Now they’ve come for his land. Hap Wilkes is a man facing a painful past, an increasingly uncertain future, and now fights with everything left in a broken and failing body to keep the one thing still left to him – his pride. The Irish Cowboy is a story of loss, secrets, redemption, and the always present human yearning for love and forgiveness, and marks the most personal novel to date from bestselling author D.W. Ulsterman.

    Did you know that Christopher Columbus and some of his ship's crew said they saw a flying ship crash into the sea while on his first voyage to America?Did you know that an Air Force Base Commander reported seeing a UFO with some of his men and also recorded the incident on tape?Kids will learn what is known and not known about UFO's. Are UFO's real? What do the American people think about UFO's?Here Is A Preview Of What You'll Discover In This Book Learn about the Roswell incident Read about the exciting Rendlesham Forest incident Find out how 1000's of people saw the famous "Phoenix Lights" You'll learn about the U.S. governments "Project Sign" Did you know that a President of the United States saw a UFO and filed a report? Are UFO's real? And much, much more

    Two attorneys searching for the truth. But only one will stay alive long enough to find it.1964- Justice, Mississippi, is a town divided. White and black. Rich and poor. Rule makers and rule breakers. Right or wrong, everyone assumes their place behind a fragile faCade that is about to crumble. When attorney Coop Lindsay agrees to defend a black man accused of murdering a white teenager, the bribes and death threats don't intimidate him. As he prepares for the case of a lifetime, the young lawyer knows it's the verdict that poses the real threat--innocent or guilty, because of his stand Coop is no longer welcome in Justice. As he follows his conscience, he wonders just how far some people will go to make sure he doesn't finish his job?2014- To some, the result of the trial still feels like a fresh wound even fifty years later, when Coop's grandson arrives in Justice seeking answers to the questions unresolved by the trial that changed his family's legacy. When a new case is presented, again pitting white against black, this third generation Lindsay may have the opportunity he needs to right the wrongs of the past.But hate destroys everything it touches, and the Lindsay family will not escape unscathed.

    This is the era of Fat Man and Little Boy, of FDR and Stalin, but also of Casablanca and Citizen Kane, zoot suits and Christian Dior, Duke Ellington and Edith Piaf. The 1940s were when The New Yorker came of age. A magazine that was best known for its humor and wry social observation would extend itself, offering the first in-depth reporting from Hiroshima and introducing American readers to the fiction of Vladimir Nabokov and the poetry of Elizabeth Bishop. In this enthralling book, masterly contributions from the pantheon of great writers who graced The New Yorker’s pages throughout the decade are placed in history by the magazine’s current writers. Included in this volume are seminal profiles of the decade’s most fascinating figures: Albert Einstein, Marshal Pétain, Thomas Mann, Le Corbusier, Walt Disney, and Eleanor Roosevelt. Here are classics in reporting: John Hersey’s account of the heroism of a young naval lieutenant named John F. Kennedy; A. J. Liebling’s unforgettable depictions of the Fall of France and D Day; Rebecca West’s harrowing visit to a lynching trial in South Carolina; Lillian Ross’s sly, funny dispatch on the Miss America Pageant; and Joseph Mitchell’s imperishable portrait of New York’s foremost dive bar, McSorley’s. This volume also provides vital, seldom-reprinted criticism. Once again, we are able to witness the era’s major figures wrestling with one another’s work as it appeared—George Orwell on Graham Greene, W. H. Auden on T. S. Eliot, Lionel Trilling on Orwell. Here are The New Yorker’s original takes on The Great Dictator and The Grapes of Wrath, and opening-night reviews of Death of a Salesman and South Pacific. Perhaps no contribution the magazine made to 1940s American culture was more lasting than its fiction and poetry. Included here is an extraordinary selection of short stories by such writers as Shirley Jackson (whose masterpiece “The Lottery” stirred outrage when it appeared in the magazine in 1948) and John Cheever (of whose now-classic story “The Enormous Radio” New Yorker editor Harold Ross said: “It will turn out to be a memorable one, or I am a fish.”) Also represented are the great poets of the decade, from Louise Bogan and William Carlos Williams to Theodore Roethke and Langston Hughes. To complete the panorama, today’s New Yorker staff, including David Remnick, George Packer, and Alex Ross, look back on the decade through contemporary eyes. Whether it’s Louis Menand on postwar cosmopolitanism or Zadie Smith on the decade’s breakthroughs in fiction, these new contributions are illuminating, learned, and, above all, entertaining.Including contributions by W. H. Auden • Elizabeth Bishop • John Cheever • Janet Flanner • John Hersey • Langston Hughes • Shirley Jackson • A. J. Liebling • William Maxwell • Carson McCullers • Joseph Mitchell • Vladimir Nabokov • Ogden Nash • John O’Hara • George Orwell • V. S. Pritchett • Lillian Ross • Stephen Spender • Lionel Trilling • Rebecca West • E. B. White • Williams Carlos Williams • Edmund Wilson And featuring new perspectives by Joan Acocella • Hilton Als • Dan Chiasson • David Denby • Jill Lepore • Louis Menand • Susan Orlean • George Packer • David Remnick • Alex Ross • Peter Schjeldahl • Zadie Smith • Judith Thurman

    The desire to gain a greater understanding of our past has driven archaeologists, artists, and scholars from across the world to study the vestiges of lifestyles that have vanished in an attempt to capture their mystique and beauty.Originally intended as an examination of the rise and fall of the state hospital system, Matthew Christopher’s Abandoned America rapidly grew to encompass derelict factories and industrial sites, schools, churches, power plants, hospitals, prisons, military installations, hotels, resorts, homes, and more. Through his collection of writing and photography, Christopher has spent the last decade documenting the ruins of one of the greatest civilizations the world has ever known: our own. Exploring sites like the charred remains of the Hotel Do De, the rusted cells of the Essex County Jail Annex, the sublime majesty of the Church of the Transfiguration, or the eerie and dilapidated remnants of the New Castle Elks Lodge, the work spans architectural treasures left to the elements and then all too often lost forever.

    In the decade since the tiny limited-edition volume sold out its print run, its devotees have pressed it upon their friends, students, and colleagues, only to find themselves begging for their copy’s safe return. For anyone familiar with D’Ambrosio’s writing, this enthusiasm should come as no surprise. His work is exacting and emotionally generous, often as funny as it is devastating. Loitering gathers those eleven original essays with new and previously uncollected work so that a broader audience might discover one of our great living essayists. No matter his subject — Native American whaling, a Pentecostal “hell house,” Mary Kay Letourneau, the work of J. D. Salinger, or, most often, his own family — D’Ambrosio approaches each piece with a singular voice and point of view; each essay, while unique and surprising, is unmistakably his own.

    So when CEO Cole Benton makes a bottom-line decision to close the revue show she dances in, she has no choice but to confront him for her sake and for the futures of all her friends on the chorus line. Cole expects to inherit the reins to his family's chain of luxurious hotels and casinos. That is until his grandmother drops a bomb—get married, or say farewell to his inheritance! And the worst part? His grandmother has already decided on the lucky bride—Sunny. So before his true motives can be revealed, one spontaneous kiss and sizzling-hot chemistry take over as Sunny and Cole fall into each other's arms. But is it now too late to tell Sunny the truth? Could Cole's high-stakes gamble cost him everything, including the woman he is beginning to adore?

    Learning how to be a great nurse at the bedside while maintaining your sanity at home is no easy task. This book talks about how to realistically live as a nurse, both at home and at the bedside.. with a little humor and some shenanigans along the way. Comprised of both stories from the bedside and practical and honest advice, this book will provide you the tools you need to become a safe, caring, and efficient nurse as fast as possible. Based off of the popular nursing blog, Nurse Eye Roll, this ebook aims to ease the challenging transition from overwhelmed graduate nurse to successful bedside nurse. Get ready guys, it’s about to get real, real nursey.

