The poster art from the noir era has a bold look and an iconography all its own. During noir's golden age, studios commissioned these arresting illustrations for even the lowliest "B" thriller. The Art of Noir is the first book to present this striking artwork in a lavishly produced, large-format, full-color volume. The more than 300 dazzling posters and other promotional material range from the classics to rare archive films such as The Devil Thumbs a Ride and Blonde Kiss. With rare offerings from around the world and background information on the illustrators, The Art of Noir is the ultimate companion for movie buffs and collectors, as well as artists and designers.

    Unlike many of his peers, he has explored these issues through the medium of painting, challenging it to meet the demands posed by new forms of conceptual art. In every level of his varied output--from his austere photo-based realism of the early 60s, to his brightly colored gestural abstractions of the early 80s, to his notorious cycle of black-and-white paintings of the Baader-Meinhof group--Richter has assumed a critical distance from vanguardists and conservatives alike regarding what painting should be. The result has been one of the most convincing renewals of painting's vitality to be found in late twentieth- and early twenty-first-century art. With an extensive and insightful critical essay by curator Robert Storr, a recent interview with the artist, a chronology, an exhibition history and nearly 300 color and duotone reproductions, Gerhard Richter: Forty Years of Painting marks a significant contribution to the understanding of contemporary art in general, and Gerhard Richter in particular.

    Joyce Tenneson presents 80 portraits of women aged 65 to 100, who comment on their experiences of ageing.

    Friedman photos and a new C.R. Stecyk III postscript.In the early 1970s, the sport of skateboarding had so waned from its popularity in the 1960s that it was virtually nonexistent. In the DogTown area of west Los Angeles, a group of young surfers known as the Zephyr Team (Z-Boys) was experimenting with new and radical moves and styles in the water, which they translated to the street. When competition skateboarding returned in 1975, the Z-Boys turned the skating world on its head. DogTown: The Legend of the Z-Boys is a truly fascinating case study of how an underground sport ascended in the world. These are the stories and images of a time that not only inspired a generation but changed the face of the sport forever.This volume has been described as “the DogTown textbook” and an indispensable companion piece to the Sony Pictures Classics film Dogtown and Z-Boys. Now spanning 1975–1985 and beyond, the first section of the book includes the best of the DogTown articles written and photographed by C.R. Stecyk III as they originally appeared in SkateBoarder Magazine. The second half compiles hundreds of skate images from the archives of Glen E. Friedman—many of which appear in the movie. (Stecyk and Friedman acted as executive producers and advisors for the film.)The bigger, newly designed edition of the book includes many never-before-seen Friedman photos, along with a new postscript by Stecyk.

    Her distinctive style is a unique combination of retro glamor, pin-up and high-art eroticism, and always perfect down to the smallest accessories. She only works with the best photographers - Baker, Czernich, James & James, Weathers - and, combined with her clear vision of how she wants to look, the result is always 100% stunning and 100% Dita. Dominant or submissive, damsel in distress or provocative French maid, this genuine fetishist has laced herself up and paraded around in the highest of high heels - a true fetish goddess.

    Plisson's favourite themes are seascapes, regattas of legendary tall ships, distant reefs, lighthouses and long-distance voyages.

    Atoms, ice crystals, grains of pollen, snowflakes, butterfly wings, cloud formations, searing comets, and showers of stars are born, live and die. The unprecedented scope of Heaven & Earth offers an awe-inspiring voyage of discovery through this infinite world that is science - from the smallest particles on the earth's surface to tiny dots in galaxies that are billions of light years away.Revealing the extensive range of matter contained in the cosmos, this book navigates a fascinating trajectory through an unexplored world, to celebrate the immeasurable beauty and countless mysteries of planet earth and the universe. It charts - chapter by chapter - intricate landscapes of increasing scale and distance, captured by microscope, x-ray, satellite and telescope. Each magnificent photograph is accompanied by an extended caption that explains it in detail, offering a dose of scientific information that enables us to associate with it on a human scale.This volume presents a unique and richly illustrated insight into the momentous relation between aesthetics and nature, in the light of nature's magnitude and its complexity of life. The result is the ultimate fusion of art and science, through a sequence of images that are as subtle as they are stupendous.

    Long known for her provocative work in the fashion world, here she is the director on the set, creating a sadomasochistic story, told solely in photographs, which delves into sexual obsession. Revenge begins with a trio of young women arriving at the Baroness's estate expecting a relaxing weekend. The Baroness, her chauffeur, and her stablehand soon have them involved in something quite different...

