The definitive monograph of artist Charley Harpers work, lovingly edited by Todd Oldham.

    The challenge of creating a plausible vision for humanity and a galaxy of ancient and exotic alien races was given to BioWare's talented art and design teams. They began in a formless void and shaped their worlds, their races, and their civilizations to finish with a living breathing setting exclusive to the Xbox 360.From a massive space citadel whose origins are lost in time to the utilitarian clothing of frontier colonists, each component, whether small or colossal, anomalous or common, within Mass Effect's universe need to be brought to detailed life.In this stunning volume, take an exclusive step back to when this universe was still forming in this compilation of art, images, and commentary taken directly from the artists' sketchbooks as they created the universe of Mass Effect.

    Featuring a stamped pink metallic cover, multiple paper changes, special bound-in booklets, bright green envelopes containing DVDs and even Braille endpapers, it is a deeply poignant investigation of love and loss, published to coincide with the 2007 Venice Biennale--where Calle served as that fair's French representative. All of the interpreters of Calle's breakup letter were women, and each was asked to analyze the document according to her profession--so that a writer comments on its style, a justice issues judgment, a lawyer defends Calle's ex-lover, a psychoanalyst studies his psychology, a mediator tries to find a path towards reconciliation, a proofreader provides a literal edit of the text, etc. In addition, Calle asked a variety of performers, including Nathalie Dessay, Laurie Anderson and Carla Bruni, among others, to act the letter out. She filmed the singers and actresses and photographed the other contributors, so that each printed interpretation stands alongside at least one riveting image of its author, and some are also accompanied by digital documentation. The result is a fascinating study and a deeply moving experience--as well as an artwork in its own right. Already a collector's item, this is a universal document of how it feels to grieve for love.

    A truly unique visual delight offering insight into the development of animation classics like Bambi, Beauty and the Beast, The Lion King, Lilo and Stitch as well as a tantalizing examination of unfinished Disney projects.

     An homage to Africa's people and wildlife   Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of dispossessed and distressed people taken in places where most wouldn’t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he’s documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions.  This book brings together Salgado’s photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today’s Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.This stunning book is not only a sweeping document of Africa but an homage to the continent’s history, people, and natural phenomena.   *Salgado’s Africa was awarded the M2-El Mundo People’s Choice Award for best exhibition at PhotoEspaña 2007!*

    The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs.Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures.Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.

    Here the House of Chanel opens its private archives, revealing a galaxy of brilliant designs created by Coco Chanel from 1920 onwards. Dazzling clothes, intricate accessories, beautiful models, and timeless design leave no doubt as to the lasting fame of her name and embody everything that has come to symbolize the magic of Chanel.The book explores five central themes—the suit, the camellia, jewelry, makeup and perfume, the little black dress—and follows the threads from past to present to show how these key items have been rediscovered and reinvented by new designers. It includes many previously unpublished archive photographs and original drawings by Karl Lagerfeld, as well as glorious images from some of the greatest names in fashion photography.

    Artists' sketchbooks offer exclusive access into the creative processtheir dog-eared, paint-splattered, sometimes crumbling pages have an intimate and visceral appeal. Street Sketchbook includes never-before-seen works by new and acclaimed figures such as Banksy (UK), Alexander Purdy (US), and more, as well as sketches that have formed the basis of large public works. Ingenious throughout, these sketchbooks epitomize the audacious originality of vision that defines the street art scene today.

    Whether you’re a writer, a scrapbooker, a political activist, or a postcard collector, let book artist Esther K. Smith be your guide as you discover your inner bookbinder. Using foolproof illustrations and step-by-step instructions, Smith reveals her time-tested techniques in a fun, easy-to-understand way.

    More than 1300 logos are grouped according to their focal form, symbol, and graphic associations into 75 categories such as crosses, stars, crowns, animals, people, handwritten, illustrative type, etc. To emphasize the visual form of the logos, theyare shown predominantly in black and white. By sorting a vast, international array of current logotypesranging from those of small, design-led businesses to global brandsthe book offers design consultancies a ready resource to draw on in the research phase of identity projects. Logos are also indexed alphabetically by name of company/designer and by industrial sector, making it easy to piece together a picture of the state of the identity art in any client's marketplace.

    Following on the heels of the highly successful retrospective Coffin, Dark Horse Books is pleased to present a new collection of paintings, line-art illustrations, and photography by internationally renowned artist and Vampire Hunter D character designer Yoshitaka Amano. This collection also includes a short story, "A Village in Fog" by Vampire Hunter D creator Hideyuki Kikuchi, unavailable elsewhere.