     These 12 all new and original stories from Rusty Wilson, the World’s Greatest Bigfoot Storyteller, will keep you intrigued, hanging onto the edge of your seat, or wishing you could travel up north and see what all the excitement’s about for yourself. Come read about a young man who finally gets his wish to visit one of the world’s wildest places, where he quickly realizes that maybe his parents were right after all—then read about the strange case where a Sasquatch discovers a rare fossilized dinosaur skeleton—and then, if you dare, read about a woman who stops for a break on a remote Canadian backroad and ends up taking something home with her that she really doesn’t want—and there’s the Sasquatch that ends up saving peoples’ lives by stealing all their food in the dead of winter—and a Sasquatch that brings a couple together through its death—one who decides it wants to be in a painting—another who likes the taste of loons—and a man who discovers a secret Bigfoot food source—all these and more great campfire tales are guaranteed to make you happy you’re safe and sound in your house instead of listening to a Sasquatch screaming in the darkness from inside your thin nylon tent, deep in the Canadian wilds. Or, if you’re truly the adventurous type, maybe you’ll want to buy a thin nylon tent and head to British Columbia or Alberta. Fly-fishing guide Rusty Wilson spent years collecting these stories from his clients around the campfire, stories guaranteed to scare the pants off you—or make you want to meet the Big Guy! “I suspect that Canada has more wild things than we could imagine in our wildest dreams. If you take a look at a map, you’ll see just how immense and rugged many parts of this country are, especially those regions in the north and around the Canadian Rockies and Coastal Mountains. I’m sure there are things out there we could only imagine, one of them being Bigfoot—or Sasquatch, as our northern friends call him.” —Rusty Wilson

    Gifted writer and reporter Robert Poole opens the story with preparations for Memorial Day, Arlington's biggest event, when thousands of families come to visit those buried in the 624-acre cemetery, legions of Rolling Thunder motorcyclists patrol the streets with fluttering POW flags, and service members place miniature flags before each of Arlington's graves. What emerges is a portrait of our national cemetery as a living, breathing community, and a narrative about how improvised explosive devices, suicide bombs, and enemies who blend in with local populations have changed the nature and aftermath of conflict. Several of the newest recruits for Section 60 have been brought there by suicide or post-traumatic stress disorder, a war injury newly described but dating to ancient times. Using Section 60 as a window into the latest wars, Poole recounts stories of courage and sacrifice by fallen heroes, and explores the ways in which soldiers' comrades, friends, and families honor and remember those lost to war-carrying on with life in the aftermath of wartime tragedy. Section 60 is a moving tribute to those who have fought and died for our country, and to those who love them.

    His first novel, A Hard Rain Falling, published in 1966, has been championed by Richard Price, and George Pelecanos called it �a masterpiece . . . the definitive juvenile-delinquency novel and a damning indictment of our criminal justice system.” His novel A Couple of Comedians is thought by some the best novel about Hollywood ever written.Fridays at Enrico’s is the story of four writers living in Northern California and Portland during the early, heady days of the Beat scene, a time of youth and opportunity. This story mixes the excitement of beginning with the melancholy of ambition, often thwarted and never satisfied. Loss of innocence is only the first price you pay.These are people, men and women, tender with expectation, at risk and in love. Carpenter also carefully draws a portrait of these two remarkable places, San Francisco and Portland, in the ’50s and early ’60s, when writers and bohemians were busy creating the groundwork for what came to be the counterculture.The complete penultimate manuscript forgotten since the author’s death, was recently discovered, and we’re thrilled to see this book into print.

    Scott Fitzgerald wrote, Manhattan was transformed by jazz, night clubs, radio, skyscrapers, movies, and the ferocious energy of the 1920s, as this illuminating cultural history brilliantly demonstrates.In four words--the capital of everything--Duke Ellington captured Manhattan during one of the most exciting and celebrated eras in our history: the Jazz Age. Radio, tabloid newspapers, and movies with sound appeared. The silver screen took over Times Square as Broadway became America's movie mecca. Tremendous new skyscrapers were built in Midtown in one of the greatest building booms in history. Supreme City is the story of Manhattan's growth and transformation in the 1920s and the brilliant people behind it. Nearly all of the makers of modern Manhattan came from elsewhere: Walter Chrysler from the Kansas prairie; entertainment entrepreneur Florenz Ziegfeld from Chicago. William Paley, founder of the CBS radio network, was from Philadelphia, while his rival David Sarnoff, founder of NBC, was a Russian immigrant. Cosmetics queen Elizabeth Arden was Canadian and her rival, Helena Rubenstein, Polish. All of them had in common vaulting ambition and a desire to fulfill their dreams in New York. As mass communication emerged, the city moved from downtown to midtown through a series of engineering triumphs--Grand Central Terminal and the new and newly chic Park Avenue it created, the Holland Tunnel, and the modern skyscraper. In less than ten years Manhattan became the social, cultural, and commercial hub of the country. The 1920s was the Age of Jazz and the Age of Ambition.Original in concept, deeply researched, and utterly fascinating, Supreme City transports readers to that time and to the city which outsiders embraced, in E.B. White's words, "with the intense excitement of first love."

    It’s a time to reflect on the year’s good fortunes, and to reminisce about days gone by. Join them around the hearth for the holiday, as memories are shared, and a story is retold of how one young hunter won favor with the woman of his heart during a past season of giving. Other titles in the Yellowstone Romance Series (in recommended reading order Yellowstone Heart Song A Yellowstone Christmas (novella) Yellowstone Redemption Yellowstone Awakening Yellowstone Dawn Yellowstone Deception A Yellowstone Promise (novella) A Yellowstone Season of Giving (short story)

    Collected by renowned quilt authority and collector Roderick Kiracofe, they represent a 20th-century quilt movement that remains mostly undocumented. Unlike the familiar quilts that replicate traditional patterns of earlier centuries, these surprising textiles represent a freer, more casual, utilitarian style that departs from (and returns to) a multitude of norms and standards. Peppered with essays by renowned experts that help to contextualize the quilts’ surprisingly modern aesthetic, Unconventional & Unexpected is a groundbreak­ing celebration of 20th-century quilting that picks up where most other quilt histories leave off.

    Jefferson, Adams, and Franklin are known to all; men like Morgan, Greene, and Wayne are less familiar. Yet the dreams of the politicians and theorists only became real because fighting men were willing to take on the grim, risky, brutal work of war. We know Fort Knox, but what about Henry Knox, the burly Boston bookseller who took over the American artillery at the age of 25? Eighteen counties in the United States commemorate Richard Montgomery, but do we know that this revered martyr launched a full-scale invasion of Canada? The soldiers of the American Revolution were a diverse lot: merchants and mechanics, farmers and fishermen, paragons and drunkards. Most were ardent amateurs. Even George Washington, assigned to take over the army around Boston in 1775, consulted books on military tactics. Here, Jack Kelly vividly captures the fraught condition of the war—the bitterly divided populace, the lack of supplies, the repeated setbacks on the battlefield, and the appalling physical hardships. That these inexperienced warriors could take on and defeat the superpower of the day was one of the remarkable feats in world history.

    A compendium of in-depth reports from all over the world, including Iran, North Korea, Bhutan, Japan, Pakistan, Israel, Africa Turkey and China.

    665 ... 664) is a town ravaged by unemployment. The magic is gone and the economy is in the gutter, but newest dole statistic, Arthur Lawless, has a dream...Arthur wants to chase down his childhood dream to build his own circus. He makes it his mission to put on The Greatest Show on Earth - Old Castle's slice of Earth, at least...

    Crackling with caustic wit and insight, no aspect of American life is safe from Jimmy's hilarious scrutiny. He gets to the heart of the issues: why Republicans should support gay marriage or why the President shouldn't have Secret Security until the country has gun control, bringing clarity and hilarity to the incoherent noise of our punditocracy. This outrageously entertaining manifesto is an excellent resource for those who have survived long arguments during family dinners. And in a media environment dominated by corporate interests, Jimmy's take-no-prisoners approach is fearless: going after both political parties, and all corners of mainstream news. A David against an army of Goliaths. Equal measures of silliness and spleen-venting, Your Country IsJust Not That Into You is the most oddly uplifting political book ofthe year.

