Patrick Hanan praises the volume as -the highest achievement in the contemporary Chinese story.- Henry Miller considers Pai Hsien-yung -a master of portraiture.- Stories from this collection have already been translated into French, German, Italian, Dutch, Hebrew, Japanese and Korean.

    Tuchman won the Pulitzer Prize for Stilwell and the American Experience in China, 1911-45 in 1972. She uses the life of Joseph Stilwell, the military attache to China in 1935-39 and commander of United States forces and allied chief of staff to Chiang Kai-shek in 1942-44, to explore the history of China from the revolution of 1911 to the turmoil of World War II, when China's Nationalist government faced attack from Japanese invaders and Communist insurgents. Her story is an account of both American relations with China and the experiences of one of our men on the ground. In the cantankerous but level-headed Vinegar Joe, Tuchman found a subject who allowed her to perform, in the words of The National Review, one of the historian's most envied magic acts: conjoining a fine biography of a man with a fascinating epic story.

    Vance. He hadbeen her captain for ninety-nine days. The dispute over what happened aboard the Vance during those three months grew into one of the major controversies in the United States Navy in over a decade -- "The Arnheiter Affair." This is the engrossing story.

    As the eleventh in the teaching lineage known as the Trungpa tulkus, he underwent a period of intensive training in mediation, philosophy, and fine arts, receiving full ordination as a monk in 1958 at the age of eighteen. The following year, the Chinese Communists invaded Tibet, and the young Trungpa spent many harrowing months trekking over the Himalayas, narrowly escaping capture. Trungpa's account of his experiences as a young monk, his duties as the abbot and spiritual head of a great monastery, and his moving relationships with his teachers offers a rare and intimate glimpse into the life of a Tibetan lama. The memoir concludes with his daring escape from Tibet to India. In an epilogue, he describes his emigration to the West, where he encountered many people eager to learn about the ancient wisdom of Tibetan Buddhism.

    Many in Japan regarded the suicide as a sensational act. However, the publication of Mishima's final cycle of novels, which had been conceived eight years prior to his death, revealed that his death was carefully considered--a gesture of historical import in perfect accord with the morbid and esoteric aesthetic that pervades his writing. In 1961 Mishima asked Eikoh Hosoe to photograph him, giving him full artistic direction in making these surreal and alluring photographs. The props that surround the writer and the baroque interior of his home are antithetical to the pure Japanese sensibility of understatement and reveal Mishima's dark, theatrical imagination.

    Exploring a tumultuous time in Japanese 19th-century history, when the country began to emerge from self-imposed exile, this study profiles activists such as Sakamoto Ryoma and Nakaoka Shintaro, who played an important role in the development of a unified nation state.

    For several hours, the U.S. embassy in Saigon itself came under siege by Viet Cong soldiers. Militarily, the offensive was a failure, as the North Vietnamese Army and its guerrilla allies in the south suffered devastating losses. Politically, however, it proved to be a crucial turning point in America's involvement in Southeast Asia and public opinion of the war. In this classic work of military history and war reportage—long considered the definitive history of Tet and its aftermath—Don Oberdorfer moves back and forth between the war and the home front to document the lasting importance of this military action. Based on his own observations as a correspondent for the Washington Post and interviews with hundreds of people who were caught up in the struggle, Tet! remains an essential contribution to our understanding of the Vietnam War.

    Looking back 30 years later, we still share Chomsky’s concern: Will this new war lead us to an ever-expanding battle against the people of the world and increasing repression at home?Drawing in part on his visits to Asia and in part on his extensive reading in the field, Chomsky discusses the historical, political and economic reasons behind our involvement in a Southeast Asian land war. Chomsky examines the impact of our involvement on United States military strategy and what its eventual effect will be in America and abroad. While the people of the world are clearly the victims of U.S. foreign policy, the citizens of the United States have not been able to escape harm. In an eerie prediction of current events, Chomsky states:It is unlikely that we can continue indefinitely on this mad course without severe domestic depression and regimentation. For those who hope to rule the world, to win what some scholars like to call ‘the game of world domination,’ American policies in Southeast Asia may appear rational. To the citizens of the empire, at home and abroad, they bring only pain and sorrow. In this respect we are reliving the history of earlier imperial systems. We have had many opportunities to escape this trap and still do today. Failure to take advantages of these opportunities, continued submission to indoctrination, and indifference to the fate of others, will surely spell disaster for much of the human race.At War With Asia is an indispensable guide to understanding both the past and current logic of imperial force.Introduction by Christian Parrenti.

    In this classic travel memoir, Donald Richie embarks on a quest to find Japan’s timeless heart among its mysterious waters and forgotten islands. This edition features an introduction by Pico Iyer, photographs from the award-winning PBS documentary, and a new afterword. First published in 1971, The Inland Sea is a lucid, tender voyage of discovery and self-revelation. --amazon

    A lyric form which, using a predominantly four-character line, had earlier been employed in the Confucian Book of Odes, it rose to prominence once more in the period under discussion. The new shih, which differed from the original form only in its use of a five- or seven-character line, became the best known and most characteristic of Chinese poetic forms.