    Nine different spaceships, pods, race cars, giant trains, warships and balloons from various planets of the Galaxion system are shown from concept to completion. Daniel Simon is an established senior car designer who has spent the last several years focusing his talents on futuristic concepts for such automakers as Bugatti and Lamborghini. In his first book, Cosmic Motors, each chapter shows the design process of a unique vehicle, from the first ideation sketches to the stunningly detailed 3-D models to the final photorealistic full spread renderings. Join Daniel in this virtual world of visionary vehicles!

    Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects such as toys, books, and most famously, a line of handbags for Louis Vuitton. A committed supporter and spokesperson for Japanese artists and a powerful commentator on postwar culture and society, Murakami has organized influential exhibitions of Japanese art as well as a biannual art fair in Tokyo. Murakami has positioned himself as a new type of artist for the twenty-first century: a hybrid of creator, entrepreneur, and cultural ambassador.In conjunction with the first major retrospective of his work, Murakami traces Murakami’s global impact socially, culturally, and art historically. Essays focus on Murakami’s early works, which were based on a social critique of Japan’s rampant consumerism; the development of his characters; his work with anime, fantasy; otaku culture; and his engagement with global pop culture. Representing output from original works of art to mass-produced multiples, the catalogue also considers the implications of Murakami’s working methods within the tradition of the Western avant-garde.

    There he stumbled into the elaborate world of Mingering Mikea soul superstar of the 1960s and '70s who released an astonishing 50 albums and at least as many singles in just 10 years. But Hadar had never heard of him, and he realized why on closer inspection: every album in the crates was made of cardboard. Each package was intricately crafted, complete with gatefold interiors, extensive liner notes, and grooves drawn onto the "vinyl." Some albums were even covered in shrinkwrap, as if purchased at actual record stores. The crates contained nearly 200 LPs and 45s by Mingering Mike, as well as other artists like Joseph War, the Big "D," and Rambling Ralph, on labels such as Sex Records, Decision, and Ming/War. There were also soundtracks to imaginary films, a benefit album for sickle cell anemia, and a tribute to Bruce Lee. Hadar put his detective skills to work and soon found himself at the door of the elusive man responsible for this alternate universe of funk. Their friendship blossomed and Mike revealed the story of his life and his many albums, hit singles, and movie soundtracks. A solitary boy raised by his brothers, sisters, and cousins, Mike lost himself in a world of his own imaginary superstardom, basing songs and albums on his and his family's experiences. Early teenage songs obsessed with love and heartache soon gave way to social themes surrounding the turbulent era of civil rights protests and political upheavalbrought even closer to home when Mike himself went underground dodging the Vietnam War.In Mingering Mike, Hadar tells the story of a man and his myth: the kid who dreamed of being a star and the fantastical "careers" of the artists he created. All of Mingering Mike's best albums and 45s are presented in full color, finally bringing to the star the adoring audience he always imagined he had.

    Containing paintings they have produced in the last decade, this book also contains a cornucopia of never-before-seen artwork. Featuring the apocalyptic scenes of the OK Computer album, the startling, sinister shadow of memory cast onto the present in the Kid A paintings, and the overwhelming information overload of Hail to the Thief's landscapes of conflict, Dead Children Playing presents some of the most iconic artwork of our time.

    Organized chronologically, the book illuminates the dynamic relationship between design and manufacturing as well as the roles of technology, social change, and commercial forces on the course of design history. The layout of each chapter reflects the unique style of the period it describes, and some 450 illustrations throughout the volume provide a visual record of more than one hundred years of creative achievement in the field.Under the influence of William Morris and the Arts and Crafts movement in the late 19th century, a new era began for design arts. Fueled by popular Art Nouveau advertising, the work of graphic designers became central in the growing consumer goods economy. This book traces the emergence of varied modernist design styles in the early 20th century and then examines the wartime politicization of regional styles through American government patronage and revolutionary Soviet ideas. Richly contextualized chapters chronicle the history of the Bauhaus and the rise of the International Style, followed by the postmodern movement of the 1970s and '80s. After highlighting recent developments in graphic design around the globe, the author discusses the impact of inexpensive, powerful design software and the challenges facing designers now.

    Each image will be printed in a grand 15 x 11 format that is suitable for framing. The book will also include editorial and annotated pages that give an insight into the working methods of Mr. Jean.