    Unable to dress or feed himself, or cope with his emotions, he has spent the last seven years in a group home. There he spends his days watching old sci-fi movies until he awakens one night with a clear mind and memories of his girlfriend. Realizing what his life has been he decides it would be better to die than to go on living this way. A failed suicide attempt leaves Leroy hospitalized where he retreats further into his mind in order to make sense of his existence.Freddie McCall is a middle aged father working two jobs. He's lost his wife and kids, and is close to losing his house. He's buried in debt, unable to pay the medical bills from his daughter's childhood illness. As Freddie's situation becomes more desperate he undertakes a risky endeavor he hopes will solve his problems but could possibly end in disaster. Just as Freddie is about to lose it all, he is faced with the possibility of getting his kids back.Pauline Hawkins takes care of everyone else around her. She cares for her mentally ill father out of a deep sense of obligation. As a nurse at the local hospital, she treats her patients and their families with a familiar warmth and tenderness. When Pauline becomes attached to a young runaway, she learns the difficult lesson that you can't help someone who doesn't help themselves.The lives of these three characters intersect as they look for meaning in desperate times. Willy Vlautin covers themes ranging from health care to the economic downturn and housing crisis, to the toll war takes on veterans and their families. The Free is an extraordinary portrait of contemporary America and a testament to the resiliency of the human heart.

    There is now a growing realization that those ancient star civilizations have not forgotten this world. Through the diligent work of the author, Dr. Clarke, and her hundreds of interviews with Indian people throughout the Americas, we can all learn of remarkable, present-day close encounters with Star People.”—Richard O’Connor, MD, executive director, The Jesse A. Marcel Library“Commendations are due to Dr. Ardy Sixkiller Clarke. She shares her unique understanding of American Indian cultures and traditions. And now, as a story-teller, she honors thousands of participants and their families by collecting and reporting their extraterrestrial encounters. The UFO community—and all of humanity—is blessed by her heritage, training and professional effort to combine Science and Spirit.”—R. Leo Sprinkle, PhD, professor emeritus, University of Wyoming“It is refreshing to see an honest effort to tap UFO reports from an older society not nearly so influenced by movies, TV, hoaxers, etc. as ours. I am not surprised that Ardy, with considerable effort, was able to dig out reports from Mayans. I hope she will continue her work and share it with those of us serious about such matters.”—Stanton T. Friedman, MSc., author of Flying Saucers and Science“Dr. Ardy Sixkiller Clarke has for more than 20 years done a tremendous amount of field work and has carefully and with spiritual sensitivity collected these stories from the original witnesses. This book is an impressive documentation of the scope and depth of the UFO enigma.”—Hakan Blomqvist, Cofounder and Chairman, Archives for UFO Research (AFU), SwedenDr. Ardy Sixkiller Clarke, author of Encounters With Star People, vowed as a teenager to follow in the footsteps of two 19th-century explorers, John L. Stephens and Frederick Catherwood, who brought the ancient Maya cities to the world’s attention. Dr. Clarke set out on a seven-year adventure (from 2003 through 2010) through Belize, Honduras, Guatemala, and Mexico, collecting stories of encounters, sky gods, giants, little people, and aliens among the indigenous people. She drove more than 12,000 miles, visiting 89 archaeological sites (Stephens and Catherwood visited only 44) and conducting nearly 100 individual interviews.The result is an enthralling series of unique, original, true stories of encounters with space travelers, giants, little people, and UFOs. Sky People may very well change the way you perceive and experience the world.

    But to his rural North Carolina town, they're not history; they're junk. When Tommy acquires a rusted out wreck of an old Chevy and promises to return it to a shiny, chromed work of American art, he sees one last chance to salvage his respect, keep himself out of jail, and save his business. But for this folk hero who is often on the wrong side of the law, the odds of success are long, especially when the FBI, local authorities, and the bank are closing in.Written for motor heads and automotive novices alike, Auto biography interweaves this improbable hero's journey with the story of one iconic car to chart the rise, fall, and rebirth of the American Dream. Told in words and eight pages of photos, this wise, charming, and heartbreaking true story is an indelible portrait of a man, a machine, and a nation on the road from a glorious past into an unknown future.

    But as Ken Hughes reveals in his powerful new book, in all the thousands of hours of declassified White House tapes, the president orders a single break-in--and it is not at the Watergate complex. Hughes's examination of this earlier break-in, plans for which the White House ultimately scrapped, provides a shocking new perspective on a long history of illegal activity that prolonged the Vietnam War and was only partly exposed by the Watergate scandal.As a key player in the University of Virginia's Miller Center Presidential Recordings Program, Hughes has spent more than a decade developing and mining the largest extant collection of transcribed tapes from the Johnson and Nixon White Houses. Hughes's unparalleled investigation has allowed him to unearth a pattern of actions by Nixon going back long before 1972, to the final months of the Johnson administration. Hughes identified a clear narrative line that begins during the 1968 campaign, when Nixon, concerned about the impact on his presidential bid of the Paris peace talks with the Vietnamese, secretly undermined the negotiations through a Republican fundraiser named Anna Chennault. Three years after the election, in an atmosphere of paranoia brought on by the explosive appearance of the Pentagon Papers, Nixon feared that his treasonous--and politically damaging--manipulation of the Vietnam talks would be exposed. Hughes shows how this fear led to the creation of the Secret Investigations Unit, the "White House Plumbers," and Nixon's initiation of illegal covert operations guided by the Oval Office. Hughes's unrivaled command of the White House tapes has allowed him to build an argument about Nixon that goes far beyond what we think we know about Watergate.Chasing Shadows is also available as a special e-book that links to the massive collection of White House tapes published by the Miller Center through Rotunda, the electronic imprint of the University of Virginia Press. This unique edition allows the reader to move seamlessly from the book to the recordings' expertly rendered transcripts and to listen to audio files of the remarkable--and occasionally shocking--conversations on which this dark chapter in American history would ultimately turn.

    While the legal protections of the First Amendment remain strong, the culture is obsessed with punishing individuals for allegedly offensive utterances. And academia – already an institution in which free speech is in decline – has grown still more intolerant, with high-profile “disinvitation” efforts against well-known speakers and demands for professors to provide “trigger warnings” in class.In this Broadside, Greg Lukianoff argues that the threats to free speech go well beyond political correctness or liberal groupthink. As global populations increasingly expect not just physical comfort but also intellectual comfort, threats to freedom of speech are only going to become more intense. To fight back, we must understand this trend and see how students and average citizens alike are increasingly demanding freedom from speech.

     You, as a free, beautiful, independent human being with inalienable rights, own yourself! You can do what you want with your own body and the product of your labor. All human interactions should be free of force and coercion, and we are free to exercise our rights, limited only by respect for the rights of others. Governments rely on force, and force is a poor substitute for persuasion. When you learned "don't hit," "don't steal," and “don’t kill,” it wasn't, "unless you work for the government." Governments frighten us into thinking we need them, but we are moving past the statist paradigm and rendering them obsolete. This book will empower YOU to be more happy, free, and prosperous, while putting you in a position to help shape our destiny.

    She is 4-feet 11-inches tall, 237 pounds, and convinced that she could be somebody, if only someone would recognize her inner beauty and star quality. Cousin to Ignatius J. Reilly (A Confederacy of Dunces) and Homer Simpson, Zelda runs away from home at age 14, and at age 49 ¼ writes this furiously funny memoir to "set the record straight" about her lifetime of indiscretions.Behind Zelda's rollicking tale of destruction lies a story of exile. Exile from oneself. Readers will see much more about Zelda than she knows about herself. Reading Group Guide available for book clubs.

