This is a wonderfully vibrant, unashamedly feel-good debut. BIG CHERRY HOLLER is the extraordinary sequel to BIG STONE GAP, taking us back to mountain life in Virginia and also to Italy. A deeply felt, brilliantly evoked story of two lovers who have lost their way, and their struggle to find each other again. The third in the series, MILK GLASS MOON sees Ave Maria led to places she never dreamed she would go, and to people who enter her life and rock its foundation.

    A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

    This Library of America volume collects all three of Bellow’s early works, beginning with Dangling Man (1944), an incisive character study cast in the form of a diary that depicts the anguish and uncertainty of a man known only as Joseph. Expecting to be deployed to the war overseas, Joseph quits his job and finds himself increasingly on edge when his draft board defers his enlistment. The first of his many books to take place in Chicago, Dangling Man is a spare, haunting novel in which Bellow lays bare Joseph’s dilemma with rigorous precision and subtlety.The Victim (1947), which Bellow described as “a novel whose theme is guilt,” is an unsettling moral parable. Left alone in New York City while his wife is visiting her family, Asa Leventhal is confronted by a former co-worker whom he can barely remember. What seems like a chance encounter evolves into an uncanny bond that threatens to ruin Leventhal’s life. As their relationship grows ever more volatile, Bellow stages a searching exploration of our obligations toward others.In a radical change of direction, Bellow next wrote The Adventures of Augie March (1953). Its eponymous hero grows up in a bustling Chicago peopled by characters as large as vital as the city itself, then sets off on travels that lead him through the byways of love and the disappointments of a fast-vanishing youth. Exuberant, uninhibited, jazzy, infused with Yiddishisms and a panoply of Depression-era voices, Augie March is borne aloft by an ebullient sense of irony. Winner of the 1954 National Book Award and praised by writers and critics ranging from Alfred Kazin to Salman Rushdie and Martin Amis, The Adventures of Augie March has had a lasting impact that shows no sign of abating.

     A desperate young Jewish woman sacrifices her life to save her baby twins from the terrible death that awaits them. Decades later, in New York, Rabbi Jeremiah Neumann discovers the existence of his long lost twin. He rushes headlong to meet him – but is shocked to discover that his identical twin is a priest. The two brothers travel to Poland to find out who they truly are. Page by page they uncover the terrible secret of their bloodcurdling heritage. A long-dormant evil is resurrected, and once again threatens to take the twins’ lives. Will they survive the new storm? At God’s Mercy is a captivating book that is hard to put down. It will take you deep behind the frontiers of human atrocity, where cruelty meets courage, and faith meets fate. Its chilling storyline bites hard at religious establishment and raises hard questions regarding Judaism, Christianity, human nature, faith and existence.

    In eight vivid tales of real life in the west, Harty reminds us that life's greatest challenge may be to find the fine balance between desire and obligation.A high school football player must make a choice between family and friends when his older brother commits an act of senseless violence. A middle-aged man must fly to Las Vegas to settle his dead sister's estate, only to discover that he must first confront his guilt over his sister's death. A young teacher tries to help a homeless girl, but, as their lives intertwine, he begins to understand that his generosity is motivated by his own relenting sense of lonliness. Well-intentioned but ultimately human, the characters in these stories often fall short of achieving grace. But the possibility of redemption, like the Sonoran Desert at the edge of Bring Me Your Saddest Arizona's suburban landscapes, is never far off. Harty's characters are as complicated as the people we know, and his vision of life in the west is as hopeful as it is strikingly real.

    The whole stands as his choice of the pieces he would have us read today if we are curious about what he’s been up to all this time. The result is an exciting and invigorating selection, a testament to one of the prose masters at work today. As the Louisville Courier-Journal noted, "Guy Davenport has few peers. Who can match his broad erudition, his mastery of forms—poetry, short fiction, essay, translation—and his wizardry with language?"

    In this anthology, selected as a Southwest Book of the Year in 2003, Don Graham has rounded up a comprehensive collection of writings that provides an overview of the diversity and excellence of Texas literature and reveals its vital contribution to America's literary landscape. The result is a sometimes rowdy, always artful panorama of fable and truth, humor and pathos—all growing out of the state that continues to stimulate the collective imagination like no other.

    "A terse, polemical and often violent book that follows Mark, a disaffected American everyman, through the trailer parks, bedrooms, dive bars and strip joints of humdrum Youngstown, Ohio during the final two hours leading up to the dawn of America's supposed 'War on Terror.'... America's finest literary pariah? You bet"--Dazed & Confused. "This alarmingly well written book is a new voice that has rankled more than enough people back home in America. This vitriolic stance against Bush, God and War is just the book we should be reading in today's climate"--Scarecrow.

    Now, this landmark volume brings together Hemingway's most important writings on war. Edited and with an introduction by Hemingway's grandson Seán and featuring a personal foreword by the author's only living son, Patrick, this volume includes selections from Hemingway's first book of short stories, In Our Time, as well as from A Farewell to Arms, his towering novel of World War I. Excerpts from For Whom the Bell Tolls, Hemingway's indelible portrait of life and love during the Spanish Civil War, along with his only full-length play, The Fifth Column, brilliantly evoke the tumultuous war-torn Spain of the late 1930s. Passages from Across the River and Into the Trees vividly portray an emotionally scarred career soldier in the twilight of life as he reflects on the nature of war. Classic short stories, such as "In Another Country" and "The Butterfly and the Tank," stand alongside captivating selections from Hemingway's war correspondence during his nearly twenty-five years as a reporter for The Toronto Star and other papers. Among these journalistic pieces are the author's coverage of the Greco-Turkish War of 1922, a legendary early interview with Mussolini, and his jolting eyewitness account of the Allied invasion of Normandy on June 6, 1944. Hemingway on War is a compelling collection of Ernest Hemingway's best writings about the devastating impact of human combat. Brought together for the first time, these works represent the author's penetrating and frank accounts of courage, fear, perseverance, depression, and hope in the midst of war.

    Sundeen agrees, assuming that this is his best and last chance to follow the trajectory of his literary heroes, despite the fact that he has never been to a bullfight, doesn't speak Spanish, and is not even a particularly good reporter. After squandering most of the book advance, Sundeen can't afford a trip to Spain, so he settles for nearby Mexico. But the bullfighting he finds there is tawdry and comical, and there's little of the passion and bravery that he'd hoped to employ in exhibiting his literary genius to the masses. To compensate for his own shortcomings as an author, Sundeen invents an alter ego, Travis LaFrance, a swashbuckling adventure writer in the tradition of Sundeen's idol, Ernest Hemingway. When LaFrance steps in, our narrator goes blundering through the landscape of his own dreams and delusions, propelled solely by the preposterous insistence that his own life story, no matter how crummy, is worth being told in the pages of Great Literature. The Making of Toro is a unique comic classic and a sly, poignant tale of the hazards of trying too hard to turn real life into high art.

    Longman is proud to announce the Penguin Academics series edition of American Literature. The Penguin Academics series, in the tradition of Penguin Publishers, offers highly respected, highly affordable, trade-format books by preeminent scholars. American Literature emphasizes its range of selections and minimal apparatus, challenging the existing books on the market by offering a briefer and less expensive book. Rather than including dry academic period overviews, American Literature uses a Letter to the Reader format to give students the contextual information they need for each major historical period. Through a packaging relationship with Penguin Classics, we can offer larger works without increasing the page count.