    Who are the makers and who are the takers? Readers can judge from themselves?

    His color-bursting, curvaceous art graces the walls of high-design hotels, world-class museums, and hip restaurants, yet remains, as acclaimed author Douglas Coupland puts it in his foreword, "unslick, but superslick at the same time." Abstract and handcrafted, with a retro-futuristic mid-century feel, Rex Ray's meditations on fluid forms are a rare combination of sophistication and decorative appeal. The first monograph to survey his multi-faceted work in various mediaincluding paper cutouts, mixed-media collages, paintings, digital prints, and the highly admired graphic design and music packaging that launched his visual careerRex Ray is a veritable trove of his sleek yet playful aesthetic.

    After more than 30 years, at the end of the 1960s, she left the order to devote herself to making her own work. Over a 35-year career she made watercolors, posters, books and banners--and most of all, serigraphs--in an accessible and dynamic style that appropriated techniques from advertising, consumerism and graffiti. The earliest, which she began showing in 1951, borrowed phrases and depicted images from the Bible; by the 1960s, she was using song lyrics and publicity slogans as raw material. Eschewing convention, she produced cheap, readily available multiples, including a postage stamp. Her work was popular but largely neglected by the art establishment--though it was always embraced by such design luminaries as Charles and Ray Eames, Buckminster Fuller and Saul Bass. More recently, she has been increasingly recognized as one of the most innovative and unusual Pop artists of the 1960s, battling the political and religious establishments, revolutionizing graphic design and making some of the most striking--and joyful--American art of her era, all while living and practicing as a Catholic nun. This first study of her work, organized by Julie Ault on the 20th anniversary of Kent's death, with essays by Ault and Daniel Berrigan, is the first to examine this important American outsider artist's life and career, and contains more than 90 illustrations, many of which are reproduced for the first time, in vibrant, and occasionally Day-Glo, color.

    Children now grow up with a more informed and sophisticated visual diet—with cartoons, animated movies, comics, TV, and computer games—consuming a vast range of stylistic approaches, and illustrated books have moved to match the demands of a more discerning market. Equally, artists who in the past may not have considered the children's picturebook as an appropriate vehicle for artistic expression are increasingly drawn to the area.This book showcases some of the most interesting work emerging within the genre from a range of cultural backgrounds. It examines trends in use of media—both digital and traditional—and discusses the variety of approaches to subject matter.

    After spending the 1910s in Europe, where he surrounded himself with other artists and embraced the Cubist movement, he returned to Mexico and began to paint the large-scale murals for which he is most famous. In his murals, he addressed social and political issues relating to the working class, earning him prophetic status among the peasants of Mexico. He was invited to create works abroad, most notably in the United States, where he stirred up controversy by depicting Lenin in his mural for the Rockefeller Center in New York City (the mural was destroyed before it was finished). Rivera's most remarkable work is his 1932 Detroit Industry, a group of 27 frescos at the Detroit Institute of Art in Michigan.

    Designer Christien Meindertsma has publishedan intelligent project that attempts to chart this phenomena. An extensive collection of photographicimages has been assembled that document the mind-boggling array of various products thatdifferent parts of an anonymous pig called 05049 could support. A visual essay without moralundertones, this complete image of what the pig means to mankind provides a timely serving of foodfor thought.

    Learn how the animation storyboard differs from live action boards and how characters must be developed simultaneously with the story. Positive and negative examples of storyboard and character design are presented and analyzed to demonstrate successful problem-solving techniques. Artwork from an international array of students and professionals supplement the author's own illustrations. Three never-before-published interviews with well known development artists and a comprehensive glossary are also included.

    Retro is the new modern. And nowhere is that fact more evident than in typography, which today uses vintage type in ads, book and magazine design, movies, and everywhere words convey meaning. Viewers may not even realize that the type itself conveys mood, information, and a sense of style, but graphic designers know the power of vintage type. Now the world’s foremost historian of graphic design presents New Vintage Type, a remarkable rethinking and rediscovery of old and classic typefaces for today’s modern needs. Hundreds of amazing, astounding, and obscure examples from around the world are gathered here, organized into five historically and stylistically grouped sections: the Victorian Age, the Woodtype Era, Art Deco Style, Modern Movement, and the Eccentric Movement. With hundreds of lively and one-of-a-kind examples, plus informed, intriguing tex, New Vintage Type is the graphic designer's guide to choosing and using vintage type for maximum impact.

