From Dong-ho's best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.

    Along the way we meet Communist rioters, ultraviolent gangsters, stallholders at the city’s many covered markets, pop singers enmeshed in the high-stakes machinery of star-making, and a people always caught in the shifting balance of political power, whether in London or Beijing.A gripping and brilliantly constructed novel from a talented new voice in crime fiction, The Borrowed paints a dynamic portrait of Hong Kong and reveals just how closely the past and present are connected in this fascinating city.

     In addition to her work as a nurse caring for wounded soldiers, Utinsky was instrumental in setting up an underground network to smuggle food, medicine, and money to Allied prisoners-of-war held at Camps O'Donnell and Cabanatuan (many of whom were survivors of the infamous Bataan Death March). Her code-name in the network was "Miss U." However, she was eventually captured by the Japanese and subjected to 32 days of imprisonment and torture at Fort Santiago in Manila. Following her release, and after six weeks in a hospital for treatment of her injuries, she left Manila and returned to the Bataan Peninsula, again serving as a nurse to guerrilla fighters. After American forces regained the Philippines, Utinsky was attached to the U.S. Army's Counter Intelligence Corps to help identify collaborators and those involved in the torture of prisoners. With the end of the war, she returned to the United States, and was awarded the Medal of Freedom in 1946. Margaret Elizabeth Doolin Utinsky (August 26, 1900 – August 30, 1970) was an American nurse who worked with the Filipino resistance movement to provide medicine, food, and other items to aid Allied prisoners of war in the Philippines during World War II. She was recognized in 1946 with the Medal of Freedom for her actions.

     Second, she is “High-Pockets,” the outstanding and resourceful spy operating in Jap-held Manila for over 2 years. Third, she is a guerrilla officer; determined and able leader and organizer of the Manila underground. Last, she is ‘Comadre,’ the intensely patriotic, and spiritually strong godmother of ragged, desperate men.” Major John Peyton Boone Agent High Pockets is the remarkable story of a fascinating woman who under the pressures of war found any resourceful means to aid her friends against their common enemy, the Japanese, through the tumultuous years of World War Two. This memoir, written by Claire Phillips, shortly after World War Two provides brilliant detail into her life as she spied, smuggled information, and funneled aid to American guerilla fighters who were hidden in the jungles surrounding Manila. Shortly after arriving in the Philippines she fell in love with Sgt. John V. Phillips and became engaged to marry him. But before the ceremony could take place the Japanese Imperial Army invaded, forcing Phillips and her fiancé to retreat to the Bataan peninsula and conduct a quick ceremony in the jungle. Claire’s resourcefulness allowed her survive through these turbulent years and she opened a nightclub, Club Tsubaki, on the Manila waterfront. The Japanese officers who frequented it had little knowledge that they were paying for the contraband that Claire and her friends were smuggling to POW camps and their loud, drunken conversations were being quickly relayed to American guerillas in the surrounding jungles. She could not evade Japanese authorities forever, however, and in May 1944 she was arrested. While at the notorious Bilibid Prison she endured numerous forms of torture but refused to give any information away. This remarkable account should be essential reading for anyone interested in the war in the Pacific and how civilians who had been caught up in the conflict fought to survive and support their country. Claire was later given the Medal of Freedom for her activities through the course of the war. Her citation reads: “By direction of the President, under the provisions of Army Regulations 600-45, the Medal of Honor is awarded to you by the Commander-in-Chief, Far East, for the meritorious service which has aided the United States in the prosecution of the war against Japan in the Southwest Pacific Areas, from June 1942 to June 1944.” After she returned to the United States she wrote her account of this time which was published as Manila Espionage in 1947. Her book was the basis of a Hollywood feature film, I Was an American Spy, released in 1951 and starring Anne Dvorak as Phillips. She died of meningitis in 1960.

    Set during the period of Kim Il-sung and Kim Jong-il’s leadership, the seven stories that make up The Accusation give voice to people living under this most bizarre and horrifying of dictatorships. The characters of these compelling stories come from a wide variety of backgrounds, from a young mother living among the elite in Pyongyang whose son misbehaves during a political rally, to a former Communist war hero who is deeply disillusioned with the intrusion of the Party into everything he holds dear, to a husband and father who is denied a travel permit and sneaks onto a train in order to visit his critically ill mother. Written with deep emotion and writing talent, The Accusation is a vivid depiction of life in a closed-off one-party state, and also a hopeful testament to the humanity and rich internal life that persists even in such inhumane conditions.

