Anthropologist and naturalist, Dr. Eiseley reveals life's endless mysteries in his own experiences, departing from their immediacy into meditations on the long past, wandering—intimate with nature—along the paths and byways of time, and then returning to the present.

    Eliade traces manifestations of the sacred from primitive to modern times in terms of space, time, nature, and the cosmos. In doing so he shows how the total human experience of the religious man compares with that of the nonreligious. This book of great originality and scholarship serves as an excellent introduction to the history of religion, but its perspective also encompasses philosophical anthropology, phenomenology, and psychology. It will appeal to anyone seeking to discover the potential dimensions of human existence.

    He challenges any single discourse on the erotic. The scope of his inquiry ranges from Emily Bronte to Sade, from St. Therese to Claude Levi-Strauss, and Dr. Kinsey; and the subjects he covers include prostitution, mythical ecstasy, cruelty, and organized war. Investigating desire prior to and extending beyond the realm of sexuality, he argues that eroticism is "a psychological quest not alien to death."

    But Professor Eliade is too good a scholar, and it too wise in his judgment, to fall into syncretist fallacies. He has no argument to offer other than that which is implicit in a penetrating and sympathetic scrutiny of the mythologies that vivify ancient communities and tell us so much of the perennial meaning and destiny of man...

    Contained in two volumes, D.C. Somervell's abridgement preserves the method, atmosphere, texture, and, in many instances, the very words of the original. This volume includes sections on Universal States, Universal Churches, Heroic Ages, Contacts Between Civilizations in Space, Contacts Between Civilizations in Time, Law and Freedom in History, the Prospects of the Western Civilization, and the Conclusion.Of Somervell's work, Toynbee wrote, "The reader now has at his command a uniform abridgement of the whole book, made by a clear mind that has not only mastered the contents but has entered into the writer's outlook and purpose."

    Painstakingly compiled in the 1950s by two sisters who traveled the eastern United States interviewing archaeologists and collectors and visiting the major repositories, Sun Circles and Human Hands is remarkable for its breadth of illustration of Indian-made artifacts and its comprehensive documentation. Although research over the last 50 years has disproven many of the early theories reported in the text—which were not the editors' theories but those of the archaeologists of the day—the excellent illustrations of objects no longer available for examination have more than validated the lasting worth of this popular book.Broadly acclaimed when it first appeared, this new printing has the added value of Knight's foreword, which places the work in its proper context. Useful to museums, state and national parks, school libraries, gift stores, archaeological agencies, and private collections, Sun Circles and Human Hands is a rich pictorial survey accessible to anyone interested in early American Indian culture.

    Their dogs were many and strong. The children in the tents were happy, and there was never any fear of going hungry. Then came the ruthless white man's civilization. And with it came slaughter of the herds, starvation of the flesh, and torture of the spirit.

    This is the story of a Montagnard village in the central highlands of Vietnam.

    The book & later film made a major contribution to awareness, outside anthropological & archeological communities, of both the island & the statues. Much of his evidence has now been refuted by archeologists. His methods have been criticised. Paul Bahn wrote: "he relied on the selective use of evidence, which resulted in a misleading conclusion". Heyerdahl is most controversially associated with an attempt to revive the theory that the islanders' stone carving technology came from S. America. He argued that as well as being settled by Polynesians, Easter Island was settled by people from Peru, an area described as "more culturally developed". "Aku-aku" refers to moving a tall, flat bottomed object by swiveling it alternatively on its corners in a walking fashion. Heyerdahl theorised the Easter Island Moai (statues) were moved in this fashion, & tested this on a small Moai--tho the test was abandoned after the Moai's base was damaged. He also asserts that for the islanders, Aku Aku means a "spiritual guide." Heyerdahl compared the highest quality stonework on the island to pre-Columbian Amerindian stonework such as at Tihuanaco. Seemingly unaware of Polynesian stoneworking traditions such as the Marae he said of Ahu Vinapu's retaining wall "No Polynesian fisherman would have been capable of conceiving, much less building such a wall". However Alfred Metraux had already pointed out that the rubble filled Rapanui walls were of a fundamentally different design to those of the Inca. Heyerdahl claimed a S. American origin for some Easter Island plants including the Totora reeds in the islands' three crater lakes which are now recognised as a separate species to the ones in Lake Titicaca. Also the Sweet Potato, which is now reckoned to have been in Polynesia before Easter Island was settled.

    

    Two-volume book

    Memoir by a Patrol Officer who lived and worked in the Northern Territory of Australia, and who made several remarkable expeditions on foot into Arnhem Land, a territory very difficult of access due to the escarpment country which characterizes much of it.

    All that I can say of it is that it is tragic and beautiful, and obviously authentic in every finely drawn detail of its background, like a Persian miniature on ivory.It is a Failure Story on the epic scale, though the enemy that destroys Ghazan, the Ilkhan, or hereditary leader of a tribe of 100,000 Falqanis, is 'progress', as enforced by the corrupt politicians of Teheran at the insistence of dollar-happy foreign missions, determined to enforce settlement, if need be at the point of a sword, upon those who have been nomads for seven centuries.The story, though its undertones are intensely moving, is all the more effective for being told passionlessly, and the sense of the thin, sunny air of the mountains, set above the cypress-lined valleys that are the very essence of the Persia I remember, is here captured with a magical skill and power.- Cedric Salter in the Broadsheet. From the World Books edition flyleaf.