    This Very Short Introduction begins with the Portuguese capture of Africans in the 1400s and traces the development of American slavery until its abolition following the Civil War. Historian Heather Andrea Williams draws upon the rich recent scholarship of numerous highly-regarded academics as well as an analysis of primary documents to explore the history of slavery and its effects on the American colonies and later the United States of America. Williams examines legislation that differentiated American Indians and Africans from Europeans as the ideology of white supremacy flourished and became an ingrained feature of the society. These laws reflected the contradiction of America's moral and philosophical ideology that valorized freedom on one hand and justified the enslavement of a population deemed inferior on another. She explores the tense and often violent relationships between the enslaved and the enslavers, and between abolitionists and pro-slavery advocates as those who benefited from the institution fought to maintain and exert their power. Williams is attentive to the daily labors that enslaved people performed, reminding readers that slavery was a system of forced labor with economic benefits that produced wealth for a new nation, all the while leaving an indelible mark on its history. About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

    It achieves what history, at its best, ought to do: presents a mountain of previously unknown facts that makes you question and re-examine many of your long-held assumptions about the most influential events” (Glenn Greenwald).In November 2012, Showtime debuted a ten-part documentary series based on Oliver Stone and Peter Kuznick’s The Untold History of the United States. The book and documentary looked back at human events that, at the time, went underreported, but also crucially shaped America’s unique and complex history over the twentieth century.From the atomic bombing of Japan to the Cold War and fall of Communism, this concise version of the larger book is adapted for the general reader. Complete with poignant photos, arresting illustrations, and little-known documents, The Concise Untold History of the United States covers the rise of the American empire and national security state from the late nineteenth century through the Obama administration, putting it all together to show how deeply rooted the seemingly aberrant policies of the Bush-Cheney administration are in the nation’s past and why it has proven so difficult for Obama to change course. In this concise and indispensible guide, Kuznick and Stone (who Pulitzer Prize-winning historian Garry Wills has called America’s own “Dostoevsky behind a camera”) challenge prevailing orthodoxies to reveal the dark truth about the rise and fall of American imperialism

    What does it mean to give shapelessness a form? How can a poem explore both the natural world and the inner world? Phillips demonstrates the restless qualities of the imagination by reading and examining poems by Ashbery, Bogan, Frost, Niedecker, Shakespeare, and others, and by considering other art forms, such as photography and the blues. The Art of Daring is a lyrical, persuasive argument for the many ways that writing and living are acts of risk. "I think it's largely the conundrum of being human that makes us keep making," Phillips writes. "I think it has something to do with revision—how, not only is the world in constant revision, but each of us is, as well."

    Abide is the stunning follow-up to York’s earlier volumes, a memorial in verse for those fallen. From Birmingham to Okemah, Memphis to Houston, York’s poems both mourn and inspire in their quest for justice, ownership, and understanding.Within are anthems to John Earl Reese, a sixteen-year-old shot by Klansmen through the window of a café in Mayflower, Texas, where he was dancing in 1955; to victims lynched on the Oklahoma prairies; to the four children who perished in the Birmingham church bombing of 1963; and to families who saw the white hoods of the Klan illuminated by burning crosses. Juxtaposed with these horrors are more loving images of the South: the aroma of greens simmering on the stove, “tornado-strong” houses built by loved ones long gone, and the power of rivers “dark as roux.” Throughout these lush narratives, York resurrects the ghosts of Orpheus, Sun Ra, Howlin’ Wolf, Thelonious Monk, Woody Guthrie, and more, summoning blues, jazz, hip-hop, and folk musicians for performances of their “liberation music” that give special meaning to the tales of the dead.In the same moment that Abide memorializes the fallen, it also raises the ethical questions faced by York during this, his life’s work: What does it mean to elegize? What does it mean to elegize martyrs? What does it mean to disturb the symmetries of the South’s racial politics or its racial poetics?A bittersweet elegy for the poet himself, Abide is as subtle and inviting as the whisper of a record sleeve, the gasp of the record needle, beckoning us to heed our history.

    Better known in Europe than in his native America for most of his career, he achieved international success and celebrity during the 1960s when his banned "Paris" books—beginning with Tropic of Cancer—were published here and judged by the Supreme Court not to be obscene. Until then he had toiled in relative obscurity and poverty. The Unknown Henry Miller recounts Miller’s career from its beginnings in Paris in the 1930s but focuses on his years living in Big Sur, California, from 1944 to 1961, during which he wrote many of his most important books, including The Rosy Crucifixion trilogy, married and divorced twice, raised two children, painted watercolors, and tried to live out an aesthetic and personal credo of self-realization.Written with the cooperation of the Henry Miller, Anais Nin, and other estates, The Unknown Henry Miller quotes extensively from Miller’s correspondence in order to offer the reader direct experience of the author and man. It also draws on material not available to previous biographers, including interviews with Lepska Warren, Miller’s third wife, and revelations from unpublished portions of Anais Nin’s diaries. Behind the �bad boy” image, the author finds a man with devoted friendships, whose challenge of literary sexual taboos was part of a broader assault on the dehumanization of man and commercialization during the postwar years. He puts Miller’s alleged misogyny in the context of his satire of sexual mores in general, and makes the case for restoring this groundbreaking writer to his rightful place in the American literary canon.

    That place was America. One night, travelling where those who live within illusions should never go, he stared into the darkness and glimpsed a faded flag where shadows gathered, revealing another America. It was a broken place, bred from fear and distrust - a thousand shards of glass - filled with a people who long ago had given away all that was precious; a people who had been sold, for so long, a foreign betrayal that finally came from within, and for nothing more than a handful of silver. These essays, letters and journal entries were written as a farewell to the country Michael loves still, and to the wife he knew as his 'True North'. A powerful and personal polemic, A Thousand Shards of Glass is Michael's appeal to his fellow citizens to change their course; a cautionary tale to those around the world who idealise an America that never was; and, crucially, a glimpse beyond the myth, to a country whose best days could still lie ahead.

    Post-punk White Trash Neo-Beat Fiction.

    Before the outlaws, lawmen, gamblers, and cowboys made their mark however, the lands west of the Mississippi were explored by a certain 'reckless breed' of individuals. Men we know as mountain men.These doughty men who braved empty plains, forbidding mountain ranges, and turbulent rivers, did so seeking one thing: beaver pelts, or as they called them plews. Battered by extremes of weather, menaced by beasts with little fear of man, and harried by unpredictable Indians, the mountain men risked their lives to harvest the valuable furs.Stories came downriver of a place where the beaver were abundant and the finest plews on God's earth could be found. The stories were sporadic however, as few men had ever trapped the area and lived to tell the tale. The place was called 'Three Forks' and was the home of the Blackfoot, the most feared tribe of Indians in the mountains.Seasoned trapper Walter Hatcher knew that if a group were to trap the 'Three Forks' successfully it would be made up of the toughest bunch of men he could find. Trappers with cunning and courage beyond that of other men would have to come together in order to bring home the plews. If such an audacious plan were to be carried out, those who accomplished the feat would surely be known as the most daring of the 'reckless breed' and that is just what Hatcher sets out to do.Almer Johnson did not consider himself reckless, or much of anything at all, as he works on the St. Louis docks. When an unexpected opportunity arises to join a fur trapping expedition the young man seizes the chance to make something of himself. Facing danger at every turn, Almer sets his poles for the mountains knowing he will be lucky if he makes it back with his scalp, but willing to take the risk for the plews.

