Blade Runner, Back to the Future, Jurassic Park and E.T: The Extraterrestrial to name but a few.The first ever book to cover Struzan’s iconic poster artwork in depth, with the final artwork for each piece accompanied by background and anecdotes from an exclusive interview with the artist. With an introduction to Struzan’s philosophies and techniques, this stunning hardcover will include photos, sketches and reference material, plus closeups and a brief history of each poster featured, from Star Wars to The Goonies.

    In the decades since, the Star Wars Saga has become a phenomenon impacting cultures across the globe. Just as George Lucas drew upon the work of N. C. Wyeth and Norman Rockwell for his own visual inspiration, he has now invited more than 100 well-known and promising artists to draw upon the entire Star Wars galaxy for inspiration. Star Wars: Visions collects these magnificent artworks for the first time. Featuring pieces by renowned artists such as Amano, Allan R. Banks, Harley Brown, Gary Carter, James Christensen, Michael Coleman, Kinuko Craft, Jim Dietz, Phillipe Druillet, Donato Giancola, Ann Hanson, H. R. Giger, Daniel Greene, Ron Kleeman, Arantzazu Martinez, Syd Mead, Moebius, Paul Oxborough, Alex Ross, Anthony J. Ryder, Dolfi Stoki, William Stout, Dan Thompson, Julie Bell and Boris Vallejo, Scott Waddell, and Jamie Wyeth, Star Wars: Visions is a breakthrough tribute to the worldwide inspiration that is Star Wars.Praise for Star Wars Art: Visions:"Star Wars Art: Visions . . . acknowledges what fans have felt all along. They don't want to be mere spectators, but involved in the storytelling too." -Los Angeles Times

    platoon, assigned to an outpost in the Korengal Valley--an area considered one of the most dangerous Afghan postings in the war against the Taliban--but it is as much about love and male vulnerability as it is about bravery and war. Embedded with writer Sebastian Junger, and shooting over the course of one year, photographer Tim Hetherington made a series of images that prove surprisingly tender in their depiction of camaraderie and vulnerability (among the most moving is a series of the platoon sleeping). Alongside revealing interviews with Hetherington's subjects and an introduction by Junger (with whom Hetherington co-directed the award-winning film Restrepo, about the work of the battalion), the book is also illustrated with graphics of the tattoos the soldiers gave each other in the camp. The title Infidel is taken from the tattoo the men adopted as a badge of their comradeship. Warm, moving and full of humor, this book is a tribute to the "rough men ready to do violence on our behalf" and a provocative contribution to the documentation of war in our time.Tim Hetherington was born in Liverpool, U.K., and took up photojournalism after studying literature at Oxford University. Five years spent living in Liberia resulted in the book Long Story Bit By Bit: Liberia Retold (2009), and awards for his photojournalism include World Press Photo of the Year 2007 (for his dramatic war photography from Afghanistan), the Rory Peck Award for Features (2008) and an Alfred I duPont Award for excellence in broadcast journalism while on assignment with Sebastian Junger for ABC News (2009). As a filmmaker, he has worked as both a cameraman and director/producer. Restrepo won the Grand Jury Prize at the 2010 Sundance Film Festival. He is based in New York and is a contributing photographer for Vanity Fair magazine.

    Award-winning photographer Annie Griffiths culled the images to reflect the many variations on the universal theme of beauty. Chapters are organized around the aesthetic concepts that create beauty in a photograph: Light, Composition, Moment (Gesture and Emotion), Motion, Palette, and Wonder.Beyond the introduction and brief essays about each featured concept, the text is light. The photographs speak for themselves, enhanced by lyrical quotes from scholars and poets. In the chapter on Light, for example, we read these words of whimsical wisdom from songwriter Leonard Cohen: "Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything. That's how the lights get in." And then the images flow, of light entering scenes via windows, clouds, and spotlights, from above, alongside, and behind, casting radiance upon young ballerinas and weathered men, into groves of autumn trees and island-dotted seas, revealing everything it touches to be beautiful beyond expectation.To illuminate the theme of Wonder, Griffiths chose a wish from Andre Bazin: "If I had influence with the good fairy...I should ask that her gift to each child in the world be a sense of wonder so indestructible that it would last throughout life." This thought is juxtaposed with an exquisite vision in white, a frame filled with the snowy-pure dots and rays of a bird's fan tail. And on it goes, picture after tantalizing picture, alive with wondrous beauty.When she created National Geographic Simply Beautiful Photographs, Annie Griffiths set two goals: to maximize visual delight, and to create a book unique in the world of publishing--one in which many of the photographs could be purchased as prints. She has succeeded on both counts. Many of these stunning images are available for order, and there can be no doubt as to the visual delight. You must open this book for yourself, and take in its radiant beauty.