    In this volume, ten leading combat photographers relate incidents of horror, humor, bravery, and daring in locations from Vietnam to Haiti, Ramallah to Chechnya, El Salvador to Sarajevo, the World Trade Center to Afghanistan. Here, in their own words, are their stories of life in the combat zone, together with many of the powerful images they risked their lives to obtain. This historical and very human look at the pathos of war also reveals the moral and ethical issues that this elite corps of photographers face, and the decisions they must make in the chaos of conflict. In addition to the works of these talented photographers are iconic images, from the American Civil War to the devastation of the World Trade Center, that tell the story of the development of combat photography and the profound changes in warfare itself that have occurred in the last century and a half.

    Beautifully illustrated with 350 color illustrations, 30 black-and-white illustrations, and charts, Gee’s Bend to Rehoboth is being·released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, and the Whitney Museum of American Art.

    Immensely well-known and popular among photography students and amateur photographers alike, Abell's signature landscape photography has graced the pages of such magazines as National Geographic and Popular Photography. Sam Abell: The Photographic Life is an unprecedented look at the life and work of this artist's photographic process and reveals much about the relationship between art and life through the teachings that make him so sought after by photography students. This elegant book contains photography by Abell and such ephemera as postcards and invitations-most previously unpublished-that detail the inspiration for and influences on his photography. This a perfect gift book for lovers of photography. This book coincides with a major traveling retrospective that opens in fall 2002 at the Bayly Museum of Art, Charlottesville, the artist's hometown. The exhibit travels to the Toledo Museum of Art and the George Eastman House.

    From Chartres, whose stained-glass windows create patterns of light that seem truly mystical, to the Cathedral of Florence, whose soaring dome has been called "one of the engineering marvels of all time, " this glorious art book covers the major Romanesque and Gothic cathedrals in France, England, Germany, Italy, and Spain.A wealth of photographs showing the cathedrals inside and out, including close-up architectural and sculptural details, and an authoritative text by a respected architectural historian combine to produce an indispensable work for scholars, as well as a lovely gift for all those who adore these majestic buildings.

    “Excellent . . . rewarding . . . a provocative look at the limits of photography as recorder of history—and its role in perpetuating myth.”—Chris Vognar, Dallas Morning News “A sophisticated and engaging exploration of photography and the West . . . A really handsome work.”—James McWilliams, Austin Chronicle “A wonderful book.”—Vernon Peter, Sunday Oregonian “A deliciously intelligent new book . . . so engrossing you can’t stop reading.”—Michael More, Albuquerque Journal “Print the Legend belongs on that short shelf of essential books about the American West.”—James P. Ronda, University of Tulsa

    Spanning from 1850 to 1950, the 142 everyday photographs that richly illustrate Picturing Men radiate playfulness, humor, and warmth. They portray a lost world for American men: a time when their relationships with each other were more intimate than they commonly are today, regardless of sexual orientation. Picturing Men starkly contrasts the calm affection displayed in earlier photographs with the absence of intimacy in photos from the mid-1950s on. In doing so, this lively, accessible book makes a significant contribution to American history and cultural studies, gender studies, and the history of photography.

    Over a quarter century’s worth of visually spectacular and financially profitable concerts are testimony to that fact. KISS Alive Forever is the must-have reference for every die-hard KISS fan—a complete archive of well over 1,900 performances, all categorized by tour. KISS fans will find extensive overviews of each tour, including the number of shows, start date, end date, song pool, opening acts cross-referenced by tour, and average attendance. Entries on individual performances include date of show, city, state, and location of show, opening act, attendance, facility capacity, and promoter, as well as descriptions of the shows themselves. Entertaining sidebars feature one-on-one interviews with members of the KISS road crew, as well as with opening acts such as Iron Maiden, Rush, Cheap Trick, and Styx. Also included are an index of all 233 songs in the band’s catalog, over 560 setlists from shows throughout its career, and over 200 photos chronicling KISS’s amazing concert history.Although KISS stated that its 2001 “farewell” tour would be its last, the tour is ongoing, and future performances are planned, topped by a spectacular television “Farewell Show.” KISS Alive Forever is sure to be a devoted fan’s lasting chronicle of this extraordinary band’s complete concert career.