    Performative and funny one minute, respectful and constructive the next, these rejections both serve as entertaining writing tips (suitable for use in today’s more adventuresome creative writing classrooms) and suggest a skewed story about a boy and his seminal semi-literary website, Eyeshot.net, which Lee Klein founded in 1999. What started as a lark -- sending playful rejection notes to writers who’d submitted work for the site -- over ten years took on a life of its own, becoming an outlet for Klein to meditate on his aesthetic preferences, the purpose of literature, and the space between the ideal and the real. Praise for Thanks and Sorry and Good Luck"These tiny, tight bursts of writing hummed with energy that hopscotched among comical, cruel, warm, demented, high level and nitpicky. Send him a piece of your soul on Microsoft Word, Klein seemed to believe, and you deserved a piece of his soul right back. An amazing little act of generosity, considering the number of terrible pieces of writing out there. (Klein estimates that he has tapped out more than a thousand original rejections.)" -- Jamie Allen in Paste Magazine "Somewhere on the brutal truth continuum between Bill Hicks and Mussolini, Lee Klein’s rejection letters are mini-masterpieces of literary criticism disguised as no-thank-yous from Writer’s Hell. And yet, in each, a little lesson; a steadfast faith that says 'I took the time to read what you created and this is exactly what I thought.' They should be passing these things out under the pillows at MFA camp; we’d all be better off." –- Blake Butler, author of "There Is No Year" and "Sky Saw" "Sometimes writers who succeed against the odds brag about the number of rejections they’ve accumulated. A rejection from Eyeshot’s Lee Klein is a whole different badge of honor. Like a letter from a serial killer on death row, your Tea Party inlaws, or the Pope, they’re suitable for framing and brilliantly repugnant. I kind of want to send him a really shitty story just so I can get one of these in return." -– Ryan Boudinot, author of "Blueprints of the Afterlife" "To 'decide' is to 'cut,' and Lee Klein in the highly honed collection of rejections, Thanks and Sorry and Good Luck, wields a drawer full of gleaming cutlery, edgy edged instruments of decision. Surely, he holds his pen like a surgeon holds the scalpel. These serrated graphs of glee and screed are incisive incisions—katana, rattled sabers, sharp-tongued stilettos of the split-lipped kiss-off." -– Michael Martone, author of "Michael Martone" and "Four for a Quarter" "Lee Klein made me cry. He was the only editor ever to make me. This was back in 2002. I wish I still had the email. I remember it going something like, 'whenever you have the instinct to write a line like that, delete it immediately, without prejudice.' I hated him for a while. I pictured him looking like the guy in that 90’s movie Heavy (the one with Liv Tyler), except housebound and with no redeemable qualities. Then, somewhere around 2004, I met him 'IRL' and he was soft-spoken and sweet. It was harder to hate him after that. Reading all of these rejection letters here in this book made me finally fall a little in love with him, I think. I think if I had had access to (and disassociation from) these letters then, I might have fallen in love with him then. This is the funniest book I have read in a long time. It is also the smartest. I feel confused now, like I’m unsure whether to love or hate Lee Klein. But both of us are married now so it doesn’t really matter." –- Elizabeth Ellen, author of "Fast Machine "I was reluctant to start reading the book because it begins around 2001 and at that time you weren't mentally or physically or fiscally at your strongest. There's a manic quality to some of the rejections, and the way you build up momentum in your responses is kind of funny, almost the way Belushi used to work himself up and then throw himself to the floor. I like the sub-story that's your life that's happening. You're funny and weird and sometimes I flinch for the recipient of your rejections, other times you seem like a sweet snark. I have a distinct memory of meeting you for lunch after you were rejected from a job interview or something and I was brutally rejected by a curator of the Drawing Center. You looked very pale and the surface of your skin was oddly moist, like you were really sick. I was worried. It was after 9/11 and all the rest. You led a very unhealthy life in those days, way too much booze, etc. Probably didn't eat well or exercise either. Anyway, I love how post-Iowa your rejections have gotten richer and so amazingly worded -- the last one I read yesterday just soared with such feelings about writing, striving for near perfection. You say something like "preserved in amber." It's a beautiful passage. You are so much yourself in these letters. So real and present and unfiltered. Hard, mean, soft, sensitive. It's all there. Your maturity as a person and writer really comes across in the post-Iowa section, I think. Living in Philadelphia, I think it's good that you lost that Brooklyn veneer, you've fought and sometimes lost a few wars and become richer and deeper emotionally and it shows in the writing. I can also appreciate how exhausting it must be to read submissions when they're mostly not up to par. But also I think they became your audience, your friends, students -- and you fed off them the way I did when I was teaching. Every once in a while, something would just strike me and that was exciting. It's really autobiographical. But most of all, I love the voice. It's genuine and the emotional quality sometimes sounds exhausted, other times exasperated, or manic, strung out, hungover. I like all those mood changes. But overall, there's a sweetness and sensitivity. You use the word "maybe" a lot. Think I did too when I taught. Hard to say anything that's declarative when critiquing someone's work." -- Barbara Klein, the author's motherOrder here.

    Drinking, prostitution, and other depravities follow the sailors, transforming the upscale town into what many residents—including young lawyer William Bartlett, whose genteel family has lived in Newport for generations—consider to be a moral cesspool.When sailors accuse a beloved local clergyman of sexual impropriety, William feels compelled to fight back. He agrees to defend the minister against the shocking allegations, in the face of dire personal and professional consequences. But when the trial grows increasingly sensational, and when outrageous revelations echo all the way from Newport to the federal government, William must confront more than just the truth—he must confront the very nature of good and evil.Certainty recalls a war-torn era when the line between right and wrong became dangerously blurred.

    Clay Wilson. This first volume contains all of his underground comic stories from Zap Comix, Snatch, Gothic Blimp Works, Bogeyman, Felch, Insect Fear, Pork, Tales of Sex and Death, and Arcade magazine as well as the many adventures of the Checkered Demon, Star-Eyed Stella, and Captain Pissgums, and even his earliest collaborations with William Burroughs. Also: selections from his teenaged and college years, both in comics and painting form. First person accounts from his peers, as well as Wilson s own words, offer a revealing portrait of the artist who hid his shyness behind brash behavior and bluster. This first of a three-volume biography and retrospective gets to the heart and soul of an artist who lived his dreams and his nightmares."

    Picking up a harmonica and eventually a battered guitar, Guthrie finds solace in the ancient lineage of folksong. Hayes charts the musician’s course from Oklahoma and Texas towns ravaged by dust and the Depression to boxcars, factory farms, and the migrant camps of California, highlighting Guthrie’s dedication to singing American folk tunes and creating his own modern classics along the way. Hayes ends his portrait in 1940, at the pivotal time when Guthrie makes his way to New York and writes “This Land Is Your Land,” his iconic anthem tinged with both clear-eyed reality and optimism.

    This oligarchy helped fund the Nazi regime and then saved thousands of Nazis to work with the Central Intelligence Agency. CIA operations such as MK-Ultra pushed LSD and other drugs on leftist leaders and left-leaning populations at home and abroad. Evidence supports that this oligarchy further led the United States into its longest-running wars in the ideal areas for opium crops, while also massively funding wars in areas of coca plant abundance for cocaine production under the guise of a “war on drugs” that is actually the use of drugs as a war on us. Drugs as Weapons Against Us tells how scores of undercover U.S. Intelligence agents used drugs in the targeting of leftist leaders from SDS to the Black Panthers, Young Lords, Latin Kings, and the Occupy Movement. It also tells how they particularly targeted leftist musicians, including John Lennon, Jimi Hendrix, Kurt Cobain, and Tupac Shakur to promote drugs while later murdering them when they started sobering up and taking on more leftist activism. The book further uncovers the evidence that Intelligence agents dosed Paul Robeson with LSD, gave Mick Jagger his first hit of acid, hooked Janis Joplin on amphetamines, as well as manipulating Elvis Presley, Eminem, the Wu Tang Clan, and others.

    Fearing that Big Foot’s band was headed instead to join “hostile” Lakotas, U.S. troops surrounded the group on Wounded Knee Creek. Tensions mounted, and on the morning of December 29, as the Lakotas prepared to give up their arms, disaster struck. Accounts vary on what triggered the violence as Indians and soldiers unleashed thunderous gunfire at each other, but the consequences were horrific: some 200 innocent Lakota men, women, and children were slaughtered. American Carnage—the first comprehensive account of Wounded Knee to appear in more than fifty years—explores the complex events preceding the tragedy, the killings, and their troubled legacy.In this gripping tale, Jerome A. Greene—renowned specialist on the Indian wars—explores why the bloody engagement happened and demonstrates how it became a brutal massacre. Drawing on a wealth of sources, including previously unknown testimonies, Greene examines the events from both Native and non-Native perspectives, explaining the significance of treaties, white settlement, political disputes, and the Ghost Dance as influential factors in what eventually took place. He addresses controversial questions: Was the action premeditated? Was the Seventh Cavalry motivated by revenge after its humiliating defeat at the Battle of the Little Bighorn? Should soldiers have received Medals of Honor? He also recounts the futile efforts of Lakota survivors and their descendants to gain recognition for their terrible losses.Epic in scope and poignant in its recounting of human suffering, American Carnage presents the reality—and denial—of our nation’s last frontier massacre. It will leave an indelible mark on our understanding of American history.

    It is the story of the life and fifty-year career, from the age of cylinder recordings to the stereo era, of the man who pioneered the recording, marketing, and publishing of blues, jazz, country, gospel, and Latin music.The book tracks Peer’s role in such breakthrough events as the recording of Mamie Smith’s “Crazy Blues” (the record that sparked the blues craze), the first country recording sessions with Fiddlin’ John Carson, his discovery of Jimmie Rodgers and the Carter Family at the famed Bristol sessions, the popularizing of Latin American music during World War II, and the postwar transformation of music on the airwaves that set the stage for the dominance of R&B, country, and rock ’n’ roll.But this is also the story of a man from humble midwestern beginnings who went on to build the world’s largest independent music publishing firm, fostering the global reach of music that had previously been specialized, localized, and marginalized. Ralph Peer redefined the ways promising songs and performers were identified, encouraged, and promoted, rethought how far regional music might travel, and changed our very notions of what pop music can be.