    As a model, Monica Bellucci graced the covers of magazines such as Elle and Esquire before achieving success as an actress whose notable appearances include roles in Bram Stoker’s Dracula, The Matrix Reloaded, The Passion of the Christ, and The Matrix Revolutions. This glamorous volume features 150 of the most exquisite, sensual photographs of Bellucci throughout her twenty-year career taken by the world’s most important photographers, including Peter Lindbergh, Helmut Newton, Fabrizio Ferri, Richard Avedon, and Ellen von Unwerth. Monica Bellucci will appear in the 2010 Disney film The Sorcerer’s Apprentice with Nicolas Cage.

    From sell-out gallery shows in New York City and crowded signings at Comic-Con to kudos from the fashion world for his work for Prada, Jean's richly detailed art has struck a chord with fans across the globe. Rift showcases a brand-new collection of art in an elegant accordion-book format. Inside, two haunting landscapes span the connected pagesfolded in a variety of ways, the pages reveal myriad images hidden within the larger paintings.

    

    Now, these images and many new ones are collected in one volume.   In the spirit of Play with Your Food, Carl Warner’s Food Landscapes is a colorful and fantastically imaginative collection of landscapes constructed entirely from fruits and vegetables, cheeses, breads, fish, meat, and grains. The book offers a trip around the world in 25 international tableaux constructed from appropriate regional ingredi­ents. Each photo is spectacular on its own, but the effort of constructing it is equally fascinating. Every image in the book is followed by an essay about the creative process and stories from the photo shoots, as well as behind-the-scenes material such as preliminary sketches, making-of photos, detail shots, and a list of the ingredients and their position in the final picture.

    It features a breathtaking mix of techniques from traditional cut-and-paste to digital to collage with paint or encaustic, and styles ranging from wildly playful and colorful to evocative, almost monochrome images.Each highlighted master takes center stage in an informative eight-page feature that includes nearly a dozen gorgeous, high-quality photos plus a short essay by curator Randel Plowman placing the impressive work and its creator in context. The innovative featured artists include:Cecil Touchon  - Jonathan Talbot  -  Lynne Perrella  -  Lynn Whipple  -  James Michael Starr and others

    Kuksi successfully merges this sumptuous echo of the past with a satirical and critical commentary of our modern industrial world. These finely crafted sculptures employ images of Gods and Goddesses from past and present mythologies and examine religious belief and iconography. Despite the frequent portrayal of corruption, violence, chaos and degeneration, the works in this book challenge aspects of our beliefs and question whether or not humans have the ability to improve the world's prosperity. The creation of these sculptures spans the last five years and embodies Kuksi's personal view of our turbulent world. These beautiful assemblages grace the walls of galleries and museums throughout the world and are displayed in the homes of numerous celebrities. This stunning volume allows the wider public to examine and appreciate these artworks in exquisite detail for the first time. Introduction by Corinne Faith Leita.

    Divided into four chapters, from the 50s to the 90s, the book brings together the major photographs of a creator who left his imprint on a generation with prolific work in the fields of fashion, landscape, advertising, and portrait photography. Sieff's art testifies to his tireless quest to capture the fleeting beauty of "temps perdu," or "time which cannot recur."