    With Chineasy, learning and reading Chinese has never been simpler or more fun. Breaking down the Great Wall of Language, iShaoLan Hsueh draws on her entrepreneurial and cultural background to create a simple system for quickly understanding the basic building blocks of written Chinese. Working with renowned illustrator Noma Bar, she transforms Chinese characters into charming pictograms that are easy to remember.In Chineasy, she teaches the key characters, called radicals, that are the language’s foundation, and then shows how they can be combined to form new words and even phrases. Once you’ve mastered these key characters, you can practice your skills with three stories—a fairy tale, an Asian legend, and a contemporary fable—told using the radicals.With Chineasy, readers of all ages will be able to navigate a Chinese menu, read signs and billboards, and grasp the meaning of most articles in a Chinese newspaper.

    While Ping goes to university in America, Weng is sent to prison for his part in local protests.Many years later, Ping returns to a country transformed by prosperity. Gone are the boatmen and hawkers who once lived along the river. In their place, rise luminous glass and steel towers proclaiming the power of the city state. Can Ping face her former lover and reveal the secret that has separated them for over thirty years?

    The red meteor shower rained across the sky, a black fog engulfed the world.After waking from a night of torture and agony,Humans discovered they no longer dominated the world.—The hunters have become the hunted.After the apocalypse, I struggled for survival for ten bitter years, but ultimately couldn’t escape death.But when I opened my eyes again, I had transformed from an ordinary 35-year old woman into a beautiful young man of 18.A different gender, a world that is both familiar yet not, an apocalypse that has vanished without a trace, and an unexpected return of 17 years of youth.Looking around, I discovered I had a powerful, protective big brother and a gentle, charming little sister.Just as things couldn’t possibly look any brighter—The end of the world came crashing down again.And this time around, is it fight? Or flight?

    But letting down her friend is not an option. So, she decides to grin and bear it. A mix up with room allocations forces her to share a luxury villa with Neel Arora, the gorgeous owner of the resort and best man at the wedding. Sparks fly and attraction sizzles. When her ex turns up with a new girl on his arm, scandal comes calling. In desperation, she turns to Neel and proposes a fake engagement. As the attraction between them reaches fever pitch, it seems like Rayna has signed up for more trouble than ever! *This book was previously published by Harlequin/Mills & Boon as Trouble Has a New Name

    Miyashita. Despite differences in their age, race, and class, a friendship develops between them in the peaceful vacuum of Mr. Miyashita’s office. But outside, on the city streets, a dark chapter in North American history is taking shape. As war looms, relations between Canada and Japan grow steadily worse. Travel outside North America becomes impossible for Mr. Miyashita, so he asks Kay to cross the Pacific Ocean, even as the Imperial Navy is manoeuvring into position for the attack on Pearl Harbor. He sends her to Hong Kong on the famous Pan American Clipper to collect a precious family heirloom. On this journey, Kay commits some seemingly small sins of omission. But in the paranoid climate of the times, these little white lies put Mr. Miyashita at risk of being arrested as a spy.Told through the eyes of an older Kay, and set during the turbulent and racially charged times of the Second World War, Flying Time is a triumphant story of love and adventure, the impetuosity of youth and the regrets of age.

    TWO DIFFERENT ENDINGS.At the end of Perumal Murugan's trailblazing novel One Part Woman, readers are left on a cliffhanger as Kali and Ponna's intense love for each other is torn to shreds. What is going to happen next to this beloved couple?In Trial by Silence-one of two inventive sequels that picks up the story right where One Part Woman ends-Kali is determined to punish Ponna for what he believes is an absolute betrayal. But Ponna is equally upset at being forced to atone for something that was not her fault. In the wake of the temple festival, both must now confront harsh new uncertainties in their once idyllic life together.In Murugan's magical hands, this story reaches a surprising and dramatic conclusion.