    Now Bud is gone and Leah owns the ranch, but there is no help forthcoming from Bud's brothers who want to force her out and take the ranch for themselves. When their attempt to humiliate her instead becomes her opportunity to succeed, Leah begins to find her way back to herself and learns how much she can gain by opening her heart. The Widow Smalls is just one of the stories in this collection by the WILLA Award winning author of Unbroken, Jamie Lisa Forbes, who writes about the hardships of making a living from the land with an understanding that comes from first-hand experience. Her deftly drawn characters include star-crossed lovers, a young rancher facing his first test of moral courage, an inscrutable ranch hand claiming an impressive relative, a father making one last grasp for his daughter's love and a child's struggle to make sense of the world around her. Each will pull readers into the middle of their stories and keep them turning the pages.

    Franklin Delano Roosevelt—recently reelected to a second term as president—sat in the Oval Office and contemplated two possibilities: the rule of fascism overseas, and a third term.With Hitler's reach extending into Austria, and with the atrocities of World War I still fresh in the American memory, Roosevelt faced the question that would prove one of the most defining in American history: whether to once again go to war in Europe.In The Sphinx, Nicholas Wapshott recounts how an ambitious and resilient Roosevelt—nicknamed "the Sphinx" for his cunning, cryptic rapport with the press—devised and doggedly pursued a strategy to sway the American people to abandon isolationism and take up the mantle of the world's most powerful nation.Chief among Roosevelt’s antagonists was his friend Joseph P. Kennedy, a stock market magnate and the patriarch of what was to become one of the nation's most storied dynasties. Kennedy's financial, political, and personal interests aligned him with a war-weary American public, and he counted among his isolationist allies no less than Walt Disney, William Randolph Hearst, and Henry Ford—prominent businessmen who believed America had no business in conflicts across the Atlantic.The ensuing battle—waged with fiery rhetoric, agile diplomacy, media sabotage, and petty political antics—would land US troops in Europe within three years, secure Roosevelt's legacy, and set a standard for American military strategy for years to come.With millions of lives—and a future paradigm of foreign intervention—hanging in the balance, The Sphinx captures a political giant at the height of his powers and an American identity crisis that continues to this day.

    Every part of the complicated, labor-intensive process was handled within the deceased's community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstitions.These traditions, especially in rural communities, remained the norm up through the end of World War II, after which a variety of factors, primarily the loss of manpower and the rise of the funeral industry, brought about the end of most customs.Gone to the Grave, a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed though obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services.

    The title story of Lost in the Andes features the Ducks memorable quest to South America in search of rare square eggs and Trail of the Unicorn s title tale is a trek to the Himalayas to find that fabled mythical creature. Handsomely presented in a stunningly beautiful and colorful box set at a special price that even Uncle Scrooge would approve.

     Arthur enjoys drink, the company of his female TAs, and generally being a pain in the butt for the dean of the English department. He has tenure. He hates computers. The dean hates him. Watch as Arthur and the dean engage in a angst filled battle to end (or save) his job. If you like social media, blogging, and mockery, you’ll enjoy Underwood, Scotch, and Wry.

    Her gifted, fascinating, but troubled and defeated husband let her down in important ways. She washed clothes for white women. She chewed the food first, then fed it to her babies. She insisted that her children go to school, get educated, and do everything they could to escape Sykesville.She ran a family. She ran a farm. She raised 12 kids. She saw four finish college. She did it all without money, without complaint, and without failure. It was an amazing and completely unheralded accomplishment, until now.In Carrie’s Footprints is the story of a mother, a son, a family, a town, and an era; a tale of resolute determination, courage, and simple triumph.It’s also a terrific collaboration between a 93-year-old black man and a much younger white man, who spent countless hours talking face to face over computers, became friends, and wrote a book together.

    In "Steel Closets," Anne Balay draws on oral history interviews with forty gay, lesbian, and transgender steelworkers, mostly living in northwestern Indiana, to give voice to this previously silent and invisible population. She presents powerful stories of the intersections of work, class, gender, and sexual identity in the dangerous industrial setting of the steel mill. The voices and stories captured by Balay--by turns alarming, heroic, funny, and devastating--challenge contemporary understandings of what it means to be queer and shed light on the incredible homophobia and violence faced by many: nearly all of Balay's narrators remain closeted at work, and many have experienced harassment, violence, or rape. Through the powerful voices of queer steelworkers themselves, "Steel Closets" provides rich insight into an understudied part of the LGBT population, contributing to a growing body of scholarship that aims to reveal and analyze a broader range of gay life in America.

    Drawing from the words of founder Malcolm Margolin, this compelling portrait recounts the making of Heyday, from its roots in the do-it-yourself/change-the-world clime of 1970s Berkeley to its present-day status as the “cultural linchpin for the state” (Northern California Book Booksellers Association). A chorus of friends, including Maxine Hong Kingston, Robert Hass, and Kevin Starr, enriches our understanding of a vibrant literary community and its one-of-a-kind leader. Funny and provocative, The Heyday of Malcolm Margolin reveals the workings of a courageously unconventional enterprise run on beauty, passion, friendship, and joy.

    –Tom Clancy I met Riley in a small tavern in Peru. As we were both ex-pats and enjoyed the same libations, we got to talking. One thing led to another and he told me he had a story he thought would make a good book. By this time, he knew that I had written and published a number of books, most as a ghost-writer. Before our conversation started, he asked me if I believed in the paranormal--ghosts and spirits, that kind of thing. I told him I kept an open mind. That's when he told me about Skinwalker Ranch, a ranch property in Utah believed to be the location of a portal between worlds or into some alternate dimension, depending on your take on these things. He explained that the property was purchased by one of the wealthiest men in America, Robert Bigelow, who bought it from a family which had experienced some fantastic encounters with alien entities, unidentifiable anomalies and disembodied voices. Following the purchase, Mr. Bigelow hired a team of scientists and security experts to both investigate the alleged paranormal activity and keep the property free of trespassers and thrill seekers. Riley was one of those security experts. His story tells of his own personal experiences and encounters, not only while working on the ranch itself, but how the entities he attracted interrupted his life some 500 miles away. The climax of his tale--and he tells it in a way that is so real and genuine that it is hard to deny--is actually passing through the portal and to the other side--the only property guard to report such an encounter. Here for the first time anywhere and in any form is Riley's story. If you have read the other fantastic books written about Skinwalker Ranch, or are interested in the paranormal and the concept of portals, this book is a must read for you. Read and learn what's really out there!

    Such jobs have all but vanished over the past forty years, and in their absence ever-growing numbers of young adults now hold precarious, low-paid jobs with few fringe benefits. Facing such insecure economic prospects, less-educated young adults are increasingly forgoing marriage and are having children within unstable cohabiting relationships. This has created a large marriage gap between them and their more affluent, college-educated peers. In "Labor s Love Lost," noted sociologist Andrew Cherlin offers a new historical assessment of the rise and fall of working-class families in America, demonstrating how momentous social and economic transformations have contributed to the collapse of this once-stable social class and what this seismic cultural shift means for the nation s future.Drawing from more than a hundred years of census data, Cherlin documents how today s marriage gap mirrors that of the Gilded Age of the late-nineteenth century, a time of high inequality much like our own. Cherlin demonstrates that the widespread prosperity of working-class families in the mid-twentieth century, when both income inequality and the marriage gap were low, is the true outlier in the history of the American family. In fact, changes in the economy, culture, and family formation in recent decades have been so great that Cherlin suggests that the working-class family pattern has largely disappeared."Labor's Love Lost" shows that the primary problem of the fall of the working-class family from its mid-twentieth century peak is not that the male-breadwinner family has declined, but that nothing stable has replaced it. The breakdown of a stable family structure has serious consequences for low-income families, particularly for children, many of whom underperform in school, thereby reducing their future employment prospects and perpetuating an intergenerational cycle of economic disadvantage. To address this disparity, Cherlin recommends policies to foster educational opportunities for children and adolescents from disadvantaged families. He also stresses the need for labor market interventions, such as subsidizing low wages through tax credits and raising the minimum wage."Labor's Love Lost" provides a compelling analysis of the historical dynamics and ramifications of the growing number of young adults disconnected from steady, decent-paying jobs and from marriage. Cherlin s investigation of today s would-be working class shines a much-needed spotlight on the struggling middle of our society in today s new Gilded Age. "

    Brown’s, Kerr’s and Halliburton’s ruled supreme in Oklahoma City. From “lucky penny” giveaways to defying blue laws, the three big department stores did whatever it took to entertain and entice. The stunning display windows of Kerr’s downtown once lured shoppers inside, but the closing of Halliburton’s in 1961 signaled the final days of downtown shopping. Adoption fairs and civil rights sit-ins at Brown’s wove the store into the social fabric of the city. Authors Ajax Delvecki and Larry Johnson chronicle the stories, history and memories of the best of Oklahoma City shopping.