    How did the Old Masters create their masterpieces? What kind of education allowed these great artists to create such beautiful work, and how can an artist learn these lessons today? Traditional Oil Painting answers those questions and many more. This comprehensive sourcebook explores the most advanced levels of oil painting, with full information on the latest scientific discoveries. Author and distinguished artist Virgil Elliott examines the many elements that let artists take the next step in their work: mental attitude, aesthetic considerations, the importance of drawing, principles of visual reality, materials, techniques, portraiture, photographic images versus visual reality, and color. Traditional Oil Painting helps artists master the secrets of realistic painting to create work that will rival that of the masters.

    180 B&W pen and ink illustrations of Booth's work for books and magazines. The majority of these works have never, till now, been reprinted, from majestic landscapes to fantasy worlds of wonder.

    With the show, Shafrazi paid homage to a seminal display of Warhol's portraits that took place at the Whitney Museum of American Art, New York, in 1979-80. Titled Andy Warhol: Portraits of the 1970s, the Whitney exhibition presented for the first time a large array of the commissioned portraits that the artist began in the early 1970s as a way to offset the cost of multiplying activities at the Factory. Shafrazi's exhibition included many of the portraits shown in the original Whitney exhibition as well as others. This volume takes Shafrazi's exhibition even further, nearly doubling the number of works shown. Art historians and critics have long neglected this body of Warhol's work, preferring to discuss and study the more iconic Lizzes and Marilyns or Campbell's Soup Cans of the 1960s.

    Each image is accompanied by a brief text providing geographical and historical background.

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    This book, in Collins Artist’s Studio series, looks at how she achieves her stunning effects and provides essential guidelines for the intermediate painter wishing to develop this aspect of their own painting.Creating texture in watercolour can be quite a challenge but this book provides a fresh approach to the subject. It focuses on a wide range of unusual techniques, some of which depart from the more conventional methods, revealing how to portray texture by a variety of means. Ann explains how to manipulate the paint by lifting out colour, scraping and scratching the paint, and by using additional materials such as wax, clingfilm, salt and metallic pigments. She also explains how the surface itself can play an important role in the effects that can be achieved, and experiments with acrylics, inks, gouache and collage as well as watercolour.In later chapters Ann looks at the creative process and provides insights into how to develop ideas, then concentrates on how to portray texture in specific subjects, such as flowers and foliage, animals, still life, buildings and landscapes. Practical exercises, projects, step-by-step demonstrations and studio tips are included, as well as the work of several guest artists – John Blockley, Moira Huntly and Shirley Trevena.

    Each cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.Special features for jazz lovers include a top-10 favorite records list by leading jazz DJs such as King Britt, Michael McFadden, Gilles Peterson, Andre Torres, and Rainer Trüby, as well as interviews with legendary jazz personalities Rudy Van Gelder (sound engineer who recorded for many labels such as Blue Note, Impulse!, and Prestige), Creed Taylor (founder of many labels and one of the best jazz producers ever, credited also for bringing bossa nova to the US and fusing it with jazz), Michael Cuscuna (Blue Note jazz producer and catalog researcher, responsible for its most successful re-editions), Bob Ciano (designer at the CTI Label, founded in the 70s by Creed Taylor, and one of the greatest cover designers ever), Fred Cohen, (the owner of New York's Jazz Record Center store with an encyclopedic knowledge of jazz music), and Ashley Kahn (writer, critic, and journalist for jazz whose books include A Love Supreme, Kind of Blue, and The House That Trane Built).This new edition features 2 volumes in a slipcase.

    Her works, each of which she constructs by hand, transform everyday objects into gravity-defying works in horizontal and tower-like formations that zig-zag into the heights of the rooms that try to contain them. The pieces often seem to teeter on the brink of existence, built just at the edge of their ability to sustain themselves structurally. This seeming ephemerality conveys a sense of the fleeting existence of objects, situations and places. This book is the first monograph to include works that span the course of her career and includes images of both her sculptures, installations as well as her drawings.

    Vinyl records tell their stories visually as much as they do aurally, and the record cover—eye candy for the music lover—speaks a language rooted in the environment and era of the music itself. Cover Story is a coffee-table ready collection of rare, unique, and inspired album covers, selected by a team of world-renowned DJs, writers, and collectors. First published in December 2001, Brooklyn-born Wax Poetics hit newsstands with a new vision for music journalism, creating a bridge between the past and present of Hip Hop, jazz, funk, soul, reggae, disco, and Latin music. Although originally created for a concentrated market of music aficionados, the magazine’s audience has grown exponentially, making musical anthropologists out of average music listeners and spawning a soul renaissance, complete with comeback tours and sophomore effor ts. Wax Poetics illuminates the dark corners of our sonic past, while also striving to give new and innovative artists the credit they truly deserve.