    Her father passed away while she was young. Her un-affectionate mother eventually leaves her to care for herself when she is only thirteen. Though her epic journey begins in 1920 by an almost deadly mistake, Gina will find many of her hearts desires in the most unlikely of places. The loss of everything is the catalyst that brings her to an unimagined level of accomplishment in her life. Yet Gina soon realizes it is the same events that brought her success that may also bring everything crashing down around her. The new life she has built soon beckons for something she left behind. Now the new woman must find a way to dance through a life she could have never dreamed of.

    TWO DIFFERENT ENDINGS.At the end of Perumal Murugan's trailblazing novel One Part Woman, readers are left on a cliffhanger as Kali and Ponna's intense love for each other is torn to shreds. What is going to happen next to this beloved couple?In A Lonely Harvest-one of two inventive sequels that pick up the story right where One Part Woman ends-Ponna returns from the temple festival to find that Kali has killed himself in despair. Devastated that he would punish her so cruelly, but constantly haunted by memories of the happiness she once shared with Kali, Ponna must now learn to face the world alone.With poignancy and compassion, Murugan weaves a powerful tale of female solidarity and second chances.

    But the prolific author shocked the world in 1970 when he attempted a coup d’état that ended in his suicide by ritual disembowelment. In this radically new analysis of Mishima’s extraordinary life, Damian Flanagan deviates from the stereotypical depiction of a right-wing nationalist and aesthete, presenting the author instead as a man in thrall to the modern world while also plagued by hidden neuroses and childhood trauma that pushed him toward his explosive final act.             Flanagan argues that Mishima was a man obsessed with the concepts of time and “emperor,” and reveals how these were at the heart of his literature and life. Untangling the distortions in the writer’s memoirs, Flanagan traces the evolution of Mishima’s attempts to master and transform his sexuality and artistic persona. While often perceived as a solitary protest figure, Mishima, Flanagan shows, was very much in tune with postwar culture—he took up bodybuilding and became a model and actor in the 1950s, adopted the themes of contemporary political scandals in his work, courted English translators, and became influenced by the student protests and hippie subculture of the late 1960s. A groundbreaking reevaluation of the author, this succinct biography paints a revealing portrait of Mishima’s life and work.

    Two separate lives become connected in South Korea: traumatized former Korean "comfort woman" Eun-young, who struggles with her past of rape and violence; and Michael, a troubled young Canadian arriving in Korea to teach ESL, whose principles and humanity are tested by Seoul’s seedy expatriate underbelly. A world away and two generations apart, their lives collide through the fiery Jin, who challenges stereotypes of her race and gender as well as Michael’s morality. Through meticulously crafted and heart-wrenching prose, Sad Peninsula takes the reader across oceans and decades, outlining the boundaries between seduction and coercion, between love and destruction, between a past that can’t be undone and a future that seems just out of reach.

    Soon after, Gurubari, her rival in love, gave her an illness that was like the alakjari vine which engulfs the tallest, greenest trees of the forest and sucks their hearts out. Now Rupi, once the strongest woman in her village, lives out her days on a cot in the backyard, and her life dissolves into incomprehensible ruin around her.The Mysterious Ailment of Rupi Baskey is the story of the Baskeys—the patriarch Somai; his alcoholic, irrepressible daughter Putki; Khorda, Putki’s devout, upright husband, and their sons Sido and Doso; and Sido’s wife Rupi. Equally, the novel is about Kadamdihi, the Santhal village in Jharkhand in which the Baskeys live. For it is in full view of the village that the various large and small dramas of the Baskeys’s lives play out, even as the village cheers them on, finds fault with them, prays for them, and most of all, enjoys the spectacle they provide.An astonishingly assured and original debut, The Mysterious Ailment of Rupi Baskey brings to vivid life a village, its people, and the gods—good and bad—who influence them. Through their intersecting lives, it explores the age-old notions of good and evil and the murky ways in which the heart and the mind works.WINNER OF THE SAHITYA AKADEMI YUVA PURASKAR 2015 IN THE ENGLISH LANGUAGEJOINT WINNER OF MUSE INDIA-SATISH VERMA YOUNG WRITER AWARD 2015, CATEGORY: FICTIONSHORTLISTED FOR THE HINDU PRIZE 2014SHORTLISTED FOR THE CROSSWORD BOOK AWARD 2014 FOR BEST INDIAN FICTIONLONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2016

    An exposition of Sufi philosophy, each story possesses both the calm and the storm of true love – a love that consumes the body and the heart; a love that goes beyond all common sense; a love better known as junoon (intense passion), that finally culminates in ibaadat (worship) and the love of God. From Sohni-Mahiwal to Heer-Ranjha, Sassi-Punnu to Mirza-Sahiban, Harish Dhillon succinctly encapsulates the rich cultural and literary heritage Punjab is so famously synonymous with. Love Stories from Punjab brings alive the forgotten magic of folklore that will tug at all the right strings of the heart, once again. Drama, romance, tragedy and history are interwoven in the form of an exquisite tapestry.