    Lifestyle Illustration of the 60s is a colossal survey of magazine artwork from the Swinging Sixties. It not only provides revelatory insight into the extraordinary artistic talents of the illustrators featured--such as Austin Briggs, Lynn Buckham, Antonio Lopez and Coby Whitmore--but also tellingly elucidates the social aspirations of this era of political optimism and sexual freedom. Featuring over 1,000 gloriously inventive and stylistically diverse illustrations, Lifestyle Illustration of the 60s traces the decade's dizzyingly swift evolution from the homemaking ethos of romantic coupledom to the stylish liberation of mini-skirted Chelsea girls and the psychedelic palette that evolved towards the decade's close, conjuring a fabulous and euphoric pageant of 1960s pop culture from rediscovered artworks by the very best illustrators of the day. An inspirational sourcebook for contemporary designers and fans of 1960s culture, Lifestyle Illustration of the 60s provides a wonderful, nostalgic adventure into an aspirational world of stylishly sophisticated living, revealing just how much life has changed in the intervening decades.

    Throughout her career, Mann has fearlessly pushed her exploration of the human form, tackling often difficult subject matter and making unapologetically sensual images that are simultaneously bold and lyrical. This beautifully produced publication includes Mann's earliest platinum prints from the late 1970s, Polaroid still lifes, early color work of her children, haunting landscape images, recent self-portraits and nude studies of her husband. These series document Mann's interest in the body as principal subject, with the associated issues of vulnerability and mortality lending an elegiac note to her images. In bringing them together, author and curator John Ravenal examines the varied ways in which Mann's experimental approach, including ambrotypes and gelatin-silver prints made from collodian wet-plate negatives, moves her subjects from the corporeal to the ethereal. Ravenal also supplies a comprehensive introduction as well as individual entries on each series, and essays by David Levi Strauss ("Eros, Psyche, and the Mendacity of Photography") and Anne Wilkes Tucker ("Living Memory") add different, but equally illuminating perspectives to this work. Sally Mann: The Flesh and The Spirit is a must for any serious library of photographic literature, students, scholars, collectors and others interested in her work.Sally Mann (born 1951) is one of America's most renowned photographers. She has received numerous awards, including NEA, NEH, and Guggenheim Foundation grants, and her work is held by major institutions internationally. Mann's many books include What Remains (2003), Deep South (2005), and the Aperture titles At Twelve (1988), Immediate Family (1992), Still Time (1994) and Proud Flesh (2009). She lives in Lexington, Virginia.

    In Rooftops of Paris, Fabrice Moireau - ho has illustrated such titles as Paris Sketchbook, Provence Sketchboo and Gardens of Paris - presents a collection of aerial views over Paris.

    Featuring the work of artists including Banksy, Ron English, Blu and others, as well as Palestinian artists andactivists, these photos express outrage, compassion, and touching humour. They illustrate the wall's toll on lives and livelihoods, showing the hardship it has brought to tens of thousands of people, preventing their access to work, education and vital medical care. Mixed with the photos are portraits and vignettes, offering a heartfelt and inspiring account of a people determined to uphold their dignity in the face of profound injustice.

    Expressive close-ups of presidents reveal moments of joy, reflection, and turmoil over public issues and private challenges. Unexpected angles cast new light on historic events. Through both iconic and little-known images, this book offers a fresh perspective on life and work behind the famous facade of the White House.The President's Photographer is the official companion book to the National Geographic Channel special that aired in November 2010.