    COMICS BE BANNED?“SATANIC” HARRY POTTER BOOKS BURNTPLAYGROUNDS POSE THREAT TO CHILDRENTEXT-MAD YOUTH LOSING WRITING ABILITIESCHILD SUSPENDED FOR BRANDISHING CHICKENSOCIAL WEBSITES HARM CHILDREN’S BRAINSSTUDENT ARRESTED FOR “PASSING GAS” AT SCHOOL These are all real headlines screaming about the terrible stuff that’s out there . . . stuff that’s supposed to be BAD FOR YOU. But, honestly—is it?!Bad for You asks this question and many more—and not just about the things that modern parents fear like violent video games, social media, and dirty hands. Stuff in this book goes back centuries—all the way to Plato (yeah, that one) and his worries over the new “technology” of his time: the written word! Kevin C. Pyle and Scott Cunningham cleverly expose the long-standing CAMPAIGN AGAINST FUN for what it really is: a bunch of anxious adults grasping at straws, ignoring scientific data, and blindly yearning for the good old days that never were. Bad for You presents the facts, figures, and a whole lot more—in eye-grabbing graphics—to debunk these myths and give kids the power to prove there’s nothing wrong with having fun . . . or with being young.

    Had Henry Clay won instead of James K. Polk, we'd be living in a very different country today. It cemented the westward expansion that brought Texas, California, and Oregon into the union. It also took place amid religious turmoil that included anti-Mormon and anti-Catholic violence, and the "Great Disappointment" in which thousands of followers of an obscure preacher named William Miller believed Christ would return to Earth in October 1844. Author and journalist John Bicknell details even more compelling, interwoven events that occurred during this momentous year—the murder of Joseph Smith, the religious fermentation of the Second Great Awakening, John C. Frémont's exploration of the West, Charles Goodyear's patenting of vulcanized rubber, the near-death of President John Tyler in a freak naval explosion, and much more. All of these elements illustrate the competing visions of the American future—Democrats v. Whigs, Mormons v. Millerites, nativists v. Catholics, those who risked the venture westward and those who stayed safely behind—and how Polk's victory cemented the vision of a continental nation.

    From the time of his presidency to the present day, American Jews have persistently viewed Lincoln as one of their own, casting him as a Jewish sojourner and, in certain respects, a Jewish role model. This pioneering compendiumOCo The first volume of annotated documents to focus on the history of LincolnOCOs image, influence, and reputation among American JewsOCo considers how Lincoln acquired his exceptional status and how, over the past century and a half, this fascinating relationship has evolved.Organized into twelve chronological and thematic chapters, these little-known primary source documentsOComany never before published and some translated into English for the first timeOCoconsist of newspaper clippings, journal articles, letters, poems, and sermons, and provide insight into a wide variety of issues relating to LincolnOCOs Jewish connection. Topics include LincolnOCOs early encounters with Central European Jewish immigrants living in the Old Northwest; LincolnOCOs Jewish political allies; his encounters with Jews and the Jewish community as President; LincolnOCOs response to the Jewish chaplain controversy; General U. S. GrantOCOs General Orders No. 11 expelling OC Jews, as a classOCO from the Military Department of Tennessee; the question of amending the U.S. Constitution to legislate the countryOCOs so-called Christian national character; and Jewish eulogies after LincolnOCOs assassination. Other chapters consider the crisis of conscience that arose when President Andrew Johnson proclaimed a national day of mourning for Lincoln on the festival of "Shavuot "(the Feast of Weeks), a day when Jewish law enjoins Jews to rejoice and not to mourn; LincolnOCOs Jewish detractors contrasted to his boosters; how American Jews have intentionally OC JudaizedOCO Lincoln ever since his death; the leading role that American Jews have played in in crafting LincolnOCOs image and in preserving his memory for the American nation; American Jewish reflections on the question OC What Would Lincoln Do?OCO; and how Lincoln, for AmericaOCOs Jewish citizenry, became the avatar of AmericaOCOs highest moral aspirations. With thoughtful chapter introductions that provide readers with a context for the annotated documents that follow, this volume provides a fascinating chronicle of American JewryOCOs unfolding historical encounter with the life and symbolic image of Abraham Lincoln, shedding light on how the cultural interchange between American ideals and Jewish traditions influences the dynamics of the American Jewish experience."

    So much for the Summer of Love. "Ode to Billie Joe" knocked the Beatles' "All You Need is Love" off the top of the charts, and Bobbie Gentry became an international star. Almost 50 years later, Gentry is as enigmatic and captivating as her signature song. Of course, fans still want to know why Billie Joe McAllister jumped off the Tallahatchie Bridge. They also wonder: Why did Bobbie Gentry, who has not performed or made a public appearance since the early 1980s, leave it all behind?Through extensive interviews and unprecedented access to career memorabilia, Murtha explores the real-life mysteries ensnarled within the much-disputed origin of Ode to Billie Joe. The result is an investigative pop history that reveals, for the first time, the full breadth of Bobbie Gentry's groundbreaking career-and just may help explain her long silence.Foreword by musician Jill Sobule.

    Yet their close proximity to inhumane cruelty bred their revulsion towards the practice of slavery, and both sisters rejected their upbringing, moved to Philadelphia and embraced Quakerism.Led by Angelina's gifted oration, they toured the country as the American Anti-Slavery Society's first female agents. They passionately demonstrated the ability of women to make valuable contributions to political and social change, setting a precedent that would reverberate through the 20th century.

    Insignificantly though it had hitherto seemed the little island was soon to compel by its tones of thunder the whole world to pay it instant attention. It was to become the scene of a volcanic outbreak so appalling that it is destined to be remembered throughout the ages.” – Sir Robert Ball Volcanic eruptions have amazed people for millennia, and notorious ones like the eruption of Mount St. Helens can still be immediately recalled even by some who weren’t alive at the time, but perhaps the most famous and most destructive eruption in modern history was the 1883 eruption of Krakatoa. Even without the instantaneous forms of communication that are now available, the world watched in wonder for new updates about a tiny South Pacific island, and though few of them would ever go there, Krakatoa remained a source of fascination for the much of the world for the next 50 years. Krakatoa had already been the scene of volcanic activity for hundreds of years, and some of the eruptions had been documented by early European explorers in the 17th century. In 1681, one Dutchman named Johann Wilhelm Vogel noted, “I saw with amazement that the island of Krakatoa, on my first trip to Sumatra [June 1679] completely green and healthy with trees, lay completely burnt and barren in front of our eyes and that at four locations was throwing up large chunks of fire. And when I asked the ship's Captain when the aforementioned island had erupted, he told me that this had happened in May 1680...He showed me a piece of pumice as big as his fist." Nonetheless, nobody could have prepared for the scope of the 1883 eruption, which was so violent that it destroyed most of the island of Krakatoa and could be heard about 3,000 miles away. The force of the explosion was equivalent to four times the strength of the most powerful nuclear weapon ever detonated, and the spread of ash and lava, as well as the tsunamis generated by the force of the eruption, ultimately killed at least 35,000 people (and possibly over 100,000) across the Dutch East Indies. With plumes of smoke rising upwards of 50 miles in the air, Krakatoa’s eruption influenced the entire global climate for several years, and debris and corpses were still washing up on shores across the Pacific throughout that time. The force was so powerful that it actually affected the height of waves in the English Channel. The 1883 Eruption of Krakatoa chronicles the history of one of the world’s most notorious natural disasters. Along with a bibliography and pictures of important people and places, you will learn about Krakatoa like never before, in no time at all.