    Times critic, 27 year-old, Aubrey Johnson's work is finally gaining traction. But as she weaves through what should be a celebration of her art, a single nagging echo of her doctor’s words refuses to stay silent—there is no cure. In less than eight weeks Aubrey is going blind. Traveling on a one-way ticket around the world with childhood friend Jeff Anderson, Aubrey is in complete denial. But a blindfolded game of tasting foreign foods in China jolts her into confronting the reality of her situation. So begins her quest. In this adult coming of age story, Aubrey starts out at odds with her crippling disability and has a hard time accepting help. But on her journey she finds a deeper understanding of herself and her life—sometimes fragmented and complex, but always with relentless truth. "A touching exploration of identity and reinvention painted with gentle yet precise brush strokes." --Kirkus Reviews "Blue Sun, Yellow Sky delivers a glimpse into the artistic process, a stunning globe-trotting journey, and the intimate portrait of mending a heart broken by life itself.” -- Indigo Wilmann, Visual Yarn

    He would follow it five years later, returning to his native land after twelve years in India and Sri Lanka. But he did not receive the welcome he imagined: he was arrested by the government of the regent of the young Dalai Lama on trumped-up charges of treason. He emerged from prison three years later a broken man and died soon after. Gendun Chopel was a prolific writer during his short life. Yet he considered that manuscript, which he titled Grains of Gold, to be his life’s work, one to delight his compatriots with tales of an ancient Indian and Tibetan past, while alerting them to the wonders and dangers of the strikingly modern land abutting Tibet’s southern border, the British colony of India. Now available for the first time in English, Grains of Gold is a unique compendium of South Asian and Tibetan culture that combines travelogue, drawings, history, and ethnography. Gendun Chopel describes the world he discovered in South Asia, from the ruins of the sacred sites of Buddhism to the Sanskrit classics he learned to read in the original. He is also sharply, often humorously critical of the Tibetan love of the fantastic, bursting one myth after another and finding fault with the accounts of earlier Tibetan pilgrims. Exploring a wide range of cultures and religions central to the history of the region, Gendun Chopel is eager to describe all the new knowledge he gathered in his travels to his Buddhist audience in Tibet. At once the account of the experiences of a tragic figure in Tibetan history and the work of an extraordinary scholar, Grains of Gold is an accessible, compelling work animated by a sense of discovery of both a distant past and a strange present.

    In the rush to speak and be heard, it is easy to neglect listening and disregard its significance as a way of being with others and the world. Drawing upon insights from phenomenology, linguistics, philosophy of communication, and ethics, Listening, Thinking, Being is both an invitation and an intervention meant to turn much of what readers know, or think they know, about language, communication, and listening inside out. It is not about how to be a good listener or the numerous pitfalls that stem from the failure to listen. Rather, the purpose of the book is, first, to make readers aware of the value and importance of listening as a fundamental human ability inextricably connected with language and thought; second, to alert readers to the complexity of listening from personal, cultural, and philosophical perspectives; and third, to offer readers a way to think of listening as a mode of communicative action by which humans create and abide in the world. Lisbeth Lipari brings together historical, literary, intercultural, scientific, musical, and philosophical perspectives, as well as a range of her own personal experiences, to produce this highly readable analysis of how "the human experience of being as an ethical relation with others . . . is enacted by means of listening."