    Limited to 1,500 copies, each numbered and signed by the artist.  Mario Testino is recognised as the ultimate fashion photographer of his generation but his pictures of Kate Moss transcend fashion. The consequence of  two decades of extraordinary friendship, and phenomenal glamour, this iconic collaboration is an intimate insight into the lives and minds of  two of the world’s definitive style leaders.   Mario says “I met Kate very early on. Shortly after her first Galliano show I went backstage to congratulate her, only to find her crying: she was disappointed that she had only been given one outfit to model in the show. My answer to her was this: “In life there are perfumes and colognes. You need to use lots of cologne as the scent fades away; with a perfume you just use a drop and it lasts all night. You are a perfume, you will go on and on.” Little did I know just how true that would become! And that I had made a friend for life.”   In a rare glimpse into the mind of one of the industry’s most private figures, Kate Moss also gives her insights into her life with the celebrated photographer, expanding on both their professional and personal relationship.  “Mario took me to a new level of glamour. I don’t think anybody had seen me as any kind of sexy model before he did. He was the one that transformed me. Before him I was just a grungy girl, but he saw me differently. He was the first to say “Oh, she’s quite sexy. I’ve seen her out! I know she’s not just that grungy girl.” He’d seen me in a pair of heels, getting glamorous – and he was the first to start taking pictures of me in that way. He changed the way people thought about me as a model, for sure. Later other people started working with me in that way, but he was the first.”   This book catalogues the journey of one of fashion’s most creative collaborations, from early days backstage at the shows, to behind-the-scenes glimpses of the ground-breaking editorials they continue to produce for the world’s most respected magazines. Many photographs have been chosen from Testino’s private archive and are published here for the first time.      Kate concludes, “People are really enthralled by Mario, when they meet him he’s so giving and generous with himself, it’s never just about him. He always gives so much of himself - he’ll teach people, he’ll help people, he’s really sensitive to people and who they are. When he walks in a room it’s like a light has been turned on. He has passion and energy and vibrancy and all those things that make a person a superstar really.”  This book is Mario’s personal homage to his greatest muse: a young girl that captured his heart and eye with her beauty, humour and spirit, and whose image in his photographs has captured imaginations the world over.   Contents include: • Foreword by Mario Testino • Exclusive essay by Kate Moss • Over 100 images in black-and-white and colour, including many unseen private photographs • Boxed hardback special edition – limited run of 1500 signed copies

    Immediately transfixed by their grace and athleticism, he knew he had found an amazing subject. Although not a skateboarder himself, for the next three years Holland never tired of documenting skateboarders surfing the streets of Los Angeles, parts of the San Fernando Valley, Venice Beach, and as far away as San Francisco and Baja California, Mexico.  During the mid-1970s, Southern California was experiencing a serious drought, leaving an abundance of empty swimming pools available for trespassing skateboarders to practice their tricks. From these suburban backyard haunts to the asphalt streets that connected them, this was the place that created the legendary Dogtown and Z-Boys skateboarders. With their requisite bleached blonde hair, tanned bodies, tube socks and Vans, these young outsiders are masterfully captured against a sometimes harsh but always sunny Southern California landscape in LOCALS ONLY. LOCALS ONLY features more than 120 large-format color images plus a Q+A format interview with the artist.

    Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising. Afterword by Michael Almereyda, with additional texts by Lloyd Fonvielle, Greil Marcus, Kristine McKenna and Amy Taubin.

    Universally recognized as the definitive competition for photographic reporting, it draws submissions from photojournalists, newspapers, and magazines throughout the world.World Press Photo 2010 brings together some 200 images, selected from more than 90,000 photographs taken by over 5‚000 photographers. These prize-winning photos provide an impressive visual record of social, political, cultural, scientific, and, above all, human milestones from an eventful year.

    Micron  pens make drawing the tangles simple and permanent. Zentangle is  about filling spaces using pattern with a simple line, and becomes more attractive and complex as areas are filled. The process is appealing to graphics artists as well as those just learning to draw.

    With over ninety exquisite black-and-white portraits spanning three decades, this richly printed coffee table gift book succeeds in distilling the universality of experience that links us all yet never sacrifices the dignity of the individual. Whether photographing a Haitian healer or a San Bushmen chief, Gluckstein infuses each portrait with an essential human grace.  “The Indigenous Peoples of the world have a gift to give that the world needs desperately, this reminder that we are made for harmony, for interdependence.  If we are ever to prosper, it will only be together…. The work of Dana Gluckstein helps us to truly see, not just appearances, but essences, to see as God sees us, not just the physical form, but also the luminous soul that shines through us.”  —Archbishop Desmond Tutu, DIGNITY  DIGNITY’S power, artistry, and impassioned call to action make it a historic book in support of Indigenous Peoples who are among the world’s most impoverished and oppressed inhabitants.  The inspirational text is intended to give a fuller awareness of the United Nations Declaration on the Rights of Indigenous Peoples adopted in 2007 by 144 countries. The declaration is the most comprehensive global statement of the measures every government needs to enact to ensure the survival, dignity, and well-being of the Indigenous Peoples of the world.  DIGNITY includes the full text of the declaration. Gluckstein’s striking portraits illuminate this vision.   “The dispassionate remove common to most modern portraits is all but absent in these images; in its stead is a passionate complicity between artist and sitter that allows each subject to be memorialized with both beauty and grace.” —The late Robert A. Sobieszek, Curator, Department of Photography, Los Angeles County Museum of Art