    This comprehensive guide offers directions on making decorative boxes, mosaics, and miniature models, as well as beads, buttons, and jewelry. Large, clear photographs demonstrate over 50 techniques, including basic skills such as rolling, color mixing, marbling, and baking; progressing to more challenging methods of shaping, molding, and sculpting clay. A 16-page gallery of work by renowned polymer clay artists demonstrates what can be achieved and provides crafters with inspiration.

    He had attracted considerable attention with his Times Square Show the summer before, and reinforced that nascent notoriety with a wall of phenomenal works in Diego Cortez's New York/New Wave at P.S. 1, which opened the following winter. A few months later, the dealer Annina Nosei offered Basquiat an independent space in which to prepare work for her September group show, Public Address. He was only 20. Between the world of spray-painted poetry and what critic Peter Schjeldahl called "New York big-painting aesthetics" lies a fantastic coming-of-age: Jean-Michel Basquiat: 1981: The Studio of the Street includes paintings and drawings on everything from note cards to sheet metal to a leather jacket and conventional canvas. In them, as throughout his career, Basquiat married an exuberant spontaneity and art-brut sensibility with a firm command of not only art materials but art history. He would go on to define the 80s Neo-Expressionist idiom, and to remain its most compelling representative. The Studio of the Street examines this charged point of contact in works that show the artist's progression from text to text-and-image, from found materials to traditional canvasses, and from pure drawing to his uniquely evocative hybrid of drawing and painting.

    Containing many unseen pieces of art and comics from the creator who has brought us THB, Heavy Liquid and 100%.

    The very first American art work by the Eisner award-winning artist Spotlights the career of the cover artist behind the industry's biggest titles, including The Incredible Hulk

    It also shows the reader how to create personal illuminated manuscript pages with the help of an appendix of tools and techniques.Knotwork: The Secret Method of the Scribes examines knotwork and plaitwork in detail against the sacred background from which they sprang. Illustrations of motifs taken from famous brooches and carvings show how Celtic knots can be adapted for all manner of craftwork.Illuminated Letters is a unique blend of history, anecdote, and practical instruction that recreates the schooling of the Celtic illuminator.

    Indeed, since his emergence in the mid-1960s, Serra is widely understood to have radicalized and extended the very definition of sculpture. Quite simply the most complete view to date of the work of one of the most important artists of the last half-century, Richard Serra Sculpture: Forty Years offers a detailed visual presentation and documentation of Serra's entire career, from his early experiments with materials like rubber, neon and lead to the environmentally scaled steel works of recent years--including three monumental new sculptures created for The Museum of Modern Art's 2007 retrospective, for which this volume was produced. The book contains major scholarly essays on the artist's work by Benjamin Buchloh, Lynne Cooke and John Rajchman, as well as an interview with the artist by Kynaston McShine, the Museum's Chief Curator at Large.

    Along the way, it treats the reader to new insights on myriad aspects of the game, including the background of its four Empires, its character designs, stations and stargates, ships and weaponry, and even glimpses of what is yet to come. The Art of EVE features commentary by its leading visual authors, along with biographies and mug shots (yes, mug shots) of the entire art team. It was written by Richie Shoemaker, with main contributors creative director Reynir Har?arson and art director K

    Fans will soak up the behind-the-scenes access to their favorite shows--whether it's seeing the original claymation figures from the lovable hit Hey Arnold!, original animation cells from the absorbing SpongeBob SquarePants, or the irreverent Ren & Stimpy characters like you've never seen them before. The creators and producers behind each show recall how a kernel of an idea transformed into a fully realized cartoon. There are the sketches that creators brought to the pitch meetings, storyboards that show how the writers and illustrators plan their shows out, and tons more. With a green, slime-filled cover, Not Just Cartoons: Nicktoons! is the must-have for every animation enthusiast, design aficionado, and cartoon fan alike!

    The Layout Book explains the hows, whys, and why nots of layout. A historical overview of layout, from the early scribes to today, is followed by a systematic look at key theoretical principles and practical applications. A selection of great layout designs and more than 300 illustrations in full color and black-and-white provides ideas and insight. Invaluable for design students, helpful to working designers looking for a better understanding of layout design, The Layout Book is unique and uniquely inspiring.

