears in the face of mounting losses. He depicts the appalling human cost of the air war in an account which has been favorably compared to other enduring memoirs of the 1st World War, namely Sassoon's Memoirs of an Infantry Officer and Remarque's All Quiet on the Western Front. A memorable first hand account of the air war over Germany.

    

    They tell the story of an Oxford-educated Communist who rubbed elbows with everyone from Al Capone to Charles de Gaulle. From Times correspondent to foreign editor of the Daily Worker, Cockburn witnessed many of the twentieth century’s most important events. He shares his insights with unparalleled, and decidedly irreverent, authorial skill. Includes a new foreword by Alexander Cockburn.Claud Cockburn (1904–1981) was a renowned journalist and novelist. His novel Beat the Devil was made into a film directed by John Huston.

    But in this volume, Marvin Lowenthal has drawn from his letters, essays, travel writings, and manuscripts to create a biography of his life told in his own words, thereby fulfilling Montaigne s intention of presenting his self-portrait to the world. For it was Montaigne who wrote, My book and I are one, and into his writing he poured the amazing varieties of his perceptions, his unflinching powers of observation and analysis, and his deeply felt love of humanity in all its messy contrariness. Above his desk, on a beam on his ceiling, were inscribed the words nihil humani alieni mihi puto : nothing human is alien to me and nothing was, for into his writing he distilled his tender heart and biting wit, his nonsense and wisdom, his passions and his hates. By collecting and arranging these autobiographical passages into a unified whole, Lowenthal has framed a complete portrait in this rich and rewarding book. All of Montaigne is here: his adventures and love affairs, his marriage, travels, tastes, and opinions. Seldom has so much wit, wisdom, and pure entertainment been packed into a single volume.