    Here is Hubble's great visual legacy to humanity in stunning images that are benchmarks of astronomy and photography. Of the more than 100 classic Hubble images that were selected by NASA's experts, the 20 most significant are accompanied by commentaries by notable scientists. Veteran astronauts from NASA's five remarkable manned missions to maintain the telescope also contribute to this volume, making it an authoritative account of a magnificent scientific achievement. Beyond its scientific contributions, twenty years of Hubble research and imagery--ranging from our planetary neighbors to the edge of time and space--have had a profound impact on the world's imagination and spiritual growth, as documented in this inspiring book.

    Not necessarily conflicting with the belief in a heavenly world, Dark Inspiration invites viewers to redefine the horizons for beauty and morality and savor the exquisite genre with a dramatic and bold compilation of artwork that touches the taboo areas of sex, death, destruction, perversion, and crime. This title features everything from macabre 3-D wall reliefs and hand-drawn illustrations. Contributors include Kate MacDowell, Audrey Kawasaki, Zhou Fan, Fuco Ueda, Jesse Auersalo, Elizabeth McGrath, John Ryan Solis, and Richard Colman.

    Although these urban explorers usually work solo or in small teams, they collectively put forth a ground cry against a modern culture that embraces the new, polished, uniform, and mundane. Urban explorers find the beautylayers of graffiti by years worth of writers, multi-hued peeling paint, antique objects, someone's initials left in the dust on a broken stained glass windowand physical manifestations of memory that abandoned, impermanent urban spaces can hold. Beauty in Decay features the best in full-color, panoramic photographs from urban explorationor Urbexaround the world.

    With a dazzling variety of forms seamlesslyintertwined with their context, his sculptures evoke fantastical images of nests, cocoons, cones, castles, and beehives. Over the last twenty-five years, Dougherty has built more than two hundred works throughout the United States, Europe, and Asia that range from stand-alone structures to a kind of modern primitive architecture—every piece mesmerizing in its ability to fly through trees, overtake buildings, and virtually defy gravity. Stickwork, Dougherty's first monograph, features thirty-eight of his organic, dynamic works that twist the line between architecture, landscape, and art. Constructed on-site using locally sourced materials and local volunteer labor, Dougherty's sculptures are tangles of twigs and branches that have been transformed into something unexpected and wild, elegant and artful, and often humorous. Sometimes freestanding, and other times wrapping around trees, buildings, railings, and rooms, they are constructed indoors and in nature. As organic matter, the stick sculptures eventually disintegrate and fade back into the landscape. Featuring a wealth of photographs and drawings documenting the construction process of each remarkable structure, Stickwork preserves the legend of the man who weaves the simplest of materials into a singular artistic triumph.

    The complete works of the acclaimed illustrator best-known for his sexy robots   A reference catalog to Sorayama’s rich and highly detailed work, this thorough volume presents many new illustrations and is beautifully printed to showcase his extraordinary talent, wondrous imagination, and impeccable skill.

    500 Vases is the tenth book devoted to ceramics in the popular series, and a welcome addition. It showcases the finest contemporary work from international artists, capturing the full spectrum of styles, each potter's original voice, and whenever possible, close-up details that truly capture the surface quality of the piece.