    Now the New York Times writes that her canvases--multilayered, futuristic visual worlds where historical and fictional landscapes meet--"make history painting important again." Each one pulls from diverse sources, noteworthy among them Japanese manga, Chinese landscape art, Ethiopian illuminated books, Baroque engraving in the style of D�rer, graffiti and the geometric abstractions of Kazimir Malevich and Vasily Kandinsky. And they are often structured on architectural drawing, which appeals to Mehretu "because there is no way that you could make architecture that doesn't work." Plans for buildings are metaphors "for systems, for rational efforts to construct the world that we exist within, even though so many things happen in a very organic or irrational way." These angular architectural spaces swarm with organic forms, with communities marching to war, confronting systems and creating elaborate new civilizations. Human relationships unfold, interacting with the built and controlled world. Of her interest in these warring factions and in the "aggressive and forceful nature of history," Mehretu says that, "most of my personal ancestry comes from different cultures that, at one time or another, were at war." This is the first comprehensive monograph on a strong new talent in contemporary painting.

    One of the most original and innovative product and furniture designers working today, Boontje is an artist and a craftsman, and in designs for Swarovski, Artecnica, and Moroso, his lamps, chairs, fabric designs, paper products, and art installations have vaulted him into the top ranks of contemporary design culture. Featured in headline exhibitions at the Milan Furniture Fair, the Victoria and Albert Musem and Art Basel: Miami, the unique paper creations and furniture developed by Boontje have become global objects of desire, spawning a cult following among collectors and design consumers. Lavishly illustrated with over 300 sketches, concept renderings, and photographs, the book is a comprehensive visual document of the designer's work and an art object in itself, featuring a number of custom printing effects-stencils, perforated and die-cut pages, and textured and woven details-that capture the intricacy of Boontje's approach to pattern-making.

    For the past five years, Greg Girard has been photographing the city’s buildings, shops, homes, and neighborhoods. This stunning photographic journey is a look at present-day Shanghai, where politically inspired neglect meets politically inspired development.Greg Girard is a Canadian photographer living in Shanghai since 1998. Largely self-taught, he combines anthropology with a lyrical realism in his work. He is represented in North America by Monte Clark Gallery in Toronto. His editorial work appears in publications such as TIME, Newsweek, Fortune, and The New York Times Magazine.William Gibson is an American-born Canadian science fiction author. He has been called the father of the cyberpunk subgenre of science fiction. He is credited with coining the term “cyberspace.” His first novel, Neuromancer, has sold more than 6.5 million copies worldwide since its publication in 1984. He is also responsible for Pattern Recognition and the screenplay for Johnny Mnemonic.

    The result is a comprehensive, must-have survey of today's most innovative international  product design.

    Beautifully photographed close-up details of wall reliefs, inlaid metal hookah bowls, carpets, jade sword hilts, gilded borders of miniature paintings and embroidered shawls emphasize the unity of the themes in Mughal art, while George Michell's lucid text places the works in their historical and architectural context. This sumptuous volume will be essential reading for all lovers of Indian art as well as those with a professional interest in the subject.

    Taking an integrative approach, the text not only includes lighting system basics, but also demonstrates how lighting relates to the design process, human factors, sustainability, global issues, regulations, business practices, and the LEED building certification program.

    In a bold departure from the pixel based aesthetic, Extraordinary Illustration focuses rather on the return to experimental and unique techniques such as paper cutting, stitching, knitting, needlework, origami, patchwork and more. Thirty artists from around the globe present their distinct yet diverse perspectives on their signature styles, and the myriad skills they bring to each project, and share their resounding successes. Through interviews and photos of the studios where they find their inspiration, the artists and designers takes you on a voyeuristic journey through their personal realms and share their work from vision and imagination to creation.

    This is universally recognized as the definitive competition for photographic reporting, and photojournalists, newspapers, and magazines throughout the world submit thousands of images in the race to win. The World Press Photo Competition 2007 brings together some 200 images. The best pictorial journalism from an eventful year, this selection brings us face to face with contemporary world events--an impressive visual record of social, political, cultural, scientific, and, above all, human milestones. 200 photographs, 150 in color.

