In it, he shares acrid and poignant stories of blacks colliding--sometimes humorously, but often tragically--with whites throughout the 1920s and 1930s.The book consists of fourteen moving stories:"Cora Unashamed""Slave on the Block""Home""Passing""A Good Job Gone""Rejuvenation Through Joy""The Blues I'm Playing""Red-Headed Baby""Poor Little Black Fellow""Little Dog""Berry""Mother and Child""One Christmas Eve""Father and Son"

    "Vincent is not dead. He will never die. His love, his genius, the great beauty he has created will go on forever, enriching the world... He was a colossus... a great painter... a great philosopher... a martyr to his love of art. "Walking down the streets of Paris the young Vincent Van Gogh didn't feel like he belonged. Battling poverty, repeated heartbreak and familial obligation, Van Gogh was a man plagued by his own creative urge but with no outlet to express it. Until the day he picked up a paintbrush.Written with raw insight and emotion, follow the artist through his tormented life, struggling against critical discouragement and mental turmoil and bare witness to his creative journey from a struggling artist to one of the world's most celebrated artists.

    Cain’s indelible hallmarks.The Postman Always Rings Twice, Cain’s first novel–the subject of an obscenity trial in Boston, the inspiration for Camus’s The Stranger–is the fever-pitched tale of a drifter who stumbles into a job, into an erotic obsession, and into a murder. Double Indemnity–which followed Postman so quickly, Cain’s readers hardly had a chance to catch their breath–is a tersely narrated story of blind passion, duplicity, and, of course, murder. Mildred Pierce, a work of acute psychological observation and devastating emotional violence, is the tale of a woman with a taste for shiftless men and an unreasoned devotion to her monstrous daughter. All three novels were immortalized in classic Hollywood films. Also included here are five masterful stories–“Pastorale,” “The Baby in the Icebox,” “Dead Man,” “Brush Fire,” “The Girl in the Storm”–that have been out of print for decades.

    One of the first American writers to describe the immigrant experience in the U.S., Saroyan created characters who were Armenians, Jews, Chinese, Poles, Africans, and the Irish. The title story touchingly portrays the thoughts of a very young writer, dying of starvation. All of the tales were written during the great depression and reflect, through pathos and humor, the mood of the nation in one of its greatest times of want.

    Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, the widows and divorcées struggling to hold their own.The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.

    These short works display Wharton's talent as a satirist "skilled at dissecting the elements of emotional subtleties, moral ambiguities, and the implications of social constrictions" (Cythina Griffin Wolfe, from the Introduction).Roman fever (1934)Xingu (1911)The other two (1904)Souls belated (1899)The angel at the grave (1901)The last asset (1904)After Holbein (1928)Autres temps (1911)

    Originally published in 1934, it was praised by Carl Sandburg as "a bold and beautiful book, many a page priceless and unforgettable."

    Guest's beloved poems.

    At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.

    Together they represent nearly a quarter century in the productive life of one of the most accomplished and admired of American writers.Madame de Treymes (1907) is set in fashionable Paris society, where a once free-spirited American woman is trying to extricate herself, with the help of a fellow countryman, from her marriage to an aristocratic Frenchman. Wharton’s keen sense of the American-European contrast shows Paris society as stifling as life in any New England village.Such a village is the scene of Ethan Frome (1911), a tale of marital entrapment even more relentless. Ethan’s unhappy marriage and his desperate love for his wife’s cousin Mattie drive him to an act of shattering violence. The magnificent coda is a classic of American realistic fiction.Set in the same region of the Berkshires, Wharton called Summer (1917) “the Hot Ethan.” It is the story of a young woman’s initiation into the intricate sexual and social mores of a small town—and her revolt against them. The complex relationship between Lawyer Royall and his ward, Charity, is one of Wharton’s most subtle and evocative.Observations of the American scene continue in the four novellas that make up Old New York (1924). They take us from the 1840s of “False Dawn,” where a young man is ostracized for his avant garde taste in art, to the 1870s of “New Year’s Day,” where a domestic scandal unfolds. “The Spark” tells of a seemingly ordinary socialite who nevertheless was touched by his Civil War experiences. “The Old Maid,” a story of illegitimacy in which a mother refuses to claim her parental rights so her daughter might have advantages she cannot offer, is one of Wharton’s most popular.The poignancies of parenthood are also the theme of The Mother’s Recompense (1925). Kate Clephane, a divorced woman who has been living in Europe, returns to New York to find her former lover engaged to her daughter—and to face the emotional tangles of this unusual triangle. Wharton also explores here the changes that have taken place in New York since World War I.The fullest portraits of New York are saved for A Backward Glance (1934), one of the most compelling of American autobiographies. It is a fascinating record of Wharton’s literary career, of her friendships (including a loving appreciation of Henry James), as well as her thoughts on writing.Another perspective is offered in “Life and I,” an autobiographical fragment that shows a younger Wharton writing with great frankness about her early life. It is published here for the first time.

    With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding “Treatise on Meter” provides an illuminating essay for anyone aspiring to read and write poetry. The ABC of Reading emphasizes Pound's ability to discover neglected and unknown genius, distinguish originals from imitations, and open new avenues in literature for our time.

    Extensively revised by Nabokov in 1965 - thirty years after its original publication -Despair is the wickedly inventive and richly derisive story of Hermann Karlovich, a man who undertakes the perfect crime - his own murder.

    The period is the eleventh century - the setting, Nisapur in Persia, with all its pageantry and glamorous romance. Historical characters, veiled in the mists of antiquity, play their part. But the story stands on its own feet, as excellent adventure, romance at its height, and the revelation of a period and a place of which most of us have no knowledge...