    The question about the evidence for Auschwitz as a death camp played a central role in these proceedings. Irving had based his alleged denial of the Holocaust in part on a 1988 report by an American execution specialist, Fred Leuchter, which claimed that there was no evidence for homicidal gas chambers in Auschwitz. In connection with their defense, Penguin and Lipstadt engaged architectural historian Robert Jan van Pelt to prepare for the court an expert report presenting the evidence for our knowledge that Auschwitz had been an extermination camp where up to one million Jews were killed, mainly in gas chambers.Employing painstaking historical scholarship, van Pelt submitted an exhaustive forensic report, which he successfully defended in cross-examination in court. In his verdict in favor of the defendants, Mr. Justice Charles Grey concluded that "no objective, fair-minded historian would have serious cause to doubt that there were gas chambers at Auschwitz and that they were operated on a substantial scale to kill hundreds of thousands of Jews."The Case for Auschwitz analyzes why Auschwitz has become central to Holocaust denial and how it became a focus in the Irving-Lipstadt trial. It presents the compelling evidence contained in the original expert report and details the way this evidence played out at the trial. Unique in its comprehensive assessment of the historical evidence for Auschwitz and devastating in its demolition of the arguments of Holocaust deniers against Auschwitz, van Pelt's book is essential reading for anyone interested in the history of the Holocaust and for those who seek to combat Holocaust denial.

    The true subject of her paintings, however, is the movement of light and color from one object to another, and critics have praised her technique, labeling her art beyond realism. Her work appears in the collections of many major museums. A previous monograph on her paintings from the 1980s is now a collector's item offered for hundreds of dollars. This new book, published in collaboration with the artist and her gallery, will provide the first affordable overview of the artist's work in some time.

    Just as the forties was the decade hailed nostalgically ever since as Hollywood's golden age, it also saw the emergence of a dark new undercurrent in pop culture - the sinister world of gumshoes, gangsters, double-crossing dames, and blind alleys that comprised film noir. Long before the era of the television trailer and satellite media junket, studios lured audiences to theaters with graphically bold poster art, gorgeously illustrated by classically trained artists adept at capturing the nuances of Veronica Lake's seductive glance, Humphrey Bogart's world-weary eyes, Bette Davis's icy stare, and hundreds of other stars at their best and most glamorous. All of the era's legendary stars are included in this volume: Lauren Bacall, Robert Mitchum, Barbara Stanwyck, Rita Hayworth, Cary Grant, Henry Fonda, Marlene Dietrich, and more. "Film Posters of the 40s" brings to life in lavish full-color an era in film history that will never be forgotten.

    This unique collection of over 120 fantasy paintings takes us into a magical universe, otherwise visited only in our dreams. In this sumptuous anthology, new fans of Boris and Julie will discover the beauty and sheer wonder of their paintings, while seasoned ones will find much to surprise and delight them. Charged with drama and eroticism, Boris and Julie have created enchanting visions of loveliness and terrifying nightmares side by side, beauty and the beast inhabiting realms of limitless possibility. This edition includes provocative paintings that were originally created for calendars and other commissions, as well as a selection of pictures from earlier in their careers that have never been featured in their books.

    This compact guide contains over 400 pedigree dog portraits, each accompanied by key facts about the breed, including its place of origin, physical features, temperament, grooming requirements and breed colours.

    He first gained national recognition in 1934 when his bawdy painting "The Fleet's In!" was barred from a Public Works of Art exhibition in Washington, D.C. For more than six decades following, Cadmus led a career as a meticulous craftsman devoted to Renaissance-era traditions of figurative realism. But his drawings of the male nude, which always formed the heart of his work, were often overlooked. Here for the first time in one volume are seventy of Cadmus's most stunning tributes to the male form. Cadmus continued to produce these works up until his death at age ninety-four, and this volume includes many drawings that have never been seen before. The artist's most frequent model was his lifelong partner Jon Anderson, and the drawings offer up not just an elegant fluency and technical virtuosity but also a tender emotional resonance. Introducing each era of the artist's career is an illustrated essay by respected critic and writer Justin Spring, placing Cadmus in the context of the rich history of the male nude. Paul Cadmus reminds us-- poignantly, eloquently, humbly-- of the sincere beauty of the male form and of humanity itself with each masterful rendering. As Guy Davenport wrote in "The Drawings of Paul Cadmus," "His drawings of male nudes are of bodies, but of achieved, perfected bodies that serve as symbols, as in ancient Greece, of a perfect unity of spirit and flesh, mind and body. For Cadmus the body" is "the person."

    Americans in Kodachrome 1945-1965 is an unprecedented portrayal of the daily life of the people during these formative years of modern American culture. It is comprised of ninety-five exceptional color photographs made by over ninety unknown American photographers. These photographs were chosen from many thousands of slides in hundreds of collections. Like folk art in other mediums, this work is characterized by its frankness, honesty, and vigor. Made as memoirs of family and friends, the photographs reveal a free-spirited, intuitive approach, and possess a clarity and unpretentiousness characteristic of this unheralded photographic folk art. Conceived as a book and nation-wide exhibition, Americans in Kodachrome 1945-1965 is an evocative and haunting portrait of an historic generation of Americans.