    At once casting himself as revolutionary, bohemian and peasant, Courbet (1819-1877) overturned a deeply-entrenched tradition of academic painting in France, and, eschewing the Romanticism of Delacroix and the NeoClassicism of Ingres, coined instead an idiom he named "Realism." Realism was not pretty, classically proportioned or literary; rather, it confronted the conditions of rural working life, then an unimaginable subject for art. The first masterpiece of this new style was "Burial at Ornans" (1849-1850), a colossal anti-epic that depicted an ordinary funeral in Courbet's home town. The contrast between the work's scale and its subject matter was pronounced, and its murky earth tones struck critics as willfully ugly--a defining reaction that would recur throughout the Modern period, particularly in the reception of early works by Manet and Picasso. Courbet's palette emphasized mass and body politically--that is, in a manner that affirmed the world itself rather than the transcendence of it. His equally famous "The Origin of the World" of 1866, which presented the female genitalia close-up, made this stance explicit. The conceptual beginnings of the "painting of Modern life" are as much in Courbet's Realism as in Charles Baudelaire's famous essay of the same name.In this new assessment, published on the occasion of a major 2008 traveling exhibition, renowned experts shed light on the development of Courbet's realistic, critical style and trace his influence on his contemporaries and subsequent generations, as well as his relationship to early photography. At 480 pages, this monumental volume provides a long-overdue reckoning of this great artist's work.

    More than 175 spectacular patterns spanning a variety of periods and styles, from Art Nouveau florals to Soviet-era agitprop, are featured. The people in these Central Asian countries—including Uzbeks, Tadjiks, and Turkmen—incorporated the brightly patterned material into their clothing, particularly their robes, and in their household items. Brief essays by the author and fellow textile experts describe the “social life” of the fabrics and the fascinating history of this merging of Russian, Western, and Central Asian aesthetic styles; Robert Kushner contributes a lively text on how an artist “sees” and is inspired by these designs. Complementing the pattern images are vintage photographs from the turn of the 20th century as well as beautifully detailed reproductions of the robes and other articles that were lined and embellished with these cloths. This is a must-have book for the inspiration library of every artist; professional fashion, interior, and product designer; crafter; and anyone with a love of extraordinary visual design.   “Seldom does a new textile book invite one to view its subject matter in an entirely new light, from an entirely new perspective. Russian Textiles does just this. These cloths, with their boldly printed designs, are generally considered to be of little importance, and have been viewed with little contextual foundation.  Russian Textiles: Printed Cloth for the Bazaars of Central Asia, changes this landscape and presents a collage of information and startling visuals.  It fills a niche in our knowledge and appreciation of the dynamics of the textile trade in Central Asia, a niche that most of us were hardly aware was empty and needed to be addressed.   Such is the groundbreaking nature of this book.” - - Thomas Cole, HALI Magazine, Spring 2008  “Meller’s book is a voyage of discovery…a joyous celebration of pattern and colour, and of a way of life in Central Asia” - - Brigid Keenan STEPPE Magazine, Summer 2008 “The intriguing title with its mingling of the commonplace and the exotic, neatly sums up the esoteric collecting field that fascinates Meller and sets her apart from the typical high-end textile hunter who is searching for silken ikats or woven carpets.  According to Meller’s view, machine-printed textiles qualify as ‘fine art that happens to be for a commercial product.’” – Andrea DiNoto, American Craft Magazine, Oct/Nov 2008 “Russian Textiles is one of those rare and serendipitous books that can be judged by its cover.  From first bold photo to final footnote, the bright, complex language of Russian trade cottons is given full voice in Susan Meller’s new book.” - - HAND/EYE, The Aid to Artisans Magazine, Summer 2008 “This is a beautiful book to be cherished for its look as well as its content.” - - Frances Pritchard, SELVEDGE Magazine, September 2008

    Scott expands and builds on the ideas of Viollet-le-Duc, structuralism and other thoughts to layout criteria for an art of intervention and change. The book draws on the philosophy of conservation, preservation and restoration, as well as exploring related social and political issues.For those in professions of architecture and interiors, town planners, and students in architecture and art schools, On Altering Architecture forms a body of thought that can be aligned and compared with architectural theory.

    Milk Teeth was one of the first books in D+Q's petit livre art book series, and quickly sold out.