    She gave him a girl's name-Stacey.But Stacey's name was just the first hurdle he'd face in his uphill climb from birth to manhood. He also had to deal with an entitled older brother, the hodgepodge of different men his mother was involved with, and the nomadic lifestyle he was forced to endure for five years. And to top it all off, his mother couldn't cook a decent meal to save her life."Trailer Trash, With a Girl's Name" is Stacey Roberts' lighthearted, often hilarious account of growing up in an unstable household during the 1980s. Full of humor, history, and hope, it follows Stacey from the hospital room where he was born to the Winnebago that carried him across the country, filling in the gaps with a wit and humor that anyone with a dysfunctional family can appreciate.So go ahead and start reading. Once you hop aboard the Winnebago with Stacey and his quirky family, you'll find that you're in for the ride or your life, where what you learn along the way is not only entertaining, but also enormously enriching.

    *Includes Keaton's own quotes about his life and career. *Includes a bibliography for further reading. "It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness." - Roger EbertA lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.In the 1920s, the burgeoning movie industry was starting to come into its own, and alongside actor and director Charlie Chaplin, Buster Keaton was at the peak of Hollywood. It's no surprise that Keaton was so effective in silent films, because he had been practicing comedy in his family's vaudeville acts as "The Little Boy Who Can't Be Damaged," becoming a popular performer by the age of 5. Indeed, his physical form of comedy, which initially involved having his father throwing him around the stage, translated well onto the screen, and some of his slapstick and other comic gags remain legendary even today, in part because Keaton practiced his own stunts. In fact, Keaton wrote his own material and was a crucial comic influence on acts like The Marx Brothers and The Three Stooges.In addition to being one of the foremost comedians of his time and writing his own stuff, Keaton also directed many of his own films, and he mastered the use of cameras at a time when film was still relatively new. As Time magazine writer Richard Corliss noted, "Watch his beautiful, compact body as it pirouettes or pretzels in tortured permutations or, even more elegantly, stands in repose as everything goes crazy around it. Watch his mind as it contemplates a hostile universe whose violent whims Buster understands, withstands and, miraculously, tames. Watch his camera taking his picture (Keaton directed or supervised all his best films); it is as cool as the star it captured in its glass... The medium was still in its infancy; comics were pioneering the craft of making people laugh at moving images. Keaton, it turns out, knew it all - intuitively."When the American Film Institute listed the greatest actors of the 20th century, Keaton came in 21st, and second among the silent film stars behind Chaplin, but the transition to making talkies didn't go as smoothly for him. Keaton had developed a deadpan stare no matter what happened to his character or what stunt or "accident" befell him, which added comedic effect in vaudeville and silent films, but when sound moved the focus to dialogue, Keaton's physical brand of comedy didn't go over as well. Nonetheless, he remains incredibly popular and influential today, with contemporary stars like Jim Carrey, Kevin Spacey, and Jackie Chan all expressing their admiration for him in commemorative pieces.American Legends: The Life of Buster Keaton examines the life and career of one of America's most famous comic actors. Along with pictures of important people, places, and events, you will learn about Jean Arthur like never before, in no time at all.

    Welcome to the hell house! Hardcore Gaming 101 Presents: Castlevania includes 158 pages with full reviews of over thirty Castlevania titles - starting from the 1986 Nintendo original up to the 2014 Lords of Shadow 2 - plus reviews of clone games, soundtracks, books, trivia, and more!

    "The war? That was no part of the Revolution. It was only an effect and consequence of it." As the distinguished historian Thomas P. Slaughter shows in this landmark history, the roots of the Revolution went back even further than Adams may have realized. In Slaughter's account, colonists in British North America starting in the early seventeenth century chafed under imperial rule. Though successive British kings called them lawless, they insisted on their moral courage and political principles, and regarded their independence as a great virtue. Their struggles to define this independence took many forms: from New England and Nova Scotia to New York and Pennsylvania and south to the Carolinas, colonists resisted unsympathetic royal governors, smuggled to evade British duties, and organized for armed uprisings. In the eighteenth century—especially after victories over France—the British were eager to crush these rebellions, but American opposition only intensified. In Independence, Slaughter resets and clarifies the terms of this remarkable development, showing how and why a critical mass of colonists determined that they could not be both independent and subject to the British Crown. By 1775–76, they had become revolutionaries—willing to go to war to defend their independence, not simply to gain it.

    Matt Brim’s James Baldwin and the Queer Imagination draws on the contributions of queer theory and black queer studies to critically engage with and complicate the project of queering Baldwin and his work.Brim argues that Baldwin animates and, in contrast, disrupts both the black gay literary tradition and the queer theoretical enterprise that have claimed him. More paradoxically, even as Baldwin’s fiction brilliantly succeeds in imagining queer intersections of race and sexuality, it simultaneously exhibits striking queer failures, whether exploiting gay love or erasing black lesbian desire. Brim thus argues that Baldwin’s work is deeply marked by ruptures of the “unqueer” into transcendent queer thought—and that readers must sustain rather than override this paradoxical dynamic within acts of queer imagination.

    Providing an even-handed reassessment of Lindsay’s legacy and the policies of the period, the essays in this volume skillfully dissect his kaleidoscope of progressive ideas and approach to leadership—all set in a perfect storm of huge demographic changes, growing fiscal stress, and an unprecedented commitment by the federal government to attain a more equal society. Compelling archival photos and a timeline give readers a window into the mythic 1960s, a period animated by civil rights marches, demands for black power, antiwar demonstrations, and a heroic intergovernmental effort to redistribute national resources more evenly.Written by prize-winning authors and leading scholars, each chapter covers a distinct aspect of Lindsay’s mayoralty (politics, race relations, finance, public management, architecture, economic development, and the arts), while Joseph P. Viteritti’s introductory and concluding essays offer an honest and nuanced portrait of Lindsay and the prospects for shaping more balanced public priorities as New York City ushers in a new era of progressive leadership.The volume’s sharp focus on the controversies of the Mad Men era will appeal not only to older readers who witnessed its explosive events, but also to younger readers eager for a deeper understanding of the time. A progressive Republican with bold ideals and a fervent belief in the American Dream, Lindsay strove to harness the driving forces of modernization, democratization, acculturation, inclusion, growth, and social justice in ways that will inform our thinking about the future of the city.Contributors: Lizabeth Cohen, Paul Goldberger, Brian Goldstein, Geoffrey Kabaservice, Mariana Mogilevich, Charles R. Morris, David Rogers, Clarence Taylor, and Joseph P. Viteritti

    It was also the decade the New Yorker came of age. The same magazine offered its readers the first reporting from Hiroshima and introduced the world to Holden Caulfield, while counting John Hersey, Rebecca West, E.B. White, and Joseph Mitchell among its regular writers. In this volume, pieces by the pantheon of journalists, novelists and poets that graced the New Yorker's pages in the 1940s are complemented by all new contributions, as the magazine's present star lineup looks back at that tumultuous decade. Here is a book that will enthrall, inform and entertain any history fan in your life.

    Netter's famous medical illustrations--with The Hidden World, Los Angeles-based artist Jim Shaw (born 1952) exhibits the incredible collection of didactic graphic art that is the main source of inspiration for his diversely informed art. Renowned for his striking paintings, drawings, videos, installations and performances, Shaw is also a compulsive collector, constantly on the hunt for pop-culture arcana in thrift stores or on the Internet. The Hidden World gives the reader the chance to dive into an overflowing world of paintings, sculptures, brochures, t-shirts, books, vinyl and educational material that recycles the myriad myths and beliefs of America. A lengthy interview with Shaw elucidates his fascination with this visual world.

    Through a sweeping archival analysis of the NAACP's battle against lynching and mob violence from 1909 to 1923, this book examines how the NAACP raised public awareness, won over American presidents, and secured the support of Congress. In the NAACP's most far-reaching victory, the Supreme Court ruled that the constitutional rights of black defendants were violated by a white mob in the landmark criminal procedure decision Moore v. Dempsey. This book demonstrates the importance of citizen agency in the making of new constitutional law in a period unexplored by previous scholarship.