    Racial Asymmetries specifically examines the importance of first person narration in Asian American fiction published in the postrace era, focusing on those cultural productions in which the author's ethnoracial makeup does not directly overlap with that of the storytelling perspective.Through rigorous analysis of novels and short fiction, such as Sesshu Foster's Atomik Aztex, Sabina Murray's A Carnivore's Inquiry and Sigrid Nunez's The Last of Her Kind, Sohn reveals how the construction of narrative perspective allows the Asian American writer a flexible aesthetic canvas upon which to engage issues of oppression and inequity, power and subjectivity, and the complicated construction of racial identity. Speaking to concerns running through postcolonial studies and American literature at large, Racial Asymmetries employs an interdisciplinary approach to reveal the unbounded nature of fictional worlds.

    A middle-aged professor, disillusioned and jaded by a loveless marriage and a stale career, makes the move to South Korea in an attempt to bring excitement into his life. What he finds is more of the same: a never-ending repetition of existence without meaning. It is only when a woman much younger than himself, one of his own students, engages him intellectually and emotionally that he finally feels alive. Despite the fear of the taboo of a potential relationship, he feels himself drawing closer to this girl who has brought colour into an otherwise stale and grey life. When this girl is taken away from him, he decides to do as all romantic heroes must: whatever it takes to make her his own. No matter the cost, he will get her back. * Bronze Medal Winner in the 2014 Readers' Favorite International Contest - Intrigue Category

    Mighty Ontake is like that. The mountain's inexhaustible treasury of riches is like some endless storybook with its pages uncut. As one follows the rambling plot along, one is always looking forward to reading more. Every page yields things never found in other books. Ontake is that kind of mountain."One Hundred Mountains is that kind of book. "Nowhere in the world do people hold mountains in so much regard as in Japan," observed the author, Kyūya Fukada, in the afterword to his most famous work. "Mountains have played a part in Japanese history since the country's beginnings, and they manifest themselves in every form of art. For mountains have always formed the bedrock of the Japanese soul."In One Hundred Mountains, Fukada pays tribute to his favorite summits. Published in 1964, the book became an instant classic. Consisting of one hundred short essays, each celebrating one notable mountain and its place in Japan's traditions, the book is an elegantly written eulogy to the landscape, literature, and history that define a people. More recently, Japan's national broadcasting company has turned it into a memorable TV series.Fukada himself was bemused by his book's success: "In the end, the one hundred mountains represent my personal choice and I make no claims for them beyond that." Yet, half a century after he set down those words, his mountains have become a cultural institution. Marked on every hiking map and enshrined in scores of spin-off books, his One Hundred Mountains are today firmly embedded in the mountain traditions they grew out of.Now available in English for the first time, One Hundred Mountains of Japan will serve as a vade mecum to the Japanese mountains for a new cohort of hikers and mountaineers. It will also open up novel territories for students of Japan's literature, folklore, religions, and mountaineering history--in short, for mountain-lovers everywhere.

     This is the story of a man named Kang Dae-su. His whole life is a miracle, rising from poverty to running a successful construction company. In his twilight years, Kang is diagnosed with a brain tumour. He returns to his childhood home of Cherry Hill. He acquires a crumbling old house in which to retreat from the world, yet the residents of the town have other plans. They seem hell-bent on intruding on Kang's private property. But who does the house, and Cherry Hill, really belong to? Is it owned by the construction company who is trying to rejuvenate the neighbourhood? Or does it belong to the residents who have used the land to play, think, walk, love and explore for generations? And how is the bitter and despondent Kang's childhood tied to this magical place? Miracle on Cherry Hill is a redemptive story of a damaged man regaining his trust in humanity. It explores the fragility of nature and human lives and is much-loved classic in South Korea. Includes beautiful illustrations inside. Praise for The Hen Who Dreamed She Could Fly:'I was completely sucked into this story . . . bursting with originality . . . an instant classic' Guardian 'Bewitching . . . will make grown men and women cry' Independent

    In The Limits of Okinawa, Wendy Matsumura traces the emergence of this sense of Okinawan difference, showing how local and mainland capitalists, intellectuals, and politicians attempted to resolve clashes with labor by appealing to the idea of a unified Okinawan community. Their numerous confrontations with small producers and cultivators who refused to be exploited for the sake of this ideal produced and reproduced “Okinawa” as an organic, transhistorical entity. Informed by recent Marxist attempts to expand the understanding of the capitalist mode of production to include the production of subjectivity, Matsumura provides a new understanding of Okinawa's place in Japanese and world history, and it establishes a new locus for considering the relationships between empire, capital, nation, and identity.