Ford. First published in 1934 and mostly neglected in Cunard's own time, Negro has attained the status of a cult classic. The list of contributors--represented in poetry, prose, translations, and music--is a who's who of 20th-century arts and literature: Louis Armstrong, Samuel Beckett, Norman Douglas, Nancy Cunard herself, Theodore Dreiser, W. E. B. DuBois, Langston Hughes, Zora Neale Hurston, William Plomer, Arthus Schomburg, William Carlos Williams, and more.In its subject and international approach, Negro was generations ahead of its time. Its exploration of black achievement and black anger takes the reader from life in America to the West Indies, South America, Europe, and Africa. Though very much of its time, Negro is also timeless in its depiction of oppressive social and political conditions as well as in its homage to myriad contributions by black artists and thinkers.

    Operated by a corporate monopoly who maximizes profits and misery, Hell has become the perfect capitalist paradise.

    His three-part examination of the village often referred to as Lincoln’s "Alma Mater" features the founding and early history of New Salem, Lincoln’s impact on the village and its effect on him, and the story of the Lincoln legend and the reconstruction of the town.Thomas argues convincingly that New Salem was the town where Lincoln acquired faith in himself, faith in people. At 22 the future president drifted into town seeking to become a blacksmith. Thomas introduces us to the people who created New Salem and who knew, influenced, and befriended Lincoln.Thomas highlights Lincoln’s arrival, his relationships with his neighbors, his important wrestling match with Jack Armstrong, his self-education, his quiet career as an Indian fighter, his experience as a postmaster largely indifferent to postal regulations, his financial woes as a businessman, his loyal friends who often came to his aid, and his election to the legislature.This colorful history closes with a discussion of the Lincoln legend. The truth of the stories is unimportant. What matters is that the growing Lincoln legend prompted the gradual realization that New Salem was not a dismal mire from which President Lincoln had had to extricate himself but was, in fact, an energizing force. This realization led to research and finally to the restoration of New Salem, which began in 1932.

    Beginning with the Minnesota Sioux Uprising in 1862, Paul I. Wellman shifts to conflicts in present-day Wyoming, Montana, Idaho, Oklahoma, the Texas Panhandle, and South Dakota, involving, most spectacularly, the Sioux, but also the Cheyennes, Arapahos, Comanches, Kiowas, Utes, and Nez Perces—all being ezed out of their hunting grounds by white settlers. There is never a quiet page as Wellman describes the Sand Creek Massacre (1864), the Fetterman Massacre (1866), the Battle of the Washita (1868), the Battle of Adobe Walls (1874), the Battle of the Little Big Horn (1876), the Nez Perce War (1877), the Meeker Massacre (1879), and the tragedy at wounded Knee (1890) that ended the fighting on the plains. Celebrated chiefs (Red Cloud, Crazy Horse, Black Kettle, Satanta, Joseph, Ouray, Sitting Bull) clash with army officers (notably Custer, Sheridan, Miles, and Crook), and uncounted men, women, and children on both sides are cast in roles of fatal consequence.