From a mother and son who migrated from Appalachia to a Native American boilerman, from a streetwise ex–gang leader to a liberal police officer, from the poorest African Americans to the richest socialites, these unique and often intimate first-person accounts form a multifaceted collage that defies any simple stereotype of America.As Terkel himself put it: “I was on the prowl for a cross–section of urban thought, using no one method or technique. . . I guess I was seeking some balance in the wildlife of the city as Rachel Carson sought it in nature. Revealing aspects of people’s lives that are normally invisible to most of us, Division Street is a fascinating survey of a city, and a society, at a pivotal moment of the twentieth century.

    Yet few know of his career as a journalist who covered world events from the Great Depression to Vietnam. Now, this distinctive collection offers a portrait of the artist as citizen, deeply engaged in the world around him. In addition to the complete text of Steinbeck's last published book, America and Americans , this volume brings together for the first time more than fifty of Steinbeck's finest essays and journalistic pieces on Salinas, Sag Harbor, Arthur Miller, Woody Guthrie, the Vietnam War and more. This edition is edited by Steinbeck scholar Susan Shillinglaw and Steinbeck biographer Jackson J. Benson.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Set in a small Ohio town in the 1890s, it chronicles - through the voices of various participants and observers - the confrontation between Brackett Omensetter, a man of preternatural goodness, and the Reverend Jethro Furber, a preacher crazed with a propensity for violent thoughts. Omensetter's Luck meticulously brings to life a specific time and place as it illuminates timeless questions about life, love, good and evil.

    Brown's meditation on the condition of humanity and its long fall from the grace of a natural, instinctual innocence is available once more for a new generation of readers. Love's Body is a continuation of the explorations begun in Brown's famous Life Against Death. Rounding out the trilogy is Brown's brilliant Apocalypse and/or Metamorphosis.

    One of two genuine classics of American nature writing now in paperback; the other is A Natural History of Western Trees.

    To Daniel Morgan, self-made millionaire and reluctant playboy, young Liza Hanford was that rarest of all creatures - an efficient, compassionate and discreet private secretary. So discreet in fact that he never knew that for eight heart-wringing years Liza had been in love with him.It was hardly the kind of proposal to set a girl cloud-walking, but to Liza it opened the door to a new life . . . and perhaps he just might learn to love her.To all appearances it was a true Cinderella story. But underneath the pleasant surface dark shadows of Daniel's past began to emerge. Suddenly this unspoken menace exploded and threatened not only Liza's marriage but her husband's life.

    Driven by despairs as terrible as they are comic, David Brooke sets out to "project" himself into the lives of other people. One may wonder what ties connect the figures whose diverse experiences are conjured up by Brooke's uncanny necromancy, what are the sad or bizarre or lunatic strands that draw together characters as disparate as the endearing monster Duke Amerchrome, the controlled Oxonian Harry Tindall, reserved English bookseller Peter St. John, and Brooke's own detached father, among others. Gradually there emerges an intricate and fascinating pattern of meaning, at the heart of which lies a single metaphor that in a thousand ways tells us who we are.

    This unique volume includes Faulkner’s Nobel Prize acceptance speech, a review of Hemingway’s The Old Man and the Sea (in which he suggests that Hemingway has found God), and newly collected gems, such as the acerbic essay “On Criticism” and the beguiling “Note on A Fable.” It also contains eloquently opinionated public letters on everything from race relations and the nature of fiction to wild-squirrel hunting on his property. This is the most comprehensive collection of Faulkner’s brilliant non-fiction work, and a rare look into the life of an American master.

    Working together, these qualities mean that the intelligence never plods and the imagination is never ungrounded in understanding. Necessities of Life, her fourth book, is an intense, compact entity. The translations from the Dutch that form its second half are not an arbitrary choice but an integral part of the whole. In recognizing and acting upon her affinity with these poems, and placing them side by side with her own new work, she further defines, for herself and for the reader, her sense of life and her poetics.