    Established in 1970 by Kenzo Takada, who had arrived in Paris from Japan in 1965, Kenzo is one of the great French houses that transformed global fashion in the latter half of the twentieth century. Now under the artistic directorship of Antonio Marras, KENZO has again achieved critical and popular acclaim. Marras draws from the rich vein of Kenzo tradition as it engages the spirit of the new century. Armed with an unmatched vocabulary in prints and textiles, Marras mines both East and West, the present and the past, to create a collection that evokes, reveres, and reinvents the intentions of its founder. The highlights of Takada’s tenure until his retirement in 1999 are also documented here. The first monograph on KENZO, this lavish volume comes in a real fabric cover, available in three different patterns, and with a pop-up that evokes the romantic textiles, envelopes, and paper craft for which the house’s fashion collection invitations are known.  Additional special features include three double-sided double gatefolds, folding out to the equivalent of eight pages, and three accordian gatefolds, folding out to five pages.  This book is truly an art object in and of itself.

    A lively, firsthand account of the evolution of a world-class collection of vintage film posters and stills, accompanied by descriptions of the stars and films depicted.

    Kentucky cooks have known this for a long time, but, with the increasing popularity of bourbon, a whole new generation of food lovers has discovered many uses for this versatile spirit in the kitchen. Veteran food writer and cookbook author David Domin has put together a collection of original recipes that will help you enjoy bourbon's distinctive flavors in anything from crumpets and cakes to dressings and dumplings, and pilafs and pures. So grab your favorite bottle and get ready to fritter, flamb and fricasse away with the Bluegrass Peasant in Splash of Bourbon, Kentucky's Spirit.

    Along the way, Tobin Siebers revisits the beautiful and the sublime, 'degenerate' art and 'disqualified' bodies, culture wars and condemned neighborhoods, the art of Marc Quinn and the fiction of Junot Díaz---and much, much more. Disability Aesthetics is a stunning achievement, a must-read for anyone interested in how to understand the world we half create and half perceive."---Michael Bérubé, Paterno Family Professor in Literature, Pennsylvania State University"Rich with examples of the disabled body in both historical and modern art, Tobin Siebers's new book explores how disability problematizes commonly accepted ideas about aesthetics and beauty. For Siebers, disability is not a pejorative condition as much as it is a form of embodied difference. He is as comfortable discussing the Venus de Milo as he is discussing Andy Warhol. Disability Aesthetics is a prescient and much-needed contribution to visual & critical studies."---Joseph Grigely, Professor of Visual and Critical Studies, The School of the Art Institute of ChicagoDisability Aesthetics is the first attempt to theorize the representation of disability in modern art and visual culture. It claims that the modern in art is perceived as disability, and that disability is evolving into an aesthetic value in itself. It argues that the essential arguments at the heart of the American culture wars in the late twentieth century involved the rejection of disability both by targeting certain artworks as "sick" and by characterizing these artworks as representative of a sick culture. The book also tracks the seminal role of National Socialism in perceiving the powerful connection between modern art and disability. It probes a variety of central aesthetic questions, producing a new understanding of art vandalism, an argument about the centrality of wounded bodies to global communication, and a systematic reading of the use put to aesthetics to justify the oppression of disabled people. In this richly illustrated and accessibly written book, Tobin Siebers masterfully demonstrates the crucial roles that the disabled mind and disabled body have played in the evolution of modern aesthetics, unveiling disability as a unique resource discovered by modern art and then embraced by it as a defining concept.Tobin Siebers is V. L. Parrington Collegiate Professor of English Language and Literature and Art and Design at the University of Michigan. His many books include Disability Theory and The Subject and Other Subjects: On Ethical, Aesthetic, and Political Identity.A volume in the series Corporealities: Discourses of Disability

    Carefully edited by Adams from a remarkable body of work that spans over four decades, What Can We Believe Where? Photographs of the American West, 1965–2005 presents a narrative sequence of more than 100 tritone images that reveals a steadfast concern for mankind’s increasingly tragic relationship with the natural world. Adams’s understated yet arresting pictures of the vast Colorado plains, the rapid suburbanization of the Denver and Colorado Springs areas, and the ecological devastation of the Pacific Northwest region of the United States register with subtle precision the complex and often fragile beauty of the scenes they depict.The most accessible collection of Adams’s work to date, this compact and thought-provoking volume is an essential addition to the bookshelves of students, photographers, and anyone interested in the recent history of the American West and its wider implications.