    In Typographic Systems, Kim Elam, author of our bestselling books, Geometry of Design and Grid Systems, explores eight major structural frameworks beyond the gridincluding random, radial, modular, and bilateralsystems. By taking the reader through exercises, student work, and professional examples, Elam offers a broad range of design solutions. Once essential visual organization systems are understood the designer can fluidly organize words or images within a structure, combination of structures, or a variation of a structure. With clarity and substance, each systemfrom the structured axis to the nonhierarchical radial arrayis explained and explored so that the reader comes away with a better understanding of these intricate complex arrangements. Typographic Systems is the seventh title in our bestselling Design Briefs series, which has sold more than 100,000 copies worldwide.

    This book includes more than 60 color graphics and a unique full color fold-out of famous artists galactic signatures. It is the duty of the Book of the Mystery to bring to the forefront the fact that, yes, human civilization is swimming in an ever-increasing sea of images, and many people are depressed and struggling every day just to survive. Why? The reason lies in a whole system disconnect from Source reinforced by the bombardment of images. According to Cosmic History, this situation can change in an instant when the human learns to shake off preconceptions of the world and regain their imaginal freedom. Once everyone returns to the core of their unique, imaginal essence, our planet will be transformed. Book of the Mystery Quality Paperback240+ pages, 60+ full-color graphics

    With his unique artworks, the painter used the gruesome appearance of the supernatural to give casual viewers a nice "safe" scare. His depictions also made the well-educated think about the erotic charisma of women, love and its possible consequences, and female beauty and its mysteries. Using his art, Grien not only ironically comments on medieval attitudes towards witches, but also on the artistic theories of his master, Albrecht Durer.

    The beguiling designs are meticulously illustrated and exquisitely executed, and fabric manipulation methods range from American smocking to harlequin tucks, pinwheels, and more. American Quilters Society

    Since the the Pop and Minimalist eras--as the work of artists ranging from Andy Warhol to Dan Graham demonstrates--the traditional boundaries between art and architectural, graphic, and product design have dissolved in critically significant ways. Design and Art traces the rise of the design-art phenomenon through the writings of critics and practitioners active in both fields.The texts include writings by Paul Rand, Hal Foster, Miwon Kwon, and others that set the parameters of the debate; utopian visions, including those of architect Peter Cook and writer Douglas Coupland; project descriptions by artists (among them Tobias Rehberger and Jorge Pardo) juxtaposed with theoretical writings; surveys of group practices by such collectives as N55 and Superflex; and views of the artist as mediator--a role assumed in the past to be the province of the designer--as seen in work by Frederick Kiesler, Ed Ruscha, and others. Finally, a book that doesn't privilege either the art world or the design world but puts them in dialogue with each other.ContributorsDavid Bourdon, Peter Cook/Archigram, Douglas Coupland, Kees Dorst, Charles Eames, Experimental Jetset, Vil�m Flusser, Hal Foster, Liam Gillick, Dan Graham, Clement Greenberg, Richard Hamilton, Donald Judd, Frederick Kiesler, Miwon Kwon, Maria Lind, M/M, N55, George Nelson, Lucy Orta, Jorge Pardo, Norman Potter, Rick Poynor, Paul Rand, Tobias Rehberger, Ed Ruscha, Joe Scanlan, Mary Anne Staniszewski, Superflex, Manfredo Tafuri, Rirkrit Tiravanija, Paul Virilio, Joep van Lieshout, Andy Warhol, Benjamin Weil, Mark Wigley, Andrea ZittelCopublished with Whitechapel Art Gallery, London

    This may be the single thing each of us holds in common. And though the weather varies greatly from here to there, it is, ultimately, one weather that we share. Small talk everywhere has occasioned the popular distribution of the weather. Some say talking about the weather is talking about oneself. And with each passing day, the weather increasingly becomes ours, if not us. "Weather Reports You" is one beginning of a collective self-portrait." Over the past two years Roni Horn has been working with a small team in the south west of Iceland gathering personal testimonies from people talking about the weather. These "weather reports" include descriptions, reflections, memories and stories based on experiences of the weather that range from the matter-of-fact to the marvelous. The different nuances and usages of language suggest that the weather is not just a matter of meteorological conditions but is, in Horn's words, "a metaphor for the physical, metaphysical, political, social and moral energy of a person and a place."

    With lessons that can be applied to a multitude of arts and crafts--from needlework and woodworking to decorative painting--this instructional guide unravels the secrets to creating intricate Celtic knot work. Offering increasingly intricate designs with the addition of lines and new textures, artisans of any skill level will revel in the endless archive of original patterns provided in this sourcebook.

    With clear instructions and step-by-step photographic sequences, the book explains the various bead techniques and how to produce various faux effects.